11 o'clock number

{{short description|Theater term for type of musical number}}

11 o'clock number is a theatre term for a big, show-stopping song that occurs late in the second act of a two-act musical, in which a major character, often the protagonist, comes to an important realization. Examples include "So Long Dearie" from Hello, Dolly!, "If He Walked Into My Life" from Mame, "Rose's Turn" from Gypsy, "Work the Wound" from Passing Strange, and "Cabaret" from Cabaret.Scott Miller, [https://newlinetheatre.blogspot.com/2014/11/may-i-have-definition.html "May I Have a Definition?"], The Bad Boy of Musical Theatre blog, 2014 It was so named because in the days when musical performances would start at 8:30 p.m., this song would occur around 11:00 p.m.Ben Rimalower (19 July 2014). [http://playbill.com/news/article/this-time-for-me-the-essential-11-oclock-numbers-324660/print "'This Time For Me': The Essential 11 O'Clock Numbers"]. Playbill.com. Accessed 2015-02-02. [https://web.archive.org/web/20150108173552/http://www.playbill.com/news/article/this-time-for-me-the-essential-11-oclock-numbers-324660 Archived] 2015-03-28.

Among the theatre community, there is some debate as to the characteristics of an 11 o'clock number. It often signifies a moment of revelation or change of heart of a lead character, although there are exceptions to this.[http://www.mtishows.com/news/sit-down-youre-rockin-the-boat-an-unusual-11-oclock-number "'Sit Down, You’re Rockin’ The Boat:' An Unusual 11 o’clock Number"]. The Marquee, News and Views from MTI. Retrieved 23 June 2011. The 11 o'clock number is also differentiated from the finale in that it is not the final number in the show, but even this is not considered a requirement by some commenters.Michael Musto (29 April 2011). [http://blogs.villagevoice.com/dailymusto/2011/04/the_five_best_1.php "The Five Best 11 O'Clock Numbers in Broadway History"] {{Webarchive|url=https://web.archive.org/web/20110727125909/http://blogs.villagevoice.com/dailymusto/2011/04/the_five_best_1.php |date=2011-07-27 }}. The Village Voice theater blog. Broadway producer Jack Viertel defines an 11 o'clock number as "a final star turn".{{cite book|last=Viertel|first=Jack|title=The Secret Life of the American Musical|page=206|date=2016|publisher=Sarah Crichton Books}}

Other notable 11 o'clock numbers include "Sit Down, You're Rockin' the Boat" from Guys and Dolls, "Memory" from Cats,Peter Marks (27 August 1999). [https://www.nytimes.com/1999/08/27/movies/critic-s-notebook-theater-s-thrill-rides.html "CRITIC'S NOTEBOOK; Theater's Thrill Rides"]. The New York Times. "Brotherhood of Man" from How to Succeed in Business Without Really Trying,Brendan Lemon (28 March 2011). [http://www.ft.com/cms/s/2/a862a65e-595f-11e0-bc39-00144feab49a.html#axzz38FFPy6Rp "How To Succeed in Business Without Really Trying, Al Hirschfeld Theatre, New York"]. The Financial Times. “No Good Deed” from Wicked, "Gimme Gimme" from Thoroughly Modern Millie, "Another National Anthem" from Assassins,{{cite book |last1=Gordon |first1=Robert |title=The Oxford Handbook of Sondheim Studies |date=2014 |publisher=Oxford University Press |isbn=9780199909278 |page=91 |url=https://books.google.com/books?id=TXCVAwAAQBAJ&q=%22Another%20National%20Anthem%22%2011%20o'clock%20number&pg=PA91 |accessdate=7 August 2018 |language=en}} "The American Dream" from Miss Saigon, "Goodbye" from Catch Me If You Can, "Revolting Children" from Matilda The Musical, "I'm Here" from The Color Purple,{{cite magazine |last1=Schulman |first1=Michael |title=The Top Ten Showstoppers of 2015 |url=https://www.newyorker.com/culture/culture-desk/the-top-ten-showstoppers-of-2015 |magazine=The New Yorker |accessdate=7 August 2018 |date=17 December 2015}} “The Boy Falls from the Sky” from Spider-Man: Turn Off the Dark, “42nd Street” from 42nd Street, “The Power of Love” from Back to the Future: The Musical, and "Always Starting Over" from If/Then.Peter Marks (25 November 2013), "I Believe" from The Book of Mormon. [https://www.washingtonpost.com/entertainment/theater_dance/ifthen-at-the-national/2013/11/25/e1412aa8-55f2-11e3-bdbf-097ab2a3dc2b_story.html "Eagerly awaited musical ‘If/Then’ is a winning blob, with many kinks to be worked out"]. The Washington Post.