Adrienne Fazan

{{Short description|American film editor (1906–1986)}}

{{Infobox person

| name = Adrienne Fazan

| birth_name =

| birth_date = May 9, 1906

| birth_place = Germany

| death_date = {{death date and age|1986-8-23|1906-5-9}}

| death_place = Los Angeles, California, U.S.

| occupation = Film editor

| spouse =

| years_active = 1931–1970

}}

Adrienne Fazan (May 9, 1906 – August 23, 1986) was an American film editor who first started cutting films in 1933. She worked on many MGM films, including The Tell-Tale Heart (1941), Anchors Aweigh (1945), Singin' in the Rain (1952), and Kismet (1955).{{Cite book|title=Women Film Editors: Unseen Artists of American Cinema|last=Meuel|first=David|publisher=McFarland|year=2016|isbn=9781476625201|pages=179–180}}

Biography

Fazan was born in Germany, to John Fazan and Magdalena Fremdling. She became a naturalized U.S. citizen in 1923, and by 1930 was living in Los Angeles and working as a film editor at a studio.

Career

Adrienne Fazan started cutting and editing in films in 1933 and then she went to work at MGM, who were known for hiring the most qualified and talented people.

Fazan worked with Dorothy Arzner (known for her work on many popular films like The Wild Party){{Cite web|url=https://wfpp.columbia.edu/pioneer/ccp-dorothy-arzner/|title=Dorothy Arzner – Women Film Pioneers Project|website=wfpp.columbia.edu|access-date=2020-04-14}} on many of her films where she helped Fazan move from working on short films, to editing popular feature films. Fazan also collaborated with Vincente Minnelli on eleven films, including the Oscar winning film, Gigi.{{Cite web|url=http://womenfilmeditors.princeton.edu/fazan-adrienne/|title=FAZAN, ADRIENNE – Edited By|website=Women Film Editors|language=en|access-date=2020-04-14}}

Fazan was nominated for the Academy Award for Best Film Editing for An American in Paris (1951),{{Cite magazine|url=https://ew.com/gallery/american-paris-premiere/|title=This Is What the 1951 'An American in Paris' Premiere Looked Like|last=Boardman|first=Madeline|date=November 11, 2016|magazine=Entertainment Weekly|access-date=November 5, 2016}} and received the award for Gigi (1958).{{Cite book|title=Women Film Editors: Unseen Artists of American Cinema|last=Meuel|first=David|publisher=McFarland|year=2016|isbn=9781476625201|pages=179}} Both of these films were directed by Vincente Minnelli. She retired in 1970{{Cite book|title=Women Film Editors: Unseen Artists of American Cinema|last=Meuel|first=David|publisher=McFarland|year=2016|isbn=9781476625201|pages=182}} after editing The Cheyenne Social Club.

Films edited

class="wikitable"

|+ Editor

Year

! Film

! Director

! Notes

! {{abbr|Ref.|Reference}}

rowspan=2| 1931

| Wir schalten um auf Hollywood

|Frank Reicher

|

|

Parlor, Bedroom and Bath

|Edward Sedgwick

|

|

1933

| Day of Reckoning

|Charles Brabin

|

|

1934

| The Merry Widow

|Ernst Lubitsch

|

|

rowspan=2| 1937

| The Bride Wore Red

|Dorothy Arzner

|

|

You're Only Young Once

|George B. Seitz

|

|

1941

| Where Did You Get That Girl?

|Arthur Lubin

|

|

1944

| Barbary Coast Gent

|Roy Del Ruth

|

|

rowspan=3| 1945

| Between Two Women

|Willis Goldbeck

|First collaboration with Willis Goldbeck

|

Anchors Aweigh

|George Sidney

|First collaboration with George Sidney

|

She Went to the Races

|Willis Goldbeck

|Second collaboration with Willis Goldbeck

|

rowspan=2| 1946

| Holiday in Mexico

|George Sidney

|Second collaboration with George Sidney

|

The Secret Heart

|Robert Z. Leonard

|First collaboration with Robert Z. Leonard

|

rowspan=2| 1948

| Three Daring Daughters

|Fred M. Wilcox

|

|

The Kissing Bandit

|László Benedek

|

|

1949

| In the Good Old Summertime

|rowspan=3| Robert Z. Leonard

|Second collaboration with Robert Z. Leonard

|

rowspan=3| 1950

| Nancy Goes to Rio

|Third collaboration with Robert Z. Leonard

|

Duchess of Idaho

|Fourth collaboration with Robert Z. Leonard

|

Pagan Love Song

|Robert Alton

|

|

rowspan=2| 1951

| An American in Paris

|Vincente Minnelli

|First collaboration with Vincente Minnelli

|

Texas Carnival

|Charles Walters

|First collaboration with Charles Walters

|

rowspan=2| 1952

| Singin' in the Rain

|{{ubl|Gene Kelly|Stanley Donen}}

|{{ubl|First collaboration with Gene Kelly|First collaboration with Stanley Donen}}

