A Serious Man

{{redirect|Serious Man|the Slightly Stoopid song|Top of the World (Slightly Stoopid album){{!}}Top of the World (Slightly Stoopid album)}}

{{Use mdy dates|date=March 2012}}

{{Infobox film

| name = A Serious Man

| image = A Serious Man (2009).png

| caption = Theatrical release poster

| alt = A man standing on the roof of a house, looking off to his left. His hands are on his hips. Behind him is a TV aerial.

| director = Joel Coen
Ethan Coen

| producer = {{unbulleted list|Joel Coen|Ethan Coen}}

| writer = {{unbulleted list|Joel Coen|Ethan Coen}}

| starring = {{unbulleted list|Michael Stuhlbarg|Richard Kind}}

| music = Carter Burwell

| cinematography = Roger Deakins

| editing = Roderick Jaynes{{efn|the pseudonym the Coen brothers use as editors.}}

| studio = {{unbulleted list|StudioCanal|Relativity Media|Working Title|Mike Zoss Productions}}

| distributor = Focus Features (International)
Universal Pictures (United Kingdom, Ireland, Australia, New Zealand, Benelux and Spain)
StudioCanal (France)

| released = {{Film date|2009|10|2}}

| runtime = 106 minutes

| country = {{Plainlist|

  • United States
  • United Kingdom
  • France

}}

| language = English
Yiddish

| budget = $7 million{{cite web|url=https://www.the-numbers.com/movie/Serious-Man-A |title=A Serious Man (2009) Financial Information |website=The Numbers |access-date=November 26, 2022}}

| gross = $31.4 million{{cite web |url=https://boxofficemojo.com/movies/?id=seriousman.htm |title=A Serious Man |website=Box Office Mojo |access-date=February 10, 2010| archive-url= https://web.archive.org/web/20100117132953/http://boxofficemojo.com/movies/?id=seriousman.htm| archive-date= January 17, 2010 | url-status= live}}

}}

A Serious Man is a 2009 black comedy-drama film{{cite book | last = Booker | first = M. Keith | title = Historical Dictionary of American Cinema | publisher = Scarecrow Press | year = 2011 | page = 75 | url = https://books.google.com/books?id=Y04MQEgHbZsC| isbn = 9780810874596 }} written, produced, edited and directed by Joel and Ethan Coen. Set in 1967,{{Cite web |date=August 14, 2009 |title=A Serious Man Production Notes |url=http://www.focusfeatures.com/article/a_serious_man_production_notes |url-status=live |archive-url=https://web.archive.org/web/20220407064141/https://www.focusfeatures.com/article/a_serious_man_production_notes |archive-date=April 7, 2022 |access-date=2018-07-20 |website=Focus Features}} the film stars Michael Stuhlbarg as a Minnesotan Jewish man whose life crumbles both professionally and personally, leading him to questions about his faith.

A Serious Man received widespread positive critical response, including a place on both the American Film Institute's and National Board of Review of Motion Pictures's Top 10 Film Lists of 2009. It was nominated for the Academy Award for Best Picture and Best Original Screenplay, and Stuhlbarg was nominated for a Golden Globe Award. Since its release, it has been widely considered one of the Coen brothers' best films and one of the greatest films of the 21st century.{{cite web | url=https://www.hollywoodreporter.com/lists/best-movies-21st-century/ | title=Hollywood Reporter Critics Pick the 50 Best Films of the 21st Century (So Far) | website=The Hollywood Reporter | date=April 6, 2023 }}{{cite web | url=https://midwestfilmjournal.com/2018/11/29/movies-that-made-us-a-serious-man/ | title=Movies That Made Us: A Serious Man | date=November 29, 2018 }}{{cite news | url=https://www.theguardian.com/film/2019/sep/13/100-best-films-movies-of-the-21st-century | title=The 100 best films of the 21st century | newspaper=The Guardian | date=September 13, 2019 | last1=Bradshaw | first1=Peter | last2=Clarke | first2=Cath | last3=Pulver | first3=Andrew | last4=Shoard | first4=Catherine }}{{cite web| url=https://www.indiewire.com/gallery/best-american-indie-movies-21st-century/ | title=The Best American Independent Films of the 21st Century | access-date=2024-02-11 | website=www.indiewire.com| date=January 3, 2024 }}

Plot

A Jewish man in a 19th-century Eastern European shtetl tells his wife that he was helped on his way home by Reb Groshkover, whom he has invited in for soup. She says Groshkover is dead and the man he invited must be a dybbuk. Groshkover arrives and laughs off the accusation, but she plunges an ice pick into his chest. Bleeding, he exits their home into the snowy night.

