Barry Reckord
{{Short description|Jamaican playwright and screenwriter (1926–2011)}}
{{Use dmy dates|date=February 2021}}
{{Use Jamaican English|date=March 2012}}
{{Infobox person
| name = Barry Reckord
| image =
| alt =
| caption =
| birth_name = Barrington John Reckord
| birth_date = {{Birth date|1926|11|19|df=y}}
| birth_place = Kingston, Jamaica
| death_date = {{Death date and age|2011|12|20|1926|11|19|df=y}}
| death_place = Boscobel, Saint Mary, Jamaica
| other_names =
| education = Emmanuel College, Cambridge
| occupation = Playwright
| years_active =
| known_for =
| relatives = Lloyd Reckord (brother)
| notable_works = Flesh to a Tiger
Skyvers
}}
Barrington John Reckord (19 November 1926 – 20 December 2011),{{cite news|url=https://www.theguardian.com/stage/2012/jan/16/barry-reckord|title=Barry Reckord obituary|author=Margaret Busby|author-link=Margaret Busby|work=The Guardian|access-date=21 January 2012|location=London|date=16 January 2012}} known as Barry Reckord, was a Jamaican playwright, one of the earliest Caribbean writers to make a contribution to theatre in Britain.{{cite news|url=http://jamaica-gleaner.com/gleaner/20111222/ent/ent1.html|title=Reckord completes the final act|date=22 December 2011|newspaper=The Gleaner|access-date=16 January 2012}}{{cite news|url=http://www.jamaicaobserver.com/entertainment/Late-playwright-Barry-Reckord-s-body-donated-to-science_10465295|title=Late playwright Barry Reckord's body donated to science |author=Richard Johnson|date=29 December 2011|newspaper=The Jamaica Observer|access-date=16 January 2012}}{{cite web|url=http://www.screenonline.org.uk/people/id/536322/|title=Reckord, Barry|author=Ann Ogidi|work=Screenonline|publisher=British Film Institute|access-date=16 January 2012}}{{cite news|url=https://www.telegraph.co.uk/culture/8757916/The-Creative-Case-for-Diversity.html|title=The Creative Case for Diversity|author=Hassan Mahamdallie|newspaper=The Daily Telegraph|access-date=9 February 2012|location=London|date=13 September 2011}} His brother was the actor and director Lloyd Reckord, with whom he sometimes worked.
Early years and education
Barrington John Reckord was born in Kingston, Jamaica, where he grew up in Vineyard Town with his three siblings: two brothers, Carol and Lloyd, and a sister Cynthia. He attended Kingston College and after matriculation went on to study theology at St Peter's College in 1948. He left the island in 1950 after winning an Issa Scholarship to Cambridge University, where he read for a degree at Emmanuel College, graduating in 1953.
Writing career
He began writing plays as a student and several of them were performed at London's Royal Court Theatre (he is claimed as the first Black Briton to have had a play on there),Vanessa Thorpe, [https://www.theguardian.com/culture/2015/oct/25/black-actors-lenny-henry-theatre "After a century of black British theatre, actors still struggle to take centre stage"], The Observer, 25 October 2015. sometimes directed by his brother Lloyd Reckord.{{cite book|author1=Martin Banham |author2=Errol Hill |author2-link=Errol Hill |title=The Cambridge Guide to African and Caribbean Theatre|publisher=Cambridge University Press|year=1994|pages=[https://archive.org/details/cambridgeguideto00mart/page/213 213]|isbn=978-0-521-41139-4|url=https://archive.org/details/cambridgeguideto00mart|url-access=registration }}Michael Reckord, [http://jamaica-gleaner.com/article/entertainment/20150711/theatre-veteran-lloyd-reckord-passes "Theatre Veteran Lloyd Reckord Passes"], The Gleaner, 11 July 2015.
Della, Barry Reckord's first play, which (as Adella) had been staged by his brother in a small fringe production in 1954, was produced under the title Flesh to a Tiger at the Royal Court in 1958, directed by Tony Richardson, with a cast that featured Cleo Laine, Pearl Prescod, Nadia Cattouse, Johnny Sekka and Lloyd Reckord, and choreography by Boscoe Holder.[http://www.blackplaysarchive.org.uk/explore/productions/flesh-tiger "Flesh to a Tiger"], Black Plays Archive, National Theatre. The play dealt with the attempts by a cult leader to enforce his wishes on a female member of his congregation.Arthur Holmberg, Carlos Solorzano, World Encyclopedia of Contemporary Theatre: Volume 2: The Americas, Routledge, 2014, p. 189.
