Blue Crush

{{Infobox film

| name = Blue Crush

| image = Blue_Crush_Movie_Poster.jpg

| caption = Theatrical release poster

| based_on = {{based on|"The Maui Surfer Girls"|Susan Orlean}}{{Cite journal | url=http://www.slate.com/articles/arts/culturebox/2002/09/blue_hawaii.html | title=Blue Crush is—don't laugh—a pretty sharp depiction of Hawaii | journal=Slate | date=10 September 2002 | last1=Milner | first1=Greg | access-date=6 May 2017 | archive-date=18 June 2017 | archive-url=https://web.archive.org/web/20170618215301/http://www.slate.com/articles/arts/culturebox/2002/09/blue_hawaii.html | url-status=live }}{{Cite web|url = https://www.outsideonline.com/1926561/lifes-swell|title = The Outside Article That Inspired 'Blue Crush'|date = 23 August 2002|access-date = 6 May 2017|archive-date = 26 September 2010|archive-url = https://web.archive.org/web/20100926170824/http://outsideonline.com/outside/destinations/womanfall1998/maui_surfer_girls_1.html|url-status = live}}

| screenplay = {{plainlist|

Lizzy Weiss
John Stockwell

}}

| story = Lizzy Weiss

| starring = {{plainlist|

}}

| music = Paul Haslinger

| cinematography = David Hennings

| editing = Emma E. Hickox

| studio = Imagine Entertainment

| distributor = Universal Pictures

| released = {{Film date|2002|08|16}}

| runtime = 105 minutes

| country = United States

| language = English

| budget = $30 million{{cite news|url=https://variety.com/2001/film/news/hollywood-hangs-10-with-surfer-pix-1117855755/|title= Hollywood hangs 10 with surfer pix |publisher=Variety|access-date=January 15, 2025|archive-date=|archive-url=}}

| gross = $55 million

}}

Blue Crush is a 2002 American sports film directed by John Stockwell, written by Stockwell and Lizzy Weiss, and based on Susan Orlean's 1998 Outside magazine article "Life's Swell". It stars Kate Bosworth, Michelle Rodriguez, Sanoe Lake and Mika Boorem. The film follows three friends, working at the hotel resort and surfing in Oahu, Hawaii.[https://www.outsideonline.com/1926561/lifes-swell "Life's Swell" by Susan Orlean] {{webarchive |url=https://web.archive.org/web/20100926170824/http://outsideonline.com/outside/destinations/womanfall1998/maui_surfer_girls_1.html |date=September 26, 2010 }} the article the film is based on

Plot

Anne Marie, her fourteen-year-old sister Penny, and good friends Eden and Lena, live in a small house on the North Shore. They all have been helping to raise Penny since her and Anne Marie's mother moved to Las Vegas with her boyfriend. While Penny is at school, Anne Marie, Eden and Lena work as maids in a luxury resort hotel, and surf in their spare time. As a child, Anne Marie had been a rising star in women's surfing until a near-fatal wipeout left her with a paralyzing fear of powerful waves. Although she rises every morning before dawn to train for her surfing comeback, this fear continues to hamper her progress. Her friends, especially Eden, encourage her to overcome her trauma, conquer her fear of big waves and become a professional surfer.

Anne Marie is invited to join the surfing competition at a famed North Shore surf spot, the challenging Banzai Pipeline. If she can do well enough to gain the attention of a sponsor, it can lift her and her friends out of the near-poverty in which they live. As the Pipeline competition gets closer, Anne Marie struggles to keep Penny from running wild and deal with family issues.

Anne Marie meets Matt Tollman, a National Football League quarterback who is in Hawaii for the Pro Bowl. He is instantly attracted to the surfer, especially after she boldly confronts another NFL Pro Bowler who had trashed his hotel room, leaving a mess for Anne Marie and her friends to clean. After a few encounters, Matt says that he wants to learn to surf, and Anne Marie agrees to teach him and several of his teammates to surf for $150 per hour, with Lena, Eden and Penny acting as coaches. Anne Marie sees Matt again while getting the money from the hotel room, but a call comes for Matt from another woman. Anne Marie asks if it is Matt's wife, but he explains that it is his niece. Later, they sleep together.

