B. Ruby Rich

{{redirect|Ruby Rich|the Australian social reformer|Ruby Sophia Rich}}

{{Infobox person

|name=B. Ruby Rich

| image = B. Ruby Rich.jpg

| caption = B. Ruby Rich in April 2017

|birth_place=Boston, United States

|nationality=American

|alma_mater=Yale University

|occupation={{cslist | Scholar | Professor Emerita at UC Santa Cruz | film critic | editor of Film Quarterly}}

|known_for =Coining the term "New Queer Cinema"

}}

B. Ruby Rich is an American scholar; critic of independent, Latin American, documentary, feminist, and queer films; and a professor emerita of Film & Digital Media and Social Documentation at UC Santa Cruz.[http://currents.ucsc.edu/04-05/03-07/film.asp UCSC.edu] Among her many contributions, she is known for coining the term "New Queer Cinema". She is currently the editor of Film Quarterly, a scholarly film journal published by University of California Press.

Career

Rich began her career in film exhibition as co-founder of the Woods Hole Film Society. In 1973, she became associate director of what is now the Gene Siskel Film Center at the Art Institute of Chicago.{{Cite web|url=http://film.ucsc.edu/faculty/b_ruby_rich|title=University Faculty Page|last=|first=|website=Film and Digital Media|publisher=USC Santa Cruz|access-date=April 11, 2016}} After working as film critic for the Chicago Reader, she moved to New York City to become the director of the film program for the New York State Council on the Arts, where she worked for a decade. While living in New York City, she began writing for the Village Voice. She then moved to San Francisco, where she began teaching, first at the University of California, Berkeley, and then at UC Santa Cruz. As Professor of Film and Digital Media there, she helped to build the Social Documentation graduate program.

In 2013, Rich accepted the position of Editor in Chief at Film Quarterly. She re-organized its editorial board and re-launched its website with several new features, including the "Quorum" column and video recordings of FQ webinars.{{Cite web |date=2018-09-14 |title=About |url=https://filmquarterly.org/about/ |access-date=2021-07-14 |website=Film Quarterly |language=en-US}}

In 2017, the Barbican hosted a season of films and talks to commemorate her career as a film critic, academic and curator.{{cite web|title=Being Ruby Rich|url=https://www.barbican.org.uk/film/series.asp?id=1752|publisher=Barbican}}

Rich is now Professor Emerita, UC Santa Cruz, and lives in San Francisco and Paris. She continues to appear in documentaries for independent filmmakers and television, as well as on selected Criterion releases.

= Media appearances =

In 1999, Rich appeared as a guest critic on several episodes of Roger Ebert at the Movies.

B. Ruby Rich appears in the 2009 documentary film For the Love of Movies: The Story of American Film Criticism where she discusses the appeal of the film Amélie, and expresses her desire for a new kind of criticism to emerge from young critics who can go beyond auteur theory.

She appears in the film !Women Art Revolution.{{harvnb|Anon|2018}}

New Queer Cinema and other influences

Rich coined the term "New Queer Cinema" in a 1992 article for the Village Voice, which was reprinted in Sight and Sound.Hays, Matthew. "Beyond The Celluloid Closet." Gay & Lesbian Review Worldwide 20.4 (2013): 37. Academic Search Complete. Web. April 22, 2016. In the article, Rich identified a wave of films that "collided" at film festivals such as Sundance and TIFF. Rich asserted that these independent films, made by and for queer-identified people, used radical aesthetics to combat homophobia, grapple with the trauma of the AIDS epidemic, and address complicated queer subjectivities while importing much needed discussions of race. Rich argued that, although films dealing with these issues can be found in the previous decade, New Queer Cinema broke with the gay liberation ethos that self-representation should remain positive and desirable.

Rich's presence at film festivals (such as Sundance, where she was an early member of the selection committee; TIFF, where she served as an international programmer in 2002; Telluride, where she was Guest Director in 1996; and Provincetown, where she appears every spring) has been significant. Her film reviews in major national publications, and her commentary on public broadcasting programs such as The World, Independent View, and All Things Considered, have led to her being characterized as a "central figure" in cinema studies and culture.Myers, Emma (February 7, 2014). "CriticWire". Profiles in Criticism. CriticWire. Retrieved April 11, 2016.

Publications

= ''Chick Flicks: Theories and Memories of the Feminist Film Movement'' =

The back cover of her 1998 book, Chick Flicks: Theories and Memories of the Feminist Film Movement, reads: "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks – with its definitive, the way-it-was collective essays – captures the birth and growth of feminist film as no other book has done." Her book includes critical analyses of Sally Potter's Thriller, the films of Yvonne Rainer, and Leontine Sagan's Mädchen in Uniform.

= ''New Queer Cinema: The Director's Cut'' =

Mostly an assemblage of Rich's published writing on queer films of the preceding decades, New Queer Cinema: The Director's Cut moves from the moment of New Queer Cinema's inception in the early 1990s festival circuit to its Hollywood co-option in the late 1990s to its more recent international impact and European and U.S. mainstreaming. The book includes studies of the films The Watermelon Woman, Go Fish, Milk, as well as the films of Lucrecia Martel and Gregg Araki.

Contributions

Rich was a regular contributor to The Village Voice, the San Francisco Bay Guardian and the British Film Institute's Sight & Sound. She has also contributed to The Guardian, The Nation, Elle, Mirabella, The Advocate and Out. She was the founding editor of film/video reviews for GLQ: A Journal of Lesbian and Gay Studies."B. Ruby Rich". Brubyrich.com. N.p., 2016. Web. April 22, 2016. From 2013 through June 2023, she served as Editor in Chief of the journal, Film Quarterly, and now serves as Editor at Large.

Awards

Rich received the 2006 Lifetime Achievement Award from the Society for Cinema and Media Studies and the 2007 Brudner Memorial Prize at Yale University. In 2012, she was awarded the Frameline Award – the first critic to receive this honor since Vito Russo was given the first. In 2014, the Guadalajara Film Festival presented her with its "Queer Icon" Maguey Award. In 2017, she was honored in London with an event titled "Being Ruby Rich: Film Curation as Advocacy and Activism" that included a study day at Birkbeck College of the University of London and several days of screenings at the Barbican Cinema. http://www7.bbk.ac.uk/birmac/21-june-2017-being-ruby-rich-film-curation-as-advocacy-and-activism/

References

External links

{{Official website|http://www.brubyrich.com}}
[http://currents.ucsc.edu/04-05/03-07/film.asp UC Santa Cruz Currents online - Film critic B. Ruby Rich]
{{IMDb name|0723599}}
[https://web.archive.org/web/20161129144359/http://www.filmquarterly.org/category/editors-notebook/ Editorials for Film Quarterly]

Category:American film critics

Category:Writers from Boston

Category:Living people

Category:Yale University alumni

Category:American editors

Category:University of California, Santa Cruz faculty

Category:Year of birth missing (living people)