Adam Curtis#Documentaries
{{Short description|British documentary filmmaker (born 1955)}}
{{for-multi|the British cell biologist| Adam S. G. Curtis}}
{{Use dmy dates|date=April 2014}}
{{EngvarB|date=April 2014}}
{{Infobox person
| name = Adam Curtis
| image = Adam curtis.jpg
| image_size = 220px
| education = Mansfield College, Oxford (BA)
| alma_mater =
| caption = Curtis in 2005
| birth_name = Kevin Adam Curtis
| birth_date = {{Birth date and age|1955|5|26|df=yes}}
| birth_place = Dartford, Kent, England, United Kingdom
| years_active = 1983–present
| occupation = Documentary filmmaker
| awards = BAFTA (1993, 2000, 2006, 2023)
| website = {{URL|https://www.bbc.co.uk/blogs/adamcurtis}}
}}
Adam Curtis (born 26 May 1955) is an English documentary filmmaker.{{cite news|url=https://www.theguardian.com/theobserver/2015/jan/04/adam-curtis-bitter-lake-documentary-iplayer|title=Adam Curtis: Cult film-maker with an eye for the unsettling|author=Andrew Anthony|newspaper=The Guardian|access-date=21 March 2016|date=4 January 2015}} Curtis began his career as a conventional documentary producer for the BBC throughout the 1980s and into the early 1990s. The release of Pandora's Box (1992) marked the introduction of Curtis's distinctive presentation that uses collage to explore aspects of sociology, psychology, philosophy and political history.Darke, Chris (17 July 2012). [https://web.archive.org/web/20140116091402/http://filmcomment.com/entry/interview-adam-curtis "Interview: Adam Curtis."] Film Comment. Archived from [http://filmcomment.com/entry/interview-adam-curtis the original.]
His style has been described as involving, "whiplash digressions, menacing atmospherics and arpeggiated scores, and the near-psychedelic compilation of archival footage", narrated by Curtis himself with "patrician economy and assertion".{{cite news |last1=Jacobson |first1=Gavin |title=Adam Curtis: "Big Tech and Big Data have been completely useless in this crisis" |url=https://www.newstatesman.com/culture/2021/02/adam-curtis-big-tech-and-big-data-have-been-completely-useless-crisis |access-date=15 February 2021 |work=New Statesman |date=15 February 2021}} His films have won five BAFTAs.
Early life
Adam Curtis was born in Dartford in Kent,{{cite news|last1=Adams|first1=Tim|title=Adam Curtis continues search for the hidden forces behind a century of chaos|url=https://www.theguardian.com/tv-and-radio/2016/oct/09/adam-curtis-donald-trump-documentary-hypernormalisation|access-date=6 February 2017|work=The Guardian|date=9 October 2016}} and raised in nearby Platt.{{cite news|last1=Lethem|first1=Jonathan|title=Adam Curtis and the Secret History of Everything|url=https://www.nytimes.com/interactive/2016/10/30/magazine/adam-curtis-documentaries.html|access-date=6 February 2017|work=The New York Times|date=27 October 2016}} His father was Martin Curtis (1917–2002), a cinematographer with a socialist background.{{cite web|url=http://www.e-flux.com/journal/in-conversation-with-adam-curtis-part-i/ |title=In Conversation with Adam Curtis, Part I|date=February 2012|publisher=e-flux}} Curtis won a county scholarship and attended the Sevenoaks School. It was there that an influential art teacher introduced him to the work of Robert Rauschenberg.{{cite news |url=https://www.telegraph.co.uk/culture/film/filmmakersonfilm/8526584/Adam-Curtis-the-perils-of-binary-thinking-interview.html|title=Adam Curtis: The Perils of Binary Thinking|newspaper=The Telegraph|date=20 May 2011}} Curtis completed a Bachelor of Arts degree in human sciences at Mansfield College, Oxford. He began a PhD and taught in politics, but ultimately became disillusioned with academia and decided to leave.