In 1961 the Royal Court also produced You in Your Small Corner, which transferred to the New Arts Theatre and was subsequently adapted for ITV's Play of the Week series in an episode that aired on 5 June 1962, directed by Claude Whatham.[https://www.imdb.com/title/tt0926620/ "You in Your Small Corner"] (ITV Play of the Week, Season 7 | Episode 21), IMDb.Eleni Liarou, [http://www.screenonline.org.uk/tv/id/537722/ "You in Your Small Corner (1962)"], BFI Screen Online. This broadcast was once thought to contain the first interracial kiss on television between Lloyd Reckord, the playwright's brother, and Elizabeth MacLennan,{{cite news|author=Mark Brown|url=https://www.theguardian.com/tv-and-radio/2015/nov/20/tv-archive-discovers-couple-who-beat-kirk-and-uhara-to-first-interracial-kiss|title=TV archive discovers couple who beat Kirk and Uhura to first interracial kiss|work=The Guardian|date=20 November 2015|accessdate=20 November 2015}}Stuart Black, [https://londonist.com/2015/11/world-s-first-inter-racial-tv-kiss-was-in-brixton "World’s First Interracial TV Kiss Was In Brixton"], Londonist, 20 November 2015. although this is no longer the case.Amanda Bidnall, The West Indian Generation: Remaking British Culture in London, 1945-1965, Oxford University Press, 2017, p. 226.
Reckord's most successful play Skyvers, first produced in 1963 at the Royal Court (directed by Ann Jellicoe, with an all-white cast that included David Hemmings), is considered by Guardian critic Michael Billington to be "one of the key plays of the 1960s", prefiguring Edward Bond's 1965 Saved. Skyvers, which deals with the alienation of a group of working-class south London boys in the last few days at their comprehensive school, was broadcast on BBC Radio 3 in November 2012 as part of a series of plays curated by Kwame Kwei-Armah,[http://www.bbc.co.uk/programmes/b01806nx "Skyvers by Barry Reckord"], Drama on 3, BBC Radio 3, 18 November 2012. after lobbying to ensure better recognition for black dramatists.Elizabeth Pears, [http://www.voice-online.co.uk/article/fond-farewell-trio-who-helped-shape-black-britain "Fond Farewell To Trio Who Helped Shape Black Britain"], The Voice, 24 January 2012.
Reckord wrote other television dramas, including for the BBC In the Beautiful Caribbean (1972) and Club Havana (1975), as well as a book about Cuba entitled Does Fidel Eat More Than Your Father (Praeger, 1971).
In 1973 he received a John Simon Guggenheim Memorial Foundation Fellowship to Assist Research and Artistic Creation.[http://historicalgeographies.blogspot.co.uk/2011/09/biography-barry-reckord.html "Biography - Barry Reckord"]. Extract from Marjorie H. Morgan, Caribbean Britain: The Cultural and Biographical Directory, via Historical Geographies, 7 February 2012. Also in 1973, Reckord was awarded the Silver Musgrave Medal by the Institute of Jamaica.
Final years
Reckord spent most of his adult life in Britain, for more than four decades with his companion Diana Athill, who in her memoirs has written candidly about their unconventional relationship, both as lovers and friends.Diana Athill, [https://www.theguardian.com/theguardian/2007/dec/22/weekend7.weekend4 "A final farewell to sex"], The Guardian, 22 December 2007.Sarah Lyall, [https://www.nytimes.com/2010/10/11/books/11athill.html "In Life’s Latest Chapter, Feeling Free Again"], The New York Times, 10 October 2010.Mick Brown, [https://www.telegraph.co.uk/culture/books/authorinterviews/8781558/Diana-Athill-on-letters-lovers-andletting-go.html "Diana Athill on letters, lovers & letting go"], The Telegraph, 23 September 2011.Allan Fallow, [https://www.washingtonpost.com/opinions/alive-alive-oh-at-98-diane-athill-is-still-far-from-the-end-of-her-story/2016/02/25/feacdb56-b31e-11e5-a76a-0b5145e8679a_story.html "‘Alive, Alive Oh!’: At 98, Diana Athill is still far from the end of her story"], The Washington Post, 26 February 2016. When in the 1970s he decided to produce his new play White Witch in Jamaica, the central role was won by a young woman named Sally Cary, a farmer's daughter from Somerset, who began an intimate involvement with the playwright that continued on their return to London, leading Athill to conclude: "since she was spending almost every night in Barry's bed, keeping her bedsitter was a waste of money, so I suggested that she move in with us.... When Sally joined us what I felt was that I now had a lovely new friend in the house, as well as a darling old one, and the next two years or so were some of the happiest I can remember."Diana Athill, [https://books.google.com/books?id=D1YZWY8TvDkC&dq=%22white+witch%22+barry+reckord&pg=PT611 Life Class: The Selected Memoirs of Diana Athill], Granta Books, 2009, pp. 604–606.Diana Athill, [https://www.webofstories.com/play/diana.athill/43 "Living with Barry and Sally"], Web of Stories.