In 1967, Larry Gopnik is a professor of physics living in St. Louis Park, Minnesota. His wife, Judith, tells him that she needs a get so she can marry widower Sy Ableman, with whom she has fallen in love. Meanwhile, their son Danny owes twenty dollars to an intimidating Hebrew school classmate for marijuana. He has the money, but it is hidden in a transistor radio that his teacher confiscated. Their daughter, Sarah, is constantly washing her hair, going out, and avoiding school. Larry's brother, Arthur, is homeless and sleeps on the couch, spending his free time filling a notebook with what he calls the "Mentaculus", a "probability map of the universe".

Clive Park, a South Korean student worried about losing his scholarship, meets with Larry in his office to argue that he should not fail the class. After he leaves, Larry finds an envelope stuffed with cash. When Larry attempts to return it, Clive's father threatens to sue Larry either for defamation if Larry accuses Clive of bribery, or for keeping the money if he does not give him a passing grade. Larry faces an impending vote on his application for tenure, and his department head informs him that anonymous letters have urged the committee to deny him. At the insistence of Judith and Sy, Larry and Arthur move into a nearby motel. Judith empties the couple's bank accounts, leaving Larry penniless, so he enlists the services of a divorce attorney. Larry learns that Arthur faces charges of illegal gambling, solicitation, and sodomy.

Larry turns to his Jewish faith for consolation. He consults a junior rabbi, Ginsler, who advises Larry to change his "perspective". Larry and Sy are involved in separate, simultaneous car crashes. Larry is unharmed, but Sy dies. Larry consults a second rabbi, Nachtner, for solace, who recounts a parable about a dentist who finds Hebrew inscriptions on a non-Jewish patient's teeth. Larry also tries to contact Marshak, the synagogue's senior rabbi, who isn't available. At Judith's insistence, Larry pays for Sy's funeral. At the funeral, Sy is eulogized as "a serious man". Larry calls on his neighbor, Vivienne Samsky, whom he has seen sunbathing naked. She introduces him to marijuana. He later dreams that he is having sex with her, but this turns into a nightmare.

Arthur is despondent about the charges against him, and Larry consoles him. Larry then has another nightmare in which he gives Arthur the money Clive left him and drives him to cross into Canada by boat, only for his neighbors to shoot Arthur in the neck. Larry is proud and moved by Danny's bar mitzvah, unaware that his son is under the influence of marijuana. During the service, Judith apologizes to Larry for all the recent trouble and tells him that Sy respected him so much that he even wrote letters to the tenure committee. Danny meets with Marshak, a brief encounter in which Marshak only quotes Jefferson Airplane's "Somebody to Love", names some members of the band, returns the radio, and tells Danny to "be a good boy".

Larry's department head compliments him on Danny's bar mitzvah and hints that he will receive tenure. The mail brings a $3,000 bill from Arthur's lawyer. Larry decides to change Clive's grade from F to C−; immediately after he does so, his doctor calls, asking to see him immediately about the results of a chest X-ray. Meanwhile, Danny's teacher struggles to open the emergency shelter as a massive tornado closes in on the school.