Career
=Early career=
Curtis applied to the BBC and was hired to make a film for one of its training courses, comparing designer clothes in music videos to the design of weapons. He was subsequently given a post on That's Life!, a magazine series that juxtaposed hard-hitting investigations and light-hearted content. He was a film director on Out of Court, a BBC Two legal series, from 1980 until 1982.{{cite web|url=http://genome.ch.bbc.co.uk/search/0/20?order=asc&q=%22out+of+court%22+%22adam+curtis%22#search|title=Search results for 'Out of Court', 'Adam Curtis'|website=BBC Genome|publisher=BBC|access-date=4 October 2016}}
=Politics=
Curtis is inspired by the sociologist Max Weber, who, he argues, challenged the "crude, left-wing, vulgar Marxism that says that everything happens because of economic forces within society". Curtis has answered questions on his politics in interviews over his career but has answered inconsistently, making it hard to label his politics. In a 2012 interview, Curtis remarked on his political outlook stating fondness for libertarian ideas but states his politics are unique and differ depending on the issue. Curtis also rejects being labelled a leftist, calling the idea "rubbish", saying:
{{blockquote|People often accuse me of being a lefty. That's complete rubbish. If you look at The Century of the Self, what I'm arguing is something very close to a neoconservative position because I'm saying that, with the rise of individualism, you tend to get the corrosion of the other idea of social bonds and communal networks, because everyone is on their own. Well, that's what the neoconservatives argue, domestically. ... If you ask me what my politics are, I'm very much a creature of my time. I don't really have any. I change my mind over different issues, but I am much more fond of a libertarian view. I have a more libertarian tendency ... What's astonishing in our time is how the Left here has completely failed to come up with any alternatives, and I think you may well see a lefty libertarianism emerging because people will be much more sympathetic to it, or just a libertarianism, and out of that will come ideas. And I don't mean "localism".}}
In a 2021 interview, Curtis stated having sympathies to radicalism and that progressivism is his politics. He notes again his political inconsistency, saying:
{{blockquote|I'm emotionally sympathetic to radicalism ... I'm a progressive, I mean that's really what my politics are. I mean, I'm typical of my time, I don't have a consistent set of politics and I always suspect people who do, but I'm progressive so I try and understand what went wrong with radicalism.{{Cite web|last1=Khachiyan|first1=Anna|last2=Nekrasova|first2=Dasha|date=Feb 16, 2021|title=Red Scare Podcast: "Cant Get You Out Of My Head" Adam Curtis Interview (Excerpt)|url=https://redscarepodcast.libsyn.com/cant-get-you-out-of-my-head-w-adam-curtis-teaser|url-status=live|website=Red Scare Podcast|archive-url=https://web.archive.org/web/20210219071804/https://redscarepodcast.libsyn.com/cant-get-you-out-of-my-head-w-adam-curtis-teaser |archive-date=19 February 2021 }} }}
In a 2022 interview, Curtis reiterated the neoconservative interpretation of "The Century of the Self" but added it is not what he himself believes. This time, Curtis states that he does not know his exact politics, saying:
{{blockquote|[The Century of the Self could be interpreted as] a crystal perfect piece of neoconservative ideology, domestic neoconservatism, because what it's actually arguing is the rise of individualism acted like an acid eating away at the fabric of social organisations... which is a sort of moralistic neocon attitude. That's not actually what I think. But you could argue that about most films, I think. I don't know really what my politics are.{{Cite web |last=Roussinos |first=Aris |date=2022-12-07 |title=Adam Curtis and the death of autocracy |url=https://unherd.com/2022/12/adam-curtis-on-the-death-of-autocracy/ |access-date=2023-06-14 |website=UnHerd |language=en-GB}}}}
