:Draft:Verneh kilim

{{Short description|Traditional Iranian woven textile}}

{{Draft topics|west-asia}}

{{AfC topic|other}}

{{AFC submission|d|nn|u=Amirreza Sahraei|ns=118|decliner=S0091|declinets=20250410213526|ts=20250410210200}}

{{AFC comment|1=None of the sources mention Verneh kilim or Varni kilim. S0091 (talk) 21:35, 10 April 2025 (UTC)}}

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{{Infobox textile

| name = Varni kilim

| image =

| image_size = 250px

| alt = A traditional Varni kilim with animal motifs and geometric

| caption = Traditional Varni kilim featuring animal motifs

| type = Flat-woven textile (Kilim)

| place of origin = Iran

| regions = Azerbaijan, Mugan Plain

| creators = Shahsavan tribes

| material = Wool, goat hair, sometimes silk

| techniques = Weft-wrapping (no knots)

| motifs = Animals (dog, horse, camel, sheep), geometric forms

| use = Floor covering, tent decoration, saddlebag, horse blanket

| year = Possibly since Safavid dynasty era (16th–18th century)

|From=Moghan desert}}

Varni (also known as Varni Kilim, Verneh kilim, Verneh rug, Verneh carpet, Persian:[https://fa.m.wikipedia.org/w/index.php?title=%D9%88%D8%B1%D9%86%DB%8C_(%DA%AF%D9%84%DB%8C%D9%85)&oldid=40022295 وِرْنی]) is a traditional form of flatwoven textile originating from the nomadic tribes of northwestern Iran, primarily the Shahsavan people.{{Cite web |title=Verné rug {{!}} Hand-Knotted, Persian, Wool {{!}} Britannica |url=https://www.britannica.com/art/verne-rug |access-date=2025-04-11 |website=www.britannica.com }} Known for its durability and unique designs, Varni is typically woven using wool, goat hair, and sometimes silk. These textiles are often used as floor coverings, saddlebags, tent decorations, and horse blankets. The practice of weaving Varni is believed to date back at least 300 years, with origins possibly in the Safavid dynasty era (16th–18th century).

= History and origin =

The tradition of Varni weaving is believed to date back at least 300 years, with origins possibly in the Safavid dynasty (16th–18th century), and later evolving during the 18th and 19th centuries among the nomadic Shahsavan tribes of northwestern Iran.{{Cite web |title=ورنی بافی |url=https://iranantiq.com/handicraft/carpet/lac-weaving |access-date=2025-04-11 |website=ایران آنتیک |language=fa}} The Shahsavan people, known for their seasonal migration patterns between Azerbaijan, Arasbaran and the Mugan Plain, developed this art form primarily for practical purposes during the colder months. Traditionally, women in these tribes wove Varni kilims using hand-operated looms.

In many historical gravestones across the Arasbaran region—particularly in the villages of Anjerd (Ahar County) and As (Kaleybar County)—patterns resembling verni weaving can be observed.{{Cite web |title=اهر خبر (اهر نیوز) |url=https://www.aharnews.ir/print/?id=28402 |access-date=2025-04-12 |website=www.aharnews.ir}}{{Cite web |title=به مناسبت هفته صنایع دستی/ ورنی، سوماک سوزنی – سیمای اهر |url=https://simayeahar.ir/644/%D8%A8%D9%87-%D9%85%D9%86%D8%A7%D8%B3%D8%A8%D8%AA-%D9%87%D9%81%D8%AA%D9%87-%D8%B5%D9%86%D8%A7%DB%8C%D8%B9-%D8%AF%D8%B3%D8%AA%DB%8C-%D9%88%D8%B1%D9%86%DB%8C%D8%8C-%D8%B3%D9%88%D9%85%D8%A7%DA%A9-%D8%B3/ |access-date=2025-04-12 |language=fa-IR}} As the primary center for the trade of verni in Qaradagh and throughout Iran is the city of Ahar, and since verni weaving remains a living tradition in this city and its surrounding nomadic areas, Ahar has been officially designated as Iran’s National City of Verni. In 2018, the Verni of Mugan in Ardabil Province was granted international geographical indication status.

During the winter months (Ceshlaq), when the Shahsavan tribes settled in the plains, weaving Varni provided them with a source of income and useful items for daily life, such as rugs, saddle bags, and coverings for their tents, known as Alachiq .{{Cite web |title=ورنی بافی |url=https://iranantiq.com/handicraft/carpet/lac-weaving |access-date=2025-04-11 |website=ایران آنتیک |language=fa}}

= Materials and techniques =

Varni kilims are woven from a variety of natural fibers, primarily wool and goat hair, both known for their durability and resilience against harsh conditions.{{Cite web |date=2025-04-09 |title=گلیم بافی |url=https://www.parnoun.com/blog/handicrafts/coarse-carpet-weaving |access-date=2025-04-11 |website=فروشگاه اینترنتی صنایع دستی پرنون |language=fa}} Some Varni kilims also feature silk threads, particularly in more intricate designs. The weaving technique used in Varni is weft-wrapping , a method that does not require knots, giving the kilim a distinct flat texture.{{Cite journal |url=https://doi.org/10.17658/issn.2058-5462/issue-12/sbann/p1 |access-date=2025-04-11 |website=doi.org|doi=10.17658/issn.2058-5462/issue-12/sbann/p1 }}