Cast

{{div col|colwidth=20em}}

Production

Considerable attention was paid to the setting; it was important to the Coens to find a neighborhood of original-looking suburban rambler homes as they would have appeared in St. Louis Park, Minnesota, in the late 1960s. Locations were scouted in nearby Edina, Richfield, Brooklyn Center, and Hopkins{{cite web|url=http://www.startribune.com/entertainment/movies/11525326.html |title=Coen brothers to get 'Serious' in Minnesota |first=Tim | last=Campbell |date=September 28, 2007 |work=Star Tribune |access-date=November 22, 2009 |archive-url=https://web.archive.org/web/20091103112250/http://www.startribune.com/entertainment/movies/11525326.html |archive-date=November 3, 2009 |url-status=dead }} before a suitable location was found in Bloomington.{{cite web |url=http://www.startribune.com/entertainment/movies/27957494.html |title=In Twin Cities, Coen brothers shoot from heart |first=Colin | last=Covert |date=September 6, 2008 |work=Star Tribune |access-date=November 22, 2009 |archive-url=https://web.archive.org/web/20130629014735/http://www.startribune.com/entertainment/movies/27957494.html |archive-date=June 29, 2013 |url-status=dead |df=mdy-all }} The film's look is partly based on the Brad Zellar book Suburban World: The Norling Photographs, a collection of photographs of Bloomington in the 1950s and 60s.{{cite news|url=http://www.twincities.com/ci_13430357|title='Serious' film was nostalgic pleasure for Coen brothers|last=Hewitt|first=Chris|date=September 27, 2009|work=St. Paul Pioneer Press|access-date=16 April 2013}}

Location filming began on September 8, 2008, in Minnesota. An office scene was shot at Normandale Community College in Bloomington. The film also used a set built in the school's library, as well as small sections of the second floor science building hallway. The synagogue is the B'nai Emet Synagogue in St. Louis Park. The Coens also shot some scenes in St. Olaf College's old science building because of its similar period architecture.{{cite web |last=Henke |first=David |date=August 19, 2008 |title=Coen brothers will use St. Olaf for movie |url=http://northfieldnews.com/news.php?viewStory=45735 |url-status=dead |archive-url=https://web.archive.org/web/20081202181444/http://northfieldnews.com/news.php?viewStory=45735 |archive-date=2008-12-02 |access-date=December 1, 2009 |work=Northfield News}}{{cite web|date=October 9, 2008 |last=Gonnerman |first=David |title=St. Olaf gets 'Serious' |publisher=St. Olaf College |url=http://fusion.stolaf.edu/news/index.cfm?fuseaction=NewsDetails&id=4469 |archive-url=https://web.archive.org/web/20100808010712/http://fusion.stolaf.edu/news/index.cfm?fuseaction=NewsDetails&id=4469 |url-status=dead |archive-date=August 8, 2010 |access-date=December 1, 2009 }} A classroom scene was shot at the then-closed Shingle Creek Elementary School in north Minneapolis, due to its 1960s-era design.{{cite web |last1=Gilbert |first1=Curtis |title=Preserve Shingle Creek Elementary, or tear it down? |url=https://www.mprnews.org/story/2012/07/25/preserve-shingle-creek-elementary-or-tear-it-down |website=mprnews |date=July 25, 2012 |publisher=MPR News |access-date=6 September 2023}} Scenes were also shot at the Minneapolis legal offices of Meshbesher & Spence, the name of whose founder and president, Ronald I. Meshbesher, is mentioned as the criminal lawyer recommended to Larry in the film.{{cite news |author= |date=October 2, 2009 |title=Meshbesher's star turn |work=Minneapolis Star Tribune |url=http://www.startribune.com/lifestyle/62990072.html?page=2&c=y |url-status=dead |access-date=October 1, 2009 |archive-url=https://web.archive.org/web/20100808000736/https://www.startribune.com/lifestyle/62990072.html?page=2&c=y |archive-date=2010-08-08}} Filming wrapped on November 6, 2008, after 44 days, ahead of schedule and within budget.{{cite web |url=http://www.startribune.com/entertainment/movies/33945219.html |title=It's a wrap! Coen brothers' latest film is in the can |work=Star Tribune |access-date=November 11, 2008 |archive-url=https://web.archive.org/web/20081210090455/http://www.startribune.com/entertainment/movies/33945219.html |archive-date=December 10, 2008 |url-status=dead |df=mdy-all }}

Longtime collaborator Roger Deakins rejoined the Coens as cinematographer, following his absence from Burn After Reading. This was his tenth film with them. Costume designer Mary Zophres returned for her ninth collaboration with the directors.{{cite web |url=https://www.comingsoon.net/news/movienews.php?id=48634|title=Production Begins on the Coen's A Serious Man|publisher=ComingSoon.net|access-date=September 9, 2008| archive-url= https://web.archive.org/web/20080909114641/http://www.comingsoon.net/news/movienews.php?id=48634| archive-date= September 9, 2008 | url-status= live|date=2008-09-09}}

