Aracy Amaral
{{Short description|Brazilian art historian and curator (born 1930)}}
{{Use dmy dates|date=September 2024}}
{{Portuguese name|Abreu|Amaral}}
{{Infobox officeholder
| birth_date = {{Birth date and age|1930|2|22|df=y}}
| birth_place = São Paulo, São Paulo, Brazil
| title1 = Director of the Pinacoteca do Estado de São Paulo
| term_start1 = 1975
| term_end1 = 1979
| title2 = Director of the Museum of Contemporary Art, University of São Paulo
| term_start2 = 1982
| term_end2 = 1986
| occupation = {{flatlist|
- Art historian
- curator
}}
| alma_mater = {{plainlist|
}}
| awards = Guggenheim Fellow (1977)
| spouse = Mario Toral
| children = 1
| relatives = Antônio Henrique Amaral (brother)
Tarsila do Amaral (aunt)
| module =
{{Infobox academic
| thesis_title = Tarsila – sua obra e seu tempo
| thesis_year = 1976
| discipline = Art history
| sub_discipline = {{flatlist|
}}
| work_institutions = {{Indented plainlist|
}}
| embed = yes
}}
}}
Aracy Abreu Amaral (born 22 February 1930) is a Brazilian art historian and curator. Born in São Paulo and raised in Buenos Aires, she worked as an art history professor at the University of São Paulo and director of the Pinacoteca do Estado de São Paulo (1975–1979) and Museum of Contemporary Art, University of São Paulo (1982–1986). A 1977 Guggenheim Fellow, she is an academic who specializes in modernism in Brazil, particularly Tarsila do Amaral.
Biography
=Early life and career=
Aracy Abreu Amaral was born on 22 February 1930 in São Paulo,{{Cite web |title=Aracy Amaral |url=https://enciclopedia.itaucultural.org.br/pessoa10/aracy-amaral |access-date=23 July 2024 |website=Enciclopédia Itaú Cultural}} Her mother Nadya worked as a diseuse, and her father Aguinaldo Amaral was a civil servant for the {{ill|Departamento Nacional do Café|pt|National Department of Coffee}}.{{Cite web |title=cronologia • chronology |url=https://www.antoniohenriqueamaral.com/section/?id=cronologia_chronology&lang=eng |access-date=23 July 2024 |website=Instituto Antonio Henrique Amaral}} She has three siblings, including artist Antônio Henrique Amaral, and her aunt is painter Tarsila do Amaral.{{Cite journal |last=Damian |first=Carol |date=1999 |title=Tarsila do Amaral: Art and Environmental Concerns of a Brazilian Modernist |url=https://www.jstor.org/stable/1358838 |journal=Woman's Art Journal |volume=20 |issue=1 |pages=3–7 |doi=10.2307/1358838 |jstor=1358838 |issn=0270-7993 |url-access=subscription }} She spent her early childhood in Buenos Aires, moving there due to her father Aguinaldo Amaral's employment with the {{ill|Instituto Brasileiro do Café|pt}}. She was educated at the Pontifical Catholic University of São Paulo, where she got a journalism degree in 1959, and at the University of São Paulo (USP), where she got her master's degree in philosophy in 1969 and PhD in arts in 1975.{{Cite web |title=Aracy Abreu Amaral |url=http://lattes.cnpq.br/4769957191771889 |access-date=23 July 2024 |website=Curriculo Lattes}} Her doctoral dissertation was Tarsila – sua obra e seu tempo (1976). She also spent a year at the École du Louvre (1958–1959).
While studying at USP, Amaral started working as an assistant to the director of their Museum of Contemporary Art in 1964, before being promoted to editor of their publications in 1965, a position she held until 1977. She originally worked as a researcher for the São Paulo Research Foundation from 1968 until 1970, a freelancer for clients such as Wesley Duke Lee, Cildo Meireles, Hélio Oiticica, and Mira Schendel, and as a radio host for Jovem Pan in 1972.
