:Shoplifters (film)
{{Short description|2018 film}}
{{Use dmy dates|date=March 2020}}
{{Use American English|date=July 2020}}
{{Infobox film
| name = Shoplifters
| image = Shoplifters (film).jpg
| caption = Theatrical release poster
| native_name = {{Infobox Japanese
| kanji = 万引き家族
| revhep = Manbiki Kazoku
| l = Shoplifting Family
}}
| director = Hirokazu Kore-eda
| producer = {{ubl|Hirokazu Kore-eda|Matsuzaki Kaoru|Yose Akihiko|Taguchi Hijiri}}
| writer = Hirokazu Kore-eda
| starring = {{plainlist|
- Lily Franky
- Sakura Ando
- Mayu Matsuoka
- Kairi Jō
- Miyu Sasaki
- Kirin Kiki
}}
| music = Haruomi Hosono
| cinematography = Kondo Ryuto
| editing = Hirokazu Kore-eda
| studio = Fuji TV
AOI Pro, Inc.
Bunkuku
| distributor = GAGA
| released = {{film date|2018|5|15|Cannes|2018|6|9|Japan|df=yes}}
| runtime = 121 minutes{{cite web |last1=D'Angelo |first1=Mike |title=This year's big Cannes winner, Shoplifters, is an affecting ode to the families we choose |url=https://www.avclub.com/this-year-s-big-cannes-winner-shoplifters-is-an-affec-1830542378 |website=film.avclub.com |date=19 November 2018 |publisher=The A.V. Club |access-date=7 February 2021}}{{cite web |title=SHOPLIFTERS |url=https://www.ciffcalgary.ca/films/2018/shoplifters/ |website=ciffcalgary.com |publisher=CIFF |access-date=7 February 2021}}
| country = Japan
| language = Japanese
}}
Shoplifters ({{Langx|ja|万引き家族|Manbiki Kazoku|Shoplifting Family}}) is a 2018 Japanese drama film written, directed and edited by Hirokazu Kore-eda. Starring Lily Franky and Sakura Ando, it is about a family that relies on shoplifting to cope with a life of poverty.
Kore-eda wrote the screenplay contemplating what makes a family, inspired by reports on poverty and shoplifting in Japan. Principal photography began in mid-December 2017.
Shoplifters premiered on 13 May 2018 at the Cannes Film Festival, where it won the Palme d'Or. The film was released in Japan on 8 June 2018 and was a critical and commercial success. Shoplifters won three Mainichi Film Awards, including Best Film, and the Asia Pacific Screen Award for Best Feature Film, and was nominated for Best Foreign Language Film at the Oscars and the Golden Globes.
Plot
In Tokyo, a family lives together in poverty: Hatsue, an elderly woman who owns the home and supports them with her deceased husband's pension; Nobuyo, who works for an industrial laundry service; her husband Osamu, a day laborer forced to leave his job after twisting his ankle; Aki, who works at a JK peep shop;{{cite web |last1=Adelstein |first1=Jake |last2=Yamamoto |first2=Mari |title=Prize-Winning ‘Shoplifters’: Japan’s PM Hates This Movie! |url=https://www.thedailybeast.com/prize-winning-shoplifters-japans-pm-hates-this-movie-because-its-just-too-true/#:~:text=The%20house%20is%20a%20mess,based%20somewhat%20on%20real%20events. |website=The Daily Beast |access-date=18 February 2025 |language=en |date=14 June 2018}} and Shota, a young boy.
Osamu and Shota routinely shoplift from stores, using a system of hand signals to communicate. Osamu tells Shota it is fine to steal things that have not been sold, as they do not belong to anyone. One cold night, they see Yuri, a neighborhood girl they regularly observe locked out on an apartment balcony, and bring her home with them. They only intend to have her stay for dinner, but after finding evidence of abuse, they choose not to return her.
Yuri bonds with her new family and learns to shoplift from Osamu and Shota. Osamu urges Shota to see him as his father and Yuri as his sister, but Shota is reluctant. The family learns on television that after almost two months, police are investigating Yuri's disappearance; her parents never reported her missing. The family cuts her hair, burns her old clothes, and renames her Lin.
Hatsue visits her husband's son from an affair, from whom she regularly receives money. The son and his wife are Aki's parents; they lie that their daughter is living in Australia. The family visits the beach, and Hatsue expresses contentment that she will not die a lonely death. At home that night, she dies in her sleep. Osamu and Nobuyo bury her under the house in order to avoid reporting her death and continue to collect her pension.