{{Anchor|Writing}}The Coens themselves stated that the "germ" of the story was a rabbi from their adolescence: a "mysterious figure" who had a private conversation with each student at the conclusion of their religious education.{{cite web |url=https://www.npr.org/templates/transcript/transcript.php?storyId=132744499 |title=Coen Bros. On Wet Horses, Kid Stars: It's A Wild West |date=January 12, 2011 |publisher=NPR |access-date=January 29, 2011}} Ethan Coen said that it seemed appropriate to open the film with a Yiddish folk tale, but as the brothers did not know any suitable ones, they wrote their own.{{Cite news |date=2010-02-21 |title=For Best Picture: A Serious Man |work=CBS News |url=https://www.cbsnews.com/pictures/for-best-picture-a-serious-man/13/}}

Open auditions for the roles of Danny and Sarah were held on May 4, 2008, at the Sabes Jewish Community Center in St. Louis Park, Minnesota, one of the scheduled shooting locations. Open auditions for the role of Sarah were also held in June 2008 in Chicago, Illinois.{{cite news|url=http://www.startribune.com/entertainment/movies/18180979.html|title=Coens cast about to fill three roles in 'A Serious Man'|date=April 25, 2008|work=Star Tribune|access-date=February 18, 2010}}

Patton Oswalt and Marc Maron auditioned for the roles of Arthur Gopnik and Larry Gopnik.{{Cite web |date=April 4, 2013 |title=The Lost Roles of Marc Maron |url=https://www.vulture.com/2013/04/the-lost-roles-of-marc-maron.html |website=Vulture}}{{Cite web |date=December 8, 2011 |title=The Lost Roles of Patton Oswalt |url=https://www.vulture.com/2011/12/the-lost-roles-of-patton-oswalt.html |website=Vulture}}

= Music =

All of the film's original music is by Carter Burwell,{{cite web|url=http://www.carterburwell.com/projects/A_Serious_Man.shtml|title=Carter Burwell On A Serious Man (2009)|publisher=Carter Burwell|access-date=February 17, 2015}} who also worked on every previous Coen brothers film except O Brother, Where Art Thou?{{cite web|url=http://www.carterburwell.com/carter/carter_filmo.shtml|title=Carter Burwell Filmography|publisher=Carter Burwell|access-date=February 20, 2015}} The film also contains pieces of Yiddish music including "Dem Milner's Trern" by Mark Warshawsky and performed by Sidor Belarsky, which deals with the abuse and recurring evictions of Jews from Shtetlekh.Jung Journal: Culture and Psyche (1st ed.). Philadelphia: Taylor & Francis. 2006. p. 29.

The soundtrack also includes the following songs by popular 1960s artists:{{track listing

|headline=Songs on the soundtrack to A Serious Man

|extra_column = Artist

|title1 = Somebody to Love

|extra1 = Jefferson Airplane

|length1 = 2:58

|title2 = Today

|extra2 = Jefferson Airplane

|length2 = 3:02

|title3 = Comin' Back to Me

|extra3 = Jefferson Airplane

|length3 = 5:16

|title4 = 3/5 of a Mile in 10 Seconds

|extra4 = Jefferson Airplane

|length4 = 3:40

|title5 = Machine Gun

|extra5 = Jimi Hendrix

|length5 = 12:36

}}

Release and reception

The film began a limited release in the United States on October 2, 2009. It premiered at the Toronto International Film Festival{{cite web| title = A Serious Man premiere at the 2009 Toronto International Film Festival

| url = http://www.digitalhit.com/galleries/34/507 | year = 2009 | first=Ian | last=Evans | publisher = DigitalHit.com | access-date =December 12, 2009 }} on September 12, 2009.{{cite news |last=French |first=Cameron |date=September 13, 2009 |title=Oscar-winning Coens head home with "A Serious Man" |publisher=Reuters |url=https://www.reuters.com/article/entertainmentNews/idUSTRE58C1LM20090913 |access-date=September 14, 2009}}

