Barbara Sternberg

{{Short description|Canadian film director}}

{{Infobox person

| name = Barbara Sternberg

| birth_date = {{Birth date and age|1945|03|24}}

| birth_place = Toronto, Ontario, Canada

| occupation = Film director

}}

Barbara Sternberg (born in 1945) is a Canadian film director known for her experimental films.{{Cite book|title=Take One's Essential Guide to Canadian Film|last=Wise|first=Wyndham|publisher=University of Toronto Press Incorporated|year=2001|isbn=0-8020-8398-6|location=Toronto|pages=200}} She directed films such as Opus 40 (1979), Transitions (1982), At Present (1990), Through and Through (1992), and Midst (1997).{{Cite web|url=http://femfilm.ca/director_search.php?director=barbara-sternberg&lang=e|title=Barbara Sternberg -- femfilm.ca: Canadian Women Film Directors Database|website=femfilm.ca|access-date=2016-11-04}}

Early life

Sternberg was born in Toronto, Ontario on April 24, 1945. In her youth, she created art by writing books for her family members. She has said that her use of photos and text in these books is "similar to the way I work now."{{Cite book|title=Like a Dream That Vanishes: The Films of Barbara Sternberg|last=Hoolboom|first=Mike|publisher=The Images Festival of Independent Film and Video|year=2000|isbn=0-9682115-26|location=Toronto|pages=16}} She created her first film using her father's 16 mm camera in order to make a gift for her husband. Sternberg said, "My husband at the time didn't have any home movies and barely any photographs from his growing-up; so I wanted to make him this home movie, to create a past for him."

Although she did not initially consider her films as works of art, she eventually began to take them seriously. Sternberg attended Ryerson Polytechnic University to learn how to make films, but she ignored the teachings in order to make experimental films. "I didn't think at all about industrial film," she said. "I just started making stuff in a way I would later learn to call 'experimental.'"

Career

Sternberg began her career in filmmaking during the mid-1970s and was one of the few female directors in Canada working in the avant-garde genre at the time. She has received significant national attention in Canada.{{Cite web |title=Canadian Film Encyclopedia - Barbara Sternberg |url=https://cfe.tiff.net/canadianfilmencyclopedia/content/bios/16332#_ftn10 |website=cfe.tiff.net}} The National Gallery of Canada, the Art Gallery of Ontario, Queen's University, and York University have all acquired her films for their collections.{{Citation needed|date=June 2021}}

Aside from her national recognition, Sternberg's films have also been featured in various international institutions, such as Museum of Modern Art in New York City and the Centre Georges Pompidou in Paris.

Directing techniques

When she began her career, Sternberg transferred Super 8 images onto 16mm in order to modify the original image to give her films an imperfect finish. This distinguishing filming technique was used to give authenticity to her films. By making her films look like moving photographs, she was able to "turn reality into image".

Due to her interest in "images that bear the traces of life, body, and the materiality of film", Sternberg's films blurred the line between reality and fiction. Although Sternberg's films were initially characterized for her unique filming technique, she eventually began to utilize modern technology and incorporate them into her directing. By switching from "single channel video, to installation, to hand processed 16mm, to digital media and performance", Sternberg is thoroughly "engaged in finding the links between technological process and aesthetic production."

Contribution to the Canadian experimental film scene

Through her contribution to the Canadian experimental film scene, Sternberg helped pave the way for other experimental female directors in Canada. As William Wees notes, "Women were, at best, marginally represented in the world of Canadian experimental film when Sternberg started making films. The recognition they received was instrumental in opening a predominantly male preserve to the work of female film and video-makers, many of whom have profited from her trail-blazing efforts without, I suspect, realizing who helped to open the way for them".{{Cite news|url=http://ggavma.canadacouncil.ca/~/media/vama/2011/downloads/sternberg_statement-e.pdf|title=Barbara Sternberg Nomination Statement|last=Crammaer|first=Gerda|publisher=Canada Council for the Arts|access-date=2016-11-04|archive-url=https://web.archive.org/web/20161105032652/http://ggavma.canadacouncil.ca/~/media/vama/2011/downloads/sternberg_statement-e.pdf|archive-date=2016-11-05|url-status=dead}}

Sternberg also contributed to the Canadian experimental film scene by incorporating "a female aesthetic sensibility" into her films. As a result, Sternberg was able to bring a female perspective to Canadian experimental cinema that was not present before.

Filmography

class="wikitable"

!Year

!Title

1974

|The Good Times

1976

|A Study in Blue and Pink

1979

|The Cuten Spielers

1979

|Opus 40

1980

|' ... The Waters Are the Beginning and the End of All Things'

1981

|(A) Story

1982

|Transitions

1985

|A Trilogy

1989

|Tending Towards the Horizontal

1990

|At Present

1991

|Through and Through

1995

|Beating

1996

|What Do You Fear?

1997

|C'est la vie

1997

|Midst

1997

|Past/Future

2000

|Awake

2000

|For Virginia

2000

|Like a Dream that Vanishes

2000

|Off the 401

2001

|4 Women

2001

|Breaking Out of the play

2002

|Burning

2002

|New York Counterpoint

2002

|Sunsets

2003

|Glacial Slip

2003

|Jakarta

2003

|(Rome) Skyling

2003

|Tabula Rasa

2004

|In the Garden

2004

|So What?

2005

|Dark

2005

|Praise

2005

|Surfacing

2007

|Once

2007

|Time Being I

2007

|Time Being II

2007

|Time Being III

2007

|Time Being IV

2008

|After Nature

2008

|Beginning

2010

|Love, Winnipeg

2011

|In the Nature of Things

2011

|(Vers)ing

2013

|Reading Thomas Bernhard

2020

|Once I Am

Accolades

class="wikitable"

!Year

!Award

!Festival

!Nominated work

!Result

1980

|Best Experimental Film

|International Super 8 Festival

|Opus 40

|Won

1982

|Best Experimental Film

|Atlantic Film Festival

|Transitions

|Won

1982

|Best Sound

|Atlantic Film Festival

|Transitions

|Won

1993

|Award of Excellence

|Ann Arbor Festival

|Through and Through

|Won

2011

|Governor General's Award in Visual and Media Arts

|

|

|Won

References

{{Reflist}}