Osamu steals a purse from a car, making Shota feel uneasy since he considers this theft against their moral code. Shota recalls joining the family after Nobuyo and Osamu found him in a locked car. Increasingly guilt-ridden about teaching Yuri to steal, Shota interrupts her theft by stealing fruit from a grocery store in view of the staff. Cornered, he jumps from a bridge and breaks his leg.
Shota is hospitalized and detained by police. Nobuyo and Osamu are caught after attempting to flee with Yuri and Aki. The authorities discover Yuri and the death of Hatsue and tell Shota that the family was going to abandon him. They reveal to Aki that Nobuyo and Osamu previously killed Nobuyo's abusive husband in self-defense, and that Hatsue was receiving money from Aki's parents.
Nobuyo takes the blame for the crimes to protect Osamu, who has a previous criminal record, and is sentenced to prison. Shota is placed in an orphanage. Osamu and Shota visit Nobuyo in prison, and she gives Shota details of the car they found him in so he can search for his parents. Shota stays overnight with Osamu, against the orphanage's rules. When Shota asks, Osamu tells him the truth, confirming that they intended to abandon him, and says he can no longer be his father.
The next morning, as he is about to depart, Shota says that he allowed himself to be caught. Osamu runs after Shota's bus; Shota looks back and finally acknowledges Osamu as his father. Yuri is returned to her parents, who continue to neglect her, and looks wistfully back at the house she shared with the family.
Cast
{{Cast listing|
- Lily Franky as Osamu Shibata
- Sakura Ando as Nobuyo Shibata
- Mayu Matsuoka as Aki Shibata
- Kairi Jo as Shota Shibata
- Kirin Kiki as Hatsue Shibata
- Miyu Sasaki as Yuri/Juri Hojo/Rin
- Sosuke Ikematsu as 4 ban-san
- Naoto Ogata as Yuzuru Shibata
- Yoko Moriguchi as Yoko Shibata
- Aju Makita as Sayaka Shibata
- Yūki Yamada as Yasu Hojo
- Moemi Katayama as Nozomi Hojo
- Kengo Kora as Takumi Maezono
- Chizuru Ikewaki as Kie Miyabe
- Akira Emoto as Yoritsugu Kawado
}}
Production
Director Hirokazu Kore-eda{{Cite web |last=Grater |first=Tom |date=2020-08-27 |title='Parasite' Star Song Kang-ho To Lead 'Broker' For 'Shoplifters' Director Hirokazu Kore-eda |url=https://deadline.com/2020/08/parasite-song-kang-ho-broker-shoplifters-hirokazu-kore-eda-1203024632/ |access-date=2023-03-20 |website=Deadline |language=en-US}} said that he developed the story for Shoplifters when considering his earlier film Like Father, Like Son, with the question "What makes a family?" He had been considering a film exploring this question for 10 years before making Shoplifters.{{Cite web |url=https://www.cinematoday.jp/news/N0097408 |title=是枝裕和、新作始動! リリー・フランキー、安藤サクラ、松岡茉優、樹木希林演じる家族の物語 |work=Cinema Today |last=Koichi |first=Ikura |date=5 January 2018 |access-date=23 May 2018 |language=ja |archive-url=https://web.archive.org/web/20180519073255/https://www.cinematoday.jp/news/N0097408 |archive-date=19 May 2018 |url-status=live }} Kore-eda described it as his "socially conscious" film.{{Cite web |url=https://www.japantimes.co.jp/culture/2018/05/20/films/director-hirokazu-kore-eda-master-humanism/#.WwGlGkgvzIU |title=Director Hirokazu Kore-eda: a master of humanism |work=The Japan Times |author=AFP-Jiji |date=20 May 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180520171114/https://www.japantimes.co.jp/culture/2018/05/20/films/director-hirokazu-kore-eda-master-humanism/#.WwGlGkgvzIU |archive-date=20 May 2018 |url-status=live }} With this story, Kore-eda said he did not want the perspective to be from only a few individual characters, but to capture "the family within the society", a "wide point of view" in the vein of his 2004 film Nobody Knows. He set his story in Tokyo and was also influenced by the Japanese Recession,{{Cite web |url=https://deadline.com/2018/05/shoplifters-hirokazu-kore-eda-palme-dor-cannes-video-interview-1202394721/ |title=Japanese Director Hirokazu Kore-eda Returns To Exploring Family Dynamics In Surprise Palme D'Or Winner 'Shoplifters' – Cannes Studio |website=Deadline Hollywood |publisher=Penske Business Media |last=Wise |first=Damon |date=19 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180520062843/http://deadline.com/2018/05/shoplifters-hirokazu-kore-eda-palme-dor-cannes-video-interview-1202394721/ |archive-date=20 May 2018 |url-status=live }} including media reports of how people lived in poverty and of shoplifting.{{Cite web |url=https://www.svt.se/kultur/film/shoplifters-hirokazu-kore-eda |title=Hirokazu Kore-Eda om Shoplifters: "Jag inspirerades av händelser som jag såg på nyheterna" |work=SVT Nyheter |publisher=Sveriges Television |first=Askerfjord |last=Sundeby |date=19 May 2018 |access-date=20 May 2018 |language=sv |archive-url=https://web.archive.org/web/20180520210030/https://www.svt.se/kultur/film/shoplifters-hirokazu-kore-eda |archive-date=20 May 2018 |url-status=live }} To research the project, Kore-eda toured an orphanage and wrote a scene inspired by a girl there who read from Swimmy by Leo Lionni. Kore-eda said,
{{Blockquote
|When I visited an orphanage, a little girl took the picture book Swimmy out of her backpack and suddenly started to read it. The staff tried to stop her, telling her she was bothering us, but she read it to the end. Everyone, including the staff, was moved and applauded her. She looked so happy. I thought she really wanted to read that book to her parents. I couldn't get her out of my head and wrote a scene reflecting that moment.
