Chaturbhuj Doshi

Chaturbhuj Anandji Doshi was born in Kathiawar, Gujarat, British India. He was educated at the University of Bombay, and after graduation he started work as a journalist for a daily, Hindustan (1926), working for editor Indulal Yagnik. His entry into films was working as a scenarist in the silent era for directors like Jayant Desai, Nandlal Jaswantlal, and Nanubhai Vakil. He joined Ranjit Movietone in 1929, and wrote stories and screenplay for several of Ranjit films.{{cite book|author=Sanjit Narwekar|title=Directory of Indian film-makers and films|url=https://books.google.com/books?id=UYUjAQAAIAAJ|accessdate=25 August 2015|year=1994|publisher=Flicks Books|page=94|chapter=Doshi, Chaturbhuj Anandji|isbn=9780948911408}}

Gorakh Aya (Gorakh has come) in 1938, was the first film directed by Doshi. It was produced by Ranjit Movietone with screenplay by Gunvantrai Acharya and dialogues by P. L. Santoshi. The music, termed "good" was composed by Gyan Dutt. Baburao Patel's review in the September 1938 issue was favourable to the director "Directed by a man who enjoys a good reputation as a journalist… Mr. Chaturbhuj Doshi has given an excellent account of himself as a director considering that this is his very first effort", claiming it to be the "best picture coming out during the year from the Ranjit Studio".

The Secretary in 1938, was a "riotous comedy", starring Madhuri as a rich heiress in love with her secretary played by Trilok Kapoor. Charlie played the third angle causing friction, and was described as the "mainstay" of the film. The music was composed by Gyan Dutt, who became a regular in most of the films directed by Doshi.

Musafir in 1940 was a comedy costume drama, which had Charlie playing a prince who on his return finds his kingdom in disarray. Baburao Patel commended his acting in Filmindia, calling him "versatile" and "inimitable".{{cite book|author=Sanjit Narwekar|title=Eena Meena Deeka: The Story of Hindi Film Comedy|chapter-url=https://books.google.com/books?id=KbSbAwAAQBAJ&pg=PT64|accessdate=25 August 2015|date=12 December 2012|publisher=Rupa Publications|isbn=978-81-291-2625-2|page=23|chapter=3-The Indian Charlie}}

Bhakta Surdas, a devotional film directed by Doshi in 1942, is stated to be the "most famous" of the several versions made. It starred K. L. Saigal and Khursheed "the singing idol(s) of millions", winning "unprecedented popularity" everywhere.{{cite book|author1=Rachel Dwyer|author2=Senior Lecturer in Indian Studies Rachel Dwyer|title=Filming the Gods: Religion and Indian Cinema|chapter-url=https://books.google.com/books?id=ZsKR1RKoJKUC&pg=PA87|accessdate=25 August 2015|date=27 September 2006|publisher=Routledge|isbn=978-1-134-38070-1|pages=87–|chapter=The Devotional Film-note 55, 56}}

Maheman (1942) starred Madhuri, Ishwarlal, Shamim and Mubarak. Music director Bulo C. Rani had come to Bombay in 1942, and joined Ranjit Studios assisting Khemchand Prakash in music direction. Prakash gave him a song to sing in Mehman, "Rootha Pyar Mein", which was "appreciated" and became a "popular number".{{cite book|author=Ashok Damodar Ranade|title=Hindi Film Song: Music Beyond Boundaries|url=https://books.google.com/books?id=ZI1wqkWsIjYC&pg=PA226|accessdate=25 August 2015|date=1 January 2006|publisher=Bibliophile South Asia|isbn=978-81-85002-64-4|pages=226–}}

Doshi helped enormously in the development of the Gujarati cinema. During 1948-49 he directed three successful Gujarati films which "brought immense success to the industry". The success of the Gujarati film Kariyavar in 1948, directed by Chaturbhuj Doshi from a story by Shayda, called Vanzari Vaav, helped establish the Gujarati film industry along with other films like Vadilona Vanke (1948) by Ramchandra Thakur and Gadano Bel (1950) by Ratibhai Punatar.{{cite book|author=P.Ram|title=Life in India: Culture|chapter-url=https://books.google.com/books?id=OjT4BQAAQBAJ&pg=PA161|accessdate=25 August 2015|date=1 December 2014|publisher=Ponram P|pages=161–|chapter=Gujarati cinema|id=GGKEY:43NZKK4BRBF}} His next Gujarati film was Jesal Toral (1948) based on folklore, which proved a big box-office success.{{cite book|author=Smt. Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra|title=Gujarat|url=https://books.google.com/books?id=g4oMAQAAMAAJ|accessdate=25 August 2015|year=2007|publisher=Gujarat Vishvakosh Trust}} In 1949, Doshi directed another Gujarati film, Vevishal, an adaptation of Meghani's novel of the same name.{{cite book|author1=K. Moti Gokulsing|author2=Wimal Dissanayake|title=Routledge Handbook of Indian Cinemas|url=https://books.google.com/books?id=djUFmlFbzFkC&pg=PA468|accessdate=25 August 2015|date=17 April 2013|publisher=Routledge|isbn=978-1-136-77284-9|pages=468–}}

He also wrote stories, and one of his stories Pati Bhakti was used in the Tamil film En Kanawar (1948) produced by Ajit Pictures, which starred the Veena maestro, S. Balachander, who was also the debut director and music composer for the film.{{cite book|author=Vikram Sampath|title=Voice of the Veena S Balachander|chapter-url=https://books.google.com/books?id=ocCeAwAAQBAJ&pg=PT52|accessdate=25 August 2015|publisher=Rupa Publications|isbn=978-81-291-3379-3|pages=52–|chapter=3 Celluloid Magic}}

Chaturbhuj Doshi died on 21 January 1969 in Bombay, Maharashtra, India.

List:{{cite web|title=Chaturbhuj Doshi|url=http://www.citwf.com/detailPerson.asp?personID=490708&sortOn=YEAR&sortBy=UP|website=citwf.com|publisher=Alan Goble|accessdate=25 August 2015}}{{cite web|title=Chaturbhuj Doshi|url=http://muvyz.com/people/nm775775|website=muvyz.com|publisher=Muvyz, Ltd.|accessdate=25 August 2015}}

{{Reflist|30em}}

• {{IMDb name|id=0234389}}

{{authority control}}

{{DEFAULTSORT:Chaturbhuj Doshi}}

Category:1894 births

Category:1969 deaths

Category:Film directors from Mumbai

Category:Indian male screenwriters

Category:Film directors from Gujarat

Category:Hindi-language film directors

Category:Gujarati writers

Category:20th-century Indian screenwriters

Category:20th-century Indian male writers