:Shōji Hamada

Hamada was born in Kawasaki, Japan, in 1894, and was named {{nihongo|Shoji|象ニ}}.

After finishing his studies at the elite Hibiya High School, he studied ceramics at Tokyo Institute of Technology, then known as Tokyo Industrial College{{Cite book|title=Hamada, Potter|last=Bernard|first=Leach|publisher=Kodansha International Ltd.|year=1975|isbn=978-0870118289|location=New York|pages=34}} with Kawai Kanjirō under Itaya Hazan. As the sole students in the school interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring the city in search of inspiration.Leach, 1990:93{{cite web|url=http://www.eocene-arts.com/ceramics/kawai.html|title=Kawai Kanjiro|publisher=Eocene Arts|access-date=2017-10-09}} They worked together in Kyoto at the former body of the Kyoto Municipal Institute of Industrial Technology and Culture[https://www.city.kyoto.lg.jp/sankan/page/0000228138.html Kyoto Municipal Institute of Industrial Technology and Culture] where they experimented on glazes using various minerals. They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries and exhibitions.

Hamada was deeply impressed by a Tokyo exhibition of ceramic art by Bernard Leach, who was then staying with Yanagi Sōetsu, and wrote to Leach seeking an introduction. The two found much in common and became good friends, so much so that Hamada asked and was granted permission to accompany Leach to England in 1920 when the latter decided to return and establish a pottery there.

Having spent three years in St Ives with Bernard Leach, he returned to Japan in 1923 and traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually established his workshop in Mashiko, about {{convert|100|km|abbr=on}} north-east of Tokyo. Here, he built his own pottery and committed himself to using only locally sourced materials, not only in the clay he used, but also the glazes he created and the brushes he manufactured himself from dog hair and bamboo.{{cite book|last1=Riddick|first1=Sarah|editor-first=Richard|editor-last=Green|title=Pioneer Studio Pottery: The Milner-White Collection|date=1990|publisher=Lund Humphries Publishers Ltd|isbn=0853315906|oclc=214380411}}

In 1955 the Japanese government designated him "Living National Treasure", the first time for someone from the field of crafts. The previous year on 29 May 1954, the Cultural Property Protection Act had been amended, and a new Preservers of Important Intangible Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed the bill in November for its criteria and approval details.{{cite web|url=http://www.nihonkogeikai.or.jp/old/KOGEITEN/ENKAKU/1954.html|title=Nihon dento kogeiten enkaku—Showa 29-nen (1954)|trans-title= History of traditional Japanese craft exhibition: 1954 (Showa 29)|language=ja|publisher=Japan Kōgei Association| access-date= 2017-10-09}}

Following Yanagi Muneyoshi, Hamada was enthusiastic about folk art movement in Japan. When Yanagi died in 1961, he succeeded as the second director of the Japanese Folk Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),{{cite web|url=http://www.mashiko-sankokan.net/index.html|title=Hamada Shoji Kinen Mashiko Sankokan| trans-title=Shoji Hamada Memorial Mashiko Sankokan Museum|language=ja|access-date= 2017-10-09}} and exhibited his collection of folk crafts from Japan and abroad.

Hamada Shoji was very supportive of young artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, and was also important in establishing Mashiko as a destination for day tourism. He provided housing and hosted workplace for visiting potters from abroad as well.

Hamada died in Mashiko on January 5, 1978.

File:Shoji Hamada Memorial Mashiko Sankokan Museum.JPG

Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Edo period unique to southern Tochigi Prefecture on his property. The first was his residence in 1930, followed by others he used as workshops and for entertaining guests and apprentices, with the last one used since 1942 as his workshop. In 1989 his residence was donated to and rebuilt at Mashiko Museum of Ceramic Art, or Ceramic Art Messe Mashiko, after the house was designated a cultural property of Mashiko.{{cite web|url=http://www.mashiko-museum.jp/en/hamada/index.html|title=Shoji Hamada's House|publisher=Mashiko Museum of Ceramic Art|access-date=2017-10-09}} The museum is still open today and visitors can view Hamada's studio, living quarters, and various craft collections.

Throughout a lifetime dedicated to making pottery he achieved international recognition and his works have been collected by museums across the world. Hamada’s influence was felt not only in his native Japan, particularly in Mashiko, but also in the West. In the United Kingdom and the US, his style and philosophy became well known amongst studio potters, and he was revered as the archetypal "Oriental" potter.