When I was working in TV, a senpai (senior) told me that I should make my program for one person, be it my mother or a friend or anyone. … I made this film for the little girl I'd heard reading Swimmy.
}}
Lily Franky and Sakura Ando joined the cast before principal photography began in mid-December 2017.{{Cite web |url=https://www.screendaily.com/news/ando-sakura-lily-franky-to-star-in-new-kore-eda-project/5125315.article |title=Ando Sakura, Lily Franky to star in new Kore-eda project |work=Screen Daily |publisher=Screen International |first=Liz |last=Shackleton |date=5 January 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180521110059/https://www.screendaily.com/news/ando-sakura-lily-franky-to-star-in-new-kore-eda-project/5125315.article |archive-date=21 May 2018 |url-status=live }} Child actors Sasaki Miyu and Kairi Jo were cast for their first film.{{Cite web |url=https://variety.com/2018/film/asia/gaga-wild-bunch-hirokazu-koreeda-drama-1202656750/ |title=Gaga, Wild Bunch Board Hirokazu Kore-eda Drama |work=Variety |publisher=Penske Business Media |first=Patrick |last=Frater |date=8 January 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180429151730/http://variety.com/2018/film/asia/gaga-wild-bunch-hirokazu-koreeda-drama-1202656750/ |archive-date=29 April 2018 |url-status=live }} Sosuke Ikematsu, Chizuru Ikewaki and Yūki Yamada joined the cast in February.{{Cite web |url=https://variety.com/2018/film/asia/cast-joins-hirokazu-kore-eda-shoplifting-family-1202698461/ |title=Berlin: Ensemble Cast Joins Hirokazu Kore-eda's 'Family' |work=Variety |publisher=Penske Business Media |first=Mark |last=Schilling |date=14 February 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180521191624/http://variety.com/2018/film/asia/cast-joins-hirokazu-kore-eda-shoplifting-family-1202698461/ |archive-date=21 May 2018 |url-status=live }} It was also one of the last films Kirin Kiki appeared in before her death in 2018.{{cite news |url=http://mainichi.jp/english/articles/20180917/p2a/00m/0na/019000c |title=Actress Kirin Kiki remained at top of her craft until end of fight with cancer |work=Mainichi Shimbun |date=17 September 2018 |access-date=27 October 2018 |archive-url=https://web.archive.org/web/20181107054234/https://mainichi.jp/english/articles/20180917/p2a/00m/0na/019000c |archive-date=7 November 2018 |url-status=live }}
Production began in December 2017,{{Cite web |url=https://www.hollywoodreporter.com/news/japanese-director-hirokazu-kore-eda-sets-new-film-starring-lily-franky-1073184 |title=Japanese Director Hirokazu Kore-eda Sets New Film Starring Lily Franky |work=The Hollywood Reporter |publisher=Prometheus Global Media |first=Gavin J. |last=Blair |date=8 January 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180522041411/https://www.hollywoodreporter.com/news/japanese-director-hirokazu-kore-eda-sets-new-film-starring-lily-franky-1073184 |archive-date=22 May 2018 |url-status=live }} with Fuji Television Network, Gaga, and AOI Pro producing. Cinematographer Kondo Ryuto used 35 mm film with an Arricam ST, aware 35 mm was a preference of Kore-eda's and also seeking the right texture and grain for the story.{{Cite web |url=https://www.indiewire.com/2018/05/cannes-2018-camera-cinematographers-don-quixote-blackkklansman-under-the-silver-lake-1201960977/ |title=Cannes 2018: Here Are the Cameras Used To Shoot 32 of This Year's Films |work=IndieWire |publisher=Penske Business Media |first=Chris |last=O'Falt |date=11 May 2018 |access-date=21 May 2018 |archive-url=https://web.archive.org/web/20180520231017/https://www.indiewire.com/2018/05/cannes-2018-camera-cinematographers-don-quixote-blackkklansman-under-the-silver-lake-1201960977/ |archive-date=20 May 2018 |url-status=live }}
Release
