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Andreas Müller-Pohle

{{Short description|German photographer, media artist and publisher}}

{{Infobox artist

| name = Andreas Müller-Pohle

| image =

| image_size =

| alt =

| caption =

| birth_date = {{Birth date and age|1951|07|19}}

| birth_place = Braunschweig

| nationality = German

| education = University of Göttingen, University of Hanover

| alma_mater =

| known_for = Photographer, visiting professor, critic, artist, publisher and editor

| notable_works = Hong Kong Waters (2009–2010), Face Codes (1998–1999), Digital Scores (After Nicéphore Niépce) (1995–1998), Transformance (1979–1982), Constellations(1976–1979)

| style = conceptual art

| movement = Experimental photography, contemporary photography

| spouse =

| partner =

| awards = Prix européen de la photographie de la Fondation Reind M. De Vries, Prix Pictet, Photobook Award

| website = {{URL|http://muellerpohle.net}}

}}

Andreas Müller-Pohle (born July 19, 1951, in Braunschweig) is a German photographer, media artist and publisher. He is considered an important representative of experimental photographyMarix Evans, M., St James Press. (1995). Contemporary Photographers. Norway: St. James Press{{Cite book|url=https://www.worldcat.org/oclc/36533271|title=Photography after photography : memory and representation in the digital age|date=1996|publisher=G+B Arts|others=Hubertus von Amelunxen, Stefan Iglhaut, Florian Rötzer, Alexis Cassel, Siemens Kulturprogramm, Aktionsforum Praterinsel|isbn=978-90-5701-101-6|location=[Place of publication not identified]|oclc=36533271}} and is the originator of the theory of "Visualism".{{Citation|title=Müller-Pohle, Andreas|date=2011-10-31|url=http://dx.doi.org/10.1093/benz/9780199773787.article.b00127492|work=Benezit Dictionary of Artists|publisher=Oxford University Press|doi=10.1093/benz/9780199773787.article.b00127492|access-date=2021-06-26|url-access=subscription}}Müller-Pohle, Andreas (1980). "Visualism". European Photography. No. 3. Göttingen. pp. 4–10.{{Cite web|title=Fotomanifeste {{!}} Visualismus, Andreas Müller-Pohle, 1980|url=http://www.fotomanifeste.de/manifeste/1980-mueller-pohle|access-date=2021-06-30|website=Fotomanifeste.de}}

As a publisher, especially of the bi-lingual art magazine European Photography, Müller-Pohle has documented and influenced the development of independent photography since the early 1980s.Hans-Michael Koetzle: Das Lexikon der Fotografen 1900 bis heute. Droemersche Verlagsanstalt, Munich 2002, ISBN 3-426-66479-8, pp. 314-315 Since 1983 he has published the writings of the media and culture philosopher Vilém Flusser, whose work he has popularised especially in the German speaking countries.[http://archiv.ub.uni-marburg.de/diss/z2009/0786/pdf/das.pdf Andreas Ströhl: Die Geste Mensch – Vilém Flussers Kulturtheorie als kommunikationsphilosophischer Zukunftsentwurf. ] Philipps-Universität Marburg, Germany. Retrieved June 21, 2021.

Biography

Andreas Müller-Pohle attended primary schools in Hanover and Kassel during 1958–1962, then 1962–1970, obtained the leaving certificate at Kassel Gymnasium. He studied law at University of Göttingen from 1970 to 1971, after which he trained as a commercial employee at Continental Gummi-Werke AG, Hanover until 1973. He studied economics and communication science from 1973 to 1974 in Hanover and from 1974 to 1979 in Göttingen. During this time he was introduced to photography by a friend, and purchased equipment, teaching himself the medium.{{Cite book|last=Auer|first=Michèle|url=https://www.worldcat.org/oclc/38161847|title=Encyclopédie internationale des photographes des débuts à nos jours = Photographers encyclopedia international from its beginnings to the present.|date=1997|publisher=Ides et calendes|others=Michel Auer, Michèle Auer, Ides et calendes|isbn=2-8258-0126-7|location=Neuchâtel [Switzerland]|oclc=38161847}} He initially worked with the moving image, and from the mid-1970s onwards engaged in practical and theoretical approaches to photography, undertaking a project Konstellationen to deal with pictorial syntax.{{Cite web|title=Collection Online|url=https://sammlung.mak.at/en/collection_online?id=collect-289128|access-date=2021-06-30|website=sammlung.mak.at|language=en}}