|

Everything I Have Is Yours

|Robert Z. Leonard

|Fifth collaboration with Robert Z. Leonard

|

rowspan=2| 1953

| I Love Melvin

|Don Weis

|First collaboration with Don Weis

|

Give a Girl a Break

|rowspan=2| Stanley Donen

|Second collaboration with Stanley Donen

|

1954

| Deep in My Heart

|Third collaboration with Stanley Donen

|

rowspan=2| 1955

| It's Always Fair Weather

|{{ubl|Gene Kelly|Stanley Donen}}

|{{ubl|Second collaboration with Gene Kelly|Fourth collaboration with Stanley Donen}}

|

Kismet

|Vincente Minnelli

|Second collaboration with Vincente Minnelli

|

rowspan=2| 1956

| Invitation to the Dance

|Gene Kelly

|Third collaboration with Gene Kelly

|

Lust for Life

|rowspan=2| Vincente Minnelli

|Third collaboration with Vincente Minnelli

|

rowspan=2| 1957

| Designing Woman

|Fourth collaboration with Vincente Minnelli

|

Don't Go Near the Water

|Charles Walters

|Second collaboration with Charles Walters

|

rowspan=3| 1958

| Gigi

|rowspan=3| Vincente Minnelli

|Fifth collaboration with Vincente Minnelli

|

The Reluctant Debutante

|Sixth collaboration with Vincente Minnelli

|

Some Came Running

|Seventh collaboration with Vincente Minnelli

|

rowspan=2| 1959

| The Big Circus

|Joseph M. Newman

|

|

The Gazebo

|George Marshall

|

|

1960

| Bells Are Ringing

|rowspan=4| Vincente Minnelli

|Eighth collaboration with Vincente Minnelli

|

rowspan=2| 1962

| The Four Horsemen of the Apocalypse

|Ninth collaboration with Vincente Minnelli

|

Two Weeks in Another Town

|Tenth collaboration with Vincente Minnelli

|

rowspan=2| 1963

| The Courtship of Eddie's Father

|Eleventh collaboration with Vincente Minnelli

|

The Prize

|Mark Robson

|

|

rowspan=2| 1964

| Looking for Love

|Don Weis

|Second collaboration with Don Weis

|

36 Hours

|George Seaton

|

|

1965

| Billie

|Don Weis

|Third collaboration with Don Weis

|

1966

| This Property Is Condemned

|Sydney Pollack

|

|

1967

| Who's Minding the Mint?

|Howard Morris

|First collaboration with Howard Morris

|

rowspan=2| 1968

| Where Angels Go, Trouble Follows

|James Neilson

|

|

With Six You Get Eggroll

|Howard Morris

|Second collaboration with Howard Morris

|

1969

| The Comic

|Carl Reiner

|

|

1970

| The Cheyenne Social Club

|Gene Kelly

|Fourth collaboration with Gene Kelly

|

;Short documentaries

class="wikitable"

|+ Editor

Year

! Film

! Director

1939

| Prophet Without Honor

|Felix E. Feist

1940

| Utopia of Death

|{{N/A}}

1941

| Triumph Without Drums

|Joseph M. Newman

1942

| Mr. Blabbermouth!

|Basil Wrangell

1943

| Portrait of a Genius

|Sammy Lee

;Shorts

class="wikitable"

|+ Editor

Year

! Film

! Director

1936

| Little Boy Blue

|Edwin Lawrence

rowspan=4| 1939

| How to Eat

|Roy Rowland

The Day of Rest

|rowspan=2| Basil Wrangell

See Your Doctor
Miracle at Lourdes

|Henry K. Dunn

rowspan=8| 1940

| Know Your Money

|Joseph M. Newman

A Door Will Open

|George Sidney

The Big Premiere

|rowspan=2| Edward L. Cahn

All About Hash
Women in Hiding

|Joseph M. Newman

A Failure at Fifty

|Will Jason

Buyer Beware

|Joseph M. Newman

Goin' Fishin'

|Edward L. Cahn

rowspan=7| 1941

| Respect the Law

|Joseph M. Newman

More About Nostradamus

|David Miller

More Trifles of Importance

|Basil Wrangell

Coffins on Wheels

|Joseph M. Newman

Of Pups and Puzzles

|George Sidney

The Tell-Tale Heart

|Jules Dassin

Strange Testament

|Sammy Lee

rowspan=2| 1942

| The Lady, or the Tiger?

|Fred Zinnemann

Further Prophecies of Nostradamus

|David Miller

rowspan=7| 1943

| Brief Interval

|Sammy Lee

Inca Gold

|Will Jason

Inflation

|Cy Endfield

Journey to Yesterday

|Harold Daniels

Ode to Victory

|Edward L. Cahn

My Tomato

|rowspan=2| Will Jason

No News Is Good News
rowspan=2| 1944

| Somewhere, U.S.A.

|{{ubl|Gordon Knox|Gunther von Fritsch}}

A Great Day's Coming

|Robert Elwyn

See also

References

{{Reflist}}