With Gaga Corporation as its distributor, the film was selected to screen at the 2018 Cannes Film Festival,{{Cite web |url=https://variety.com/2018/film/news/cannes-lineup-includes-new-films-from-spike-lee-jean-luc-godard-1202751300/ |title=Cannes Lineup Includes New Films From Spike Lee, Jean-Luc Godard |work=Variety |publisher=Penske Business Media |access-date=12 April 2018 |first1=Peter |last1=Debruge |first2=Elsa |last2=Keslassy |date=12 April 2018 |archive-url=https://web.archive.org/web/20180413034614/https://variety.com/2018/film/news/cannes-lineup-includes-new-films-from-spike-lee-jean-luc-godard-1202751300/ |archive-date=13 April 2018 |url-status=live }} where it went on to win the Palme d'Or.{{Cite web|url=https://www.bbc.co.uk/news/world-europe-44184985|title=Cannes 2018: Japanese indie Shoplifters wins Palme d'Or|date=19 May 2018|work=BBC News|publisher=BBC|access-date=20 May 2018|archive-url=https://archive.today/20180528111456/https://www.bbc.com/news/world-europe-44184985|archive-date=28 May 2018|url-status=live}} In Japan, it was scheduled for release on 8 June 2018.{{Cite web |url=http://www.asahi.com/ajw/articles/AJ201805200022.html |title=Kore-eda nabs Palme d'Or on 5th try for top prize at Cannes |work=Asahi Shimbun |publisher=The Asahi Shimbun Company |last=Ito |first=Erina |date=20 May 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180520170942/http://www.asahi.com/ajw/articles/AJ201805200022.html |archive-date=20 May 2018 |url-status=live }} Magnolia Pictures also obtained the rights to distribute the film in North America.{{Cite web |url=https://variety.com/2018/film/news/shoplifters-cannes-hirokazu-koreeda-1202815442/ |title=Cannes: Hirokazu Kore-eda's 'Shoplifters' Sells to Magnolia (EXCLUSIVE) |work=Variety |publisher=Penske Business Media |first1=Brent |last1=Lang |first2=Elsa |last2=Keslassy |date=18 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180518170227/http://variety.com/2018/film/news/shoplifters-cannes-hirokazu-koreeda-1202815442/ |archive-date=18 May 2018 |url-status=live }} On 23 May 2018, Thunderbird Releasing acquired the UK distribution rights,{{cite web|url=https://www.screendaily.com/news/cannes-palme-dor-winner-shoplifters-scores-uk-deal-exclusive/5129581.article|title=Cannes Palme d'Or winner 'Shoplifters' scores UK deal (exclusive)|last=Grater|first=Tom|work=Screen Daily|publisher=Screen International|date=23 May 2018|access-date=23 May 2018|archive-url=https://web.archive.org/web/20180523162807/https://www.screendaily.com/news/cannes-palme-dor-winner-shoplifters-scores-uk-deal-exclusive/5129581.article|archive-date=23 May 2018|url-status=live}} while Road Pictures secured the rights to distribute it in China.{{Cite web |url=https://www.hollywoodreporter.com/news/cannes-chinas-road-pictures-acquires-palme-dor-winner-shoplifters-1114265 |title=Cannes Palme d'Or Winner 'Shoplifters' Acquired by Road Pictures for China (Exclusive) |work=The Hollywood Reporter |publisher=Prometheus Global Media |last=Brzeski |first=Patrick |date=22 May 2018 |access-date=23 May 2018 |archive-url=https://web.archive.org/web/20180523093112/https://www.hollywoodreporter.com/news/cannes-chinas-road-pictures-acquires-palme-dor-winner-shoplifters-1114265 |archive-date=23 May 2018 |url-status=live }}
Reception
=Box office=
The film grossed {{JPY|4.55 billion}} ({{US$|37.8 million|long=no}}) in Japan by the end of 2018, making it the fourth highest-grossing domestic film of the year and the second highest-grossing Japanese live-action film of the year (after Code Blue).{{cite web |title=Movies With Box Office Gross Receipts Exceeding 1 Billion Yen |url=http://www.eiren.org/boxoffice_e/2018.html |website=Eiren |publisher=Motion Picture Producers Association of Japan |year=2018 |access-date=13 May 2020}} In China, the film grossed {{USD|14 million|long=no}}, in what The Hollywood Reporter called "an unprecedentedly strong performance for an imported pure arthouse drama".{{cite web|url= https://www.hollywoodreporter.com/news/china-box-office-summer-up-16-percent-but-hollywood-revenue-slips-1139414|title= China Box Office Finishes Summer up 16 Percent, but Hollywood Revenue Slips|author= Patrick Brzeski|date= 4 September 2018|access-date= 5 September 2018|work= The Hollywood Reporter|archive-url= https://web.archive.org/web/20180905034747/https://www.hollywoodreporter.com/news/china-box-office-summer-up-16-percent-but-hollywood-revenue-slips-1139414|archive-date= 5 September 2018|url-status= live|df= dmy-all}} Shoplifters also grossed $3,313,513 in the United States and Canada, and $17,398,743 in other territories, for a worldwide total of {{US$|{{#expr:37816420+14097096+3313513+17398743}}|long=no}}.