Chain (film)
{{Use American English|date=January 2025}}
{{Use mdy dates|date=November 2022}}{{Infobox film
| name = Chain
| caption =
| director = Jem Cohen
| writer = Jem Cohen
| starring = Miho Nikaido
Mira Billotte
| cinematography = Jem Cohen
| editing = Jem Cohen
Davey Frankel
| producer = Jem Cohen
Mary Jane Skalski
| studio = Antidote Films
| distributor = Gravity Hill Films
| released = {{Film date|2004|8|22|EIFF}}
| runtime = 99 minutes
| language = English
}}
Chain is a 2004 docufiction film written and directed by Jem Cohen. It follows two young women from opposite ends of the socioeconomic spectrum. One (Miho Nikaido) is a Japanese professional who has been sent by her corporation to inspect theme parks in the United States. The other (Mira Billotte) is a runaway who is squatting near a mall and works a series of dead-end jobs. The women never meet or communicate with each other, but by the end of the film, their viewpoints have become similar as their lives are both impacted by the homogenization of retail culture and infrastructure.
It has been described as a "narrative/documentary" hybrid,{{Cite web |title=Chain |url=http://www.antidotefilms.com/films/chain/press/chainpress.html |url-status=dead |archive-url=https://web.archive.org/web/20081006091856/http://www.antidotefilms.com/films/chain/press/chainpress.html |archive-date=October 6, 2008 |website=Antidote Films}}{{Cite web |last=Macfarlane |first=Steve |date=October 2014 |title=Interview with Jem Cohen |url=https://www.thewhitereview.org/feature/interview-with-jem-cohen/ |access-date=2022-11-25 |website=The White Review |language=en-US}} with Stephen Holden of The New York Times saying it "deliberately blurs the lines between fiction, documentary and cinematic essay."{{Cite news |last=Holden |first=Stephen |date=2005-09-14 |title=The Struggle to Find Life in Ordinary Landscapes |language=en-US |work=The New York Times |url=https://www.nytimes.com/2005/09/14/movies/the-struggle-to-find-life-in-ordinary-landscapes.html |access-date=2022-11-25 |issn=0362-4331}}
Plot
Tamiko, a corporate executive from Japan, is sent to the United States by her company, which is looking to enter the theme park business with a venture potentially called "Floating World". Her assignment is to compile information on American theme parks and report the findings to her bosses. Amanda, a young homeless drifter, squats in an abandoned warehouse across the street from a mall. While working a series of short-term jobs, including as a concessions worker on a sightseeing boat and as a cleaning woman at a motel, she records a video diary that she intends to send to estranged family. Amanda and Tamiko's lives and differences are contrasted. Increasingly, both women are changed by the loss of regional identity due to the similarity of retail culture worldwide.
Cast
- Miho Nikaido as Tamiko
- Mira Billotte as Amanda
- Tarik O'Regan as Currency Trader
- Rick Aquino as Piano Store Salesman
- Douglas A. Scocco as Piano Store Salesman
- Bill Stuckey as TV Announcer
- Minda Martin as Amanda's Half-Sister
- Robert C. Gibson as Motel Manager
- Anne Truitt as Woman in Car and Parking Lot
Production
Jem Cohen said the original idea behind the film was to take structures that seemed out of place in a photograph, such as billboards or franchise restaurants, and put them front and center. He commented, "We’re so surrounded by malls and logos, big-box stores and all, but they seem to take on this weird invisibility...I shot them for years, using fine-grain 16 mm film to do it more clearly. A sort of archive of nothingness."{{Cite web |last=Almereyda |first=Michael |author-link=Michael Almereyda |date=March 2005 |title=Eyes Wide Open: The Films of Jem Cohen |url=https://www.artforum.com/print/200503/eyes-wide-open-the-films-of-jem-cohen-8471 |access-date=2022-11-25 |website=Art Forum |language=en-US}}
