Bea Feitler

{{Short description|Brazilian designer and art director (1938–1982)}}

{{Infobox person

| name = Bea Feitler

| image =

| alt = Bea Feitler

| caption = Bea Feitler

| birth_name = Beatriz Feitler

| birth_date = February 5, 1938{{cite news|last1=Arrais|first1=Luiz|title=Design Brasileiro em Nova York|url=http://www.revistacontinente.com.br/sumario/182/928-a-contenente/revista/portfolio/12259-design-brasileiro-em-nova-york.html|access-date=17 June 2017|work=Revista Continente|language=pt-br}}

| birth_place =Rio de Janeiro, Brazil

| death_date = {{Death date and age|1982|4|8|1938|2|5}}

| death_place =Rio de Janeiro, Brazil

| nationality =

| occupation = Art director, Designer

| alma_mater = Parson's School of Design

| years_active =

| known_for = Harper's Bazaar, Ms.

| notable_works =

}}

Beatriz Feitler (February 5, 1938 – April 8, 1982){{cite news|title=Bea Feitler, Magazine And Book Designer, 44|url=https://www.nytimes.com/1982/04/11/obituaries/bea-feitler-magazine-and-book-designer-44.html|access-date=17 June 2017|work=The New York Times|date=11 April 1982}} was a Brazilian designer and art director best known for her work in Harper's Bazaar, Ms., Rolling Stone and the premiere issue of the modern Vanity Fair.

Early life, education and early career

Feitler was born in Rio de Janeiro in 1938, after her Jewish parents Rudi and Erna Feitler fled Nazi Germany. She spent most of her working life in the United States where she graduated from Parson's School of Design in New York City. She designed record jackets for Atlantic Records and London Records.{{Cite web |title=Bea Feitler Discography |url=https://www.discogs.com/artist/2033242-Bea-Feitler |access-date=June 6, 2024 |website=Discogs}}

After her graduation in 1959, she returned to Brazil to study painting in Rio de Janeiro. In partnership with two other graphic designers Sérgio Jaguaribe (the cartoonist Jaguar)[http://www.itaucultural.org.br/aplicexternas/enciclopedia_ic/index.cfm?fuseaction=artistas_biografia&cd_verbete=3595&cd_idioma=28555&cd_item=3%7CEnciclopédia Itaú Cultural Artes Visuais - Jaguar] {{webarchive|url=https://web.archive.org/web/20101124183142/http://www.itaucultural.org.br/aplicexternas/enciclopedia_ic/index.cfm?fuseaction=artistas_biografia&cd_verbete=3595&cd_idioma=28555&cd_item=3|date=November 24, 2010}} and Glauco Rodrigues, she started Estudio G, an art studio specializing in posters, album covers, and book design.{{Cite news|url=http://www.aiga.org/medalist-beafeitler |title=Bea Feitler |last = Meggs |first = Philip B. |work=AIGA: the professional association for design |access-date=June 4, 2019 }} Feitler worked in an advertising agency with for the progressive Senhor magazine.

Amongst her most important works of this period are the book covers made for Editora do Autor, a brief publishing enterprise of the authors Fernando Sabino and Rubem Braga.{{sfn|Melo|2006|p=74}}

''Harper's Bazaar''

In 1961 Feitler returned to the United States where she was hired as an art assistant at Harper's Bazaar by her former teacher at Parsons, Marvin Israel, becoming co-art director of the magazine along with Ruth Ansel only two years later.

Feitler and Ansel's joint tenure at Harper's Bazaar created high quality design while responding to the political and cultural change of the 1960s. Feitler was often ahead of her time, in 1965 she and Richard Avedon used the first black model in a shoot for a major fashion magazine, leading to a public backlash, and loss of business. Black women would not begin to be regularly featured in the magazine for several years after Feitler.{{Cite web|url=http://www.oxfordartonline.com/subscriber/article/grove/art/T2021659|title=Feitler, Bea|last=Marapane|first=Daham|date=26 Jun 2016|website=Grove Art Online. Oxford Art Online|publisher=Oxford University Press|access-date=26 Jun 2016}}

"Her keen aesthetic judgement was appreciated and respected by her peers – and especially by the photographers. In a 1968 Graphics article Richard Avedon recalled the close creative collaboration of the two young women designers for the cover of the April 1965 issue of Bazaar."{{cite book|editor=Gerda Breuer and Julia Meer.|title= Women in Graphic Design|year=2012|publisher= Berlin: Jovis|isbn= 9783868591538|page= 444}} The final cover of a pink space helmet won an ADC medal.

Later career

In 1972, Feitler left Harper's Bazaar and joined Gloria Steinem to launch Ms. magazine,{{citation |last = Jenkins |first = Mark |title = She shot photography into respect |date = May 11, 2018 |newspaper = The Washington Post |url = https://www.proquest.com/docview/2036961754/ |access-date = June 4, 2019}} where she would remain until 1974. She was the first art director at Ms. magazine where she created an experimental look using day-glo inks and mixtures of photography, illustration, and typographic compositions.{{cite news|title=Bea Feitler, diretora de arte, designer e feminista|url=http://adar.com.br/adarblog/2012/07/bea-feitler-diretora-de-arte-designer-e-feminista/|access-date=17 June 2017|work=Adar Box|language=pt-BR}}{{Dead link|date=June 2024 |bot=InternetArchiveBot |fix-attempted=yes }}

Between 1974 and 1980 Feitler started teaching design classes at the School of Visual Arts (SVA) and worked on several freelance projects like posters and costumes for the Alvin Ailey Dance Company, ad campaigns for Christian Dior, Diane von Furstenberg, Bill Haire and Calvin Klein, and record jackets including the album Black and Blue by the Rolling Stones.

In 1975, thanks to the insistence of Annie Leibovitz, Feitler started working for Rolling Stone, beginning her six-year association with the magazine which would lead her to redesigning its format twice.{{cite web|url=http://www.adcglobal.org/archive/hof/1991/?id=221|title=Art Directors Club 1991 Hall of Fame: Bea Feitler}}{{cite web|url=http://www.aiga.org/content.cfm/medalist-beafeitler|title=The Vitality of Risk|author=Philip B. Meggs|access-date=2009-12-19|archive-date=2009-06-24|archive-url=https://web.archive.org/web/20090624113139/http://www.aiga.org/content.cfm/medalist-beafeitler|url-status=dead}}

Illness and death

Feitler's final project was the premiere issue of the revived Vanity Fair. At that time she had undergone surgery and chemotherapy to treat a rare form of cancer and had been undergoing chemotherapy for several months already. Feitler died April 8, 1982, before the issue was published.

Bea Feitler

Early life, education and early career

''Harper's Bazaar''

Later career

Illness and death

See also

References

Further reading