{{cite web|url=https://www.the-numbers.com/movie/Manbiki-kazoku-(Japan)#tab=summary|title=Shoplifters (2018)|publisher=The Numbers|access-date=9 April 2019|archive-url=https://web.archive.org/web/20180905141143/https://www.the-numbers.com/movie/Manbiki-kazoku-(Japan)#tab=summary|archive-date=5 September 2018|url-status=live}} This makes it the most successful commercially of the five nominees for the 2019 Academy Award for Best International Film.{{citation needed|date=February 2021}}It scored China Box Office Record.{{Cite web |last=Wiseman |first=Andreas |date=2018-08-14 |title=Cannes Winner 'Shoplifters' Scores China Box Office Record |url=https://deadline.com/2018/08/cannes-shoplifters-china-box-office-record-1202445082/ |access-date=2023-03-20 |website=Deadline |language=en-US}}
In its tenth weekend of release in the United States and Canada, following its Oscar nomination, the film made $190,000 from 114 theaters, for a running total of $2.5 million up until then.{{cite web|url=https://www.indiewire.com/2019/01/never-look-away-box-office-gets-oscar-bump-godards-the-image-book-finds-its-fans-1202038510/|title='Never Look Away' Box Office Gets Oscar Bump; Godard's 'The Image Book' Finds Its Fans|website=IndieWire|date=27 January 2018|first=Tom|last=Brueggemann|access-date=27 January 2019|archive-url=https://web.archive.org/web/20190128082723/https://www.indiewire.com/2019/01/never-look-away-box-office-gets-oscar-bump-godards-the-image-book-finds-its-fans-1202038510/|archive-date=28 January 2019|url-status=live}}
= Home media =
In the United Kingdom, it was 2019's fourth best-selling foreign language film on home video, below the Hayao Miyazaki anime films Spirited Away, My Neighbor Totoro and Princess Mononoke.{{Cite book |url=https://www.bfi.org.uk/industry-data-insights/statistical-yearbook |title=BFI Statistical Yearbook 2020 |publisher=British Film Institute (BFI) |year=2020 |location=United Kingdom |pages=94 |access-date=26 April 2022}}
=Critical response=
File:Hirokazu Kore-eda Cannes 2015.jpg's direction was praised by critics.]]
On review aggregator website Rotten Tomatoes, the film holds an approval rating {{RT data|score}} based on {{RT data|count}} reviews, with an average rating of {{RT data|average}}. The website's critical consensus reads, "Understated yet ultimately deeply affecting, Shoplifters adds another powerful chapter to director Hirokazu Kore-eda's richly humanistic filmography."{{Cite web|url=https://www.rottentomatoes.com/m/shoplifters|title=Shoplifters (2018)|website=Rotten Tomatoes|publisher=Fandango|access-date={{RT data|access date|df=dmy}}|archive-url=https://web.archive.org/web/20181106123245/https://www.rottentomatoes.com/m/shoplifters|archive-date=6 November 2018|url-status=live}} On Metacritic, the film has a weighted average score of 93 out of 100, based on 40 critics, indicating "universal acclaim".{{cite web |url=https://www.metacritic.com/movie/shoplifters |title=Shoplifters |work=Metacritic |publisher=CBS Interactive |access-date=21 January 2019 |archive-url=https://web.archive.org/web/20190225110903/https://www.metacritic.com/movie/shoplifters |archive-date=25 February 2019 |url-status=live }} Shoplifters was also listed on numerous critics' top ten lists for 2018.{{cite web|url=https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2018|title=Best of 2018: Film Critic Top Ten Lists|website=Metacritic|access-date=18 December 2018|archive-url=https://web.archive.org/web/20181215080402/https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2018|archive-date=15 December 2018|url-status=live}}
Peter Bradshaw of The Guardian gave Shoplifters 4/5 stars, declaring it a "rich, satisfying film",{{Cite web |url=https://www.theguardian.com/film/2018/may/14/shoplifters-review-family-of-thieves-steals-moral-high-ground-and-hearts |title=Shoplifters review – family of thieves steals moral high ground – and hearts |work=The Guardian |publisher=Guardian News and Media |last=Bradshaw |first=Peter |date=14 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180518182942/https://www.theguardian.com/film/2018/may/14/shoplifters-review-family-of-thieves-steals-moral-high-ground-and-hearts |archive-date=18 May 2018 |url-status=live }} but subsequently upgraded this to a 5/5 star review upon second viewing.