Charles Goddard (playwright)

Goddard was born November 26, 1879 in Portland, Maine to Charles W. Goddard and Rowena C. Morrill Goddard.Charles W Goddard in the Maine, U.S., Birth Records, 1715-1922, retrieved from Ancestry.com He was the youngest of seven children for his father's second marriage. His father was Postmaster for Portland and a former US District judge.{{cite news |title=Charles William Goddard |work=The Portland Daily Press |date=March 9, 1889 |location=Portland, Maine |page=4 |via = Newspapers.com}}{{cite news |title=Personal |work=The Portland Daily Press |date=March 11, 1889 |location=Portland, Maine |page=4 |via = Newspapers.com}} His grandfather Anson Morrill had been Governor of Maine, while his granduncle Lot Morrill had also been Governor, United States Senator from Maine, and Secretary of the Treasury under Ulysses S. Grant.{{cite news |title=Goddard Services To Be Today |work=Portland Press Herald |date=January 12, 1951 |location=Portland, Maine |page=2 |via = Newspapers.com}} Goddard's father died when he was nine-years-old. His mother and sisters were in Europe at the time, so his three older brothers cared for him until they returned a year later.{{cite news |title=Chat About People |work=Evening Express |date=April 26, 1890 |location=Portland, Maine |page=4 |via = Newspapers.com}} Goddard graduated from Dartmouth College in 1902, and went to work on The Boston Post in 1903.

Goddard started at a salary of $8 a week. Many years later he told an interviewer he wasn't worth that much at first, but "the editors were so tough they beat a lot of newspapering into my head in the shortest possible time".{{cite news |last=Sumner |first=C. R. |title=Author of Film Thrillers Is Part-Time Resident Here |work=Ashville Citizen-Times |date=October 24, 1948 |location=Ashville, North Carolina |page=6 |via = Newspapers.com}} Goddard himself featured in a newspaper story when he chased down a thief who had stolen his colleague's overcoat.{{cite news |title=Shots Rang Out In Exciting Chase After Fleeing Thief |work=The Boston Post |date=December 22, 1903 |location=Boston, Massachusetts |page=1 |via = Newspapers.com}} From the Post, he joined the New York American. He was an early enthusiast for motorcycles, and was ticketed by Brooklyn police in 1907 for racing one against a motorcar at 25mph on Ocean Parkway.{{cite news |title=Charged 25-Mile Speed |work=The Brooklyn Daily Times |date=May 2, 1907 |location=Brooklyn, New York |page=14 |via = Newspapers.com}}

Goddard clashed with another young fellow over a room in a Manhattan 46th Street boarding house they both claimed. This was actor Paul Dickey from Chicago. After a night arguing, they struck up a friendship.{{cite magazine |last=Goddard |first=Charles W. |date=May 1913 |title=How We Got Our First Play Over |magazine=The Writer's Magazine |location=New York, New York |publisher=The Hannis Jordan Company |publication-date=May 1913 |volume=4 |issue=4 |pages=4-6}} Dickey was impressed with the dramatic potential of a scenario Goddard had written called The Ghost Breaker.{{cite news |title=Lyceum Theater |work=Democrat and Chronicle |date=June 28, 1914 |location=Rochester, New York |page=25 |via = Newspapers.com}} They would spend several months expanding it to a four-act "melodramatic farce".{{cite book |author1=Paul Dickey |author2=Charles Goddard |title=The Ghost Breaker: A Melodramatic Farce in Four Acts |publisher=Samuel French, New York |year=1923 |page= |quote= }} They were able to sell it to Henry B. Harris in 1909,{{cite news |title=Theatrical Notes |work=The New York Times |date=April 9, 1909 |location=New York, New York |page=7 |via = NYTimes.com}} but it remained unproduced until 1913, when Maurice S. Campbell had The Ghost Breaker staged on Broadway.{{cite news |title="The Ghost Breaker" |work=New-York Tribune |date=March 4, 1913 |location=New York, New York |page=9 |via = Newspapers.com}}

Goddard and Dickey's first collaboration to be performed widely was a one-act play for vaudeville called The Man from the Sea. Dickey performed in this starting in 1910 on the Orpheum circuit.{{cite news |title=In the Stage World |work=Omaha Evening Bee |date=August 31, 1910 |location=Omaha, Nebraska |page=3 |via = Newspapers.com}} Goddard became romantically involved with Dickey's younger sister Ruth,{{cite news |title=Playwriting Under Pressure |work=The New York Times |date=November 30, 1913 |location=New York, New York |page=116 |via = NYTimes.com}} a professional violinist.U.S., Passport Applications, 1795-1925, for Ruth Dickey, retrieved from Ancestry.com They were married in Chicago, during December 1911.Ruth Dickey in the Cook County, Illinois, U.S., Marriage Index, 1871-1920, retrieved from Ancestry.com