Writer and theoretician

Müller-Pohle joined the journal Fotografie as writer and critic from 1971 to 1979, when he took over the Swiss Print Letter in 1980,{{cite journal|jstor=24554742|issue=5|year=1992|journal=The Print Collector's Newsletter|volume=23|title=Reviewed work: European Photography Award 1991, EUROPEAN PHOTOGRAPHY|page=179}}{{Cite web|last=Veeder|first=Hillary B.|date=October 2015|title=Histories of Periodical Literature of Art & Design 2015|url=https://www.arlisna.org/images/researchreports/TitleHistories_2015.pdf|access-date=6 September 2021|website=Art Libraries Society of North America}} including it in European Photography, and has been its publisher ever since."30 Years of European Photography." Interview by Peter Kunitzky. Eikon, Vienna, no. 69, 2010 Friend and philosopher Vilém Flusser's first book in English, his own translation, was Towards a Philosophy of Photography published in 1984 by the then new journal European Photography, followed by other media and cultural-philosophical texts in the following years. Since then, Müller-Pohle has been working with Flusser's oeuvre and archive. In 1987, together with Volker Rapsch under their imprint Immantrix they published Flusser's essay "Die Schrift" as an early electronic book on diskette.Flusser, V. (1987). Die Schrift. (Edition Flusser.) Göttingen: Immatrix Publ. In 1996 he produced the "Edition Flusser", a ten-volume edition.{{Cite journal|last1=Müller-Pohle|first1=Andreas|last2=Flusser|first2=Vilém|date=2012-07-17|title=Transformance|url=http://dx.doi.org/10.1386/pop.2.2.257_7|journal=Philosophy of Photography|volume=2|issue=2|pages=257–271|doi=10.1386/pop.2.2.257_7|issn=2040-3682|url-access=subscription}}

Educator

Since 1997, he has been guest professor at the Higher Institute for fine Arts, Antwerp,{{Cite web|title=Andreas Müller-Pohle|url=https://hisk.edu/lecturers/Andreasmuller-Pohle|access-date=2021-06-30|website=HISK|language=en}} and since, at teaching institutes in Europe, Asia{{Cite web|last=Cheng|first=Sam|date=2015-03-06|title=Hong Kong Design Institute: Master Lecture Series: Art & Publishing – A Conversation between Andreas Müller-Pohle and Tse Ming Chong|url=http://www.hkdi.hk/en/news/news-detail.php?news_id=353&tab=all&page=35|access-date=2021-06-26|website=Hong Kong Design Institute}} and North and South America. In 2005, he founded Eye-Mind, an individual workshop initiative in Berlin.

Photographic practice

Andreas Müller-Pohle's work spans a variety of topics and concepts in pursuit of a reflective examination of the medium of photography. His first projects from the mid-1970s dealt with questions of image aesthetics and photographic perception, he then turned to - now also with the medium of video - photo recycling and the materiality and immateriality of photography. His first solo exhibition was in 1978. Müller-Pohle's interest in "interfaces"Marianna Michalowska: "Pochwala eksperymentowania." Gazeta Malarzy i Poetów, Poznan, nr. 3, 2005Marianna Michalowska: "Interfaces – or the Face out of Sight. Andreas Müller-Pohle's Face Codes." Fotografia, Wrzesnia, Poland, nr. 18, 2005Dieter Roelstraete: "Andreas Müller-Pohle, Interfaces." Obscuur, Gent, nr. 18, December 2000 leads him in several of his works to completely renounce the classic photographic image and to transform it into other code systems (such as alphanumeric or genetic codes).Bogna Blazewicz: "Kod zycia – kod sztuki." Gazeta Malarzy i Poetów, Poznan, nr. 3, 2005Pavel Turek: "Jednosmerné cesty." Zivel, Prague, nr. 25, 2005 In the mid-1990s, Müller-Pohle deconstructed digital, genetic and political codes. One of the first artists to have broken down and translated the analog and the digital codes of images, his series Digital Scores (after Nicéphore Niépce) decodes the photograph by Niépce, View from the Window at Le Gras into alphanumeric symbols distributed over eight panels. As Geoffrey Batchen expressed it:Batchen, G. (2002). Each Wild Idea: Writing, Photography, History. United Kingdom: MIT Press. p.177