Anne Marie's acceptance of an outsider as her boyfriend causes friction between her and some young male surfers on the North Shore. Eden points out to Anne Marie that her current interest in Matt has weakened her commitment to training for the Pipeline contest. Anne Marie also overhears demeaning comments about herself from some of the other football players' wives and girlfriends staying at the hotel.

Anne Marie confronts Matt about the situation and resolves to step up her game, fully committing herself to the Pipeline Masters. On the day of Pipeline, Anne Marie wipes out during her first heat, but she advances after narrowly beating pro surfer Kate Skarratt. She is shaken, but Matt tells her how he failed in his first game as an NFL quarterback, which helps her control her wavering confidence.

Determined, although still apprehensive, Anne Marie returns to the water. Competing in the same heat is Keala Kennelly, one of the first professional female surfers. While Keala surfs the first few sets of waves well, Anne Marie is still reluctant to try one, visions of her near-drowning incident holding her back. Keala finishes her turn, and paddles back out to take Anne Marie under her wing. Keala encourages her to ride the best wave of the day, and Anne Marie does it perfectly, scoring a perfect ten. Although Anne Marie cannot advance to the next heat, she regains her lost confidence and attracted the attention of sponsors, one of whom immediately offers to have her join the Billabong women's surf team.

Cast

Kate Bosworth as Anne Marie
Michelle Rodriguez as Eden
Matthew Davis as Matt
Sanoe Lake as Lena
Mika Boorem as Penny
Faizon Love as Leslie

=Appearances by notable surfers=

{{Cast listing|

Production

Blue Crush is the first film to use Hawaii's Act 221, a progressive local tax incentive that called for a 100 percent state tax credit for high-tech investments meeting the requirements for qualified high-tech business, while also allowing local investors to receive tax credits for investments in film or television productions.{{cite news|last=Sing|first=Terrance|title=Studio Trades Credit for Promos|url=http://www.bizjournals.com/pacific/stories/2002/03/11/story1.html?page=all|date=March 10, 2002|newspaper=Pacific Business News|access-date=March 21, 2012|archive-date=October 15, 2012|archive-url=https://web.archive.org/web/20121015120225/http://www.bizjournals.com/pacific/stories/2002/03/11/story1.html?page=all|url-status=live}}{{cite news|last=Stuart|first=Alex|title=Surf's Up; Taxes Are Down|url=http://www.cfo.com/article.cfm/3008534/c_3046587?f=insidecfo%20|newspaper=CFO Magazine|date=March 1, 2003|access-date=March 21, 2012|archive-url=https://web.archive.org/web/20120620133558/http://www.cfo.com/article.cfm/3008534/c_3046587?f=insidecfo|archive-date=June 20, 2012|url-status=dead}} Universal Studios used the legislation for the Blue Crush production, receiving approximately $16 million in a deal with local investors who, in exchange, received the film's high-tech tax credits.

The agreement also involved marketing rights for the Hawaii Visitors and Convention Bureau, whereby the studio would cross-promote the film and the State of Hawaii. Entertainment executive April Masini, who helped produce Baywatch: Hawaii, Pacific Blue and the Miss Universe Pageant, brought the tax incentives to the attention of Universal Studios,{{cite news|last=Sing|first=Terrence|title=Hollywood Heeds Call of High-Tech Tax Incentives|url=http://www.bizjournals.com/pacific/stories/2002/02/18/story3.html?page=all|newspaper=Pacific Business News|date=February 17, 2002|access-date=March 22, 2012|archive-date=October 15, 2012|archive-url=https://web.archive.org/web/20121015120218/http://www.bizjournals.com/pacific/stories/2002/02/18/story3.html?page=all|url-status=live}} and, along with producer Adam Fields, advised the state in its negotiation.

