Bernhard Goetzke

{{Short description|German actor (1884–1964)}}

{{about|the German film actor|the man involved in a 1984 New York City Subway shooting|Bernhard Goetz}}

{{Use dmy dates|date=November 2018}}

{{Infobox person

| name = Bernhard Goetzke

| image = Bernhard Goetzke by Alexander Binder.jpg

| caption = Goetzke, ca. 1922

| birth_date = {{birth date|1884|6|5|df=yes}}

| birth_place = Danzig, German Empire

| death_date = {{death date and age|1964|10|7|1884|6|5|df=yes}}

| death_place = West Berlin, West Germany{{Cite web|url=http://www.steffi-line.de/archiv_text/nost_buehne/06g_goetzke.htm|title=Bernhard Goetzke|website=www.steffi-line.de}}

| yearsactive = 1904–1961

}}

Bernhard Goetzke (5 June 1884 – 7 October 1964) was a German stage and film actor,{{cite web |url=https://www.filmportal.de/person/bernhard-goetzke_41e820d6f8cd482595d65d42ea267497 |title=Bernhard Goetzke |work=Film Portal |accessdate=4 January 2019 |archive-date=25 April 2023 |archive-url=https://web.archive.org/web/20230425015316/https://www.filmportal.de/person/bernhard-goetzke_41e820d6f8cd482595d65d42ea267497 |url-status=live }} renowned for his contributions to German silent cinema. Born in Danzig, German Empire (now Gdańsk, Poland), Goetzke began his acting career in theaters across Hagen, Düsseldorf, Dresden, and Berlin. His film debut came in 1917 with Robert Wiene's Furcht (Fear), but his breakthrough roles were in Fritz Lang's films, including Destiny (Der Müde Tod, 1921), Dr. Mabuse the Gambler (1922), and Die Nibelungen (1924). His restrained yet expressive acting style made him a favourite among filmmakers.

Career

After completing his training as an actor, Goetzke worked at theaters in Hagen and Dresden. He later performed on Max Reinhardt's renowned stages in Berlin and was active for several decades at the Schiller Theater.

Goetzke also appeared in international productions, including Alfred Hitchcock's The Mountain Eagle (1926) and Henri Fescourt's Monte Cristo (1929).

With the advent of sound films, he transitioned to both smaller and larger supporting roles. Up until 1933, Goetzke appeared in as many as ten films per year, participating in productions from France, Italy, England, Hungary, the Soviet Union, and Finland.

Under the rule of the National Socialists, art in Nazi Germany was heavily regulated and used as a tool for propaganda. During this time, Goetzke's workload significantly decreased. Despite these challenges, he featured in over twenty films during World War II, mostly in supporting roles.

His later works included celebrated classics like Münchhausen (1943) and The Golden Spider (Die goldene Spinne, 1943), as well as controversial propaganda films such as Jud Süß (1940) and Ich klage an (1941). After 1945, Goetzke shifted his focus to theater and radio, only occasionally appearing on screen. His final acting role was in the 1961 TV production Elisabeth von England as First Lord of the Admiralty.

During the Nazi era, Goetzke was included in the "Gottbegnadeten-Liste" (God-gifted list) shortly before the war's end.

Goetzke passed away in West Berlin in 1964, leaving behind a legacy as one of the most distinctive faces of German silent cinema. Over his extensive career, he appeared in 130 films between 1917 and 1961.

Selected filmography

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References

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