Basil Dearden

{{Infobox person

| name = Basil Dearden

| image = BasilDearden.jpg

| caption =

| birth_date = {{Birth date|1911|1|1|df=yes}}

| birth_place = Westcliff-on-Sea, Essex, England

| height =

| death_date = {{Death date and age|1971|3|23|1911|1|1|df=yes}}

| death_place = Hillingdon, London, England

| years_active = 1938–1970

| birth_name = Basil Clive Dear

| occupation = Film director

| spouse = Margaret Ward (divorced)
Melissa Stribling

| children = James Dearden, Torquil Dearden

}}

Basil Dearden (born Basil Clive Dear; 1 January 1911 – 23 March 1971) was an English film director.

Early life

Dearden was born as Basil Clive Dear{{Cite ODNB|id=57353|title=Dearden [formerly Dear], Basil Clive (1911–1971)}} at 5 Woodfield Road, Leigh-on-Sea, Essex to Charles James Dear, a steel manufacturer, and the former Florence Tripp.Class: RG14; Piece: 10121; Schedule Number: 79, Census Returns of England and Wales, 1911. The National Archives of the UK.

Career

Deard graduated from theatre direction to film,{{cite web|url=https://variety.com/1967/film/reviews/only-when-i-larf-1200421591/ |title=Only When I Larf |publisher=Variety |date=1967-12-31 |access-date=2014-02-22}} working as an assistant to Basil Dean. He later changed his own name to Dearden to avoid confusion with his mentor.

He wrote This Man Is News (1938), a hugely popular quota quickie{{cite news |title=Fancy a quickie? |author=Matthew Sweet |author-link=Matthew Sweet (writer) |newspaper=The Guardian |date=2 January 2007 |url=https://www.theguardian.com/film/2007/jan/02/features.features11}} and wrote and directed a film for TV Under Suspicion (1939).

He was assistant director on Penny Paradise (1938), produced by Dean and directed by Carol Reed, and two George Formby comedies directed by Anthony Kimmins: George Takes the Air (1938), produced by Dean, and Come on George! (1939).{{cn|date=December 2024}}

Dearden was promoted to associate producer on two more George Formby films, which he also co-wrote: To Hell with Hitler (1940) aka Let George Do It and Spare a Copper (1940).{{cn|date=December 2024}}

Dearden went over to Ealing Studios where he produced The Ghost of St. Michael's (1941) with Will Hay, then he produced Turned Out Nice Again (1941) with George Formby.{{cn|date=December 2024}}

=Ealing Studios=

He first began working as a director at Ealing Studios, co-directing comedy films with Will Hay, starting with Black Sheep of Whitehall (1942). This was followed by The Goose Steps Out (1942) and My Learned Friend (1943), which was Hay's last movie.{{cn|date=December 2024}}

Dearden's first solo director credit was The Bells Go Down (1943), a wartime movie with Tommy Trinder. It was produced by Michael Relph who would form a notable collaboration with Dearden.{{cn|date=December 2024}}

Dearden also directed The Halfway House (1944), a drama set in Wales, and wrote and directed They Came to a City (1944), based on a play by J.B Priestley.{{cn|date=December 2024}}

Dearden worked on the influential chiller compendium Dead of Night (1945) and directed the linking narrative and the "Hearse Driver" segment.

He also directed The Captive Heart (1946) starring Michael Redgrave, which was a big hit. The film was entered into the 1946 Cannes Film Festival. He directed Frieda (1947) with Mai Zetterling and produced by Relph, which was also popular.

Dearden directed Saraband for Dead Lovers (1948) an expensive costume picture that was not a large success.{{cite news |url=http://nla.gov.au/nla.news-article35773904 |title=Britain To Double Film Production |newspaper=The Advertiser (Adelaide) |volume=89 |issue=27526 |location=South Australia |date=26 December 1946 |access-date=2 June 2018 |page=4 |via=National Library of Australia}} He wrote and directed a segment of Train of Events (1949).

The Blue Lamp (1950), probably the most frequently shown of Dearden's Ealing films, is a police drama which first introduced audiences to PC George Dixon, later resurrected for the long-running Dixon of Dock Green television series. It was hugely popular.{{cite news |url=http://nla.gov.au/nla.news-article18193224 |title=Critics Praise Drama: Comedians Win Profits. |newspaper=The Sydney Morning Herald |location=NSW |date=29 December 1950 |access-date=7 January 2015 |page=3 }} at Trove

Less so were Cage of Gold (1950), a drama with Jean Simmons; Pool of London (1951), a crime film with a black lead, very rare for the time; and I Believe in You (1952), a drama which he also wrote and produced.

Dearden made The Gentle Gunman (1952), an IRA thriller with Dirk Bogarde; The Square Ring (1953), a boxing film with Jack Warner; The Rainbow Jacket (1954), a horse racing drama; and Out of the Clouds (1955), set at an airport.

He did a war film which he also wrote, The Ship That Died of Shame (1955) then a comedy with Benny Hill, Who Done It? (1956).

Dearden did some uncredited directing on The Green Man (1956) then made an Ealing style comedy for British Lion The Smallest Show on Earth (1957).

