Ataaba
{{Short description|Traditional Arabic musical form}}
The ataaba ({{langx|ar|عتابا}}, meaning "plaint" or "dirge", also transliterated 'ataba) is a traditional Arabic musical form sung at weddings, festivals, and other occasions. Popular in the Middle East, it was originally a Bedouin genre, improvised by a solo poet-singer accompanying themselves on the rababa.{{cite web|title=The Two Tenors of Arabic Music|publisher=Turath|year=2000|accessdate=2008-11-11|url=http://www.turath.org/Articles/TwoTenors.htm| archiveurl= https://web.archive.org/web/20081012013924/http://www.turath.org/Articles/TwoTenors.htm| archivedate= 12 October 2008 | url-status= live}} As part of Arab tradition, ataabas are generally performed by a vocal soloist, without instrumental accompaniment, who improvises the melody using folk poetry for the verse.Kaschl, 2003, p. 249.
Sung unmetered in stanzas comprising four lines, the last word of the first three lines are homonyms, each with a different meaning, creating a pun. In urban settings, the ataaba is often paired with a metric choral refrain called a mījanā.
The ataaba is also used to express grief or reproach.Armitage et al., 2002, p. 324. The most common theme of an ataaba is love, though eulogies are also common. Less common themes include moral instruction, and descriptions of nature.Cohen and Katz, 2006, p. 262.
Structure
About half of all ataabas do not use fixed meter, while the other half use a standard rajaz or wāfir meter. Generally composed of four verses of poetry, the first three end with the same sound.Farsoun, 2004, p. 117. The end of a verse or quatrain in an ataaba is marked by adding a word ending in "-ba" to the end of the fourth hemistich.Pavla etal., 2008, p. 11. The fourth and final verse usually ends with a word ending in the sound aab or awa.
While there are four lines of verse in an ataaba, these are usually sung as two musical phrases. These phrases are often a melodic curve beginning on the fourth or fifth, descending to the cadence and ending on the supertonic or tonic. All ataabas are performed by a soloist, who often begins by singing a long melismatic phrase on the syllable ōf. While this opening sequence is not necessarily a part of the ataaba, the closing melismatic phrase sung to words such as yā bā ("O father"), yā mā ("O mother"), or yā eyn ("O eyes"), etc., is an integral part of the song's structure and is unique to this musical form.
Performances
The ataaba is one of many Palestinian folk music traditions that continues to be performed at weddings and festivals in Palestine, as well as by Palestinians in the West Bank and Gaza Strip.Marshall Cavendish, 2007, p. 996.Shiloah, 1997, p. 42. The ataaba and other forms of improvised poetry such as the mawwal and mijana have been used by Palestinians since the 1960s, "to express outrage and grief at the razing and appropriation of Palestinian villages by Israelis."{{Cite web|title=Palestine: Histories of Musical Resistance — Iltizam: (Commitment) through song |url=http://www.culturesofresistance.org/make-music-not-war/sound-of-resistance/palestine |date=May 14, 2008 |publisher=Culture of Resistance |url-status=dead |archiveurl=https://web.archive.org/web/20081002131038/http://www.culturesofresistance.org/make-music-not-war/sound-of-resistance/palestine |archivedate=2008-10-02 }} Ataabas are also performed by famous Arab singers, such as the Lebanese singer and composer, Wadi' al-Safi.
See also
References
{{Reflist|2}}
Bibliography
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