Anytime, Anyplace, Anywhere
{{More citations needed|date=October 2017}}
{{Infobox album|
| name = Anytime, Anyplace, Anywhere
| type = Album
| artist = Rossington Collins Band
| cover = Anytime, Anyplace, Anywhere.jpg
| alt =
| released = July 1980
| recorded =
| venue =
| studio =
| genre = Southern rock
| length = 46:31
| label = MCA
| producer = Allen Collins, Barry Harwood, Gary Rossington
| prev_title =
| prev_year =
| next_title = This Is the Way
| next_year = 1981
}}
{{Album ratings
| rev1 = Allmusic
| rev1Score = {{Rating|3|5}}{{AllMusic|class=album|id=mw0000194079|first=Michael B|last=Smith}}
| noprose = yes
}}
Anytime, Anyplace, Anywhere is the first studio album by the Rossington Collins Band. It includes their most successful single, "Don't Misunderstand Me".
It was recorded at (the now defunct) El Adobe Studios in El Paso, Texas.
Track listing
- "Prime Time" (Collins, Rossington, Krantz) – 4:06
- "Three Times as Bad" (Collins, Krantz) – 6:04
- "Don't Misunderstand Me" (Collins, Harwood, Krantz) – 3:58
- "One Good Man" (Collins, Rossington, Krantz) – 4:40
- "Opportunity" (Powell, Harwood, Krantz) – 4:34
- "Getaway" (Powell, Krantz, Harwood) – 7:26
- "Winners and Losers" (Rossington, Collins) – 5:10
- "Misery Loves Company" (Rossington, Krantz) – 4:49
- "Sometimes You Can Put It Out" (Harwood, Krantz, Rossington) – 5:44
Personnel
- Allen Collins - lead & rhythm guitars
- Barry Lee Harwood - lead & rhythm guitars, slide guitar, vocals
- Derek Hess - drums, percussion
- Dale Krantz - lead vocals
- Billy Powell - keyboards
- Gary Rossington - lead & rhythm guitars, slide guitar
- Leon Wilkeson - bass guitar
- Howard Steele - engineer, mixer
- Dave Evans - mixer{{cite web|url=http://www.discogs.com/Rossington-Collins-Band-Anytime-Anyplace-Anywhere/release/2136532|title=Rossington Collins Band - Anytime, Anyplace, Anywhere|website=Discogs.com|accessdate=10 October 2017}}
Reception
Writing in The Boston Phoenix, Barry Hoberman opined that "Throughout Anytime, Anyplace, Anywhere rhythms interlock sturdily, and melodies curl in and around one another in perfect coordination." Hoberman felt that most of the music "is more gracefully melodic than most Skynyrd material, representing a downshift from the earlier group’s abrupt rhythms and brash metallic fury.{{cite news |last1=Hoberman |first1=Barry |title=Biting the bullet |url=https://archive.org/details/sim_boston-phoenix_1981-11-24_10_47/page/n62/mode/1up |access-date=15 June 2024 |work=The Boston Phoenix |date=24 November 1981}}