{{Cite web |url=https://www.theguardian.com/film/2018/nov/21/shoplifters-review-hirokazu-kore-eda |title=Shoplifters review – Kore-eda's audacious latest steals the heart |work=The Guardian |publisher=Guardian News and Media |last=Bradshaw |first=Peter |date=21 November 2018 |access-date=19 December 2018 |archive-url=https://web.archive.org/web/20181220230734/https://www.theguardian.com/film/2018/nov/21/shoplifters-review-hirokazu-kore-eda |archive-date=20 December 2018 |url-status=live }} The Guardian later ranked the film 15th in its Best Films of the 21st Century list.{{cite web |title=The 100 best films of the 21st century |url=https://www.theguardian.com/film/2019/sep/13/100-best-films-movies-of-the-21st-century |website=The Guardian |date=13 September 2019 |access-date=17 September 2019}} The Hollywood Reporter critic Deborah Young called it "bittersweet" as it "contrasts the frigid emotions of socially correct behavior with the warmth and happiness of a dishonest lower-class family".{{Cite web |url=https://www.hollywoodreporter.com/review/shoplifters-review-1111546 |title='Shoplifters' ('Manbiki Kazoku'): Film Review: Cannes 2018 |work=The Hollywood Reporter |publisher=Prometheus Global Media |first=Deborah |last=Young |date=14 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180520124207/https://www.hollywoodreporter.com/review/shoplifters-review-1111546 |archive-date=20 May 2018 |url-status=live }} Robbie Collin of The Daily Telegraph awarded it five stars, hailing it as an "outstanding domestic drama, crafted by Kore-eda with crystalline insight and an unsparing emotional acuity".{{Cite news |url=https://www.telegraph.co.uk/films/0/shoplifters-reviewa-thrilling-beautiful-tale-toykos-down-and/ |title=Shoplifters review: Hirokazu Kore-eda's Palme d'Or winner is a thrilling, beautiful tale of Toyko's down-and-outs |work=The Telegraph |publisher=Telegraph Media Group |first=Robbie |last=Collin |date=19 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180519192031/https://www.telegraph.co.uk/films/0/shoplifters-reviewa-thrilling-beautiful-tale-toykos-down-and/ |archive-date=19 May 2018 |url-status=live }}
For IndieWire, David Ehrlich gave it a grade of "A−" and wrote the film "stings" with "the loneliness of not belonging to anyone, and the messiness of sticking together".{{Cite web |url=https://www.indiewire.com/2018/05/shoplifters-review-kore-eda-hirokazu-cannes-2018-1201964195/ |title='Shoplifters' Review: Kore-eda Hirokazu Returns With a Heart-Shattering Drama About Love and Theft — Cannes 2018 |work=IndieWire |publisher=Penske Business Media |last=Ehrlich |first=David |date=14 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180518190755/http://www.indiewire.com/2018/05/shoplifters-review-kore-eda-hirokazu-cannes-2018-1201964195/ |archive-date=18 May 2018 |url-status=live }} TheWrap{{'}}s Ben Croll declared it Kore-eda's "richest film to date".{{Cite web |url=https://www.thewrap.com/shoplifters-cannes-review-seventh-time-charm-hirokazu-kore-eda/ |title='Shoplifters' Cannes Review: Is the Seventh Time a Charm for Hirokazu Kore-eda? |work=TheWrap |last=Croll |first=Ben |date=15 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180518190003/https://www.thewrap.com/shoplifters-cannes-review-seventh-time-charm-hirokazu-kore-eda/ |archive-date=18 May 2018 |url-status=live }} In Time Out, Geoff Andrew gave it four stars and saluted Kore-eda as "a modern-day Ozu".{{Cite web |url=https://www.timeout.com/london/film/shoplifters |title=Shoplifters |work=Time Out |publisher=Time Out Group |last=Andrew |first=Geoff |date=15 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180520065207/https://www.timeout.com/london/film/shoplifters |archive-date=20 May 2018 |url-status=live }} Variety{{'}}s Maggie Lee also compared it to Oliver Twist by Charles Dickens;{{Cite web |url=https://variety.com/2018/film/reviews/shoplifters-review-manbiki-kazoku-1202809298/ |title=Cannes Film Review: 'Shoplifters' (Manbiki Kazoku) |work=Variety |publisher=Penske Business Media |first=Maggie |last=Lee |date=14 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180518184126/http://variety.com/2018/film/reviews/shoplifters-review-manbiki-kazoku-1202809298/ |archive-date=18 May 2018 |url-status=live }} Lily Franky's character Osamu was likewise compared to Dickens's character Fagin.
