Alice non lo sa
{{Infobox album
| name = Alice non lo sa
| type = studio
| artist = Francesco De Gregori
| cover = Alice non lo sa.jpg
| border = yes
| alt = A young De Gregori in a black and white photo.
| released = {{start date|1973|04}}
| recorded =
| venue =
| studio = Studio 38, Rome
| genre = Pop
| length = {{Duration|m=40|s=43}}
| language = Italian
| label = It
| producer = [[Edoardo De Angelis (singer-songwriter) |
| prev_title =
| prev_year =
| next_title = Francesco De Gregori
| next_year = 1974
}}
Alice non lo sa is the debut solo album by Italian singer-songwriter Francesco De Gregori, released in April 1973 by It. The previous year the eponymous duo of De Gregori and Antonello Venditti—another Italian singer-songwriter–published a hybrid album, Theorius Campus, with some songs by De Gregori.{{cite web|title=Focus on Francesco De Gregori|url=http://www.legacyrecordings.it/focus_on/francesco-de-gregori/|publisher=Legacy Recordings|accessdate=6 February 2016}}
The title track, "Alice", is one of De Gregori's best known songs, and has become a classic.{{cite web|last1=Bezzone|first1=Francesca|title=Italian music V: the 1970's|url=http://www.lifeinitaly.com/music/italian-music-5|publisher=Life in Italy|accessdate=6 February 2016|date=24 June 2015}}{{cite web|title=Italian Songwriters: Francesco De Gregori. Alice|url=http://www.music-graffiti.com/italian_songwriters_francesco_de_gregori_alice.htm|publisher=Music Graffiti|accessdate=6 February 2016|date=May 2015}}{{cite web|last1=Stamp|first1=Roger|title=La Donna Cannone, Francesco De Gregori (1983)|url=http://www.stamptoscana.it/?post_type=songs&p=108969|publisher=Stamp Toscana|accessdate=6 February 2016|language=Italian|date=23 February 2015}}
Reception
The historian Cesare Grazioli writes that De Gregori became the acknowledged "prince" of songwriters, inspired by Bob Dylan, a melancholy narrative voice expressing the doubt, ambiguity and human crisis of the times, with Alice no lo sa his first album.{{cite web |last1=Grazioli |first1=Cesare |title=L'Italia in musica - Quarta parte La seconda generazione dei cantautori |url=http://cle.ens-lyon.fr/italien/l-italia-in-musica-quarta-parte-br-la-seconda-generazione-dei-cantautori-178233.kjsp?RH=ITA110500 |publisher=La Cle des Langues |accessdate=6 February 2016 |language=Italian |archive-url=https://web.archive.org/web/20160207005447/http://cle.ens-lyon.fr/italien/l-italia-in-musica-quarta-parte-br-la-seconda-generazione-dei-cantautori-178233.kjsp?RH=ITA110500 |archive-date=7 February 2016 |url-status=dead }} The album gained for De Gregori an undeserved reputation for being obscure.{{cite web |last1=Talanca |first1=Paolo |title=Dente e Vasco Brondi. Supposti ermetismi |url=http://www.lisolachenoncera.it/rivista/rubriche/dente-e-vasco-brondi-supposti-ermetismi/ |publisher=L'Isola della Musica Italiana |accessdate=6 February 2016 |language=Italian}} The album indicated De Gregori's innovativeness: the title song, "Alice", broke with the past with its elegant lyrics and visionary quality,{{cite web |last1=Piccolo |first1=Antonio |title=Francesco De Gregori |url=http://www.antiwarsongs.org/artista.php?lang=it&id=20 |publisher=AntiwarSongs.org |accessdate=6 February 2016 |language=Italian}} still esteemed a generation later.{{cite web |last1=Bensalhia |first1=John |title='Pop' the Question - Part 3: How Did Italian Pop Music Flourish in the 1970s? |url=http://www.italymagazine.com/featured-story/pop-question-part-3-how-did-italian-pop-music-flourish-1970s |publisher=Italy Magazine |accessdate=6 February 2016 |date=27 June 2014}} The album was not an immediate commercial hit, but it had great artistic value with its evocative poetry and sophisticated melodies, and it proved to be the first of a series of masterpieces of popular music.{{cite web |title=Francesco De Gregori |url=http://www.teatrostabileverona.it/francesco_de_gregori-r1161e.html |publisher=Teatro Stabile Verona |language=Italian |date=2014}} Mariano Prunes, reviewing the album on AllMusic.com, notes that while only the title track is recognised as a classic, several other songs deserve to be. The album, writes Prunes, is influenced by Leonard Cohen, and "Marianna al Bivio" actually refers to Cohen's songs "Suzanne" and "So Long, Marianne", the lyrics throughout taking centre stage rather than, as was de rigueur in Italy at the time, making the singing openly personal or political.{{cite web|last1=Prunes|first1=Mariano|title=Francesco De Gregori Alice Non Lo Sa (CD - #1160848) Review|url=http://www.allmusic.com/album/release/alice-non-lo-sa-mr0004182215|publisher=AllMusic.com|accessdate=6 February 2016}}
Track listing
{{Track listing
| headline = Side one
| total_length =
| all_lyrics = Francesco De Gregori, except where noted
| all_music = De Gregori
| title1 = Alice
| length1 = 3:45
| title2 = 1940
| length2 = 4:17
| title3 = Le strade di lei
| length3 = 4:16
| title4 = Suonatori di flauto
| length4 = 2:08
| title5 = Buonanotte fratello
| length5 = 3:54
| title6 = Sono tuo
| length6 = 2:40
}}
{{Track listing
| headline = Side two
| total_length =
| title7 = I musicanti
| length7 = 2:08
| title8 = La casa di Hilde
| length8 = 4:40
| note8 = De Gregori, Edoardo De Angelis
| title9 = Il ragazzo
| length9 = 4:25
| title10 = Irene
| length10 = 2:12
| title11 = Marianna al bivio
| length11 = 3:02
| title12 = Saigon
| length12 = 3:22
}}