Carlo Curti

File:Curtis Original Spanish Students advertisement.jpg

Curti was born in Gallicchio, province of Potenza, Basilicata.{{cite web|url=http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002085000|title=Curti, Carlos|last= Dickson|first= Jean|year=2010|publisher=Oxford Music Online|doi=10.1093/gmo/9781561592630.article.A2085000|isbn=978-1-56159-263-0|access-date=August 3, 2016}} About five years after he arrived in the United States (c.1875), Curti saw the opportunity to imitate one of the great acts of his day, the Estudiantina Figaro, also known as the Estudiantina Figueroa or "Spanish Students" troupe, a costumed, dancing, bandurria-playing group from Spain that was touring in the United States (as well as the United Kingdom and parts of South America in the early 1880s).[http://sharing.ancestry.com/7334118?h=fb0c1d Carlos Curti in the 1910 United States Federal Census Year: 1910; Census Place: Manhattan Ward 12, New York, New York; Roll: T624_1027; Page: 3B; Enumeration District: 1420; FHL microfilm: 1375040]{{cite journal|last=Dickson|first=Jean|title=Mandolin Mania in Buffalo's Italian Community, 1895 to 1918|url=http://wings.buffalo.edu/research/anthrogis/oldsite/JWA/V2N2/Dickson-art.pdf|journal=Journal of World Anthropology: Occasional Papers|volume=II|issue=2|pages=1|access-date=8 September 2015|archive-url=https://web.archive.org/web/20150402143811/http://wings.buffalo.edu/research/anthrogis/oldsite/JWA/V2N2/Dickson-art.pdf|archive-date=2015-04-02|url-status=dead}} Curti had experience in show business, working with a small traveling opera, along with his brother John. He took advantage, figuring that people wouldn't see the difference when he (an Italian) pretended to be Spanish. He even started using Carlos, instead of Carlo.

He established a group similar to the Spanish Students, but made up of Italians playing mandolins (because of the similarity to violins, which they knew). The group blatantly used the Spanish Students' name while touring the United States. He later admitted what he had done, and started another group or changed his groups' name to the "Roman Students".

The imitators' use of mandolins helped to generate enormous public interest in an instrument previously relatively unknown in the United States.{{cite journal

|ref = {{sfnref|Dickson}}

|author = Jean Dickson, University at Buffalo (SUNY)

|title = Mandolin Mania in Buffalo's Italian Community, 1895 to 1918

|url = http://wings.buffalo.edu/research/anthrogis/oldsite/JWA/V2N2/Dickson-art.pdf

|journal = Journal of World Anthropology: Occasional Papers

|volume = II

|issue = 2

|date = 2006

|pages = 1–15

|access-date = 2015-09-09

|archive-url = https://web.archive.org/web/20150402143811/http://wings.buffalo.edu/research/anthrogis/oldsite/JWA/V2N2/Dickson-art.pdf

|archive-date = 2015-04-02

|url-status = dead

}}{{harvnb|Sparks|2003|page=26–27}} They left an impression on the people who saw them, and the mandolin, rather than the bandurria became established in the United States and Europe.

File:La Orquesta Típica de la Ciudad de México.png

Curti took his knowledge of the elaborate costumed performances he had participated in and organized since coming to the United States, and created a new show in Mexico, what became the Orquesta Típica Mexicana (Mexican Typical Orchestra). The Mexican Typical Orchestra was originally conceived by the salterio player Encarnación García and bandolónist Andrés Díaz de la Vega but its creation was consolidated in the hands of its director and founder, xylophone player and composer Carlos Curti, in August 1884.