Fictional nostalgia aside, today's photographic universe is found not in clumps of silver but in the algorithms racing across the surface of German artist Andreas Müller-Pohle's 1995 Digital Scores (after Nicéphore Niépce)...No dots, No silver. No emulsion. No hidden information. In fact, nothing but information
His work The Danube River Project , created in 2005 and 2006, takes up this longstanding preoccupation with interfaces: A "picture atlas" of the Danube is annotated from water samples taken by the artist and inscribed in the photographs.Nick Thorpe: "The Danube – Shape Shifting River." Smithsonian Journeys, Washington, D.C., Summer 2016Lajos Adamik: "Intim felvételek egy síkostestü óriásról / The Danube River Project." Balkon, Budapest, no 7/8, 2008Dimana Trankova: "And the Danube flows on. Andreas Müller-Pohle's photography reveals unknown dimensions of a symbol of united Europe." Vagabond, Sofia, no. 25, 2008Erwin Riess: "Fluss, Schiff, Fahrt." Die Presse, Vienna, 30 August 2008Boris von Brauchitsch: "Flussabwärts durch zehn Länder." Kunst und Auktionen, Munich, no. 14, 2008Wenzel Müller: "Aus der Fischperspektive. The Danube River Project: Die Donau einmal anders gesehen." Ärzte Woche, Vienna, no. 20, 2008Ronald Berg: "Andreas Müller-Pohle: The Danube River Project." Eikon, Vienna, no. 62, 2008"Wasserkanten. The Danube River Project – Andreas Müller-Pohle." p3 Print Picture Passion, Meerbusch, no. 1, 2008Enno Kaufhold: "Andreas Müller-Pohle. The Danube River Project." Photonews, Hamburg, no. 4, 2008Brigitte Werneburg: "Mit einer Unterwasserkamera in den Fluss getaucht – Andreas Müller-Pohle betrachtet die Donau aus ihrer eigenen Perspektive." die tageszeitung, Berlin, 14 January 2008Karin Derstroff: "Die Poesie des Flusses. Andreas Müller-Pohles 'Danube River Project' im Stadtmuseum Ingolstadt." Donau-Kurier, Ingolstadt, 19 July 2007Gabriele Mayer: "Das geheimnisvolle Klirren des Wassers am Donaumarkt. Andreas Müller-Pohles Medieninstallation." Mittelbayerische Zeitung, Regensburg, 20 October 2006Katarína Gatialová: "Z vody von. Iný pohl'ad Andreasa Müller-Pohleho." Domino, Bratislava, 28 July 2006Helmut Pusch: "Durchs Fischauge gesehen. Andreas Müller-Pohles 'Danube River Project'." Südwest Presse, Ulm, 29 March 2006

Müller-Pohle's subsequent project, Hong Kong Waters, takes as subject diverse water landscapes of the Asian metropolis in a photo, video and sound installation.Gregor Auenhammer: "Im Zwischen aquatischer Tiefen und Untiefen." ÖkoStandard, Vienna, 22 September 2013Boris von Brauchitsch: "Andreas Müller-Pohle: Hong Kong Waters." Eikon, Vienna, no. 84/85, 2014Ulf Erdmann Ziegler: "Der Horizont ist nur eine Idee. Hong Kong Waters in einem neuen Fotoband von Andreas Müller-Pohle." Monopol, Berlin, October 2013 Another work on the topic of water, Kaunas upon the Rivers, was created in 2017 as part of an artist-in-residence.{{Cite web|title=riverproject.net|url=http://www.riverproject.net/|access-date=2021-06-30|website=Riverproject.net}}

Since 2013 Müller-Pohle has undertaken an extensive cycle revealing flows of urban traffic (Studies on Traffic), for which he uses the media of photography, sound and video.