= Box office =

class="wikitable plainrowheaders"

|+Box office performance for A Serious Man{{cite web | url=https://boxofficemojo.com/movies/?id=seriousman.htm | title= A Serious Man (2009) | publisher=Box Office Mojo | access-date=August 19, 2011}}

scope="col"| Release date

!scope="colgroup" colspan="3" | Box office revenue

!scope="colgroup" colspan="2" text="wrap" | Box office ranking

!scope="col" rowspan="2" style="text-align:center;"| Budget

scope="col"| United States

!scope="col"| United States

!scope="col"| International

!scope="col"| Worldwide

!scope="col"| All time United States

!scope="col"| All time worldwide

style="text-align:center;"| October 2, 2009

| style="text-align:center;"| $9,228,768

| style="text-align:center;"| $22,201,566

| style="text-align:center;"| $31,430,334

| style="text-align:center;"| #3,818

| style="text-align:center;"| Unknown

| style="text-align:center;"| $7,000,000{{cite web|url=http://www.darkhorizons.com/films/374 |first=Garth | last=Franklin |title=A Serious Man | Film |publisher=Dark Horizons |date=October 2, 2009 |access-date=2013-03-08}}

A Serious Man grossed $9,228,768 domestically, and $22,201,566 internationally, making for a worldwide gross of $31,430,334.

= Critical response =

A Serious Man received mostly positive reviews from critics, and holds a 89% approval rating on Rotten Tomatoes, based on 227 reviews, with an average rating of 7.90/10. The site's critical consensus reads, "Blending dark humor with profoundly personal themes, the Coen brothers deliver what might be their most mature—if not their best—film to date."{{cite web |title=A Serious Man (2009) |url=https://www.rottentomatoes.com/m/a_serious_man/ |url-status=live |archive-url=https://web.archive.org/web/20100207230222/http://www.rottentomatoes.com/m/a_serious_man/ |archive-date=February 7, 2010 |access-date=February 12, 2023 |publisher=Rotten Tomatoes}} The film also holds a score of 85 out of 100 on Metacritic, based on 38 critics, indicating "universal acclaim".{{cite web |title=A Serious Man (2009) |url=https://www.metacritic.com/movie/a-serious-man |access-date=February 12, 2023 |publisher=Metacritic}}

Roger Ebert of the Chicago Sun-Times rated the film four out of four stars. His review highlighted the film's Yiddish folktale prologue, suggesting that though the Coens maintain it has no relation to the rest of the film, "maybe because an ancestor invited a dybbuk (wandering soul) to cross his threshold, Larry is cursed."{{cite web |last=Ebert |first=Roger |author-link=Roger Ebert |date=October 7, 2009 |title=Coens retell Book of Job in a quiet Minneapolis suburb |url=https://www.rogerebert.com/reviews/a-serious-man-2009 |url-status=live |archive-url=https://web.archive.org/web/20091207042529/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20091007%2FREVIEWS%2F910079998 |archive-date=December 7, 2009 |access-date=November 22, 2009 |work=Chicago Sun-Times}} In an essay in Jung Journal: Culture and Psyche, Steve Zemmelman considers that the prologue may link to the Jefferson Airplane soundtrack motif, reflecting Larry's normal sense of order becoming increasingly disrupted. He writes, "what can happen when 'the wheel falls off the cart', as Velvel says happened to him on the road that night, or 'when the truth is found to be lies', that lyric from 'Somebody to Love' that serves as bookends for this film."{{cite journal |last=Zemmelman |first=Steve |year=2013 |title=The Tempest Speaks: Liminality in A Serious Man |url=http://www.tandfonline.com/loi/ujun20|journal=Jung Journal: Culture and Psyche |volume=7 |issue=3 |pages=16–24|doi=10.1080/19342039.2013.813342 |s2cid=142913038 |url-access=subscription }}

Claudia Puig of USA Today wrote, "A Serious Man is a wonderfully odd, bleakly comic and thoroughly engrossing film. Underlying the grim humor are serious questions about faith, family, mortality and misfortune."{{cite news |url=https://www.usatoday.com/life/movies/reviews/2009-10-01-serious-man_N.htm |title='A Serious Man' is a seriously good departure for Coens |work=USA Today |access-date=October 2, 2009 | first=Claudia | last=Puig |date=October 4, 2009}} Time magazine critic Richard Corliss called it "disquieting" and "haunting".{{cite magazine|url=http://www.time.com/time/arts/article/0,8599,1922024,00.html |title=A Serious Man: The Coen Brothers' Jewish Question |magazine=Time |access-date=October 2, 2009 |date=September 12, 2009 |first=Richard |last=Corliss |author-link=Richard Corliss |archive-url=https://web.archive.org/web/20090915174720/http://www.time.com/time/arts/article/0%2C8599%2C1922024%2C00.html |archive-date=September 15, 2009 |url-status=dead }}