It initially consisted of 19 musicians, most of them from the Conservatorio Nacional de Música (Mexican National Conservatory of Music) and distributed as follows:{{cite book |last= de Olavarría y Ferrari |first=Enrique |date=1895 |title=Reseña histórica del teatro en México, Volumes 3-4 |url=https://books.google.com/books?id=-wQtAAAAYAAJ&q=Encarnaci%C3%B3n+Garc%C3%ADa%2C+salterio&pg=PA408 |publisher=La Europea |pages=408–409 }}

• Flute. Anastasio Meneses.
• Harp. Juan Curti.
• Salterios. Maria Encarnación García and Mariano Aburto. Garcia played a 99 string Salterio that resembled a dulcimer.{{cite web |url=http://www.excentricaonline.com/libros/contexturas_more.php?id=7993_0_16_0_M131 |title=Dulcemelos rescata música de la Independencia y de la Revolución |last1=Ontiveros |first1=Elvia Alaniz |website=excentricaonline.com |access-date=September 15, 2015 |quote=According to his research, he noted that in 1884 the first Typical Orchestra was created in Mexico City, which was the first harp teacher Maria Encarnacion Garcia. The director Carlos Curti started writing some arrangements and parts which already included the psaltery... |archive-url=https://web.archive.org/web/20160312234345/http://www.excentricaonline.com/libros/contexturas_more.php?id=7993_0_16_0_M131 |archive-date=March 12, 2016 |url-status=dead }}{{cite book |last= Loza|first=Steven Joseph |date=1993 |title=Barrio Rhythm: Mexican American Music in Los Angeles |url=https://archive.org/details/barriorhythmmexi00loza|url-access= registration|publisher=University of Illinois Press |page=[https://archive.org/details/barriorhythmmexi00loza/page/15 15] }}
• First Bandolóns. Andrés Díaz de la Vega. Pedro Zariñana, Mariano Pagani y Apolonio Domínguez. Bandolóns were shaped like a cittern or bouzouki with 18 strings (6 courses of 3 strings).
• Second Bandolóns. Vidal Ordaz, Vicente Solís y José Borbolla.
• Guitars. Pantaleón Dávila and Pedro Dávila.
• Violins. Antonio Figueroa, Jose Molina, and Enrique Palacios.
• Viola: Buenaventura Herrera.
• Cellos. Rafale Galindo and Eduardo Gabrielli.
• Xylophone. Carlos Curti.

File:1886 Los Angeles, Mexican Typical Orchestra.jpg

The orchestra debuted Saturday night September 20, 1884 at a private concert, held at the Conservatory Orchestra's Theatre and alternated in the concert with the Conservatory Orchestra.{{cite web |url=http://www.oocities.org/vienna/5006/zarabozo8i.html |title=Remembering Daniel Zarabozo, History of the Music in Mexico, 1964. |last1=Zarabozo |first1=Raúl |date=2000 |access-date=September 9, 2015 |quote=This text for this web-page source was taken mainly from "De los Mixcoacallis a la Orquesta Típica" (Selection of Texts, Chronologies and Notes of Fernando Muñoz), Mexico, 1987.}} The Mexican Typical Orchestra played the following five works during the third part of programming:

• 1. Obertura of the Opera "Raymond" by Ambroise Thomas
• 2. Mazurca "Los Ecos" para solo de Salterio by Encarnación García
• 3. Fantasía sobre la Opera "Norma" by Vincenzo Bellini
• 4. Marcha de la Opera "Tanhäuser" by Richard Wagner
• 5. Aires Nacionales Mexicanos by Carlos Curti.

This concert was attended by the president of Mexico, General Porfirio Díaz, who at the time named the group "Orquesta Típica Mexicana". The president was interested in supporting the group, because he had issues during his election campaign in which his opponents used folk music as propaganda against him.{{cite book |last=Oorts |first=Paul |title=World Mandolin: La Tipica |url=http://archive.mandolinsessions.com/feb08/Oorts.pdf |page=1 |access-date=2015-09-09 |archive-url=https://web.archive.org/web/20160304091414/http://archive.mandolinsessions.com/feb08/Oorts.pdf |archive-date=2016-03-04 |url-status=dead }} The president wanted to bring order and stability and modernity to Mexico, and music was one of the tools he used.{{cite web |url=https://quizlet.com/11821953/mexican-folk-music-final-flash-cards/ |title=Mexican Folk Music Final|author= |website=quizlet.com |access-date= September 19, 2015}} The "Aires Nacionales Mexicanos" (Mexican National Tunes) put together by Curti along with ethnic instruments like the salterio impressed the General.