Exhibitions, screenings, installations

Müller-Pohle has shown in more than 200 exhibitions, many with published catalogues, and his work has received international attention since the mid-1980s.

  • 2018 – Analog und Schwarzweiß: Fotografie in Westdeutschland 1945–2000 aus der Sammlung Schupmann. Kunsthalle Erfurt, Germany{{Cite web|last=Erfurt|first=Veranstalter Stadtverwaltung|date=2018-10-14|title=Analog und Schwarzweiß: Fotografie in Westdeutschland 1945 – 2000 aus der Sammlung Schupmann|url=https://kunstmuseen.erfurt.de/km/de/service/aktuelles/ausstellungen/2018/130569.html|access-date=2021-09-08|website=Kunstmuseen Erfurt|language=de}}
  • 2015 – Without Ground – Vilém Flusser and the Arts.ZKM | Center for Art and Media, Karlsruhe, Germany{{Cite web|title=Without Firm Ground – Flusser and the Arts {{!}} 2015 {{!}} ZKM|url=https://zkm.de/en/publication/without-firm-ground-flusser-and-the-arts|access-date=2021-09-08|website=Zkm.de|date=15 August 2015 |language=en}}
  • 2014 – Andreas Müller-Pohle: Coincidences. A Select Retrospective. Prague City Gallery, House of Photography, Prague, Czech Republic{{Cite web|url=https://www.ghmp.cz/en/exhibitions/andreas-muller-pohle-coincidences-selective-retrospective/|title=Andreas Müller-Pohle: Coincidences|date=July 24, 2020|website=Ghmp.cz}}
  • 2014 – (Mis)Understanding Photography. Werke und Manifeste. Museum Folkwang, Essen, Germany{{Cite web|url=https://www.museum-folkwang.de/en/news/exhibitions/archive/misunderstanding-photography.html|title=(Mis)Understanding Photography|website=Museum Folkwang}}
  • 2011 – Andreas Müller-Pohle: Hong Kong Waters. Photo/Video/Sound. Hong Kong Arts Centre, Hong Kong{{Cite web|url=https://hkac.org.hk/|title=Hong Kong Arts Centre|first=Hong Kong Arts Centre|last=香港藝術中心|website=hkac.org.hk}}
  • 2008 – Andreas Müller-Pohle: The Danube River Project. European Month of Photography, Uferhallen, Berlin, Germany{{Cite web|url=http://www.mdf-berlin.de/archives/www.mdf-berlin.de/en/2008/exhibitions/artists-in-alphabetic-order/ausstellung/the-danube-river-project.html|title=Europäischer Monat der Fotografie Berlin - Artists (in alphabetic order)|website=Mdf-berlin.de}}
  • 2007 – Andreas Müller-Pohle: Photo/Video/Sound. Arbeiten 1995–2006. Städtische Galerie, Palais Stutterheim, Erlangen, Germany{{Cite web|url=https://www.kunstpalais.de/en/147/Andreas-Mueller-Pohle:106.html?referingPageNr=8#106|title=Andreas Müller-Pohle - Kunstpalais Erlangen|website=Kunstpalais.de}}
  • 2006 – Andreas Müller-Pohle: The Danube River Project. Donauschwäbisches Zentralmuseum, Ulm, Germany{{Cite web|url=https://www.dzm-museum.de/sonderausstellungen/the-danube-river-project/|title=The Danube River Project|website=Dzm-museum.de}}
  • 2004 – p0es1s. Digital Poetry. Kulturforum Potsdamer Platz, Berlin, Germany{{Cite web|url=http://www.p0es1s.net/de/projects/andreas_mueller-pohle.html|title=< Andreas Müller-Pohle - Analog-Digital-Spiegel und Blind Genes > p0es1s.digitale poesie - Kulturforum Potsdamer Platz, Berlin|website=P0es1s.net}}
  • 2003 – Andreas Müller-Pohle: CodeZone. Digitale Arbeiten 1995–2003. Museum für Photographie, Braunschweig, Germany{{Cite web|url=http://www.photomuseum.de/codezone-andreas-muller-pohle-digitale-arbeiten-1995-2003/|title=codeZone Andreas Müller-Pohle. Digitale Arbeiten 1995-2003.|website=Photomuseum.de|access-date=17 February 2022}}