Some critics, including Roger Ebert, commented on the link between the film and the Biblical Book of Job. K. L. Evans wrote, "we identify it as a Job story because its central character is tormented by his failure to account for the miseries that befall him".{{cite book |last=Evans |first=K.L. Evans |editor-last=Conard |editor-first=Mark T. |title=The Philosophy of the Coen Brothers |publisher=University Press of Kentucky |date=2012 |pages=289–303 |chapter=How Job Begat Larry: The Present Situation in A Serious Man |isbn= 978-0813134451}} In his essay "Job of Suburbia?", David Tollerton wrote, "the more substantial connection between A Serious Man and the Book of Job—the connection that reaches deeper—is their similarly absurd presentations of the human struggle with anguish and the divine."{{Cite journal |last=Tollerton |first=David |year=2011 |title=Job of Suburbia? A Serious Man and Viewer Perceptions of the Biblical |url=https://digitalcommons.unomaha.edu/jrf/vol15/iss2/7/ |journal=Journal of Religion & Film |edition= |volume=15 |issue=2 |access-date=November 26, 2022 |via=University of Nebraska Omaha}} Slate magazine critic Juliet Lapidos considered that the folktale prologue may be an endorsement of the "gumption" of "taking matters into her own hands".{{cite web|last=Lapido |first=Juliet |url=http://www.slate.com/articles/arts/the_oscars/2010/03/whats_going_on.html |title=Revisiting A Serious Man, the most puzzling of the best-picture nominees |work=Slate |date=2010-03-02 |access-date=2017-06-05}}

The Wall Street Journal{{'s}} Joe Morgenstern disliked what he saw as the film's misanthropy, saying that "their caricatures range from dislikable through despicable, with not a smidgeon of humanity to redeem them."{{cite news |last=Morgenstern |first=Joe |author-link=Joe Morgenstern |date=October 2, 2009 |title=A Serious Man |work=The Wall Street Journal |url=https://www.wsj.com/articles/SB10001424052748704471504574446962410393646 |url-status=dead |access-date=October 2, 2009 |archive-url=https://web.archive.org/web/20091004011406/http://online.wsj.com/article/SB10001424052748704471504574446962410393646.html |archive-date=October 4, 2009}} David Denby of The New Yorker enjoyed the film's look and feel, but found fault with the script and characterization: "A Serious Man, like Burn After Reading, is in their bleak, black, belittling mode, and it's hell to sit through ... As a piece of movie-making craft, A Serious Man is fascinating; in every other way, it's intolerable."{{cite magazine | url= https://www.newyorker.com/arts/critics/cinema/2009/10/05/091005crci_cinema_denby | title=Gods and Victims: "A Serious Man" and "Capitalism: A Love Story". | first=David | last=Denby |author-link=David Denby (film critic) |magazine=The New Yorker | date=September 27, 2009 |access-date=October 2, 2009 }} Zemmelman wrote that this kind of viewer response results from the film's lack of narrative resolution: "The film is perplexing and the dialogue reminds the viewer repeatedly that we are in an encounter with the ever-conflictual and the infinitely mysterious."{{cite journal |last=Zemmelman |first=Steve |year=2013 |title= Four Papers on the Coen Brothers' Film A Serious Man |url=http://www.tandfonline.com/loi/ujun20|journal=Jung Journal: Culture and Psyche |volume=7 |issue=3 |pages=14–15|doi=10.1080/19342039.2013.813342 |s2cid=142913038 |url-access=subscription }}

Todd McCarthy said, "A Serious Man is the kind of picture you get to make after you've won an Oscar."{{Cite book|title = The Cinema Of The Coen Brothers|last = Adams|first = Jeffrey|publisher = Columbia University Press|year = 2015|isbn = 978-0-231-85081-0|location = New York • Chichester, West Sussex|pages = 131–140}} Ebert quoted McCarthy in his review: "'This is the kind of picture you get to make after you've won an Oscar,' writes Todd McCarthy in Variety. I cannot improve on that."