The orchestra toured Mexico, the United States and Europe. They gave performances in several places in the Mexican capital. The orchestra performed at the Arbeu Theater in a performance dedicated to the Honorable Foreign Colonies and to the Mexican students; this was also an audition, performed on December 3, 1884, and of Carlos Curti's arrangement of "Mexican National Tunes" was endorsed. As a result, the orchestra was invited to perform at the New Orleans Universal Expo. Over the next three years the band made several tours; the first to the United States, starting for the Universal Exhibition in New Orleans and continuing to New York and several cities in the US. The second tour started in January 1886, visiting Zacatecas on January 8, and then again the US, Canada and Cuba returning to the City Mexico in July 1887. The band disintegrated abruptly in the city of Puebla, and little is known of its fate after so sudden dissolution. It was understood that the musicians who should return to their academic activities at the National Conservatory of Music that had been abandoned during the touring. Among these was Mr. Curti, who later dedicated himself to conduct the orchestra Circo Orrín.

{{Listen

|title=La Tipica

|filename=Carlo Curti - La Tipica.ogg

|description="La Tipica" - polka by Carlo Curti, performed by Trio Romano in 1921.

}}

{{Listen

|title=Merci

|filename=Carlo Curti - Merci.ogg

|description="Merci" - gavotte by Carlo Curti, performed by Joaquín J. Arriaga and Octaviano Yáñez in 1913.

}}

The Mexican typical orchestra would continue in 1901 with conductor Juan Velázquez, who was with the orchestra and Carlos Curti during his second tour. The third lead was Miguel Lerdo de Tejada who organized it as the Orquesta Típica Lerdo in 1901. The orchestra is still in existence, after 120 years, and was declared a "Intangible Cultural Heritage of the Capital" (of Mexico) on May 31, 2011.{{cite news |url=http://sipse.com/entretenimiento/concierto-de-orquesta-tipica-en-museo-jose-luis-cuevas-141870.html |title=Concierto de Orquesta Típica, en Museo José Luis Cuevas |author= |date=March 13, 2015 |website=SIPSE.com |access-date=September 10, 2015 }}

After fourteen years in Mexico, Curti returned to New York in 1897.{{cite journal |author= |title=Major and Minor |url=https://books.google.com/books?id=-WYPAAAAYAAJ&q=Carlo+Curti%2C+-Skouras%2C+-Gialdino&pg=PA1 |journal=Musical Record |location=Boston, Massachusetts |publisher=Oliver Ditson Company|date=January 1897 |editor1-last= Deland| editor1-first= Lorin F.|access-date=September 11, 2015|quote=Señior Carlos Curti, who was the conductor of "Curti's Original Spanish Students," and later of the "Mexican Typical Orchestra," has returned to New York City, after a residence of fourteen years in Mexico. Señior Curti performs on several instruments, but at present makes a specialty of mandolins.}} At the beginning of the 1900s, he was conductor of the Waldorf–Astoria Orchestra for several years. He also formed another group called "Orquesta Mexicana Curti" with whom made recordings for Columbia Records in 1905, 1906 and 1912. His later life was marked by tragic events: he suffered financial difficulties and his wife Carmen shot herself on January 28, 1914, after he had lost his job at the Waldorf-Astoria. Then Curti came back to Mexico City, where he committed suicide in 1922.