  • 2002 – Andreas Müller-Pohle: CodeZone. Digital Projects. Gallery Ississ, Kyoto, Japan
  • 2002 – Andreas Müller-Pohle: Interfaces. FotoFest, Topek Building, Houston, TexasFotoFest 2002. The Classical Eye & Beyond. Houston: FotoFest, 2002. ISBN 0-9718044-0-0, pp. 66-69
  • 2001 – ex machina. Über die Zersetzung der Fotografie. Neue Gesellschaft für Bildende Kunst / Künstlerhaus Bethanien, Berlin, Germany{{Cite web|url=https://archiv.ngbk.de/en/projekte/ex-machina-ueber-die-zersetzung-der-fotografie/|title=ex machina – Über die Zersetzung der Fotografie (2001) – nGbK Archive|website=Archiv.ngbk.de}}
  • 2000 – Andreas Müller-Pohle: Digital Scores, Entropia. The Museum of Contemporary Photography, Chicago, Illinois{{Cite web|url=https://www.mocp.org/exhibitions/2000/0/andreas-m%C3%BCller.php|title=Andreas Müller-Pohle: Digital Scores and Entropia | Museum of Contemporary Photography|website=Mocp.org}}
  • 2000 – Andreas Müller-Pohle: Entropia. Tschumipavillon, Groningen, Netherlands{{Cite web|url=https://www.tschumipaviljoen.org/en/project/entropia/|title=Tschumipaviljoen - Entropia|website=Tschumipaviljoen.org|access-date=17 February 2022}}
  • 1999 – Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland. Berlin, GermanyNationalgalerie Berlin (ed.): Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland. Berlin: Nicolai, 1999. ISBN 3-87584-869-1, pp. 298 f.
  • 1999 – Andreas Müller-Pohle: Interfaces. Foto + Video 1977–1999. Altes Rathaus, Göttingen, GermanyHubertus von Amelunxen (ed.): Andreas Müller-Pohle: Interfaces. Foto+Video 1977–1999. Introduction by Hubertus von Amelunxen. Göttingen: European Photography, 1999. ISBN 3-923283-51-2
  • 1998 – Andreas Müller-Pohle: Codex. Mücsarnok / Kunsthalle, Budapest, Hungary{{Cite web|url=http://mucsarnok.hu/exhibitions/exhibitions.php?mid=561c35250774c|title=Andreas Müller-Pohle: Codex :: Műcsarnok|website=Mucsarnok.hu}}
  • 1997 – Andreas Müller-Pohle: Entropia. Kunstverein, Rüsselsheim, Germany{{Cite web|url=https://www.kunstvereinruesselsheim.de/archiv|title=Archiv Kunstverein Rüsselsheim|website=Kunstvereinruesselsheim.de}}
  • 1996 – Andreas Müller-Pohle: Entropia. World Wide Video Festival, Gemeentemuseum, The Hague, NetherlandsLeo Reijnen (ed.): 14th World Wide Video Festival. The Hague: Stichting World Wide Video Centre, 1996. ISBN 90-75018-14-2, pp. 106 f.
  • 1995 – Photography After Photography. Memory and Representation in the Digital Age. Aktionsforum Praterinsel, Munich, GermanyHubertus von Amelunxen, Stefan Iglhaut, Florian Rötzer (eds.): Photography after Photography. Amsterdam/Munich: Overseas Publishers Association and Siemens Kulturprogramm, 1996. ISBN 90-5701-101-8, pp. 228-231
  • 1995 – Andreas Müller-Pohle: De Perrudja à Perlasca Espace Photographique Contretype, Brussels, Belgium{{Cite web |url=https://www.contretype.org/timeline-de-nos-expositions |title=Expositions — CONTRETYPE |access-date=2021-06-29 |archive-date=2021-06-29 |archive-url=https://web.archive.org/web/20210629184011/https://www.contretype.org/timeline-de-nos-expositions |url-status=dead }}
  • 1994 – "Deutsche Kunst mit Photographie: Die 90er Jahre". Rheinisches Landesmuseum, Bonn, GermanyUlrike Gauss, Barbara Hofmann, Klaus Honnef, Reinhold Mißelbeck: Deutsche Kunst mit Photographie. Die 90er Jahre. Frankfurt/Main: Deutsche Fototage, 1996. ISBN 3-930054-07-8, pp. 52 f.