Awarding the film five stars in The Guardian, Peter Bradshaw wrote, "this strange and wonderful film is rounded off with a gloriously well-crafted apocalyptic vision and a chilling intimation of divine retribution for earthly wrongdoing. The Coens have finished the noughties as America's preeminent filmmakers".{{cite news|url=https://www.theguardian.com/film/2009/nov/19/a-serious-man-coen-brothers|title=Film review: A Serious Man|first=Peter|last=Bradshaw|author-link=Peter Bradshaw|date=November 19, 2009|access-date=November 25, 2017|work=The Guardian}}

A Serious Man was later voted the 82nd-greatest film since 2000 in a BBC international critics' poll.{{cite web|url=http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films |title=The 21st century's 100 greatest films |publisher=BBC |date=August 23, 2016 |access-date=January 26, 2017}}

= Accolades =

A Serious Man received numerous awards and nominations,{{cite web |title=A Serious Man Movie - Official Website |url=https://www.focusfeatures.com/a_serious_man |access-date=November 25, 2017 |website=Focus Features}} particularly for its screenplay, acting, and cinematography. Joel and Ethan Coen were awarded Best Original Screenplay at the 2009 National Board of Review Awards{{Cite web |title=2009 Archives |url=https://nationalboardofreview.org/award-years/2009/ |access-date=2022-11-26 |website=National Board of Review |language=en-US}} and the 2010 National Society of Film Critics Awards.{{cite web |title="Hurt Locker" leads 2009 awards |url=http://69.195.124.250/~natiopb4/?p=15 |url-status=dead |archive-url=https://web.archive.org/web/20150217180623/http://69.195.124.250/~natiopb4/?p=15 |archive-date=February 17, 2015 |website=National Society of Film Critics}} The screenplay was also nominated for Best Original Screenplay at the 2010 Academy Awards, and received nominations from the Writers Guild of America Awards,{{Cite web |title=62nd Annual Writers Guild of America Awards |url=https://www.wgaeast.org/wp-content/uploads/typo3/user_upload/files/awards-journal/Awards_Journal_62.pdf |access-date=2022-11-26 |website=wgaeast.org |page=21}} the BAFTA Awards,{{Cite web |title=Film Awards Winners in 2010 |url=http://www.bafta.org/film/awards/film-awards-winners-in-2010 |url-status=dead |archive-url=https://web.archive.org/web/20160305144548/http://www.bafta.org/film/awards/film-awards-winners-in-2010 |archive-date=March 5, 2016 |website=bafta.org}} the 15th Annual Critics' Choice Awards,{{cite web|url=http://www.criticschoice.com/movie-awards/15th-annual-critics-choice-movie-awards-2010-best-picture-the-hurt-locker|title=15th Annual Critics' Choice Movie Awards (2010) - Best Picture: The Hurt Locker - Critics' Choice Awards|publisher=Criticschoice.com|access-date=November 25, 2017|archive-url=https://web.archive.org/web/20120930000654/http://www.criticschoice.com/movie-awards/15th-annual-critics-choice-movie-awards-2010-best-picture-the-hurt-locker/|archive-date=September 30, 2012|url-status=dead}} and the 2009 Boston Society of Film Critics Awards.{{cite web|url=http://www.bostonfilmcritics.org/content/past-award-winners|title=Past Award Winners - Boston Society of Film Critics|publisher=Bostonfilmcritics.org|access-date=November 25, 2017|archive-url=https://web.archive.org/web/20141008041238/http://www.bostonfilmcritics.org/content/past-award-winners|archive-date=October 8, 2014|url-status=dead|df=mdy-all}}