Image:Square plate.jpg

Today Hamada's works attain high prices at auction.{{cite web|url=http://artist.christies.com/Hamada-Shoji--44407.aspx|title=Hamada Shoji: past results | publisher=Christie’s|access-date=2017-10-09}}{{cite web|url= http://www.arcadja.com/auctions/en/hamada_shoji/artist/113403/| title= Shoji Hamada, prices and estimates|access-date=2017-10-09}} In the UK, examples of his work can be seen at the York Art Gallery.

A young Sardar Gurcharan Singh met him and further developed his style of pottery in India.{{cite web | url=https://icaf.org.in/team-members/padma-shree-sardar-gurcharan-singh/ | title=Padma Shree Lt. Sardar Gurcharan Singh :ICAF }}{{cite web | url=https://scroll.in/reel/1047039/a-documentary-revisits-legendary-studio-potter-gurcharan-singhs-journey-of-utility-and-beauty | title=A documentary revisits legendary studio potter Gurcharan Singh's journey of utility and beauty | date=9 April 2023 }}{{cite web | url=https://theaidem.com/the-lotus-and-the-swan-a-television-documentary-by-nirmal-chander/ | title=The Lotus and the Swan - A Television Documentary on Gurcharan Singh by Nirmal Chander | date=August 2023 }}

• Living National Treasure in 1955
• Medals of Honor (Japan), Purple Ribbon in 1964
• Order of Culture in 1968

;Degrees

• Honorary degree in arts, Royal College of Art{{cite web|url= https://kotobank.jp/word/浜田+庄司-1652805|title=Hamada Shōji|trans-title=Hamada Shoji |language=ja| access-date= 2017-10-09}}

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1. {{cite book|last1= Hamada|first1=Shoji|last2=Yanagi |first2=Muneyoshi|title= Shoji Hamada|location= Tokyo|publisher= Asahi Shimbun Publishing Company|year= 1966}}{{cite web|url=https://asuartmuseum.asu.edu/sites/default/files/hamada_shoji_biography.pdf | title=Shoji Hamada (1894-1978) |publisher=Arizona State University|access-date=2017-10-09}}
2. {{cite book|author=Hamada, S.|title=The Works in Shoji Hamada, 1921-1969|location=Tokyo|publisher=Asahi Shimbun Publishing Company|year= 1969}}
3. {{cite book|author=Hamada, S.|title=Hamada Shoji Ten|trans-title=Hamada Shoji Exhibition|language=ja|location=Tokyo|publisher=Nihon Keizai Shinbunsha|year= 1977}}
4. {{cite book |author=Hamada, S. |title= Okinawan pottery|oclc= 84482222|location= Okinawa|publisher=Ryukyu Telegraph and Telephone Public Corp|year=1972}}
5. {{cite book|last1= Hamada|first1=S.|last2=Serizawa|first2=Keisuke|last3=Tonomura|first3=Kichinosuke|others=Sugano Yoshikatsu (photograph)|title=Sekai no mingei|trans-title=Mingei of the World|language=ja|publisher=Asahi Shimbun Publishing Company|oclc=703795769|year= 1972}}Reprint, {{cite book|last1= Hamada|first1=S.|last2=Serizawa|first2=Keisuke|last3=Tonomura|first3=Kichinosuke|others=Sugano Yoshikatsu (photograph)|title=Sekai no mingei|trans-title=Mingei of the World|language= ja|publisher=Nihon Tosho Center|isbn= 9784284502832|oclc= 779138648|year= 2012}}
6. {{cite book|last1= Hamada|first1=S.|title=Mujinzo|trans-title=Limitless|publisher=Asahi Shimbun Publishing Company|year= 1974}} With time table by Mizuo Hiroshi, pp. 336–341Reprint in paperback{{cite book|last1= Hamada|first1=S.|title=Mujinzo|trans-title=Limitless|publisher=Kodansha|series=Kodansha bungei bunko|isbn=9784061982161|oclc=674842709|year=2000}}
7. {{cite book|last1= Hamada|first1=S.|title=Kama ni makasete|trans-title=As the Kiln Goes|publisher=Nihon Keizai Shinbunsha|oclc= 703789746|year= 1976}} With time table by Mizuo Hiroshi, pp. 185–204.Reprint.{{cite book|last1= Hamada|first1=S.|title=Hamada Shoji: Kama ni makasete|trans-title=Hamada Shoji: As the Kiln Goes|publisher=Nihon Tosho Center|series=Ningen no Kiroku|number=50|isbn=4820542931|oclc=675393250 |year= 1997}} With time table, pp.161-177.
8. {{Cite web|url=https://www.jnto.go.jp/eng/spot/museum/mashiko-sankokan-museum.html|title=Shoji Hamada Memorial Mashiko Sankokan Museum|website=Jnto Japan}}
9. {{cite web|url=http://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/hamada-shoji|title=Hamada, Shoji|website=Encyclopedia.com|publisher=The Gale Group Inc.|access-date=29 October 2017}}