File:Sheet Music Cover My Irish Home by Carlo Curti and Joe A Burgess.jpg

File:Sheet music Skating by Moonlight by Carlo Curti 1884.jpg

File:Carlo Curti.jpg

Not merely an imitator, Curti was a multi-instrumental musician and a composer as well. He published sheet music as early as 1880 in New York, but also published extensively in Mexico.{{cite web |url=https://www.loc.gov/item/sm1880.20447/ |title=Notated Music Parting [and] Skating by moonlight |author= |newspaper=The Library of Congress |publisher=Library of Congress |access-date=September 10, 2015 }}{{cite web |url=http://composers-classical-music.com/c/CurtiCarlos.htm |title=Curti, Carlos 1861-1926 |author= |website=composers-classical-music.com |access-date=September 9, 2015 }}

• My Irish Home. Words by Joe A. Burgess. (August, 1892){{cite journal |author= |title=White, Smith and Company's Monthly Bulletin of New Music |url=https://books.google.com/books?id=94wPAAAAYAAJ&q=Carlo+Curti%2C+-Skouras%2C+-Gialdino&pg=PA293 |journal= Folio|publisher=White, Smith and Company |date= August 1892 |access-date=September 11, 2015|quote=MY IRISH HOME Carlo Curti 40(cents) Words by Joe A. Burgess. Mr Curti is the well-known leader the Spanish Students, and is composer of much merit.}}
• La Tipica. Polka. (1895)
• Florera. Polka. (1891)
• Nueva Espana. (1894)
• Una boda en Santa Lucia. (1894)
• La patria. Military march. (1895)
• Merci. Gavotte. (1896)
• El Gondolero. Waltz, (1896)
• Serenate. (1897)
• Siempre alegre. Polka, (1897)
• Il n'y a pas de quoi. Welcome. Schottische. (1897)
• La cuarta plana. (1899)
• Los de abajo. (1899)
• El novio de Tacha. (1900)
• Benedictina, en "La cuarta plana". Gavota. (1901)
• Bolero, en "La cuarta plana". (1901)
• Diablito. Polka. (1901)
• Nemrod, rey de Babilonia. Operetta. Sala Wagner, (1901)
• Saravia, danza en la zarzuela La cuarta plana. (1901)
• Tango, danza en la zarzuela "La cuarta plana". (1901)
• Under the Bamboo Tree. Mandolin duo. Arranged by Carlo Curti (1902){{cite book |author= |title= Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, Volume 34|url= https://books.google.com/books?id=ff43AQAAMAAJ&q=no%20mandolin%20without%20carlo%20curti&pg=PA390|publisher=US Treasury Department |page= 116|date= 1903}}
• While the Convent Bells Were Wringing. Mandolin duo. Arranged by Carlo Curti (1902)
• Queen of the ball. Waltz. (1905)
• Flower of Mexiko. Intermezzo. (1904)
• Maesmawr. Valse lente. (1905)
• The matador. March and two-step, (1905)
• Blue ribbon. Two-step patrol. (1906)
• Rosita. Valse romantique. (1907)
• Notturno in D. Violin and piano. (1908)
• Petit bijou (Little jewel). Gavotte. (1908)
• Chimes of old Cornell. (1917)
• Visions of love (Visione d'amore). Waltz. (1928)
• Angela. Schottische.
• Bogando. Barcarola, en la pantomima acuatica "Una boda en Santa Lucia".
• Brisa. Valse.
• Champagne. Polka en la pantomima Una boda en Santa Lucia.
• Constanza. Mazurka.
• Dias felices. Schottische.
• Entre amigos. Polka.
• Fregoli. Polka.
• Gondolero. Vals.
• Ilusiones. Vals.
• Juego hidraulico. Vals
• Lamentos.
• ''Lluvia de rosas. Vals.
• Lola. Polka.
• Maria Enriqueta. Danza.
• Merci! Schottische.
• Momna. Mazurka..
• Monica. Mazurka.
• Mundo ilustrado, en la zarzuela La cuarta plana). Vals.
• Nueva Espana. Pasa-calle.
• Otilia. Polka.
• Pan American-Marsch.
• Pas de quoi! Schottische.
• Polka militar.
• Predilecta. Vals.
• Recuerdos. Mazurka.
• Teresa. Gavotta.
• Tus ojos. Schottische.
• Xylosono. Polka.
• lbum de Mexico. Coleccion de 10 piezas celebres para mandolina y piano con 2.

