Centuripe ware

The vessels are large, measuring about {{convert|50|cm|0|abbr=on}} in height on average. They are composed of separately made segments of orange clay, typically assembled as a single piece, so that lids cannot be lifted. Conversely other pieces, especially of the lekanis shape, are made in several pieces, making them equally impractical for use. Ornamental motifs, dominated by acanthus garlands and architectural friezes, as well as heads and busts, are modelled in three dimensions, usually by moulding, and applied to the surfaces. These probably reflect metalwork, now very rarely surviving, as well as architecture.[http://www.metmuseum.org/toah/works-of-art/30.11.4a-c/ Terracotta lekanis (dish) with lid and finial], Metropolitan Museum of Art The Morgantina treasure, found nearby and now returned from New York to Italy, includes good examples of comparable raised decoration in metal from the 3rd century.

File:Sizilianische Lekanis der Centuripe-Gattung, Hetjens-Museum Düsseldorf (DerHexer).JPG]]

The paintings were only applied on one side, entirely using tempera paints applied after all firing. This is a significant difference from most other Greek vase-painting,Von Bothner although some later vases had added some painting after firing as well as the traditional fired ceramic painting,Sparkes, 101 and Greek terracotta figurines were often painted in this way. The colours tend to be pastel shades, which can include white, pink, black, blue, yellow, red, gold, rarely also green. Pink, magenta, or red backgrounds are typical. As well as a main scene with a few figures, the ornamental zones are at least partly painted, and elements might be gilded.Stone, 137–138; Sparkes, 101; Stansbury-O'Donnell In the main scene, outlines were drawn in black after firing, a white ground applied within the areas to be fully painted, which allowed the lines still to be seen, and finally tempera paints applied.Stone, 137

The repertoire of figural subjects is limited virtually entirely to women, erotes and weddings. The few exceptions include scenes from the theatre and gods, mostly Dionysos. The painting can be sophisticated, with highlights modelling the forms and faces in three-quarters view, and the class is important for adding indirectly to our information about Hellenistic panel and wall painting, whose style the vases clearly drew upon.Stansbury-O'Donnell; Von Bothner; Mertens The vases have themselves been described as "vases that want to be wall-paintings".Hurwit, 15 The condition in which the paintings have survived varies, with those excavated at Morgantina in very poor condition.Stone, 137–138 An example in the Metropolitan Museum of Art, showing a wedding, is in very good condition, and often chosen to represent the class.Stansbury-O'Donnell; Von Bothner; Mertens; [http://www.metmuseum.org/toah/works-of-art/53.11.5/ Metropolitan Museum, New York page]; for a vase in poor condition, see the British Museum's [https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=463419&partId=1&place=34788&plaA=34788-2-11&page=1 best example]

With tempera painting, and small pieces of clay ornament projecting from the body, they were far too fragile for any regular use, and it is thought they were either made as grave goods, or given as gifts to the bride on the occasion of a wedding, then kept as display pieces in the home, before being buried with their owners. They may also have been buried with unmarried women.Stansbury-O'Donnell; Stone, 138; Von Bothner; Mertens Some are also found at temples, and were presumably votive gifts.Stone, 138 The Dionysic scenes apparently relate to the Dionysian Mysteries, which were growing in importance in this period, in a form offering the hope of rebirth in the afterlife.

File:Lekanis - Museo Civico Sutermeister.JPG, with parts reconstructed.]]

The Metropolitan also has a 3rd-century lebes gamikos, a type of vase used as a wedding gift; this has a very basic form, and is painted with a female head.[http://www.metmuseum.org/art/collection/search/251547 "Terracotta lebes gamikos (jar associated with weddings) with lid"], Metropolitan object page. Indiana University Art Museum has a plaque painted with a woman's head in a similar technique.[http://www.indiana.edu/~iuam/online_modules/colors/objects.php?p=37 Centuripe plaque] Centuripe was apparently also a centre of production of terracotta figurines, and has sometimes been called the Tanagra of Sicily.

