2019 National Society of Film Critics Awards

{{Infobox film award

| name = 54th NSFC Awards

| date = January 4, 2020

| award1_type = Best Film

| award1_winner = Parasite

| previous = 53rd

| main = NSFC Awards

| next = 55th

}}

The 54th National Society of Film Critics Awards, given on 4 January 2020, honored the best in film for 2019.{{cite web |url=https://nationalsocietyoffilmcritics.com/2020/01/05/parasite-is-voted-best-picture-of-2019/ |title=“PARASITE” is voted Best Picture of 2019 |date=January 4, 2020 |publisher=National Society of Film Critics |accessdate=January 4, 2020}}{{cite web |url=https://www.hollywoodreporter.com/news/national-society-film-critics-winners-2020-list-full-1266375 |title='Parasite' Named Best Picture by National Society of Film Critics |last2=Drury |first2=Sharareh |last1=Beresford |first1=Trilby |date=January 4, 2020 |work=The Hollywood Reporter |accessdate=January 4, 2020}}

Winners

Winners are listed in boldface along with the runner-up positions and counts from the final round:

File:Greta Gerwig Berlinale 2018.jpg, Best Director winner]]

File:Antonio banderas (cropped).jpg, Best Actor winner]]

File:Brad Pitt 2019 by Glenn Francis.jpg, Best Supporting Actor winner]]

File:Laura Dern Deauville 2017.jpg, Best Supporting Actress winner]]

File:Bong Joon-ho 2017.jpg, Best Screenplay co-winner]]

=Best Picture=

  1. Parasite (44)[https://variety.com/2020/film/news/national-society-of-film-critics-2020-winners-1203456641/ National Society of Film Critics Award Winners 2020 - Variety]
  2. Little Women (27)
  3. Once Upon a Time in Hollywood (22)

=Best Director=

=Best Actor=

=Best Actress=

=Best Supporting Actor=

=Best Supporting Actress=

=Best Screenplay=

=Best Cinematography=

=Best Non-Fiction Film=

=Film Heritage Award=

  • "Private Lives, Public Spaces" at the Museum of Modern Art: Curated by Ron Magliozzi, this exhibit makes visible MOMA's collection of over one hundred years of vernacular moving images, most of them home movies by the famous and the unknown. Shown on multiple screens in the lobbies of MoMA's Titus theaters, they form a crazy quilt of personal and cultural history.
  • Rialto Pictures, for distributing 4K restorations of beloved classics like Kind Hearts and Coronets (1949) and for presenting neglected work by international masters, such as Federico Fellini's The White Sheik (1952), and, for the first time, the uncut version of Francesco Rosi's Christ Stopped at Eboli (1979), with restored prints and upgraded subtitles.

References

{{reflist}}