In the last few years of his life Reckord suffered from ill health, eventually moving back to Jamaica to live with family.Charles-Adam Foster-Simard, [http://www.themillions.com/2016/05/instead-of-a-review-on-reading-diana-athill.html "Instead of a Review: On Reading Diana Athill"], The Millions, 25 May 2016. He died on the island in Boscobel, Saint Mary Parish, in December 2011, aged 85. In accordance with his wishes, his body was donated to the University of the West Indies for medical research.
Legacy
On 23 September 2012, a tribute to Reckord's life and work, called "Reckord Celebrations"[http://www.talawa.com/news.php?nid=274 "Who was Barry Reckord?"] {{webarchive |url=https://web.archive.org/web/20150402104133/http://www.talawa.com/news.php?nid=274 |date=2 April 2015 }}, Talawa Theatre Company, 18 September 2012. (directed by Michael Buffong for Talawa Theatre Company and The London Hub), was held at the Bush Theatre, Shepherd's Bush, London, with contributors including Max Stafford-Clark, Kwame Kwei-Armah, Don Warrington and Diana Athill.
At the same time The London Hub launched the Barry Reckord Bursary, open to black, Asian and minority ethnic (BAME) artists, and designed to encourage new playwrights.[http://www.afridiziak.com/theatrenews/news/oct2012/london-hub-seeks-emerging-artists-and-playwrights.html "London Hub seeks emerging artists and playwrights for the Barry Reckord Bursary & Pitch it"], Afridiziak Theatre News, 2 October 2012. As Michael Billington commented in The Guardian: "It's good to see Reckord at last being given his due. But one way to celebrate a playwright is to encourage his successors."Michael Billington, [https://www.theguardian.com/stage/2012/sep/18/best-way-to-honour-playwrights-future "Why the best way to honour past playwrights is to invest in the future"], The Guardian, 18 September 2012. The first recipient of the Barry Reckord Bursary was announced as Ravi Thornton in January 2013.[http://www.afridiziak.com/theatrenews/news/jan2013/ravi-thornton-thebarry-reckord-bursary.html "Ravi Thornton is the first recipient of The Barry Reckord Bursary"], Afridiziak Theatre News, 19 January 2013.
In April 2017, theatre company Thee Black Swan in association with the Chelsea Theatre in London staged a new production of Reckord's play White Witch,[http://ebonyonline.net/2017/04/04/white-witch-of-rose-hall/ "White Witch of Rose Hall"] {{Webarchive|url=https://web.archive.org/web/20170418162526/http://ebonyonline.net/2017/04/04/white-witch-of-rose-hall/ |date=18 April 2017 }}, Ebonyonline.net, 4 April 2017.Michael Davis, [https://breaking-the-fourth-wall.com/2017/04/10/white-witch-chelsea-theatre-review/ "White Witch, Chelsea Theatre – Review"], Breaking The Fourth Wall, 10 April 2017.[http://www.helenadowling.com/site/wp-content/uploads/2017/03/The-White-Witch-Poster-TO-PRESS.pdf "White Witch"] {{Webarchive|url=https://web.archive.org/web/20170418165610/http://www.helenadowling.com/site/wp-content/uploads/2017/03/The-White-Witch-Poster-TO-PRESS.pdf |date=18 April 2017 }} at HelenaDowling.com. presented for the first time in the UK.[http://www.theeblackswan.co.uk/ "Thee Black Swan in association Chelsea Theatre presents...".] Set in 18th-century Jamaica at Rose Hall mansion, and based on a true story, the play tells of a young white woman who falls in love with a black man at a time when their relationship is taboo, and of the fallout – "a tale of mysticism, love, cruelty and revenge cast against the unforgiving backdrop of the transatlantic slave trade."[http://www.visitlondon.com/things-to-do/event/45181482-white-witch-at-chelsea-theatre#q1qjk5GpFuFuTjGg.97 "White Witch at Chelsea Theatre"] {{Webarchive|url=https://web.archive.org/web/20170418162945/http://www.visitlondon.com/things-to-do/event/45181482-white-witch-at-chelsea-theatre#q1qjk5GpFuFuTjGg.97 |date=18 April 2017 }}, VisitLondon.com. Earning five-star reviews,[https://www.timeout.com/london/theatre/white-witch#tab_panel_4 "White Witch"], Time Out. White Witch in this production by Joseph Charles was described by The London Journalist as "an intensely delicious and powerful play.... truly theatre at its best: cruelly assaulting the senses of the audience, stimulating unconscious fears, desires and prejudices, and allowing unrepressed joy to burst forth... A supreme performance from a small company shouting loudly from the shadows."[https://www.thelondonjournalist.com/magazine/2017/4/9/the-white-witch-chelsea-theatre "'The White Witch', Chelsea Theatre"], The London Journalist, 9 April 2017.
