Archeological Museum of Seville

{{Infobox museum

| name = Archeological Museum of Seville

| native_name = Museo Arqueológico de Sevilla

| image = Museo Arqueológico de Sevilla.jpg

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| type = Archaeology museum

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| established = 1879

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| location = Seville, Spain

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| architect = Aníbal González

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| owner = General State Administration

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The Archeological Museum of Seville (Spanish: Museo Arqueológico de Sevilla) is a museum in Seville, southern Spain, housed in the Pabellón del Renacimiento, one of the pavilions designed by the architect Aníbal González. These pavilions at the Plaza de España were created for the Ibero-American Exposition of 1929.

History

The institution was created via royal order issued on 21 November 1879.{{Cite journal|url=http://museosdeandalucia.com/textos/pdf/Beltr%E1n_Fortes,%2BJ.R_L%F3pez_Rodr%EDguez.pdf|title=Historia de las colecciones del Museo Arqueológico de Sevilla (España)|first1=José|last1=Beltrán Fortes|first2=José|last2=López Rodríguez|journal= Horti Hesperidum. Studi di storia del collezionismo e della storiografia artística|volume=2|issue=1|page=95|year=2012}}

Following a move of the collection to the Pabellón del Renacimiento started in 1942, 8 exhibition rooms were opened in the new premises on 25 May 1946.{{Cite journal|url=http://www.man.es/man/dam/jcr:c7a718e0-b2c1-450c-80df-59f3780cc966/man-bol-2017-35-050.pdf|publisher=Museo Arqueológico Nacional|location=Madrid|pages=445–446|title=Museo Arqueológico de Sevilla (1879-2017): 138 años de historia y algunos más|first1=Ana D.|last1=Navarro Ortega|first2=Concepción|last2=San Martín Montilla|first3=Manuel|last3=Camacho Moreno|journal=Boletín del Museo Arqueológico Nacional|volume=35|year=2017|issn=2341-3409}}

Collection

The museum's basement houses the El Carambolo treasure, discovered in Camas (3 km NW of Seville) in 1958. The treasure comprises 2950 grams of 24-carat gold and consists of golden bracelets, a golden chain with pendant, buckles, belt- and forehead plates. The hoard, initially associated to Tartessos, has been however interpreted since the 1990s rather as part of a Phoenician sanctuary; this later hypothesis was verified by new archaeological digs in the 2000s.{{Cite journal|url=http://institucional.us.es/revistas/spal/20/art_8.pdf|publisher=Universidad de Sevilla|title=Revestidos como Dios manda. El tesoro del Carambolo como ajuar de consagración|location=Seville|journal=SPAL: Revista de Prehistoria y Arqueología de la Universidad de Sevilla|volume=20|pages=107–141|last1=Escacena Carrasco|first1=José Luis|last2=Amores Carredano|first2=Fernando J. de|year=2011|doi=10.12795/spal.2011.i20.08 }} The treasure includes a small figurine of Astarte, a Phoenician goddess.

Other halls of the museum contain findings from the Roman era, many of which are from the nearby Roman city of Itálica. The Itálica exhibits include mosaics, statues (including the famous Venus of Itálica), and busts of the emperors Augustus, Vespasianus, Trajan and Hadrian. Another of the iconic sculptural items of the collection is the {{ill|Seated marriage of Orippo|es|Matrimonio sedente de Orippo|lt= Seated Marriage of Orippo}}, donated by the Marquise of

Esquivel in 1944.{{Cite journal|url=http://blogs.fad.unam.mx/academicos/patricia_vazquez/wp-content/uploads/2012/06/PORTAL_musa_11.pdf|title=El matrimonio sedente de Orippo|first=Manuel|last=Camacho|journal=Revista de los Museos de Andalucía|volume=7|issue=11|year=2009|page=149}}

File:Placa de Valencina (17889306690).jpg|Valencina idol-plaque (3000–2100 BC){{Cite web|url=http://www.museosdeandalucia.es/web/museoarqueologicodesevilla/obras-singulares|title=Obras singulares 1de4|publisher=Consejería de Cultura y Patrimonio Histórico. Junta de Andalucía}}

File:Astarté (17449229374).jpg|The so-called {{ill|Bronze Carriazo|es|Bronce Carriazo|lt="Bronze Carriazo"}}{{Cite journal|url=https://revistas.usal.es/index.php/0514-7336/article/view/zephyrus2020855378/22684|publisher=Universidad de Salamanca|location=Salamanca|title=Dos bocados de bronce Hispano-Fenicios en el Metropolitan Museum of Art (New York): En torno a la funcionalidad e iconografía del Bronce Carriazo |issn=0514-7336|first1=Francisco Javier|last1=Jiménez Ávila|first2=Alfredo|last2=Mederos Martín|journal=Zephyrvs |volume=85|year=2020| doi=10.14201/zephyrus2020855378|pages=54; 59|s2cid=225431421 }}

File:(Venus Unica) Museo Arqueológico Sevilla.jpg|Venus from Italica (117 AD){{Cite web|url=http://www.museosdeandalucia.es/web/museoarqueologicodesevilla/obras-singulares?p_p_id=101_INSTANCE_GRnu6ntjtLfp&p_p_lifecycle=0&p_p_state=normal&p_p_mode=view&p_p_col_id=column-2&p_p_col_count=1&_101_INSTANCE_GRnu6ntjtLfp_delta=10&_101_INSTANCE_GRnu6ntjtLfp_keywords=&_101_INSTANCE_GRnu6ntjtLfp_advancedSearch=false&_101_INSTANCE_GRnu6ntjtLfp_andOperator=true&p_r_p_564233524_resetCur=false&_101_INSTANCE_GRnu6ntjtLfp_cur=2|title=Obras singulares 2de4|publisher=Consejería de Cultura y Patrimonio Histórico. Junta de Andalucía}}

References

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