Andrés Curruchich
{{Short description|Guatemalan artist (1891-1969)}}
{{Use British English|date=June 2025}}
{{Use dmy dates|date=June 2025}}
{{Infobox person
| name = Andrés Curruchich
| birth_name = Andrés Curruchich Cúmez
| birth_date = {{Birth date|1891|01|19|df=y}}
| birth_place = San Juan Comalapa, Chimaltenango, Guatemala
| death_date = {{Death date and age|1969|02|18|1891|01|19|df=y}}
| death_place = San Juan Comalapa, Chimaltenango, Guatemala
| nationality = Guatemalan
| relatives = Rosa Elena Curruchich (granddaughter)
| awards = Order of the Quetzal, 1960
| module = {{Infobox artist | embed = yes
| movement = {{startflatlist}}
- Naïve art
- Guatemalan folk art
{{endflatlist}}
}}
}}
Andrés Curruchich (1891–1969) was born in San Juan Comalapa, Guatemala on January 19, 1891.{{Cite web |last=America |first=Indigenous |date=2021-08-21 |title=FEBRUARY 18, 1969 |url=https://indigenousamericacalendar.org/2021/08/21/february-18-1969-2/ |access-date=2024-05-05 |website=Indigenous America Calendar |language=en}} He was a Guatemalan naïve painter of the Kaqchikel people from the Kaqchikel town of San Juan Comalapa. Andrés Curruchich is considered the first and most important of the naïve painters of San Juan Comalapa. He is considered one the first Maya painters{{Cite book |last=Knoke de Arathoon |first=Barbara and Rosario Mirablés De Polanco |title=Museo Ixchel del Traje Indígena= The Ixchel Museum of Indigenous Dress. |publisher=Datatèxtil |year=1969 |publication-date=February 18, 1969 |pages=58 |language=en, es |trans-title=The Ixchel Museum of Indigenous Dress}} and the founder of Guatemalan folk art.Fry, Michael F.. Historical Dictionary of Guatemala. United States: Rowman & Littlefield Publishers, 2018. He began to paint in the 1920s as a means to try to earn extra money. In the 1930s and 1940s, he was invited to exhibit his works in various festivals and fairs in Guatemala. By 1950, his work was known in Guatemala City, and at this time he began to paint in oils on canvas. During the 1950s he exhibited in Guatemala City and at various galleries in the United States. Curruchich's works were primarily known for showcasing the lives and rituals of indigenous Guatemalans through a realistic lens.Crown, Carol, and Cheryl Rivers. The Narrative Textile. 2018. His paintings also documented the customs, lifestyles, and scenes from daily life of the people in San Juan Comalapa and surrounding villages. He showcases the variety of clothing used by the people in events from everyday life to even clothing saved for special occasions, such as festivals. He died in 1969, in San Juan Comalapa, Guatemala.{{Cite web |date=2020-06-12 |title=2. Andrés Curruchich |url=https://popularpainters-elmuseo.org/2-7-andres-curruchich/ |access-date=2024-05-05 |website=El Museo del Barrio |language=en-US}}
There is a permanent exhibition of his work at the Ixchel Museum of Indigenous Textiles and Clothing in Guatemala City.
Andrés Curruchich spawned a colony of Kaqchikel painters in San Juan Comalapa, which has become a centre for Mayan naïve art in Guatemala. Some 500 artists work in the town, many of them trained by Curruchich.
Education
Andres Curruchich would go on to train his granddaughters, María Elena Curruchiche and Rosa Elena, as well as other artists such as Paula Nicho Cumez and Oscar Peren.
Artworks
Muchachas Carriando Agua, 1963, oil on canvas
Curruchich depicts woman from San Juan Comalapa getting water from the fountain. This painting shows how Curruchich viewed woman in his community.
Plaza de Comalapa Venden Camaron n.d. oil painting on canvas
Features a man sitting under a tree, selling dried shrimp with a scale in hand. Surrounding him are woman, four of them dressed in the same colorful clothing, while another one behind them wears more dull clothing along with a basket or back behind them on their back. Behind the man there is more shrimp.
Fiesta de San Juan n.d. oil on canvas
It features three men trying to bullfight a bull, one with a donkey mask on. Behind the bull there a persona falling and a man sitting in defeat on the bull's side. There is a water fountain in the arena, meanwhile the outside/seating area of the arena is filled with people watching the men in the middle fight the bull.
Select exhibitions
Collections
Honors and awards
References
{{reflist}}
- [http://www.literaturaguatemalteca.org/andrescurruchich.htm Arte y Literatura de Guatemala: Andrés Curruchich]
- [http://www.stony-hill-madison.com/servlet/the-958/curruchich-guatemala-painting-naive/Detail Book about Andrés Curruchich's work]
- [http://naiftenango.blogspot.com/ Spanish language blog about naïve art in Guatemala]
- [https://web.archive.org/web/20090419225043/http://www.viajeaguatemala.com/Chimaltenango/2003719195773.htm Website about culture in San Juan Comalapa]
- [http://www.artemaya.com/thumpnc.html Article about Paula Nicho Cumes]
- [http://www.artemaya.com/thumcur.html Article about María Elena Curruchiche]
- Crown, Carol, and Cheryl Rivers. The Narrative Textile. 2018.
- Fry, Michael F.. Historical Dictionary of Guatemala. United States: Rowman & Littlefield Publishers, 2018.
- Knoke de Arathoon, Barbara, and Rosario Miralbés de Polanco. Museo Ixchel del Traje Indígena= The Ixchel Museum of Indigenous Dress. Datatèxtil 11 (2004): 50-61.
- Moura, Rodrigo. 2. Andrés Curruchich. EL MUSEO DEL BARRIO. September 10, 2020.
https://popularpainters-elmuseo.org/2-7-andres-curruchich/ .
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Category:20th-century Guatemalan painters
Category:Latin American artists of indigenous descent
Category:Guatemalan Maya people
Category:20th-century indigenous painters of the Americas
Category:People from Chimaltenango Department