Antonio Joli
{{Short description|Italian painter (1700–1777)}}
{{Use dmy dates|date=June 2020}}
{{use list-defined references|date=July 2013}}
{{Infobox artist
| name = Antonio Joli
| image = Departure of Charles III from Naples.jpg
| image_size = 300px
| alt =
| caption = Antonio Joli, Departure of Charles III of Spain from Naples, {{Lang|es|Museo del Prado|italic=no}}, 1759 - he also painted a pair, showing the view from the sea.
| birth_name =
| birth_date = 13 March 1700
| birth_place = Modena
| death_date = 29 April 1777
| death_place = Naples
| nationality =
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| field =
| training =
| movement = vedutisti
| works =
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Antonio Francesco Lodovico Joli (13 March 1700 – 29 April 1777) was an Italian painter of vedute and capricci.
Biography
Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family.
In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54). In London, he decorated the Richmond mansion of John James Heidegger, then the director of the King's Theatre in the Haymarket. In 1749 Joli left London and went to Madrid where he was also involved in scene painting for the royal court, both at the Coliseo at Buen Retiro, the royal palace then just outside Madrid, and at the smaller opera house at the palace at Aranjuez.
The opera performances for which he painted scenery were directed by Farinelli. He also made large-sized paintings of the Esquadra del Tajo, the fleet of royal barges and other vessels on the river Tajo at Aranjuez. Joli returned to Venice in 1754, where he became one of the 36 founding members of the Accademia di Belle Arti di Venezia. He moved to the Bourbon court of Naples in 1761, and died there on 29 April 1777.
References
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Further reading
- {{cite book | first= J. G.|last= Links| year=1977| title= Canaletto and his Patrons| pages= 99 | publisher=Paul Elek |location=London}}
- [http://www.artnet.com/library/04/0450/T045066.asp Grove encyclopedia biography on Artnet]
Gallery
{{Gallery
|width=220 |align=center
|style="font-size: 86%;"
|File:Antonio Joli Auszug des Nuntius Stoppani aus dem Dogenpalast 1741.jpg|The departure of the nuncio Stoppani from the Doge's Palace after his audience; National Gallery of Art, Washington
|File:Antonio Joli Einholung des Nuntius Stoppani 1741.jpg|The greeting of Nuncio Stoppani, 1741; National Gallery of Art, Washington
|File:ANTONIO JOLI ROME, A VIEW OF THE FORUM.jpg|Rome, A View of the Forum with the Campo Vaccino, the church of Santa Francesca and the Colosseum
|File:Antonio_Joli_Prospect_of_London.jpg|Prospect of London
|File:View of the flooded Piazza Navona, Rome (by Antonio Joli).jpg|Piazza Navona Allagata
|File:Calle Alcalá por Antonio Joli.jpg|View of Calle de Alcalá, Madrid
}}
External links
{{Commons category|Antonio Joli}}
- [http://www.wikigallery.org/wiki/artist38652/Antonio-Joli/page-1 Antonio Joli at Wikigallery.org]
- [http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/187741/rec/2 Italian Paintings, Venetian School], a collection catalog containing information about Joli and his works (see index; plate 39).
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{{DEFAULTSORT:Joli, Antonio}}
Category:18th-century Italian painters