For Rank he made Violent Playground (1958) with Stanley Baker. He did some uncredited directing on one of Ealing's last films, Nowhere to Go (1958). He also produced Davy (1958), with Harry Secombe, for Ealing.

=Social awareness films=

Dearden and Michael Relph made a series of films on subjects generally not tackled by British cinema in this era starting with Sapphire (1959), a thriller about race relations that proved popular.{{Cite thesis|url=https://core.ac.uk/download/pdf/42604873.pdf| page=375|year=1985|publisher=University of York|title=CLASS, SEXUALITY AND THE*BRITISH CINEMA 1956-63|first=William John|last=Hill}}

Dearden and Relph helped set up Allied Film Makers, for whom they made The League of Gentlemen (1960), a bank heist comedy that was very popular.[http://www.euppublishing.com/doi/abs/10.3366/jbctv.2012.0079 Sally Dux, 'Allied Film Makers: Crime, Comedy and Social Concern', Journal of British Cinema and Television 2012 9:2, 198-213]

Dearden directed episodes of The Four Just Men on TV and produced two films directed by Michael Relph: Mad Little Island (1958) and Desert Mice (1959).

For Allied, Dearden directed Man in the Moon (1960), a science fiction comedy with Kenneth More that lost money. The Secret Partner (1961) was a thriller for MGM starring Stewart Granger.

Dearden directed Victim (1961) with Dirk Bogarde for Allied; a thriller about homosexuality, it was a huge success.

However, his next few movies were not popular: All Night Long (1961), an adaptation of Othello; Life for Ruth (1962), for Allied, which dealt with religious objections to operations.; A Place to Go (1964), for Bryanston Films, a thriller not released for two years; and The Mind Benders (1963) a science fiction with Dirk Bogarde.

=Later films=

Dearden and Relph then made two films for release by United Artists: Woman of Straw (1964) starring Sean Connery; and Masquerade (1965) with Cliff Robertson. He was then hired to replace Lewis Gilbert as director of Khartoum (1966), with Charlton Heston and Laurence Olivier.Basil Dearden

The Guardian (1959-2003); London (UK) [London (UK)]25 Mar 1971: 5.

Two films were then made for release by Paramount: Only When I Larf (1968) and the Edwardian era black comedy The Assassination Bureau (1969), again with Michael Relph; it was the 25th film they had made together.The survival bureau. Malcolm, Derek. The Guardian 19 March 1969: 8.

His last film was The Man Who Haunted Himself (1970), which he wrote and directed, starring Roger Moore, made for EMI Films. With Moore, Dearden made three episodes of the television series The Persuaders!: Overture, Powerswitch and To the Death, Baby.

He had two sons, Torquil Dearden and the screenwriter and director James Dearden.British Film Director, Crash Victim: Basil Dearden. The Washington Post and Times-Herald (1959-1973); Washington, D.C. [Washington, D.C]25 Mar 1971: B7.

Death

Dearden died on 23 March 1971 at Hillingdon Hospital, London after being involved in a road accident on the M4 motorway near Heathrow Airport, in which he suffered multiple injuries.{{cite book |last1=Burton |first1=Alan |last2=O'Sullivan |first2=Tim |date=2009 |title=The Cinema of Basil Dearden and Michael Relph |url=https://books.google.com/books?id=CXDdTR62pd4C&q=%22basil+dearden%22+%22Hillingdon%22&pg=PR17 |publisher=Edinburgh University Press Ltd |page=xvii |isbn=978-0-7486-3289-3 |access-date=14 February 2015}}

An inquest heard that he had a very high amount of alcohol in his blood and that he was decapitated after his car crashed into a road sign and caught fire.{{cite news |title=Film man verdict |work=Western Daily Press |date=17 April 1971 |accessdate=6 October 2024 |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0004973/19710417/005/0005| via = British Newspaper Archive|url-access=subscription }}

Reputation

The film critic David Thomson does not hold Dearden in high regard. He writes: "Dearden's films are decent, empty and plodding and his association with Michael Relph is a fair representative of the British preference for bureaucratic cinema. It stands for the underlining of obvious meaning".David Thomson The New Biographical Dictionary of Film, London: Little, Brown, 2002, p.213

More positively, for Brian McFarlane, the Australian writer on film: "Dearden's films offer, among other rewards, a fascinating barometer of public taste at its most nearly consensual over three decades".Brian McFarlane (ed.) The Encyclopedia of British Film, 2003, London: Methuen/BFI, p.168

Regular Ealing cinematographer Douglas Slocombe enjoyed working with Dearden personally, describing him as the 'most competent' of the directors he worked with at Ealing.{{cite book|author1=Alan Burton|author2=Tim O'Sullivan|title=The Cinema of Basil Dearden and Michael Relph|url=https://books.google.com/books?id=CXDdTR62pd4C&pg=PA9|year=2009|publisher=Edinburgh University Press|isbn=978-0-7486-3289-3|page=9}}

Filmography

Film

class="wikitable"

! Year

! Title

!width=65| Director

!width=65| Writer

!width=65| Producer

! Notes

1938

| This Man Is News

| {{no}}

| {{yes}}

| {{no}}

rowspan=2| 1940

| Let George Do It!