=Academic career=
In 1972, Amaral started working as a professor of art history at the University of São Paulo Faculty of Architecture and Urbanism, and she was granted her {{ill|livre-docência|pt|italics=y}} there in 1983. In 1982, she returned to their Museum of Contemporary Art as director, serving until 1986. She also served as director of the Pinacoteca do Estado de São Paulo from 1975 until 1979 and as part of the Prince Claus Fund International Prize Committee from 2002 until 2005.{{Cite web |last=Queiroz |first=Christina |date=2021 |title=Aracy Amaral: Visionária da modernidade |url=https://revistapesquisa.fapesp.br/aracy-amaral-visionaria-da-modernidade/ |access-date=23 July 2024 |website=Revista Pesquisa FAPESP |publisher=São Paulo Research Foundation |language=pt-br}}{{Cite press release |title=Aracy Amaral Curated First Show With Works by Ciramicists of the Paraguayan Ancestral Tradition |publisher=Galeria Millan |url=https://artguide.artforum.com/uploads/guide.004/id11191/press_release.pdf |access-date=23 July 2024 }} By 2021, she had retired from USP.
As an academic, Amaral specializes in modernism in Brazil, particularly Tarsila do Amaral. She published several books on art history, including Blaise Cendrars no Brasil e os modernistas (1970) and Tarsila: Sua obra e seu tempo (1975). In 1977, she was appointed a Guggenheim Fellow for "a study of international and national influences on the art of Brazil".{{Cite web |title=Aracy A. Amaral |url=https://www.gf.org/fellows/aracy-a-amaral/ |access-date=23 July 2024 |website=John Simon Guggenheim Memorial Foundation |language=en}}{{Cite book |url=https://books.google.com/books?id=9ZHWAAAAMAAJ |title=Reports of the President and of the Treasurer |date=1977 |publisher=John Simon Guggenheim Memorial Foundation |page=131}} In 2006, she was awarded the Moinho Santista Award (now the Fundação Bunge Award) in Museology.{{Cite web |title=Prêmio Fundação Bunge |url=https://fundacaobunge.org.br/programas/premio-fundacao-bunge/?nome=&area=&tema=&ano=2006&premio=#premiados |access-date=23 July 2024 |website=Fundação Bunge |language=pt-br}} Writing for ARTMargins, the art historian Sofia Gotti called Amaral's works "a vital reference for the study of art history in Brazil", lamenting the lack of English-language translations for her work.{{Cite journal |last=Gotti |first=Sofia |date=1 June 2016 |title=Popau, Pop, or an 'American Way of Living'? An Introduction to Aracy Amaral's 'From the Stamps to the Bubble' |url=https://direct.mit.edu/artm/article/5/2/105/18017/Popau-Pop-or-an-American-Way-of-Living-An |journal=ARTMargins |language=en |volume=5 |issue=2 |pages=105–119 |doi=10.1162/ARTM_a_00150 |issn=2162-2574}}
In 2005, Amaral was the general coordinator of Itaú Cultural's Rumos project.{{Cite web |title=Aracy A. Amaral |url=https://editora34.com.br/areas.asp?autor=Amaral,%20Aracy%20A. |access-date=23 July 2024 |website=Editora 34}} She also curated the 2009 Trienal de Chile and 2011 Bienal do Mercosul.{{Cite web |title=Aracy Amaral |url=https://alvarezgallery.com/aracy-amaral/ |access-date=23 July 2024 |website=Alvarez Gallery |date=8 September 2022 |language=en-US}} In 2021, the São Paulo Research Foundation called her "a pioneer in the field of curatorship in Brazil". She has a son with her ex-husband Mario Toral, historian and comic artist {{ill|André Toral|pt}}.
References
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Category:Women museum directors
Category:Writers from São Paulo
Category:Brazilian women curators
Category:Brazilian art historians
Category:Brazilian radio personalities
Category:Women radio personalities
Category:Pontifical Catholic University of São Paulo alumni