An influence on the film was the Barbara Ehrenreich book Nickel and Dimed, which investigates the difficulties faced by low-wage workers in America.{{Cite web |date=2015-03-30 |title=Jem Cohen: the former ice-cream seller chronicling an overlooked America |url=http://www.theguardian.com/film/2015/mar/30/jem-cohen-counting-museum-hours-documentary-film |access-date=2022-11-25 |website=the Guardian |language=en}}
The fictional storyline of the two women was interwoven into the footage Cohen shot over several years at malls, hotels and office parks in Europe, the continental US, Japan, and Australia.{{Cite news |date=2005-11-15 |title='Chain' Links Documentary, Fictional Narrative |language=en |work=NPR.org |url=https://www.npr.org/templates/story/story.php?storyId=5014069 |access-date=2022-11-25}}
Release
The filmed premiered in the United Kingdom on August 22, 2004 at the Edinburgh International Film Festival.{{Cite web |last=Clark |first=George |title=Aspects of Change: The 58th Edinburgh International Film Festival |url=https://www.sensesofcinema.com/2004/festival-reports/edinburgh2004/ |access-date=2022-11-25 |website=Senses of Cinema |date=January 9, 2000 |language=en-US}} In Belgium, it premiered on October 6, 2004 at the Flanders International Film Festival. In France, it premiered at the Belfont Entrevues Film Festival on November 30, 2004. Its American debut was at the Independent Film Festival of Boston on April 23, 2005.{{Cite web |title=The Independent Film Festival of Boston - 2005 Schedule |url=http://iffboston.org/2005/2005_schedule.html |url-status=dead |archive-url=https://web.archive.org/web/20050403103623/http://iffboston.org/2005/2005_schedule.html |archive-date=2005-04-03 |access-date=2022-11-25 |website=iffboston.org}} The film was given a brief theatrical run at Manhattan's Independent Film Center.
Critical reception
On Rotten Tomatoes, Chain has an approval rating of 63% based on 8 reviews.{{Cite web |title=Chain |url=https://www.rottentomatoes.com/m/chain_2005 |access-date=2022-11-25 |website=Rotten Tomatoes}}
Ed Halter of The Village Voice called the film "a dreamlike travelogue that transforms a mundane world into something strange and new."{{Cite news |last=Halter |first=Ed |date=2005-09-13 |title=Memories of Overdevelopment |work=The Village Voice |url=http://www.villagevoice.com/film/0537%2Chalter%2C67750%2C20.html |url-status=dead |access-date=2022-11-25 |archive-url=https://web.archive.org/web/20050924150843/http://www.villagevoice.com/film/0537,halter,67750,20.html |archive-date=2005-09-24}} In his review for The New York Times, Stephen Holden wrote, "For all its bleakness, the movie, filmed in nearly a dozen states and in half a dozen countries, is not without a certain beauty. There is comfort to be found in blandness and homogeneity. And late in the film, when the camera lingers on a landscape darkening under a blood-red sunset, its evocation of human civilization at its twilight stirs up a piercing sadness." Kieron Corless of Time Out London wrote "Cohen shows how [Tamiko and Amanda] manage to map their way through this social landscape with courage and dignity, finding something worthwhile, even redemptive and beautiful, in their solitary lives."{{Cite web |last=Corless |first=Kieron |date=2005 |title=Chain Reactions |url=https://www.closeupfilmcentre.com/vertigo_magazine/volume-2-issue-8-spring-summer-2005/chain-reactions/ |access-date=2022-11-25 |website=Vertigo}}
Accolades
Jem Cohen was nominated for the Someone to Watch award at the 2005 Independent Spirit Awards.{{Cite web |title=Chain (2004) Awards & Festivals |url=https://mubi.com/films/chain/awards |access-date=2022-11-25 |website=Mubi}} At the Belfort Entrevues Film Festival, the film won the Prix Leo Scheer Award. The film also made the Ten Most Promising Films of the Year list of at the Montreal World Film Festival.
References
{{reflist}}
External links
- {{IMDb title|0421960|Chain}}
- [https://web.archive.org/web/20060510232548/http://www.antidotefilms.com/films/chain/chain.html Official site]
{{Jem Cohen}}
Category:American docudrama films
Category:American docufiction films
Category:2004 independent films