The designs of Varni kilims often include motifs such as animals (including dogs, horses, camels, and sheep), geometric patterns , and occasionally, stylized depictions of everyday tribal life.{{Cite web |title=- HALI |url=https://hali.com/issues/222/ |access-date=2025-04-11 |website=hali.com }}{{Cite journal |last1=Arzani |first1=Sanam |last2=Rezalou |first2=Reza |date=2021-11-29 |title=Symbology of Animal Motifs in the Verneh Textures of Shahsevan Tribe |url=https://doi.org/10.35218/armca.2021.2.06 |journal=Anastasis. Research in Medieval Culture and Art |volume=8 |issue=2 |pages=118–141 |doi=10.35218/armca.2021.2.06 |issn=2392-862X}}

Varni is woven using two main techniques:

1. Weft Insertion Method:

In this technique, the fabric is created solely using warp and weft threads. The patterns emerge through the use of colored wefts. This method closely resembles the basic structure of kilim weaving, where the colored weft threads are inserted horizontally between the warp threads to form the desired design.

2. Weft Wrapping Method:

This technique involves the use of an additional, thinner weft thread alongside the standard warp and weft. The thin weft is wrapped around the warp threads to create patterns. The result is a texture that combines elements of both flat-weave and embroidery, with the design appearing more prominent on the fabric surface.

Components of a Verni Rug

1. Border: This is one of the main elements of the Verni design, functioning as a frame or border that surrounds the central pattern.

2. Field or Main Area: The space enclosed within the various parts of the Verni border is referred to as the field or main area.

3. Medallion: The central design or section of the Verni, which serves as the focal point of the carpet's pattern.

Patterns in Verni

  • Geometric shapes
  • Animal motifs
  • Totemic symbols
  • Plant motifs
  • Cosmic motifs
  • Border patterns

Animal motifs such as wolf, bear, rooster, horse, camel, etc., are used to embellish the field and main area of the Verni with 3 to 8 medallions.

The most famous Verni design is the "frame" or "tile" pattern, with the rooster motif being one of the most common in the region.

= Uses =

Varni kilims are used in various aspects of nomadic life. Some of the most common uses include:

  • Floor coverings (for use in homes and tents)
  • Tent decoration (used to decorate the walls and floor of the nomadic tents known as *Alachiqs*)
  • Saddlebags (for carrying items while traveling)
  • Horse blankets (for protection against cold weather){{Cite web |last=seo |first=dorontash |date=2024-01-23 |title=انواع گلیم دستباف ایران + طرح فرش ها |url=https://dorontash.com/2024/01/23/%D8%A7%D9%86%D9%88%D8%A7%D8%B9-%DA%AF%D9%84%DB%8C%D9%85/ |access-date=2025-04-11 |website=صنایع دستی دوراونتاش |language=fa-IR}}

= Cultural impact =

The tradition of Varni weaving is not just an important craft but also a cultural symbol of the Shahsavan people. Through the intricate patterns and use of specific animal motifs, Varni kilims represent a deep connection to the tribe's daily life, animals, and beliefs. These textiles have been passed down through generations, often as a means of preserving both cultural identity and artistic heritage.

The Varni kilim also reflects the adaptability and resourcefulness of the nomadic tribes of Iran, as these textiles were designed to withstand the demands of their lifestyle, particularly in harsh climates such as the cold winters in the Mugan Plain.{{Cite journal |last=Breck |first=Joseph |date=October 1929 |title=A Hispano-Moresque Textile Fragment |url=https://doi.org/10.2307/3255609 |journal=The Metropolitan Museum of Art Bulletin |volume=24 |issue=10 |pages=253–254 |doi=10.2307/3255609 |jstor=3255609 |issn=0026-1521}}

= Notable examples =

Some of the most beautiful and well-preserved Varni kilims are held in museum collections around the world, providing a glimpse into the rich cultural history of the Shahsavan tribes. Many of these pieces are highly valued for their intricate designs and craftsmanship.{{Cite web |title=Verné rug {{!}} Hand-Knotted, Persian, Wool {{!}} Britannica |url=https://www.britannica.com/art/verne-rug |access-date=2025-04-11 |website=www.britannica.com }}

= Gallery =

= See also =

= References =

{{reflist}}

  • Opie, James. *Tribal Rugs: Treasures of the Black Tent*. Thames & Hudson, 1992.
  • [Iranian Journal of Arts and Crafts](http://www.ijac.ir/) - Academic journal focusing on Iranian art and crafts.
  • *The Textile Museum* - [Textile Museum](https://www.textilemuseum.org/)
  • *The British Museum* - [British Museum - Iranian Textiles](https://www.britishmuseum.org/)
  • *Cultural Heritage, Handicrafts and Tourism Organization of Iran* - [Cultural Heritage Organization of Iran](https://www.chto.ir/)