=Documentaries=
File:The Way Of All Flesh titles.jpg
Curtis cites the U.S.A. trilogy, a series of three novels by John Dos Passos that he first read when he was thirteen, as the greatest influence on his work: {{blockquote|You can trace back everything I do to that novel because it's all about grand history, individual experience, their relationship. And also collages, quotes from newsreels, cinema, newspapers. And it's about collage of history as well. That's where I get it all from.}}
Other creative influences are Robert Rauschenberg and Émile Zola. Curtis makes extensive use of archive footage in his documentaries. He has acknowledged the influence of recordings made by Erik Durschmied and is "constantly using his stuff in my films".{{cite web|url=https://www.bbc.co.uk/blogs/adamcurtis/2011/03/goodies_and_baddies.html|title=BBC - Adam Curtis Blog: Goodies and Baddies|publisher=BBC Blogs|date=28 March 2011}} Discussing his process in an interview with fellow documentary-maker Jon Ronson for Vice, Curtis said his extensive work with footage acquired from the BBC Archives is often led by "instinct and imagination", with the aim of creating "a mood that gives power and force to the story I'm telling".{{Cite web |last=Ronson |first=Jon |date=16 January 2015 |title=Jon Ronson in Conversation with Adam Curtis |url=https://www.vice.com/en/article/jon-ronson-interviews-adam-curtis-393/ |access-date=11 October 2022 |website=Vice}}
Instead of specially composed music, which Curtis has said "creates a sort of monoculture", he uses tracks from a variety of genres, decades, and countries, as well as sound effects that he discovers on old tapes.{{cite web|url=http://drownedinsound.com/in_depth/4144122-its-the-inner-dj-in-me---ghosting-season-meet-film-maker-adam-curtis|title=It's the inner DJ in me: Ghosting Season meet film maker Adam Curtis|author=Gavin Miller|date=15 December 2011|access-date=29 October 2016|website=Drowned in Sound|archive-date=29 October 2016|archive-url=https://web.archive.org/web/20161029175025/http://drownedinsound.com/in_depth/4144122-its-the-inner-dj-in-me---ghosting-season-meet-film-maker-adam-curtis|url-status=dead}} According to a profile of Curtis by Tim Adams, published in The Observer: "If there has been a theme in Curtis's work ... it has been to look at how different elites have tried to impose an ideology on their times, and the tragicomic consequences of those attempts".{{cite news|url=https://www.theguardian.com/theobserver/2004/oct/24/features.review7|title=The Exorcist |first=Tim |last=Adams |date=24 October 2004| access-date=17 February 2010|newspaper=The Observer}}
In 2005, Curtis received the Golden Gate Persistence of Vision Award at the San Francisco International Film Festival.{{cite web|url=http://www.sfiff.org/fest05/awards/adam_curtis.html |title=SF Int'l Film Festival - Awards & Tributes - Adam Curtis |archive-url=https://web.archive.org/web/20060117111725/http://www.sfiff.org/fest05/awards/adam_curtis.html |archive-date = 17 January 2006}} In 2006, he was given the Alan Clarke Award for Outstanding Creative Contribution to Television at the British Academy Television Awards.{{cite web |url=http://awards.bafta.org/award/2006/television/alan-clarke-award|title=2006 Television Alan Clarke Award - BAFTA Awards |publisher=BAFTA |access-date=23 October 2015}} In 2009, the Sheffield International Documentary Festival gave Curtis the Inspiration Award for inspiring viewers and other documentary filmmakers.