  • 1992 – Andreas Müller-Pohle: Signa. Fotogalerie Wien, Vienna, Austria{{Cite web|url=https://www.fotogaleriewien.at/ausstellung/jahresprogramm-13/|title=Jahresprogramm |website=Fotogaleriewien.at|access-date=17 February 2022}}
  • 1991 – Andreas Müller-Pohle: Was ich nicht sehe, fotografiere ich. Was ich nicht fotografiere, sehe ich. Arbeiten 1976–1991. Brandenburgische Kunstsammlungen, Cottbus, GermanyAndreas Müller-Pohle: Was ich nicht sehe, fotografiere ich. Was ich nicht fotografiere, sehe ich. Arbeiten 1976–1991. Cottbus: Brandenburgische Kunstsammlungen, 1991. FotoeditionNr. 13
  • 1989 – Das Foto als autonomes Bild – Experimentelle Gestaltung 1839–1989. Kunsthalle Bielefeld, GermanyGottfried Jäger, Jutta Hülsewig-Johnen, J.A. Schmoll gen. Eisenwerth (eds.): Das Foto als autonomes Bild – Experimentelle Gestaltung 1839–1989. Stuttgart: Edition Cantz, 1989. ISBN 3-89322-161-1, pp. 188 f.
  • 1989 – Dokument und Erfindung – Fotografien aus der Bundesrepublik Deutschland 1945 bis heute. Haus am Lützowplatz, Berlin, GermanyJörg Boström (ed.): Dokument und Erfindung – Fotografien aus der Bundesrepublik Deutschland 1945 bis heute. Berlin: Edition q, 1989. ISBN 3-9801163-7-9, p. 164-169
  • 1988 – Fotovision – Projekt Fotografie nach 150 Jahren. Sprengel Museum, Hanover, GermanyFotovision. Projekt Fotografie nach 150 Jahren. Hannover: Sprengel Museum, 1988. ISBN 3-89169-044-4, pp. 238 f.
  • 1986 – Fotografie: Abbildung? Einbildung? Museum am Ostwall, Dortmund, Germany{{cite web|url=https://primo.getty.edu/primo-explore/fulldisplay?docid=GETTY_ALMA21162124580001551&context=L&vid=GRI&lang=en_US&search_scope=COMBINED&adaptor=Local%20Search%20Engine&tab=all_gri&query=lsr01,contains,904775660&mode=basic|title=Abbildung, Einbildung : Fotografie : Gerald Domenig, Andreas Müller-Pohle, Axel Schneider, Herbert Schwöbel ; dichte Filme : Urs Breitenstein, Thomas Feldmann, Karl Kels, Roland Krüger, André Lehmann, Pola Reuth, Monika Schwitte : 19. Januar-2. März 1986 / Katalog: Herbert Schwöbel.|website=Primo.getty.edu|access-date=2022-02-17}}
  • 1984 – La Photographie créative. Bibliothèque Nationale / Pavillon des Arts, Paris, FranceJean-Claude Lemagny: La Photographie créative. Les collections de la Bibliothèque nationale : 15 ans d'enrichissement. Paris: Contrejour, 1984. ISBN 2-859-49-058-2, photos 252, 253.
  • 1981 – Erweiterte Fotografie. 5. Internationale Biennale, Wiener Secession, Vienna, AustriaPeter Weibel/Anna Auer (eds.): Erweiterte Fotografie / Extended Photography. 5. Internationale Biennale. Vienna: Wiener Secession, 1981, pp. 57, 64-67
  • 1981 – New German Photography. The Photographers' Gallery, London, England{{Cite web |url=https://thephotographersgallery.org.uk/whats-on/exhibition/new-german-photography |title=New German Photography | the Photographers' Gallery |access-date=2021-06-29 |archive-date=2021-06-26 |archive-url=https://web.archive.org/web/20210626175758/https://thephotographersgallery.org.uk/whats-on/exhibition/new-german-photography |url-status=dead }}
  • 1980 – Vorstellungen und Wirklichkeit – 7 Aspekte subjektiver Fotografie. Museum Schloss Morsbroich, Leverkusen, GermanyRolf Wedewer (ed.): Vorstellungen und Wirklichkeit – 7 Aspekte subjektiver Fotografie. Cologne: Wienand Verlag, 1980. ISBN 3-87909-100-5, pp.114-127