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• {{cite book|first=Bernard |last=Leach|others=Soyetsu Yanagi, Michael Cardew (introductions)|title=A Potter's Book|location=London|oclc= 1942788|publisher=Faber and Faber|year= 1940}}Translated into German, Japanese, and Spanish. Reprint in hardback. {{cite book|first=Bernard |last=Leach|title=A Potter's Book|location=London|isbn=9781910065167|oclc= 930816596|publisher=Unicorn|year= 2015}}
• {{cite book|first=Bernard |last=Leach|title=A Potter in Japan, 1952–1954|location=London|oclc=922076982|publisher=Faber and Faber|year= 1960}} 246 pp. Ill., ports.; 21 cm.Reprint. {{cite book|first=Bernard |last=Leach|title=A Potter in Japan, 1952–1954|year=2015|location=London|isbn=9781910065174|oclc=927982934 |publisher=Unicorn Press}}
• {{cite book|first1=Susan|last1=Peterson|first2=Richard|last2=Green|title=Shoji Hamada: a potter's way and work|location=Tokyo; New York|isbn=9780870114649|oclc=456509609|publisher=Kodansha International, distributed by Harper & Row|year=1974|url-access=registration|url=https://archive.org/details/shojihamadapotte0000pete}} 239 pp. Ill. (some col.); 27 cm.
• {{cite book|first=Bernard|last=Leach|title=Hamada, Potter|others=Warren MacKenzie (preface), Janet Darnell Leach (foreword)|isbn=9780870112522|oclc=2401330|location=Tokyo; New York|publisher=Kodansha International, distributed in the US by Kodansha International/USA|year=1990|url-access=registration|url=https://archive.org/details/hamadapotter0000leac}} 232 pp. Ill. (some col.); 26 cm.
• {{cite book|last1=Birks|first1=Tony|last2=Digby|first2=Cornelia Wingfield|others=Peter Kinnear (photographs)|title=Bernard Leach, Hamada & Their Circle|oclc= 123753963|location=Oxford|publisher=Phaidon Christie's|year= 1990}}

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• {{cite book|first1=Kanjirō |last1=Kawai|first2=Shōji |last2=Hamada|editor= Beaux Arts Gallery|title=Exhibition of stoneware pottery by Kanjiro Kawai (of Kyoto, Japan)|oclc=913358760|location= London |publisher= Beaux Arts Gallery|year =1929}}Held between 9–27 July 1929.
• {{cite book|last1=Hamada|first1= Shoji|last2=Leach|first2=Bernard|title= The Quiet Eye: Pottery of Shoji Hamada and Bernard Leach|location=Monterey, CA|publisher=Monterey Peninsula Museum of Art; San Francisco Craft and Folk Art Museum|oclc=733070373 |year=1990}}
• {{cite book|last1=Anderson|first1=Laura|last2=Hamada|first2=Shoji|last3=Picasso|first3=Pablo |last4=Prieto|first4= Antonio |title=From the Fire, Three Exhibitions in Clay: from the Prieto collection|location=Palo Alto, CA|publisher=Palo Alto Cultural Center|year=1993}}Held between 17 January-25 April 1993. Works exhibited also included by Howard Kottler, Bernard Leach, Harrison McIntosh, Paul Soldner, Peter Voulkos, Beatrice Wood, Robert Arneson, and F. Carlton Ball.
• {{cite book|title=Six master potters of the modern age: an exhibition celebrating the 75th anniversary of the founding of the Leach Pottery|publisher=Babcock Galleries|oclc= 225128578|year=1995}}Exhibition lasted between 15 September-14 October 1995, with works of Bernard Leach, Shoji Hamada, Warren MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
• {{cite book|last1= Hamada|first1=S.|last2=Wilcox|first2=Timothy|translator-first=Yuko|translator-last=Kikuchi|title= Shoji Hamada: Master Potter|location= London|publisher= Lund Humphries Publishers in association with Ditchling Museum|isbn= 9780853317289|oclc= 716255305|year=1998}}Exhibitions held at {{ubl|Ditchling Museum, Sussex 4 April-2 June 1998| High Cross House, Dartington Hall, Devon 20 June-26 July 1998| Ashmolean Museum, Oxford, 3–30 August 1998}}
• {{cite book|last1=Hamada|first1= Tomoo|last2= Hamada|first2= Shōji|last3= Hamada|first3= Shinsaku|title= Into the Present: The Ceramic Art of Tomoo Hamada, Including Works by Shoji and Shinsaku Hamada|oclc= 913507820|location=Boston, Massachusetts|publisher= Pucker Gallery|year=2015}}Exhibition held between 16 May-12 July 2015.