| {{no}}

| {{yes}}

| {{yes|Associate}}

Spare a Copper

| {{no}}

| {{yes}}

| {{yes|Associate}}

rowspan=2| 1941

| The Ghost of St. Michael's

| {{no}}

| {{yes|Associate}}

Turned Out Nice Again

| {{no}}

| {{yes|Uncredited}}

| {{yes|Associate}}

rowspan=2| 1942

| The Black Sheep of Whitehall

| {{yes}}

| {{no}}

|rowspan=2| Co-directed with Will Hay

The Goose Steps Out

| {{yes}}

| {{no}}

rowspan=2| 1943

| The Bells Go Down

| {{yes}}

| {{no}}

My Learned Friend

| {{yes}}

| {{no}}

| Co-directed with Will Hay

rowspan=2| 1944

| The Halfway House

| {{yes}}

| {{no}}

They Came to a City

| {{yes}}

| {{no}}

1945

| Dead of Night

| {{yes}}

| {{no}}

| Segments "Hearse Driver" and "Linking Narrative

1946

| The Captive Heart

| {{yes}}

| {{no}}

| Nominated - Palme d'Or

1947

| Frieda

| {{yes}}

| {{no}}

1948

| Saraband for Dead Lovers

| {{yes}}

| {{no}}

1949

| Train of Events

| {{yes}}

| {{no}}

| Segments "The Prisoner-of-War" and "The Actor"

rowspan=2| 1950

| The Blue Lamp

| {{yes}}

| {{no}}

| Nominated - Golden Lion

Cage of Gold

| {{yes}}

| {{no}}

1951

| Pool of London

| {{yes}}

| {{no}}

rowspan=2| 1952

| I Believe in You

| {{yes}}

The Gentle Gunman

| {{yes}}

| {{no}}

1953

| The Square Ring

| {{yes}}

| {{no}}

| {{yes|Uncredited}}

1954

| The Rainbow Jacket

| {{yes}}

| {{no}}

| Nominated - Golden Shell

rowspan=2| 1955

| The Ship That Died of Shame

| {{yes}}

| {{yes|Uncredited}}

Out of the Clouds

| {{yes}}

| {{no}}

rowspan=2| 1956

| Who Done It?

| {{yes}}

| {{no}}

| {{yes|Uncredited}}

The Green Man

| {{yes|Uncredited}}

| {{no}}

| Robert Day credited as Sole Director

rowspan=3| 1957

| The Smallest Show on Earth

| {{yes}}

| {{no}}

Rockets Galore!

| {{no}}

| {{yes}}

Davy

| {{no}}

| {{yes}}

1958

| Violent Playground

| {{yes}}

| {{no}}

rowspan=2| 1959

| Sapphire

| {{yes}}

| {{no}}

| BAFTA Award for Outstanding British Film
Nominated - BAFTA Award for Best Film
Nominated - New York Film Critics Circle Award for Best Director

Desert Mice

| {{no}}

| {{yes}}

rowspan=2| 1960

| The League of Gentlemen

| {{yes}}

| {{no}}

Man in the Moon

| {{yes}}

| {{yes|Uncredited}}

| {{no}}

rowspan=2| 1961

| Victim

| {{yes}}

| {{no}}

| {{yes}}

| Nominated - Golden Lion

The Secret Partner

| {{yes}}

| {{no}}

rowspan=2| 1962

| All Night Long

| {{yes}}

| {{no}}

| {{yes|Uncredited}}

Life for Ruth

| {{yes}}

| {{no}}

| {{yes}}

rowspan=2| 1963

| A Place to Go

| {{yes}}

| {{no}}

The Mind Benders

| {{yes}}

| {{no}}

1964

| Woman of Straw

| {{yes}}

| {{no}}

1965

| Masquerade

| {{yes}}

| {{no}}

1966

| Khartoum

| {{yes}}

| {{no}}

1968

| Only When I Larf

| {{yes}}

| {{no}}

1969

| The Assassination Bureau

| {{yes}}

| {{no}}

1970

| The Man Who Haunted Himself

| {{yes}}

| {{no}}

Television

class="wikitable"

! Year

! Title

! Notes

1959–60

| The Four Just Men

| 13 Episodes

1971

| The Persuaders!

| 3 Episodes

References

External links

{{IMDb name|213136}}
[http://www.criterion.com/current/posts/1727-eclipse-series-25-basil-dearden-s-london-underground Criterion Collection Essay]
[http://www.filmreference.com/Directors-Co-Du/Dearden-Basil.html Film Reference biography]
[http://www.screenonline.org.uk/people/id/456049/index.html Screenonline biography]
[http://www.fandango.com/basildearden/filmography/p87298 Fandango filmography]

Category:1911 births

Category:1971 deaths

Category:English film directors

Category:English film producers

Category:English male screenwriters

Category:English television directors

Category:British comedy film directors

Category:People from Westcliff-on-Sea

Category:Road incident deaths in London

Category:20th-century English screenwriters

Category:20th-century English male writers

Category:20th-century English businesspeople