Cello Counterpoint
{{Short description|2003 composition by Steve Reich}}
{{Italic title}}
Cello Counterpoint is a composition for cello and pre-recorded tape by the American composer Steve Reich. The work was jointly commissioned by the Koussevitzky Foundation in the Library of Congress, the Royal Conservatory of The Hague, and Leiden University for the cellist Maya Beiser. It was given its world premiere by Beiser on October 18, 2003 at the Krannert Center for the Performing Arts.{{Cite web |last=Reich |first=Steve |author-link=Steve Reich |year=2003 |title=Cello Counterpoint |publisher=Boosey & Hawkes |url=http://www.boosey.com/cr/music/Steve-Reich-Cello-Counterpoint/5459 |accessdate=February 16, 2016}}{{cite web |last=Lunden |first=Jeff |title=Steve Reich: A Wild Compositional Ride |publisher=NPR |date=September 25, 2005 |url=https://www.npr.org/templates/story/story.php?storyId=4862344 |accessdate=February 16, 2016}} The piece was a finalist for the 2004 Pulitzer Prize for Music.{{cite web |title=Paul Moravec Wins Pulitzer Prize For Tempest Fantasy |work=NewMusicBox |date=April 5, 2004 |url=http://www.newmusicbox.org/articles/Paul-Moravec-Wins-Pulitzer-Prize-for-Tempest-Fantasy/ |accessdate=February 16, 2016}}
Composition
Cello Counterpoint has a duration of roughly 11 minutes and is composed in three movements:
- Fast
- Slow
- Fast
The composition is scored for eight cellos and can either be performed by a solo cello, with the seven other parts played on a pre-recorded tape, or by a cello octet. In the score program notes, Reich described the piece as one of the most difficult he had ever written, noting "extremely tight, fast moving rhythmic relationships not commonly found in the cello literature."
Reception
Reviewing a recording of the Cello Counterpoint, Ivan Moody of Gramophone wrote, "Beiser manages to make the eight parts sound very often as though they were one gigantic humming, strumming instrument, and while at times Reich's contrapuntal chugging seems a little worthy, there's no doubt that this is a work of real substance (and one that must be extremely effective heard live)."{{cite web |last=Moody |first=Ivan |title=Reich Cello Counterpoint; You Are (Variations): Reich ponders existence in a forceful new work |work=Gramophone |date=October 2005 |url=http://www.gramophone.co.uk/review/reich-cello-counterpoint-you-are-variations |accessdate=February 16, 2016}} The work was similarly praised by Allan Kozinn of The New York Times.{{cite web |last=Kozinn |first=Allan |author-link=Allan Kozinn |title=Works of Then and Now, Celebrating Steve Reich |work=The New York Times |date=October 24, 2006 |url=https://www.nytimes.com/2006/10/24/arts/music/24reic.html |accessdate=February 16, 2016}}
References
{{Reflist|30em}}
{{Steve Reich}}
{{PulitzerPrize Music Finalists 2001–2010}}
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