1602 in music

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{{Year nav topic5|1602|music}}

Events

Publications

  • February – Giulio Caccini – {{lang|it|Le nuove musiche}} Le nuove musiche was published in 1602 per the Gregorian calendar. Some sources list 1601, based on the Julian calendar, as the publication date. (The New Music), published in Florence
  • Agostino Agazzari – {{lang|la|Sacrae cantiones}}, book 1 (Rome: Aloysio Zannetti)
  • Gregor Aichinger – {{lang|la|Divinae laudes ex floridis Jacobi Pontani potissimum decerptae}} (Augsburg: Officina Praetoriana), settings of selections from the Floridorum of {{interlanguage link|Jacobus Pontanus|fr}}, for three voices
  • Felice Anerio
  • Second book of {{lang|la|Sacri hymni et cantica}} (Rome: Aloysio Zannetti)
  • Second book of madrigals for six voices (Rome: Luigi Zannetti)
  • Giammateo Asola
  • {{lang|la|Psalmi ad vespertinas omnium solemnitatum horas}} (Vespertine psalms for all solemnities) for three voices (Venice: Ricciardo Amadino), also includes a Magnificat, Salve Regina, and Regina caeli
  • {{lang|la|Hymnodia vespertina in maioribus anni solemnitatibus...}} (Vespertine hymns for the major solemnities of the year) for eight voices (two choirs) (Venice: Ricciardo Amadino)
  • Lamentations for six voices (Venice: Ricciardo Amadino)
  • Ippolito Baccusi – {{lang|la|Psalmi qui diebus festivus a Sancta Romana Ecclesia in vesperis decantari solent}} for five voices (Venice: Ricciardo Amadino)
  • Giovanni Bassano – First book of madrigals and canzonettas for soprano or bass voice with lute or other plucked instrument (Venice: Giacomo Vincenti)
  • Lodovico Bellanda – First book of madrigals for five voices (Venice: Ricciardo Amadino)
  • Aurelio Bonelli – First book of ricercars and canzonas for four voices (Venice: Angelo Gardano)
  • Christoph Demantius – {{lang|la|Trias precum vespertinarum}} for four, five, and six voices and instruments (Nuremberg: Catharina Dieterich for Konrad Agricola), a collection of music for Vespers
  • Scipione Dentice – Fourth book of madrigals for five voices (Naples: Antonio Pace)
  • Stefano Felis – Ninth book of madrigals for five voices (Venice: Giacomo Vincenti)
  • Melchior Franck
  • {{lang|de|Musicalischer Bergkreyen}} for four voices (Nuremberg: Konrad Baur), a collection of secular partsongs
  • {{lang|de|Farrago}} for six voices (Nuremberg: Katharina Dieterich), a collection of secular partsongs
  • {{lang|la|Contrapuncti composti}} for four voices (Nurember: Konrad Baur), a collection of psalms and other church songs in German
  • Marco da Gagliano – First book of madrigals for five voices (Venice: Angelo Gardano)
  • Bartholomäus Gesius – {{lang|de|Ein Gesang Vom Lob und Preiß der Edlenfreyen Kunst Musica}} for six voices (Frankfurt an der Oder: Friedrich Hartmann), a song in praise of Music
  • Pierre Guédron – {{lang|fr|Airs de cours}} for four and five voices (Paris: Ballard)
  • Claude Le Jeune – First book of psalms for three voices (Paris: widow of R. Ballard)
  • Alonso Lobo – First book of masses (Madrid: Joannes Flandre)
  • Duarte Lobo – {{lang|la|Opuscula Natalitiae noctis responsoria}} for four and eight voices (Antwerp: Plantin), a collection of liturgical music
  • Tomaso Pecci – Madrigals for five voices (Venice: Angelo Gardano), also contains two pieces by Mariano Tantucci
  • Andreas Pevernage – Masses for five, six, and seven voices (Antwerp: Pierre Phalèse), published posthumously
  • Costanzo Porta – {{lang|la|Hymnodia sacra}} for four voices (Venice: Angelo Gardano), a collection of hymns for the whole year
  • Hieronymus Praetorius – Magnificats for eight voices (Hamburg: Philip von Ohr)
  • Orfeo Vecchi
  • Third book of masses for five voices (Milan: Agostino Tradate)
  • {{lang|it|La Donna vestita di sole, coronata di stelle, calcante la luna}} (Milan: the heirs of Simon Tini & Giovanni Francesco Besozzi), a madrigal cycle
  • Lodovico Grossi da ViadanaCento concerti ecclesiastici (One Hundred Church Concertos), the first major publication to make extensive use of figured bass

Opera

Births

Deaths

Notes