Before It Had a Name

{{Redirect|The Black Widow (2005 film)|the 2005 film noir musical|Black Widow (2005 film){{!}}Black Widow (2005 film)}}

{{One source|date=July 2021}}

{{Infobox film

| name = Before It Had a Name

| image = Before It Had a Name.jpg

| alt =

| caption = Film poster

| director = Giada Colagrande

| producer = Brian Bell
Rita Capasa
Randall Emmett
Frank Frattaroli
George Furla
Avi Lerner

| writer = Giada Colagrande
Willem Dafoe

| starring = Giada Colagrande
Willem Dafoe
Seymour Cassel

| music =

| cinematography = Ken Kelsch
Brian Pryzpek

| editing = Natalie Cristiani

| studio = Bidou Pictures
Canary Films
Emmett/Furla Films
In Between Pictures
Millennium Films
Nu Image Films

| distributor =

| released = {{Film date|2005|09||Venice Film Festival|df=y}}

| runtime = 101 minutes

| country = United States

| language = English

| budget = $450,000

| gross =

}}

Before It Had a Name is a 2005 film directed by Giada Colagrande and co-written by her and husband Willem Dafoe. The film premiered at the Venice Film Festival and was retitled as The Black Widow when it was released on DVD. It marked the first time Dafoe had developed a project to the point of being shot as well as the first time Colagrande had written in English.{{cite web|url=http://www.cineuropa.org/2011/nw.aspx?t=newsdetail&lang=en&documentID=54696 |title=Before It Had a Name : In the name of love |publisher=Cineuropa |date= |accessdate=2012-04-02}}

Synopsis

After her lover Karl dies, Eleonora goes to his New York estate known as 'The Rubber House' in hopes of learning about him. While there, she becomes involved with the property's strange caretaker, Leslie.

Principal cast

class="wikitable" style="width:50%;"
"

! Actor !! Role

Willem DafoeLeslie
Giada ColagrandeEleonora
Seymour CasselJeff
Isaach de BankoléWaiter
Emily Cass McDonnellGail
Claudio BotossoKarl
Bari HymanLP

Critical reception

Boyd Van Hoei wrote in Cineuropa:

{{cquote|With its narrow focus on two people in a passionate relationship and its abundant use of metaphors, the film certainly has more in common with the intimate auteur dramas of the old continent than with new American cinema... Whatever the reaction of American audiences will be, Before It Had a Name is certainly amongst the most pleasing – and decidedly auteur – surprises of the Venice Days.}}

References

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