Reception

=Critical response=

{{RT prose|62|{{RT data|average}}|{{RT data|count}}|The surfing sequences are exhilarating, but the plot is pretty forgettable and trite.|ref=yes|access-date=2023-07-24}} {{MC film|61|33|ref=yes|access-date=2023-07-24}}

Roger Ebert, in his review for the Chicago Sun-Times, gave the film three stars out of four and a thumbs up, summarized, "Looking at the posters for Blue Crush, which show Bosworth, Rodriguez and Lake posing with bikinis and surfboards, I expected another mindless surfing movie. Blue Crush is anything but."{{Cite web |title=Blue Crush |last=Ebert |first=Roger |author-link=Roger Ebert |date=2002-08-16 |work=Chicago Sun-Times |via=RogerEbert.com |url=https://www.rogerebert.com/reviews/blue-crush-2002 |access-date=2020-01-15 |archive-date=2017-12-03 |archive-url=https://web.archive.org/web/20171203232824/https://www.rogerebert.com/reviews/blue-crush-2002 |url-status=live }}

=Box office=

Blue Crush made $14.2{{nbsp}}million during its opening weekend, ranking in third place behind XXX and Signs.{{cite news |url=https://www.newspapers.com/article/the-star-press-xxx-holds-onto-top-spot/128815257/ |title='XXX' holds onto top spot |archive-url=https://web.archive.org/web/20230725005411/https://www.newspapers.com/article/the-star-press-xxx-holds-onto-top-spot/128815257/ |date=August 19, 2002 |access-date=July 25, 2023 |archive-date=July 25, 2023 |page=5 |publisher=The Star Press |via=Newspapers.com |url-status=live}} {{Open access}} It grossed $40.4{{nbsp}}million in the United States and Canada, and $11.4{{nbsp}}million in other territories, for a worldwide total of $51.8{{nbsp}}million, against a budget of $25{{nbsp}}million.{{Cite Box Office Mojo |access-date=2023-07-24}}

Soundtrack

{{Infobox album

| name = Music from the Motion Picture Blue Crush

| type = soundtrack

| artist = Various Artists

| cover =

| alt =

| released = August 16, 2002

| recorded =

| venue =

| studio =

| genre = Soundtrack

| length = 47:09

| label = Virgin Records

| producer = Steven Marley, Josh Debear, Moby, Don Great, Pharrell Williams, Lenny Kravitz, Justin Stanley

| prev_title =

| prev_year =

| next_title =

| next_year =

}}

{{track listing

| title1 = If I Could Fall in Love

| note1 = Lenny Kravitz

| length1 = 4:23

| title2 = Rock Star (Jason Nevins Remix Edit)"

| note2 = N.E.R.D.

| length2 = 3:50

| title3 = Party Hard

| note3 = Beenie Man

| length3 = 4:00

| title4 =Cruel Summer (Blestenation Mix)

| note4 = Blestenation

| length4 =5:13

| title5 = Big Love

| note5 = Chicken Josh Debear

| length5 =3:48

| title6 =Daybreaker

| note6 = Beth Orton

| length6 =3:54

| title7 =Everybody Got Their Something

| note7 = Nikka Costa

| length7 = 4:22

| title8 =Front To Back (Fatboy Slim Remix)

| note8 = Playgroup

| length8 = 3:53

| title9 =And You Be Loved

| note9 = Damian "Jr. Gong" Marley

| length9 =3:02

| title10 = Destiny

| note10 =Zero 7

| length10 =5:40

| title11 =Firesuite

| note11 =Doves

| length11 =4:37

}}

The song Youth of the Nation by P.O.D. appears in the film but is excluded on the album.

Legacy

The film was followed by a straight-to-video standalone sequel, titled Blue Crush 2 (2011).

In October 2017, NBC revealed that it was in the early stages of developing a possible television series based on the film.{{cite magazine |title='Blue Crush' Reboot Set at NBC |first=Lesley |last=Goldberg |date=2017-10-12 |magazine=The Hollywood Reporter |url=https://www.hollywoodreporter.com/tv/tv-news/blue-crush-reboot-set-at-nbc-1048364/ |access-date=2023-07-24 |archive-date=2023-07-25 |archive-url=https://web.archive.org/web/20230725053025/https://www.hollywoodreporter.com/tv/tv-news/blue-crush-reboot-set-at-nbc-1048364/ |url-status=live }} As of 2025, the series was not produced.{{citation needed|date=March 2025}}