His compositions were recorded 10 times on Victor Records.{{cite web |url=http://adp.library.ucsb.edu/index.php/talent/detail/40749/Curti_Carlos_composer |title=Carlos Curti (composer) |author= |website=Discography of American Historical Recordings |publisher=UC Santa Barbara |access-date=September 9, 2015 }} including:

• Saravia, Antonio Vargas, 1902
• The flower of Mexico, Arthur Pryor's Band, 1904
• Tipica polka, W. Eugene Page ; D. F. Ramseyer, 1909
• Blue ribbon, Conway's Band, 1914
• La tipica, Trio Romano[ i.e., Cibelli's Neapolitan Orchestra], 1921
• La cuarta plana, Banda de Zapadores, 1905
• La cuarta plana, Trío Arriaga, 1905
• Canción de la saravia, Esperanza Iris, 1906

• Estudiantina Walzer by Waldteufel with the Columbia Orchestra, with Kastagnetten; La tipica polka by Carlo Curti with the Orquesta Espanola{{cite book |url=https://www.worldcat.org/oclc/874907107 |title=Estudiantina Walzer ;La tipica polka |author= |publisher=Columbia Records |oclc=874907107 |access-date=September 10, 2015 }}
• La Tipica, F Lahoz; Carlos Curti; Curti's Band.; Banda Española, 1910{{cite book |url=https://www.worldcat.org/oclc/456583097 |title=La Tipica |author= |date=1910 |publisher=Columbia Records |oclc=456583097 |access-date=September 10, 2015 }}

• Flower of Mexico, Hager's Orchestra, 1906{{cite web |url=https://adp.library.ucsb.edu/index.php/objects/detail/288940/Zonophone_508|title= Zonophone 508 (10-in. single-faced)|website=adp.library.ucsb.edu|access-date=July 3, 2020}}

Among modern reinterpretations are:

• La Tipica, Los Alegres de Terán, 1961{{cite web |url=https://www.discogs.com/Los-Alegres-De-Ter%C3%A1n-Los-Alegres-De-Ter%C3%A1n/release/14928890|title= Los Alegres de Terán – Los Alegres de Terán |website=discogs.com|access-date=July 11, 2020}}
• La Tipica, Mariachi Vargas de Tecalitlán, 1963{{cite web |url=https://www.discogs.com/it/El-Mariachi-Vargas-De-Tecalitlan-Bailando-Polkas/master/661340|title= Mariachi Vargas de Tecalitlán - Bailando Polkas |website=discogs.com|year= 1963 |access-date=June 28, 2020}}
• La Tipica, Flaco Jiménez, 1988{{cite web |url=https://www.allmusic.com/album/conjunto%21-texas-mexican-border-music-vol-1-mw0000198113 |title=Various Artists - Conjunto!: Texas-Mexican Border Music, Vol. 1 |website=allmusic.com|access-date=June 28, 2020}}
• La Tipica, Nashville Mandolin Ensemble, 1998{{cite web |url=https://www.allmusic.com/album/all-the-rage-mandolin-ensemble-music-mw0001187454 |title= Nashville Mandolin Ensemble - All the Rage, Mandolin Ensemble Music |website=allmusic.com|access-date=June 28, 2020}}
• La Tipica, Terry Waldo, 2004{{cite web |url=https://www.allmusic.com/album/let-it-shine-mw0001387787 |title= Terry Waldo - Let It Shine|website=allmusic.com|access-date=June 28, 2020}}
• La Tipica, Milwaukee Mandolin Orchestra, 2007{{cite web |url=https://www.milwaukeemandolinorchestra.org/new-products/unplugged-since-1900 |title= The Milwaukee Mandolin Orchestra - Unplugged since 1900|website=milwaukeemandolinorchestra.org|access-date=June 28, 2020}}
• Flower of Mexico, Milwaukee Mandolin Orchestra, 2015{{cite web |url=https://www.milwaukeemandolinorchestra.org/videos |title= The Milwaukee Mandolin Orchestra - Videos|website=milwaukeemandolinorchestra.org|access-date=June 28, 2020}}

File:Death Certificate, Carlo Curti, México, Distrito Federal, Registro Civil.jpg|Death Certificate, Carlo Curti, México, Distrito Federal, Registro Civil, 10 May 1922. Curti's death has been widely published as sometime in 1926, but in fact he died 8 May 1922.