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• Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware for local markets, but the post-war period saw a change with the influence of potter Shoji Hamada. Held at University of Tasmania & Edith Cowan University. Edith Cowan University Library
• The Potters' Society of Australia presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Television, University of New South Wales, 1965. 1 videocassette (VHS)(50 min): sd., black and white; 1/2.Famous Japanese artist potter, Shoji Hamada demonstrates his unique techniques. Held in The University of Sydney. University of Sydney Library.
• The Potters' Society of Australia presents...Shoji Hamada [videorecording]. Kensington, NSW: University of New South Wales. Audio Visual Unit, (198?)1 videocassette (VHS) (55 min.): sd., black and white; 1/2 in. Held in University of Newcastle. University of Newcastle Library
• Shoji Hamada [videorecording]: a demonstration by Shoji Hamada.Audio-Visual Unit, UNSW, 1984. 1 videocassette (VHS) (48 min.): sd., black and white; 1/2 in. Held in Southern Cross University. University Library Lismore.
• Shoji Hamada [videorecording]: a potter's way and work / written and narrated by Susan Peterson. New York: Weatherhill Press, 1995, c. 1996. 1 videocassette (VHS)(027 min.): sd., col.; 1/2 in.

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• Three potters throwing. [Motion picture]. Research & Education Dept, American Crafts Council, 1958. 20 mins: si. color; 16 mm.Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing pots.Held in University of New England. Dixson Library.
• Fingers and Clay. 1 film reel (11 mins): sd., black and white; 16 mm. Producer, Malcolm Otton; director, editor, Christopher Cordeaux; script, J. Hawes; photographers, Edward Cranstone, Tom Cowan; sound, Gordon Wraxall.Pottery making as an artistic craft. Australian students and the Japanese master potter Shoji Hamada demonstrate techniques involved, and typical creative work is shown.Held in [http://www.sl.nsw.gov.au www.sl.nsw.gov.au State Library of NSW]
• The art of the potter. [Motion picture] / Sidney Reichman and David Outerbridge. New York : Phoenix Films, 1977. 2 reels, 50 mins: sd., col.; 16 mm.Presents the work of English potter Bernard Leach and Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with the digging of clay through its firing in a kiln.

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• Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, [197-]. Held in The University of Melbourne. 23 slides: col. & + guide (Set 19). The University Library.Slides for Potters
• a. Bottle 1963. Slab-built, salt glaze.
• b. Bottle. 1963. Slab, "Kaki" ash glaze.
• c. Bottle, 1963. Tall slab-built, "Kaki".
• d. Vase.1963. "Kaki" glaze, wax resist.
• e. Pot. 1963. Flattened, iron brushwork.
• f. Bottle. 1963. Tall rectangular wax resist.
• g. Pot. 1963. Flattened, block glaze trail.
• h. Bottle. 1963. Curved slab, wax resist.
• i. Bottle. 1963. Thrown square brushwork, salt glaze.
• j. Bottle. 1963. Slab, panelled decoration.
• k. Bottle. 1963. Rectangular, finger sgraffito. Pot.

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• [http://www.mashiko-sankokan.net/index.html Shoji Hamada Memorial Mashiko Sankokan Museum] stands on the site of Hamada's home and holds workshops. {{in lang|ja}} {{nihongo2|濱田庄司記念益子参考館}}
• [http://www.mashiko-museum.jp/ Mashiko Museum of Ceramic Art] showcases ceramicists in Mashiko including residency program attendees. Reserves Hamada's house as a historical architecture. {{nihongo2|益子陶芸美術館}}
• [http://collections.tepapa.govt.nz/search.aspx?advanced=colProProductionMakers%3a%22Hamada%2c+Shoji%22 The Museum of New Zealand Te Papa Tongarewa] holds a collection of works by Shōji Hamada.
• [http://www.galleryoldham.org.uk/ Gallery Oldham, Greater Manchester] holds works by Shoji Hamada.

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Category:1894 births

Category:1978 deaths

Category:Artists from Tokyo

Category:Japanese potters

Category:Living National Treasures of Japan

Category:Tokyo Institute of Technology alumni

Category:20th-century Japanese ceramists

Artists

Category:Mingei