{{cite web |url=https://sheffdocfest.com/articles/100-sheffield-doc-fest-award-winners |title=Sheffield Doc/Fest Award Winners |access-date=23 October 2015 |archive-date=16 June 2018 |archive-url=https://web.archive.org/web/20180616204255/https://sheffdocfest.com/articles/100-sheffield-doc-fest-award-winners |url-status=dead }} In 2015, he was awarded the True Vision Award by the True/False Film Fest.{{cite web|url=https://truefalse.org/news/adam-curtis-is-the-2015-true-vision-award-recipient/|title=Adam Curtis is the 2015 True Vision Award Recipient|publisher=True/False Film Fest|access-date=11 February 2017|date=2015-02-03}} Curtis's critics have accused him of exaggeration and distortion, even wilful misrepresentation.[https://www.prospectmagazine.co.uk/magazine/adam-curtis-the-trap-game-theory Adam Curtis's paranoia] - Max Steuer, Prospect (magazine)[https://thequietus.com/articles/21077-adam-curtis-hypernormalisation-review-bbc-politics-doom HyperNormalisation: Is Adam Curtis, Like Trump, Just A Master Manipulator?] - Phil Harrison, The Quietus
=Blog=
Curtis administered a blog subtitled 'The Medium and the Message' hosted by the BBC and updated between 2009 and 2016.[https://www.bbc.co.uk/blogs/adamcurtis Adam Curtis - The Medium and the Message] - his personal blog at BBC Online
Filmography
References
{{Reflist}}
Further reading
- {{cite journal|author=John Doyle|title=Adam Curtis as remixologist: the case for metajournalism as radical practice|year=2017|journal=Studies in Documentary Film|volume=11|issue=1|pages=45–63|doi=10.1080/17503280.2016.1266899|s2cid=151584124|url=https://pure.roehampton.ac.uk/ws/files/409721/Adam_Curtis_as_remixologist_revisions_SDF.pdf|archive-url=https://web.archive.org/web/20190924175811if_/https://pure.roehampton.ac.uk/ws/files/409721/Adam_Curtis_as_remixologist_revisions_SDF.pdf|url-status=dead|archive-date=2019-09-24|ref=none}}
- [https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/comment/unfiction/adam-curtis-joshua-oppenheimer-art-journalism Adam Curtis versus Joshua Oppenheimer, or art times journalism] – 2015 article by Robert Greene for the BFI
- [http://www.newstatesman.com/culture/2014/02/adam-curtis-interview Adam Curtis: "We don't read newspapers because the journalism is so boring"] – 2014 interview by Rob Pollard for New Statesman
- {{usurped|1=[https://web.archive.org/web/20181002064516/https://bryanappleyard.com/on-adam-curtis/ On Adam Curtis]}}'– 2011 article by Brian Appleyard for The Sunday Times
- [https://www.theregister.co.uk/2007/11/20/adam_curtis_interview Adam Curtis: The TV elite has lost the plot] – 2007 interview by Andrew Orlowski for The Register
- [https://www.dissentmagazine.org/article/adam-curtiss-theory-of-everything Adam Curtis's Theory of Everything] – 2021 article by Will Fenstermaker for Dissent
- [https://www.nybooks.com/daily/2021/05/08/the-paranoid-style-in-adam-curtis/ The Paranoid Style in Adam Curtis] – 2021 article by Sasha Frere-Jones for The New York Review of Books
External links
- {{IMDb name|id=nm0193231|name=Adam Curtis}}
- Sam Knight: [https://www.newyorker.com/news/letter-from-the-uk/adam-curtis-explains-it-all Adam Curtis Explains It All], Portrait of Adam Curtis as an Artist, in: The New Yorker January 28, 2021
- Adam Curtis. [https://www.bbc.co.uk/blogs/adamcurtis The Medium and the Message] – his archived blog at BBC Online (2011–2016)
- [http://brightlightsfilm.com/78/78-the-power-of-auteurs-adam-curtis-documentary-cultural-commentary_ball.php The Power of Auteurs and the Last Man Standing: Adam Curtis's Documentary Nightmares] – extensive commentary on his films at Bright Lights Film Journal
- [https://web.archive.org/web/20120624080550/http://www.e-flux.com/program/adam-curtis-the-desperate-edge-of-now/ Adam Curtis: The Desperate Edge of Now] – details of a 2012 exhibition at the e-flux gallery in New York City
{{Adam Curtis}}
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