Amerigo Tot
{{Short description|Hungarian sculptor and actor (1909–1984)}}
{{Infobox person
| other_names =
| birth_name = Imre Tóth
| image = Amerigo Tot fortepan 138384.jpg
| caption = Tot in 1969.
| birth_date = {{birth date|1909|09|27|df=y|}}
| birth_place = Fehérvárcsurgó, Austria-Hungary
| death_date = {{death date and age|df=y|1984|12|13|1909|09|27}}
| death_place = Rome, Italy
| occupation = actor, sculptor
| yearsactive = 1967–1977
}}
Amerigo Tot (born Imre Tóth; 27 September 1909 – 13 December 1984) was a Hungarian sculptor and occasional actor. Born in Fehérvárcsurgó, Austria-Hungary{{cite book|last=Simon|first=Andrew L.|title=Made in Hungary: Hungarian Contributions to Universal Culture|url=https://books.google.com/books?id=cMxL4OUv-gEC&pg=PA51|year=1998|publisher=Simon Publications LLC|isbn=978-0-9665734-2-8|page=51}} he moved to Rome towards the end of the 1920s, where he lived for the rest of his life. He studied in Budapest under Ferenc Helbing and György Leszkovszky from 1926 until 1928, and then at the Bauhaus in Germany.{{Cite web|url=https://www.amerigotot.com/en/articles/1973-04-21t000000z-massimo-grillandi-amerigo-tot-scultore-romano/index.html|title=Amerigo Tot, scultore romano - Article Reader - Amerigo Tot Research}} As the Nazis came to power he moved to Rome where he worked sculpting memorials on a grant from the Roman-Hungarian Academy, where he eventually became an advisor. He fought in the Italian resistance movement starting in 1943.
He first received international recognition for his work on the frieze in Roma Termini station in 1950. He began doing abstract works in the 1950s. He returned home to Hungary several times, including 1937, 1939 and 1969 in what was a carefully-prepared trip by the Hungarian communist culture-buro. In Hungary he was celebrated as a "world famous" artist and had big exhibitions. He did traditional works, including a Madonna sculpture in his native Fehérvárcsurgó, as well as abstract sculptures and public monuments, including Microcosm in Macrocosm (a tribute to Béla Bartók), His Majesty and The Kilowatt in Kecskemét. The Amerigo Tot Museum in Budapest is named after him.
In the 1960s and 1970s he made small appearances in films. He is perhaps best-known to English-speaking audiences for his role as Bussetta, Michael Corleone's bodyguard and executioner of Johnny Ola in The Godfather Part II.{{cite book|last=Lebo|first=Harlan|title=The Godfather Legacy: The Untold Story of the Making of the Classic Godfather Trilogy Featuring Never-Before-Published Production Stills|url=https://books.google.com/books?id=EA1SCEmDyBMC&pg=PT240|date=25 October 2005|publisher=Simon and Schuster|isbn=978-0-7432-8777-7|page=240}}{{cite book|last1=Santas|first1=Constantine|last2=Wilson|first2=James M.|last3=Colavito|first3=Maria|author4=Djoymi Baker|title=The Encyclopedia of Epic Films|url=https://books.google.com/books?id=nWYmAwAAQBAJ&pg=PA236|date=21 March 2014|publisher=Scarecrow Press|isbn=978-0-8108-8248-5|page=236}}{{cite news|url=https://www.variety.com/index.asp?layout=Variety100&reviewid=VE1117487975&content=jump&jump=review&category=1935&cs=1|title=The Godfather, Part II|publisher=Variety|accessdate=2007-07-01 | first=A.D. | last=Murphy | date=December 9, 1974}} According to George S. Larke-Walsh, Tot's character in the film had to be brutal so that Michael's authority was retained.{{cite book|last=Larke-Walsh|first=George S.|title=Screening the Mafia: Masculinity, Ethnicity and Mobsters from The Godfather to The Sopranos|url=https://books.google.com/books?id=jKqoZyCjTD0C&pg=PA241|date=6 April 2010|publisher=McFarland|isbn=978-0-7864-5613-0|page=241}} Tot also appeared in The Most Beautiful Wife and Pulp (1972). The latter was directed by Mike Hodges for United Artists and featured Tot as Sotgio.{{cite book|last=Marill|first=Alvin H.|title=Mickey Rooney: His Films, Television Appearances, Radio Work, Stage Shows, and Recordings|url=https://books.google.com/books?id=h5WZOvH8VSUC&pg=PA139|date=8 December 2004|publisher=McFarland|isbn=978-0-7864-2015-5|page=139}}
Tot died in Rome in 1984. He is interred in the Farkasréti Cemetery in Budapest.
Filmography
class="wikitable" | |||
Year
! Title ! Role ! Notes | |||
---|---|---|---|
1968 | Listen, Let's Make Love | Baron von Tummler | |
1969 | Satyricon | Lica - Trifena's husband | |
1970 | The Most Beautiful Wife | Antonino Stella | |
1970 | La califfa | Industrialist | |
1972 | Pulp | Partisan | |
1974 | The Godfather Part II | Michael's Bodyguard | |
1976 | Cuore di cane | Il portiere |
References
{{Reflist}}
Sources
- [http://amerigotot.com - new website by Peter Nemes]
- [http://amerigotot.hu amerigotot.hu - website by Peter Nemes]
- [http://www.1hungary.com/amerigo_tot_kiallitas/I302038/ - Official Amerigo Tot Museum, Pécs]
- [http://kollergaleria.hu/kollergaleria.php?staticid=amerigo_tot_muteremhaz - Amerigo Tot memorial room, Budapest]
- [http://ludwigmuseum.hu/site.php?inc=kiallitas&kiallitasId=477&menuId=43 exhibition in Ludwig Museum Budapest] {{Webarchive|url=https://web.archive.org/web/20091025083146/http://ludwigmuseum.hu/site.php?inc=kiallitas&kiallitasId=477&menuId=43 |date=2009-10-25 }}
- {{IMDb name|0869293}}
- Sinkovits P. (1982): Az érintések öröme. (The joy of touch.) Report with Amerigo Tot. Művészet, XXIII, No. 7. p. 10-14. (In Hungarian)
- Nagy Z. (1982): Szemelvények egy életműből. (Section of an ouvre.) Exhibition of Amerigo Tot in Budapest, in the Vigadó Galéria. Művészet, XXIII, No. 7. p. 14-19. (In Hungarian)
{{Commons category|Amerigo Tot}}
{{Authority control}}
{{DEFAULTSORT:Tot, Amerigo}}
Category:20th-century Hungarian sculptors
Category:Hungarian expatriates in West Germany
Category:Hungarian emigrants to Italy