In Japan, The Japan Times gave Shoplifters five stars, writing "The cheers are entirely deserved" and credited it for an "outwardly naturalistic" style.{{Cite web |url=https://www.japantimes.co.jp/culture/2018/06/13/films/film-reviews/shoplifters-kore-edas-palme-dor-winner-eloquent-look-human-condition/#.WyWaUKdKjIU |title='Shoplifters': Kore-eda's Palme d'Or winner is an eloquent look at the human condition |work=The Japan Times |first=Mark |last=Schilling |date=13 June 2018 |access-date=16 June 2018 |archive-url=https://web.archive.org/web/20180616232954/https://www.japantimes.co.jp/culture/2018/06/13/films/film-reviews/shoplifters-kore-edas-palme-dor-winner-eloquent-look-human-condition/#.WyWaUKdKjIU |archive-date=16 June 2018 |url-status=live }}
=Accolades=
The film competed at the Cannes Film Festival,{{Cite web|url=http://www.festival-cannes.com/en/infos-communiques/communique/articles/the-2018-official-selection|title=The 2018 Official Selection|publisher=Cannes Film Festival|date=12 April 2018|access-date=12 April 2018|archive-url=https://web.archive.org/web/20180413043303/http://www.festival-cannes.com/en/infos-communiques/communique/articles/the-2018-official-selection|archive-date=13 April 2018|url-status=live}} where it won the Palme d'Or on 19 May.{{Cite web |url=https://variety.com/2018/film/news/cannes-film-festival-2018-award-winners-palme-d-or-1202816743/ |title=Japanese Director Hirokazu Kore-eda's 'Shoplifters' Wins Palme d'Or at Cannes |work=Variety |publisher=Penske Business Media |first=Peter |last=Debruge |date=19 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180520011901/http://variety.com/2018/film/news/cannes-film-festival-2018-award-winners-palme-d-or-1202816743/ |archive-date=20 May 2018 |url-status=live }} It was the first Japanese Palme d'Or-winner since The Eel in 1997.{{Cite news |url=https://www.irishtimes.com/news/world/europe/japanese-drama-shoplifters-takes-palme-d-or-at-cannes-1.3501850 |title=Japanese drama 'Shoplifters' takes Palme d'Or at Cannes |newspaper=The Irish Times |first=Donald |last=Clarke |date=18 May 2018 |access-date=19 May 2018}}{{Cite web |url=https://www.japantimes.co.jp/culture/2018/05/20/films/hirokazu-kore-edas-shoplifters-steals-show-win-cannes-palme-dor/#.WwHbZkgvzIU |title=With 'Shoplifters,' Hirokazu Kore-eda becomes first Japanese director to win Cannes Palme d'Or in 21 years |work=The Japan Times |last=Pomeroy |first=Robin |date=20 May 2018 |access-date=20 May 2018 |archive-url=https://web.archive.org/web/20180520035437/https://www.japantimes.co.jp/culture/2018/05/20/films/hirokazu-kore-edas-shoplifters-steals-show-win-cannes-palme-dor/#.WwHbZkgvzIU |archive-date=20 May 2018 |url-status=live }} Jury president Cate Blanchett explained the decision: "We were completely bowled over by Shoplifters. How intermeshed the performances were with the directorial vision".{{Cite web |url=https://variety.com/2018/film/asia/hirokaz-kore-eda-cannes-favorite-japanese-1202816938/ |title=Why 'Shoplifters' Director Hirokazu Kore-eda is Cannes' Favorite Japanese Auteur |work=Variety |publisher=Penske Business Media |last=Frater |first=Patrick |date=19 May 2018 |access-date=19 May 2018 |archive-url=https://web.archive.org/web/20180520065410/http://variety.com/2018/film/asia/hirokaz-kore-eda-cannes-favorite-japanese-1202816938/ |archive-date=20 May 2018 |url-status=live }} In July 2018, Shoplifters also won Best International Film at the Munich Film Festival, with the jury citing it by stating it "opens up new possibilities and ultimately offers [...] hope".{{cite web |url=https://www.screendaily.com/news/buzzy-german-film-all-good-triumphs-at-munich-filmfest/5130763.article |title=Buzzy German film 'All Good' triumphs at Munich Filmfest |last=Blaney |first=Martin |work=Screen Daily |publisher=Screen International |date=9 July 2018 |access-date=18 July 2018 |archive-url=https://web.archive.org/web/20180718174625/https://www.screendaily.com/news/buzzy-german-film-all-good-triumphs-at-munich-filmfest/5130763.article |archive-date=18 July 2018 |url-status=live }}
