Alan Crosland
{{Short description|American actor and film director (1894–1936)}}
{{Infobox person
| name = Frederick Alan Crosland
| image = Alan Crosland - Aug 1921 EH.jpg
| caption = Crosland in 1921
| birth_name = Frederick Alan Crosland{{cite news |title=Frederick Crosland, Jr. |url=https://www.newspapers.com/image/194251982/ |access-date=5 May 2023 |work=The Desert Sun |date=23 December 2001}}
| birth_date = {{birth date|1894|08|10}}
| birth_place = New York City, U.S.
| death_date = {{death date and age|1936|07|16|1894|08|10}}
| death_place = Hollywood, California, U.S.
| resting_place = Hollywood Forever Cemetery
| spouse = Juanita Fletcher (m.1917–div.1921)
Natalie Moorhead (m.1930–div.1935)
| yearsactive = 1916–1936
| children = 1, Alan Crosland Jr.
}}
Frederick Alan Crosland (August 10, 1894 – July 16, 1936) was an American stage actor and film director. He is noted for having directed the first feature film using spoken dialogue, The Jazz Singer (1927) and the first feature movie with sychronization soundtrack, Don Juan (1926).
Early life and career
Image:Selznick Hammerstein & Crosland - Dec 1919 EH.jpg and Elaine Hammerstein, 1919]]
Born in New York City, New York to a well-to-do Jewish family,{{Cite journal | doi=10.1080/14725886.2014.942071|title = The American Jewish Story through Cinema| journal=Journal of Modern Jewish Studies| volume=13| issue=2| pages=315–316|year = 2014|last1 = Abrams|first1 = Nathan| s2cid=143786503 }} Crosland attended Dartmouth College. After graduation, he took a job as a writer with the New York Globe magazine. Interested in the theatre, he began acting on stage, appearing in several productions with Shakespearian actress Annie Russell.
Crosland began his career in the motion picture industry in 1912 at Edison Studios in The Bronx, New York, where he worked at various jobs for two years until he had learned the business sufficiently well to begin directing short films. By 1917, he was directing feature-length films and in 1920 directed Olive Thomas in The Flapper, one of her final films before her death in September of that year.
In 1925, Crosland was working for Jesse L. Lasky's film production company Famous Players–Lasky (later Paramount Pictures) when he was hired by Warner Bros. to work at their Hollywood studios. He had directed several silent films for Warner's including directing Don Juan starring John Barrymore in 1926. It was the first feature-length film with synchronized Vitaphone sound effects and musical soundtrack, though it has no spoken dialogue. He was chosen to direct Al Jolson in The Jazz Singer (1927). The film would make him famous as the first of the new talkies that changed the course of motion pictures.
Death
Crosland died in 1936 at the age of 41 as a result of an automobile accident on Sunset Boulevard in Los Angeles. He is interred in the Hollywood Forever Cemetery. His grave remained unmarked for 67 years until a headstone was donated by The Hollywood Underground in 2003.
His son, Alan Crosland Jr. (1918–2001), would also have a successful career as a television director. Juanita Fletcher was his mother.
Filmography
{{div col|colwidth=30em}}
- Santa Claus vs. Cupid (1915) (writer)
- Kidnapped (1917)
- The Light in Darkness (1917)
- Chris and His Wonderful Lamp (1917)
- The Little Chevalier (1917)
- The Apple Tree Girl (1917)
- The Whirlpool (1918)
- The Unbeliever (1918)
- The Country Cousin (1919)
- Greater Than Fame (1920)
- Everybody's Sweetheart (1920)
- Youthful Folly (1920)
- The Flapper (1920)
- The Point of View (1920)
- Broadway and Home (1920)
- Worlds Apart (1921)
- Is Life Worth Living? (1921)
- Room and Board (1921)
- Slim Shoulders (1922)
- Shadows of the Sea (1922)
- The Face in the Fog (1922)
- Why Announce Your Marriage? (1922)
- The Snitching Hour (1922)
- The Prophet's Paradise (1922)
- Enemies of Women (1923)
- Under the Red Robe (1923)
- Three Weeks (1924)
- Miami (1924)
- Unguarded Women (1924)
- Sinners in Heaven (1924)
- Contraband (1925)
- Compromise (1925)
- Bobbed Hair (1925)
- Don Juan (1926)
- When a Man Loves (1927)
- The Beloved Rogue (1927)
- Old San Francisco (1927)
- The Jazz Singer (1927)
- Glorious Betsy (1928)
- The Scarlet Lady (1928)
- On with the Show (1929)
- General Crack (1929)
- The Furies (1930)
- Song of the Flame (1930)
- Big Boy (1930)
- Viennese Nights (1930)
- Captain Thunder (1930)
- Children of Dreams (1931)
- The Silver Lining (1932)
- Week Ends Only (1932)
- Massacre (1934)
- The Personality Kid (1934)
- Midnight Alibi (1934)
- The Case of the Howling Dog (1934)
- The White Cockatoo (1935)
- It Happened in New York (1935)
- Mister Dynamite (1935)
- Lady Tubbs (1935)
- King Solomon of Broadway (1935)
- The Great Impersonation (1935)
- The Case of the Black Cat (1936)
{{div col end}}
References
{{Reflist}}
External links
{{Portal|Biography}}
- {{Commonscat-inline}}
- {{wikisource author-inline}}
- {{IMDb name|0189076}}
- {{Find a Grave|6624048|access-date=September 3, 2010}}
{{Alan Crosland}}
{{Authority control}}
{{DEFAULTSORT:Crosland, Alan}}
Category:Film directors from New York City
Category:Film producers from New York (state)
Category:American male screenwriters
Category:American male stage actors
Category:Jewish American screenwriters
Category:Male actors from New York City
Category:Road incident deaths in California
Category:Burials at Hollywood Forever Cemetery
Category:Dartmouth College alumni
Category:Screenwriters from New York (state)
Category:20th-century American male writers