Bowli
{{Short description|A Janya raga of Carnatic music}}
{{Use dmy dates|date=July 2020}}
{{Use Indian English|date=July 2020}}
{{Infobox ragam
| name = Bowli
| synonym =
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| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|R1|G3|P|D1|S'}}
| avarohanam = {{svaraC|S'|N3|D1|P|G3|R1|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent =
| similar =
}}
{{Carnatic}}
Bowli is a Carnatic raga (also spelled as BauliRagas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications or BhauliRaganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras). This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga.
Structure and Lakshana
File:Bowli descending scale.svg
This ragam is an asymmetric scale and is classified as an audava-shadava ragam (five notes in the ascending scale and six notes in the descending scale).
The notes in this scale are shuddha rishabham, antara gandharam, panchamam and shuddha dhaivatam in arohana and additional kakali nishadham in avarohanam.
Select compositions
= Varnams =
- Arunodayame by Dr. Lalgudi Jayaraman
= Kritis =
- Sriman Narayana in Adi tala composed by Annamacharya
- Melukovayya in Jhampa tala, an Utsava Sampradaya Kriti and Deena Janaavana in Adi tala, a Dashaavataara Kriti composed by Tyagaraja
- Shambho Mahadeva in Rupaka tala by Neelakanta Sivan
- Tappulanniyu in Rupaka tala composed by Muthiah Bhagavatar
- Parvati Nayaka in Adi tala composed by Swati Tirunal{{Cite web|url=http://www.karnatik.com/c6881.shtml|title = Carnatic Songs – pArvatI nAyaka}}
- Elu Narayanane in Khanda chapu tala by Kanakadasa
- Elu Hanumantha in Mishra Nadai Adi tala by Purandara Dasaru
- Karunanidhiye Thaye in Misra Chapu tala composed by Papanasam Sivan{{cite web | url=https://anuradhamahesh.wordpress.com/carnatic-raga-appreciation/13-bowli-the-meditative-morning-raga/ | title=#13–Bowli-The Meditative Morning Raga | date=March 2013 | publisher=Anuradha Mahesh | access-date=19 July 2020 }}
- Brahmamokate in Adi tala composed by Annamacharya
- Sri Parvati Parameshvarau in Adi tala composed by Muthuswami Dikshitar
- Baskarayathe in Rupaka tala and Muyarchiyinal Manithan in Adi tala by Swarna Venkatesha Dikshitar
Film Songs
= Language:[[Tamil language|Tamil]] =
class="wikitable"
!Song !Movie !Composer !Singer |
Nee Palli Ezhundhaal |
Panniner Mozhiyaal
|T. M. Soundararajan,Master Maharajan |
Sugamana Sindhanaiyil
|rowspan=2|S. P. Balasubrahmanyam, S. Janaki |
Kozhi Koovum
|rowspan="5"|Ilaiyaraaja |
Degam Pon Degam |
Bhoomiye Enga |
Vidinthatha Pozhuthu
|Pillai Paasam |
Senthazham Poovil
|rowspan="2"|K. J. Yesudas |
Kathiravanai Paarthu
|rowspan="2"|T. Rajendar |
Ponmaanai |
Boobalam Arangerum
|Agni Theertham |rowspan=2|Shankar–Ganesh |
Paarthu Sirikithu Bommai |
Vaigai Neerada
|Chinnanchiru Kiliye |
Kaalai Veyil Nerathile
|Then Chittugal |Vijay Ramani |
Kadhal Kavithai Paada |
Paadum Paravaigal Sangeetham
|Shenbagathottam |
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
= Scale similarities =
- Revagupti is a rāgam which has a symmetrical scale matching the ascending scale of Bowli (nishadham is entirely omitted). Its {{IAST|ārohaṇa-avarohaṇa}} structure is {{svaraC|S|R1|G3|P|D1|S'|foot=yes}}: {{svaraC|S'|D1|P|G3|R1|S|foot=yes}}
Notes
{{notelist|30em}}