In August, Shoplifters was selected as the Japanese entry for the Best Foreign Language Film at the 91st Academy Awards.{{cite web |url=http://eiren.org/academy/exhibition.html |title=91st US Academy Awards Announcement of Foreign Language Film Award exhibition |publisher=Motion Picture Producers Association of Japan, Inc. |date=23 August 2018 |access-date=23 August 2018 |archive-url=https://web.archive.org/web/20180824135254/http://eiren.org/academy/exhibition.html |archive-date=24 August 2018 |url-status=live }}{{cite web |url=https://www.hollywoodreporter.com/news/oscars-japan-selects-palm-dor-winner-shoplifters-foreign-language-category-1137912 |title=Oscars: Japan Selects Palme D'Or Winner 'Shoplifters' for Foreign-Language Category |work=The Hollywood Reporter |last=Blair |first=Gavin |date=27 August 2018 |access-date=28 August 2018 |archive-url=https://web.archive.org/web/20180828051439/https://www.hollywoodreporter.com/news/oscars-japan-selects-palm-dor-winner-shoplifters-foreign-language-category-1137912 |archive-date=28 August 2018 |url-status=live }} It made the December shortlist in 2018,{{cite web |url=https://www.hollywoodreporter.com/lists/academy-unveils-2019-oscar-shortlists-1168394/item/best-documentary-feature-1168386 |title=Academy Unveils 2019 Oscar Shortlists |work=The Hollywood Reporter |date=17 December 2018 |access-date=18 December 2018 |archive-url=https://web.archive.org/web/20181218094215/https://www.hollywoodreporter.com/lists/academy-unveils-2019-oscar-shortlists-1168394/item/best-documentary-feature-1168386 |archive-date=18 December 2018 |url-status=live }} before being nominated for the Academy Award in January 2019.{{cite news |url=https://www.bbc.co.uk/news/entertainment-arts-46917940 |title=Oscars 2019: The nominees in full |work=BBC News |date=22 January 2019 |access-date=22 January 2019 |archive-url=https://web.archive.org/web/20190122164208/https://www.bbc.co.uk/news/entertainment-arts-46917940 |archive-date=22 January 2019 |url-status=live }}
See also
- Cinema of Japan
- List of submissions to the 91st Academy Awards for Best Foreign Language Film
- List of Japanese submissions for the Academy Award for Best Foreign Language Film
- Parasite, a 2019 South Korean film directed by Bong Joon-ho about the wealth gap and class divide in an East Asian country. The film has been frequently compared to Shoplifters
Notes
{{Notelist}}
References
{{Reflist}}
External links
- {{Official website|http://gaga.ne.jp/manbiki-kazoku/}} {{in lang|ja}}
- {{IMDb title|8075192}}
- {{Mojo title|shoplifters}}
{{Hirokazu Kore-eda}}
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|title = Awards for Shoplifters
|list =
{{Asian Film Award for Best Film}}
{{Asia Pacific Screen Award for Best Film}}
{{Boston Society of Film Critics Award for Best Foreign Language Film}}
{{Boston Society of Film Critics Award for Best Cast}}
{{Palme d'Or}}
{{César Award for Best Foreign Film}}
{{Florida Film Critics Circle Award for Best Foreign Language Film}}
{{Guldbagge Award Best Foreign Film}}
{{Japan Academy Prize for Best Film}}
{{Japanese submissions for the Academy Award}}
{{Kinema Junpo Award for Best Film}}
{{Los Angeles Film Critics Association Award for Best Foreign Language Film}}
{{Mainichi Film Award for Best Film}}
{{Nikkan Sports Film Award for Best Film}}
{{San Diego Film Critics Society Award for Best Foreign Language Film}}
{{Tokyo Sports Film Award for Best Film}}
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Category:2018 independent films
Category:2010s Japanese-language films
Category:Japanese independent films
Category:Films about missing people
Category:Films directed by Hirokazu Kore-eda
Category:Films with screenplays by Hirokazu Kore-eda
Category:Best Foreign Film César Award winners
Category:Best Foreign Film Guldbagge Award winners