The finds from Centuripe itself have all apparently come from graves, though most earlier finds were illicitly excavated and so lacked proper archaeological provenances.Stone, 132 Conversely, at Morgantina the finds are from temple sanctuaries (for female goddesses), with some fragments from houses.Stone, 132, 138

Broad stylistic considerations always dated them to the 3rd and 2nd centuries BC. There has been considerable debate as to whether the undoubted 3rd-century production continued into the 2nd century. Late 20th-century thinking was that it did not,Von Bothner; by and large – Wintermeyer had thought it did. but newly published excavation work suggests that it did.Wilson, 97–98; Stone, 136 Especially if this is the case, Centuripe wares come right at the end of significant figurative painting in the long tradition of the pottery of Ancient Greece.Hurwit, 15

File:DSC00372 - Vaso centuripino -280-220 a.C.- - Foto G. Dall'Orto1.jpg|Centuripe vase in Palermo, 280–220 BC

File:DSC00375 - Vaso centuripino -280-220 a.C.- - Foto G. Dall'Orto1.jpg|Another vase in Palermo

File:Met, greek from centuripe, terracotta lekanis with lid and finial, 2nd half of 03rd century BC.JPG|Lekanis with lid and finial, 2nd half of 3rd century BC

{{Reflist|30em}}

• Cooke, Tim, The New Cultural Atlas of the Greek World, 2010, Marshall Cavendish, {{ISBN|0761478787}}, 9780761478782, [https://books.google.com/books?id=yqUAPUC0CA0C&pg=PA156 google books]
• Hurwit, Jeffrey M., "Greek Vases" in Patricia C. Powell (ed), Ancient Etruscan and Greek Vases in the Elvehjem Museum of Art, 2000, Chazen Museum of Art, {{ISBN|093290047X}}, 9780932900470, [https://books.google.com/books?id=ethwfhnR9SMC&pg=PA15 Google books]
• Mertens, Joan R., Greece and Rome, pp. 66–67, 1987, Metropolitan Museum of Art, New York, {{ISBN|0870994441}}, 9780870994449
• Stansbury-O'Donnell, Mark, A History of Greek Art, p. 374, 2015, John Wiley & Sons, {{ISBN|1444350145}}, 9781444350142, [https://books.google.com/books?id=DacXBgAAQBAJ&pg=PA374 google books]
• Stone, Shelley C., Morgantina Studies, Volume VI: The Hellenistic and Roman Fine Pottery, 2015, Princeton University Press, {{ISBN|1400845165}}, 9781400845163, [https://books.google.com/books?id=tWLhBQAAQBAJ&pg=PA138 google books]
• Von Bothner, Dietrich, [http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/69457 Greek vase painting], p. 67, 1987, Metropolitan Museum of Art (New York, N.Y.)
• Wilson, R.J.A., "Hellenistic Sicily, c. 270–100 BC", in The Hellenistic West: Rethinking the Ancient Mediterranean, Editors: Jonathan R. W. Prag, Josephine Crawley Quinn, 2013, Cambridge University Press, {{ISBN|1107782929}}, 9781107782921
• Rolf Hurschmann: Centuripe-Gattung, in Der Neue Pauly Vol. 2 (1997), Col. 1069

• Deussen, P.W., The Polychromatic Ceramics of Centuripe, 1983, UMI
• Wintermeyer, Ulrike, "Die polychrome Reliefkeramik aus Centuripe", Jdl 90, 1975

• Another example in the MMA, [http://www.metmuseum.org/art/collection/search/253048 a lekanis]
• [http://www.timelineauctions.com/lot/hellenistic-centuripe-wedding-urn-with-painted-figural-scene/67252/ Example on the art market in 2016], [http://www.timelineauctions.com/lot/hellenistic-centuripe-wedding-urn/71182/ and another]
• [https://www.perseus.tufts.edu/hopper/artifact;jsessionid=316D9E952527247DA8D40179794461C6?name=Toledo+1972.56a%2bb&object=Vase Example in Toledo, Ohio]

{{commons category|Centuripe ware}}

{{Greek vase painting}}

Category:Ancient Greek vase-painting styles

Category:Italian pottery