The film was nominated for Best Picture at the 82nd Academy Awards;{{Cite web |title=2010 {{!}} Oscars.org {{!}} Academy of Motion Picture Arts and Sciences |url=https://www.oscars.org/oscars/ceremonies/2010 |access-date=2022-11-26 |website=oscars.org |date=December 4, 2015 |language=en}} the BBC News called it "one of the less talked about nominees".{{cite news |publisher=BBC News Online | title= Cast of Coen Brothers comedy mull Oscar chances | url= http://news.bbc.co.uk/2/hi/entertainment/8554095.stm | date=March 7, 2010 | first=Tim | last=Masters |access-date =March 7, 2010}} It was also nominated for Best Picture by the Critics' Choice Awards, the Boston Society of Film Critics, and the Chicago Film Critics Association.{{Cite web |title=2009 - Winners of the 22nd Annual Chicago Film Critics Awards |url=http://www.chicagofilmcritics.org/index.php?option=com_content&view=article&id=62&Itemid=60 |url-status=dead |archive-url=https://web.archive.org/web/20100224070822/http://www.chicagofilmcritics.org/index.php?option=com_content&view=article&id=62&Itemid=60 |archive-date=2010-02-24 |access-date=2022-11-26 |website=Chicago Film Critics Association}} The National Board of Review, the American Film Institute,{{Cite web |title=AFI AWARDS 2009 |url=https://www.afi.com/award/afi-awards-2009/ |access-date=2022-11-26 |website=American Film Institute |language=en}} the Satellite Awards, and the Southeastern Film Critics Association Awards{{Cite web |title=Winners 2009 |url=https://www.sefca.net/winners#/2009 |access-date=2022-11-26 |website=SEFCA |language=en-US}} all listed the film as one of the ten best of 2009.

Stuhlbarg was awarded the Chaplin Virtuoso Award at the Santa Barbara International Film Festival{{cite web |title=2010 Film and Award History |url=http://sbiff.org/2010-film-and-award-history/ |url-status=dead |archive-url=https://web.archive.org/web/20150217201022/http://sbiff.org/2010-film-and-award-history/ |archive-date=February 17, 2015 |access-date=2015-02-17 |website=sbiff.org |df=mdy-all}} and was nominated for Best Actor at the 2010 Golden Globe Awards.{{cite web |title=Winners & Nominees 2010 |url=https://www.goldenglobes.com/winners-nominees/2010 |access-date=November 26, 2022 |website=Hollywood Foreign Press}} Stuhlbarg, Kind, Melamed and Lennick were nominated for a Gotham Award for Best Performance by an Ensemble Cast.{{cite web |title=Gotham Independent Film Awards 2009 |url=http://gotham.ifp.org/flash/Timeline/2009.html |url-status=dead |archive-url=https://web.archive.org/web/20160304103724/http://gotham.ifp.org/flash/Timeline/2009.html |archive-date=March 4, 2016 |access-date=2017-03-04 |df=mdy-all}} At the 2010 Independent Spirit Awards, Roger Deakins won the award for Best Cinematography, and the film's directors, ensemble cast, and casting directors were awarded with the Robert Altman Award.{{cite web |title=Twenty-Nine Years of Nominees & Winners |url=https://s3.amazonaws.com/SA_SubForm_etc/2015_SANoms%26Winners_July2014.pdf |url-status=dead |archive-url=https://web.archive.org/web/20140819083901/https://s3.amazonaws.com/SA_SubForm_etc/2015_SANoms%26Winners_July2014.pdf |archive-date=August 19, 2014 |access-date=2015-04-06 |website=Film Independent |df=mdy}} Friday February 20, 2015

Deakins also received awards at both the 2009 Hollywood Awards and the 2009 San Francisco Film Critics Circle Awards,{{Cite web |last=Flores |first=Ramses |date=2009-12-15 |title=San Francisco Film Critics Circle Helps THE HURT LOCKER Continue Its Winning Streak |url=https://collider.com/san-francisco-film-critics-circle-helps-the-hurt-locker-continue-its-winning-streak/ |access-date=2022-11-26 |website=Collider |language=en-US}} along with the Nikola Tesla Award{{cite web|url=http://www.pressacademy.com/nikola-tesla-special-achievement-award|title=Nikola Tesla Award - International Press Academy|publisher=Pressacademy.com|access-date=November 25, 2017}} at the Satellite Awards.{{cite web |url=http://www.pressacademy.com/award_cat/2009 |title=2009 | International Press Academy |access-date=2012-02-07 |url-status=dead |archive-url=https://web.archive.org/web/20120213015458/http://www.pressacademy.com/award_cat/2009/ |archive-date=February 13, 2012 |df=mdy-all }}

{{clear}}

Notes

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References

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