Selected plays
- 1953: Della (Ward Theatre, Kingston, Jamaica)
- 1954: Adella (London)
- 1958: Flesh to a Tiger (Royal Court Theatre, London)
- 1960: You in Your Small Corner (Royal Court); adapted for Granada Television's Play of the Week strand, 1962
- 1963, 1971: Skyvers (Royal Court)
- 1969: Don't Gas the Blacks (Royal Court; directed by Lloyd Reckord)[http://www.blackplaysarchive.org.uk/explore/productions/dont-gas-blacks "Don't Gas the Blacks"], Black Plays Archive, National Theatre.
- 1970: A Liberated Woman (Royal Court)
- 1973: Give the Gaffers Time To Love You (Royal Court, Theatre Upstairs)
- 1974: X (Royal Court, Theatre Upstairs)
- 1975: White Witch of Rose Hall (Creative Arts Centre, University of the West Indies, Mona Campus, Jamaica, 4 October)[http://www.doollee.com/PlaywrightsR/reckord-barry.html Barry Reckord (1926-2011)] {{Webarchive|url=https://web.archive.org/web/20120201024126/http://www.doollee.com/PlaywrightsR/reckord-barry.html |date=1 February 2012 }}, doollee.com.
- 1984: Streetwise
- 1988: Sugar D (Barn Theatre, Kingston, Jamaica)
Bibliography
- Yvonne Brewster, ed., [https://www.oberonbooks.com/barry-reckord.html For the Reckord] {{Webarchive|url=https://web.archive.org/web/20170201235705/https://www.oberonbooks.com/barry-reckord.html |date=1 February 2017 }} (a collection of three plays by Barry Reckord: Flesh to a Tiger; Skyvers; The White Witch). London: Oberon Books, 2010. {{ISBN|978-1-84943-053-1}}
References
{{Reflist|30em}}
External links
- {{IMDb name|2195096}}
- [http://www.blackplaysarchive.org.uk/explore/playwrights/reckord-barry Barry Reckord] at Black Plays Archive, National Theatre
- [http://www.doollee.com/PlaywrightsR/reckord-barry.html Barry Reckord (1926-2011)] {{Webarchive|url=https://web.archive.org/web/20120201024126/http://www.doollee.com/PlaywrightsR/reckord-barry.html |date=1 February 2012 }}, doollee.com
- [http://www.bbc.co.uk/programmes/b019h3pp Lady Runcie, Wylie Vale, Israel Baker, Barry Reckord and Reginald Hill], Last Word, BBC Radio 4, broadcast 22 January 2012
- [https://web.archive.org/web/20150402093555/http://creolitaculture.com/tag/barry-reckord/ "Barry Reckord"], Creolita, 10 December 2014.
{{Authority control}}
{{DEFAULTSORT:Reckord, Barry}}
Category:Jamaican dramatists and playwrights
Category:Jamaican male writers
Category:Jamaican screenwriters
Category:Recipients of the Musgrave Medal
Category:Alumni of Emmanuel College, Cambridge
Category:Black British writers
Category:British male dramatists and playwrights
Category:20th-century British dramatists and playwrights
Category:Writers from Kingston, Jamaica
Category:Jamaican emigrants to the United Kingdom
Category:20th-century Jamaican writers