Bill Boysen

{{Short description|American glass artist (1936–2020)}}

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Bill Boysen (January 23, 1936 – April 28, 2020) was an American artist, specializing in the use of glass to produce three-dimensional artworks.

Early life and education

Bill Boysen was born on January 23, 1936, the son of Emil and Erna Boysen of Foster, Washington.{{Cite news|date=April 29, 2020|title=Bill Boysen|work=The Gazette-Democrat|department=Obituaries|url=http://www.annanews.com/obituaries/bill-boysen|access-date=May 19, 2020}}

Both Boysen and glass artist Dale Chihuly studied under Harvey Littleton at the University of Wisconsin. Littleton and Dominick Labino are widely credited with co-founding the studio glass movement{{cite web|url=http://thesouthern.com/news/local/glass-masks-photos-and-more-featured-in-new-exhibits-at/article_776e5528-8d55-11e0-802d-001cc4c03286.html|title=Glass, masks, photos and more featured in new exhibits at Cedarhurst|last=Testa|first=Adam|date=5 June 2011|publisher=Southern Illinoisian|access-date=26 February 2013}} in 1962 when they demonstrated glassblowing using "a small-scale glass furnace at the Toledo Museum of Art in Toledo, Ohio."The Penland Book of Glass: Master Classes in Flamework Techniques. Ed. Ray Hemachandra. New York: Lark Books, 2009. 8.

Career

In 1965, when Bill Brown was the director at the well-known Penland School of Crafts, he asked Boysen, then professor emeritus at Southern Illinois University Carbondale, to set up a glass studio at the facility and offer courses during their summer term.{{cite web|url=http://www.dailyyonder.com/mountains-made-glass/2012/12/16/5544|title=Mountains Covered in Glass|last=Rosenfeld|first=Stuart|date=17 December 2012|publisher=Daily Yonder|access-date=27 February 2013|archive-url=https://web.archive.org/web/20141220200039/http://www.dailyyonder.com/mountains-made-glass/2012/12/16/5544|archive-date=20 December 2014|url-status=dead}} This early enthusiasm for studio glass led Penland "to become the site of the founding of the Glass Art Society in the early 1970s."

Boysen traveled to Australia in 1974, where he promoted glass artistry by presenting a "revolutionary demonstration of glass blowing""Blow-in Bill leaves locals glassy-eyed." Weekly Times (Australia), 31 August 2005: 95. to a gathering of around 250 attendees. Boysen's mobile studio toured eight eastern states' venues in 1974.{{cite web|url=http://glasscentralcanberra.wordpress.com/2009/03/22/australian-glass-pioneers-the-paper/|title=Australian Glass Pioneers|last=Skillitzi|first=Stephen |date=16 January 2009|publisher=Glass Central Canberra|access-date=27 February 2013}} Boysen's visit is credited with helping "inspire a generation of [Australian] artists to work with glass, and eventually led to the creation of the National Art Glass Collection" in Wagga Wagga, Australia. This important collection includes over 450 works of art and is "the most comprehensive public collection of Australian studio glass anywhere."

Boysen started the glassblowing program at SIUC's School of Art and Design in 1966, developing the curriculum and recruiting students and future artists.Young, Antonio. "Southern Illinois U. Glass Program Molds Students into Artists." Daily Egyptian, 29 August 2000. For decades, Boysen travelled the United States with students using a mobile studio to demonstrate glass blowing techniques to crowds at art fairs and other venues. While representing the glass program at Southern Illinois University at Carbondale, Boysen viewed these demonstrations as a way of "spreading the gospel of glass".Fallik, Dawn. "Fair Shows Off the Gospel and the Glory of Glass Blowing." St. Louis Post Dispatch, 9 September 2001: C1.

Students in the program named the original mobile studio "Aunt Gladys," and it remained one of only a few mobile glassblowing studios in the country until it was replaced by "Aunt Gladys 2" in the early 2000s. In an interview, Boysen explains the name, "We thought (the vehicle's) character was more like an aunt in the family that might come over on the weekend, bring some exciting stories, teach some new ideas and then in the blink of an eye, she's gone again. We thought of a name that was close to glass, and Gladys was as close as we came for a female name." Boysen designed and constructed the mobile glassblowing studio in 1969, and "Aunt Gladys" made "its first public out-of-state demonstration in 1972 at Spring Arbor College, Michigan."Browning, Tamara. "Mobile Glassblowing Studio Highlights Fine Craft Fair." State Journal-Register (Springfield, IL), 23 September 1999.

Exhibitions

Boysen's work has been widely exhibited, including showings at the Executive Mansion in Springfield, Illinois.{{cite news |date=1989-10-16 |title=Works on Exhibit at Governor's Home |work=St. Louis Post-Dispatch |language=en |page=3}}

Death

Boysen died on April 28, 2020, survived by his wife, Marilyn, son Trent Boysen, and daughter Kendall Boysen.

References

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