The Ghost Breaker was a minor success, followed by an even bigger one, The Misleading Lady for the 1913-1914 Broadway season.{{cite news |title=Patagonia Methods To Tame A Woman |work=Brooklyn Daily Eagle |date=November 26, 1913 |location=Brooklyn, New York |page=7 |via = Newspapers.com}} The team of Dickey and Goddard would write three more plays that were produced for Broadway: The Last Laugh (1915), a Frankenstein parody;{{cite news |last=Darnton |first=Charles |title="Last Laugh" Is Mirthful at Moments |work=The Evening World |date=July 30, 1915 |location=New York, New York |page=6 |via = Newspapers.com}} Miss Information (1915), a commissioned vehicle for Elsie Janis;{{cite news |title=Elsie Janis Comes Back To Broadway |work=The New York Times |date=October 6, 1915 |location=New York, New York |page=11 |via = NYTimes.com}} and most successful of all, The Broken Wing (1920).{{cite news |author=Boyle |title=Falling Airplane Is Only One of Real Thrills in "The Broken Wing" |work=Daily News |date=November 30, 1920 |location=New York, New York |page=27 |via = Newspapers.com}}

With two successful Broadway plays to his reputation in 1913, Goddard found himself in a conference with William Randolph Hearst "who had the notion of making a continued moving picture". Hearst asked for "a complete outline of all the chapters by the next day." Goddard obliged and was hired to write The Perils of Pauline. Goddard said Hearst named the serial, which was a Hearst-Pathé joint venture, and was involved in plot details.{{cite news |last=Robbins |first=Charles |title=The End of Pearl White |work=The Sunday Oregonian |date=December 14, 1946 |location=Eugene, Oregon |pages=78,79 |via = Newspapers.com}}

Goddard also adapted a number of his stage works to film, and co-wrote other serials, such as The Exploits of Elaine, which has been selected for preservation in the United States National Film Registry. He said in 1948 that he never understood why The Perils of Pauline remained famous when he had so little time to put effort into writing it, while other serials which he labored over had become obscure.

From 1923 on Goddard was a staff writer for The American Weekly, a magazine insert for Sunday newspapers. His last known article for it was written in 1943, and from later interviews it appears he had retired, spending part of the year in Asheville, North Carolina and winters in Miami.

Goddard died at his home in Miami, Florida on January 11, 1951.{{cite news |title='Perils of Pauline' Author Dies Here |work=The Miami News |date=January 11, 1951 |location=Miami, Florida |page=25 |via = Newspapers.com}} He was unmarried at the time and survived by his sisters.{{cite news |title=Perils of Pauline Author Dies |work=Kennebec Journal |date=January 12, 1951 |location=Kennebec, Maine |page=5 |via = Newspapers.com}} Obituaries put out by the United Press (UP) and Associated Press (AP) wire services mentioned only his movie serials and journalism. More extensive obituaries were published by Maine newspapers. Goddard was interred in Evergreen Cemetery in Portland, Maine.

A reporter for a Rochester, New York newspaper, writing from the standpoint of those who grew up watching the serials, contrasted the death of the unknown Goddard with that a day earlier of the celebrated Sinclair Lewis. "Somehow we can't recall the name of the principal character of Main Street, but we remember exactly what happened to the villain in the 13th installment of The Hooded Terror."{{cite news |title=Buzz Saws and Heroes |work=Democrat and Chronicle |date=January 13, 1951 |location=Rochester, New York |page=10 |via = Newspapers.com}}

• The Ghost Breaker (1909) - Written with Paul Dickey, from a story by Goddard.
• The Man From the Sea (1910) - One-act play for vaudeville, written with Paul Dickey.
• The Misleading Lady (1913) - Written with Paul Dickey.
• The Last Laugh (1915) - Written with Paul Dickey.
• Miss Information (1915) - Written with Paul Dickey.
• The Broken Wing (1920) - Written with Paul Dickey.
• The Rainbow Bridge (1921) - Not produced, written with Paul Dickey.{{cite news |title=Theatre Notes |work=The Brooklyn Daily Times |date=February 10, 1921 |location=Brooklyn, New York |page=4 |via = Newspapers.com}}
• The Great Light (1921) - Not produced, written with Paul Dickey.{{cite news |title=The Three Arts |work=The Evening Sun |date=August 3, 1921 |location=Baltimore, Maryland |page=4 |via = Newspapers.com}}

• The Perils of Pauline (1914)
• The Exploits of Elaine (1914)
• The Ghost Breaker (1914)
• The New Adventures of J. Rufus Wallingford (1915)
• The Goddess (1915)
• Hearts of Three (1916; later novelized by Jack London)
• The Misleading Lady (1916)
• The Mysteries of Myra (1916)
• The Hidden Hand (1917)
• Patria (1917)
• The Lightning Raider (1919)
• The Hope Diamond Mystery (1921)
• The Broken Wing (1932)

{{reflist}}

• {{IMDb name|id=0323766|name=Charles W. Goddard}}
• {{Gutenberg author |id=1928| name=Charles Goddard}}
• {{Internet Archive author |name=Charles William Goddard}}
• {{Librivox author |id=1764}}

{{The Ghost Breaker}}

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Category:1879 births

Category:1951 deaths

Category:20th-century American dramatists and playwrights

Category:American male screenwriters

Category:Writers from Portland, Maine

Category:Burials at Evergreen Cemetery (Portland, Maine)

Category:American male dramatists and playwrights

Category:20th-century American male writers

Category:Screenwriters from Maine

Category:20th-century American screenwriters