Collections

Müller-Pohle is represented in public and private collections.

Awards

  • 2021 – Hong Kong Photobook Award – elected judge{{Cite web|date=2021-03-31|title=The Result of Photobook Dummy Award 2021 Has Been Released!|url=http://hkphotobookfest.org/?p=1113|access-date=2021-06-29|website=Hong Kong Photobook Festival|language=en-US}}
  • 2011 – Prix Pictet - elected nominator{{Cite web|date=2012-06-14|title=Andreas Müller-Pohle|url=https://prixpictet.com/nominators/muller-pohle-andreas/|access-date=2021-06-29|website=Prix Pictet|language=en}}
  • 2008 – Kassel PhotoBook Award{{Cite web|title=Kassel Photobook Award 2008 – Fotobbokfestival Kassel|url=https://fotobookfestival.org/portfolio-item/kassel-photobook-award-2008/|website=Fotobookfestival.org|access-date=2021-06-30|language=en-US}}
  • 2001 – Prix européen de la photographie de la Fondation Reind M. De Vries{{Citation needed|date=June 2021}}

Bibliography

  • Andreas Muellerpohle : photo/video/sound 1995 - 2006, Städtische Galerie Erlangen 2007, ISBN 9783923899340
  • Coleman, A.D. Andreas Müller-Pohle : Synopsis. Québec, Qc: Vu, 1997
  • Equivalence. Andreas Müller-Pohle, [online], 2017{{Cite web |url=http://www.equivalence.com/labor/lab_mp.shtml |title=Equivalence > Laboratory > Andreas Müller-Pohle |access-date=2021-06-26 |archive-date=2017-03-30 |archive-url=https://web.archive.org/web/20170330070333/http://equivalence.com/labor/lab_mp.shtml |url-status=dead }}
  • Godefroid, Jean-Louis. Cyclogrammes : Andreas Müller-Pohle, exhibition catalogue, Galerie Mantoux-Gignac from 16 January to 8 March 1997, Bruxelles: Espace photographique contretype, 1996
  • LensCulture: Andreas Müller-Pohle, [online], 2017{{Cite web|url=https://www.lensculture.com/andreas-muller-pohle|title=Andreas Müller-Pohle|first=Andreas|last=Müller-Pohle|website=LensCulture}}
  • Tomaszek, Patricia. Andreas Müller-Pohle, [online], 2013{{Cite web|url=https://elmcip.net/person/andreas-muller-pohle|title=Andreas Müller-Pohle | ELMCIP|website=Elmcip.net}}

References

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Category:German photographers

Category:German publishers (people)

Category:1951 births

Category:German art historians

Category:Living people