• List of mandolinists (sorted)

{{Reflist}}

• {{cite book |last= Sparks|first=Paul|date= 2003|title= The Classical Mandolin|location= Oxford|publisher= Oxford University Press|isbn=9780195173376}}

• [http://www.wolfheadmusic.com/curti.htm Modern reprint of Curti's Complete Method for the Mandolin.]
• [https://web.archive.org/web/20160105112303/http://www.iai.spk-berlin.de/fileadmin/salalmdocs/Jaime%20Nun%F3%20(1824-1908)%20and%20Carlo(s)%20Curti%20(1859-1926).pdf Document with portraits of Carlo Curti and his brother Giovanni Curti.]

These links are about two groups performing under the name "Spanish Students" that were identifiable by their promoter's name. The links are limited to those two groups, even though there were other groups using the name.

• [https://www.newspapers.com/clip/2001763/the_brooklyn_daily_eagle/ Newspapers.com clipping from The Brooklyn Daily Eagle, 30 Mar 1880, Tue, Page 3 about the first group to be called the Spanish Students (Abbey's and Hickey's) and the "Humpty Dumpty", a circus-style variety show of which the Spanish Students were a part. The newspapers called their bandurrias, "mandolins."]
• [https://www.newspapers.com/clip/3180857/the_brooklyn_daily_eagle/ Newspapers.com clipping from The Brooklyn Daily Eagle, 30 Mar 1880, Tue, Page 1 The Brooklyn Daily Eagle, 29 Mar 1880, Mon, Page 9 about Abbey's and Hickey's variety show, including the Spanish Students.]
• [https://www.newspapers.com/clip/3180850/the_brooklyn_daily_eagle/ Newspapers.com clipping from The Brooklyn Daily Eagle, 30 Mar 1880, Tue, Page 1, advertisement for the first group to be called the "Spanish Students".]

• [https://www.newspapers.com/clip/2114445/carlo_curti_and_spanish_students/ Newspapers.com newspaper clipping from Middlebury Register, 29 Oct 1880, Fri, First Edition, calling Curti's group "Curti's Original Spanish Students."]

• [https://www.newspapers.com/clip/3197428/national_republican/ Newspapers.com clipping from April 1, 1881, advertising Carlo Curti's 9 "Roman Students"]
• [https://www.newspapers.com/clip/3197437/curtis_roman_students_mentioned/ Newspapers.com clipping from April 4, 1881, talking about variety show. The "Roman Students" were paired with "freaks of nature" (i.e. circus acts.)]

• [https://www.newspapers.com/clip/2114467/carlo_curti_advertisement_for/ Newspapers.com newspaper clipping from The Times, 9 Apr 1882, Sun, Page 5, showing the "Reappearance of the Famous Spanish Students" with Senor Carlo Curti as leader.]
• [https://www.newspapers.com/clip/2114847/meeting_of_the_two_spanish_students/ Newspapers.com clipping from 1914 detailing existence of bandurria playing Spanish Students and mandolin playing imitators, and a meeting between two groups.]

• [https://www.newspapers.com/clip/3195486/mexican_typical_orchestras_history/ Newspapers.com clipping from The Daily Commonwealth, 4 Aug 1885, Tue, Page 4 in Topeka, Kansas, giving some of the history of the Mexican Typical Orchestra.]
• [https://www.newspapers.com/clip/3195590/the_topeka_daily_capital/ Newspapers.com 1886 advertisement from Topeka, Kansas, talking about the Mexican Typical Orchestra and comparing them to the Spanish Students.]
• [https://www.newspapers.com/clip/3195516/mexican_typical_orchestras_springfield/ Newspapers.com clipping from Springfield Missouri, from the Springfield Daily Republic, 6 Aug 1886, Fri, First Edition, mentions the Mexican Army band they were traveling with.]

{{Authority control}}

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