Blue Blood (1973 film)

{{Infobox film

| name = Blue Blood

| image = Blue-blood-oliver-reed-longleat.jpg

| caption = Theatrical release poster

| based_on = {{based on|The Carry-Cot|Alexander Thynn}}

| director = Andrew Sinclair

| producer = John Trent
Kent Walwin

| writer = Andrew Sinclair

| starring = Oliver Reed
Fiona Lewis
Derek Jacobi
Anna Gaël
Meg Wynn Owen

| music = Brian Gascoigne

| cinematography = Harry Waxman

| editing = Keith Palmer

| studio = Mallard Productions

| distributor = Impact Quadrant Films

| released = {{Film date|1973}}

| runtime = 82 minutes

| country = United Kingdom

| language = English

| budget =

| gross =

}}

Blue Blood is a 1973 British horror drama film directed and written by Andrew Sinclair and starring Oliver Reed, Fiona Lewis, Derek Jacobi and Anna Gaël.{{Cite web |title=Blue Blood |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150117683 |access-date=8 February 2024 |website=British Film Institute Collections Search}} It was based on the 1972 novel The Carry-Cot by Alexander Thynn, 7th Marquess of Bath.

Plot

Gregory, the young lord of the Swanbrook estate, engages German nanny Beate to care for his children while he pursues a life of debauchery with his mistress Carlotta and their affluent friends. His wife Lily, a touring singer, makes occasional visits. Gregory entrusts all running of the Swanbrook manor house to his menacing butler, Tom, who scorns his weak-willed master's decadent ways and plots to take control. From her interactions with the other servants, Beate comes to realise that Tom is, in many ways, already the true master of Swanbrook.

Tom uses dark magic against Beate, Carlotta and Lily, giving them visions of a Satanic ritual involving the sacrifice of Gregory and Lily's son, Edgar. When Edgar and his sister are found with unexplained injuries, Beate is accused of child abuse and given notice.

Tom passes the visions on to Gregory, whose mind is broken when he pictures Tom sacrificing Edgar. In the closing scenes, Tom, having fully usurped Gregory, changes into his master's attire and greets the returning Lily (who does not question the change) as his lady.

Cast

Oliver Reed as Tom
Fiona Lewis as Lily
Derek Jacobi as Gregory
Anna Gaël as Carlotta
Meg Wynn Owen as Beate
John Rainer as Clurman
Richard Davies as Jones
Gwyneth Owen as Agnes
Patrick Carter as Cocky
Elaine Ives-Cameron as Serena
Tim Wylton as Morrell
Hubert Rees as Dr Barratt
Dilys Price as Mrs Barratt
Andrew McCall as Gerrard
Sally Anne Newton as Susannah
Timon Sinclair as Edgar

Production

Jacquemine Charrott Lodwidge was the film's art director.

The film was made on location at Longleat House, the seat of the Marquesses of Bath. According to Sinclair, it was filmed in three weeks.{{Cite web|url=https://www.theoldie.co.uk/article/i-once-met-oliver-reed|first1=Andrew|last1=Sinclair|author1-link=Andrew Sinclair|title=I Once Met Oliver Reed|website=theoldie.co.uk|date=August 2018|access-date=30 October 2022|archive-url=https://web.archive.org/web/20210927225508/https://www.theoldie.co.uk/article/i-once-met-oliver-reed|archive-date=27 September 2021|url-status=live}}

Critical reception

Richard Combs of The Monthly Film Bulletin described Blue Blood as a series of "cheap, coarsely-filmed charades" and criticised the film's direction: "once Sinclair gets down to working out his theme (black-blooded butler usurps degenerate, blue-blooded employer), the skimpiness of his material and the shoddiness of this TV-sketch technique become painfully evident." He also wrote that Reed's performance made Tom "one of the most physically repellent of screen villains".{{Cite magazine |magazine=The Monthly Film Bulletin |title=Blue Blood |date=January 1975 |last=Combs |first=Richard |publisher=British Film Institute |location=London, UK |page=5 |volume=42 |issue=492 |oclc=2594020 |issn=0027-0407}}

Describing the film as "a variation on Harold Pinter's The Servant, Graeme Clark of website The Spinning Image writes that Blue Blood over-emphasises a simple premise and frustratingly leaves plot threads unresolved. He notes that although the Satanic images build suspense, they do not pay off as they are merely symbolic. He also argues that the film is sustained solely by the performances of the cast, adding however that none of them are "really working at full strength here".{{Cite web|url=https://www.thespinningimage.co.uk/cultfilms/displaycultfilm.asp?reviewid=3953|title=Blue Blood Review (1973)|first1=Graeme|last1=Clark|website=thespinningimage.co.uk|archive-url=https://web.archive.org/web/20210724084735/https://thespinningimage.co.uk/cultfilms/displaycultfilm.asp?reviewid=3953|archive-date=24 July 2021|url-status=live|access-date=30 October 2022}}

Leslie Halliwell said: "An extremely unattractive, would-be satirical melodrama which plays like a Grand Guignol version of The Servant."{{Cite book |last=Halliwell |first=Leslie |title=Halliwell's Film Guide |publisher=Paladin |year=1989 |isbn=0586088946 |edition=7th |location=London |pages=123}}

The Radio Times Guide to Films gave the film 1/5 stars, writing: "It's hard to describe just how abysmal this reworking of The Servant really is. It is directed with revolting enthusiasm by Andrew Sinclair, who has not been entrusted with many features since. As the vicious butler intent on destabilising his weak-kneed aristocratic employer (Derek Jacobi), Oliver Reed gesticulates and rolls his eyes."{{Cite book |title=Radio Times Guide to Films |publisher=Immediate Media Company |year=2017 |isbn=9780992936440 |edition=18th |location=London |pages=111}}