Chris Harrison (photographer)

Harrison grew up in Jarrow, England and attended Valley View Junior School.{{cite journal|last1=Mitchison|first1=Amanda|title=Anatomy of a Classroom|journal=The Independent Magazine|date=8 August 1992|pages=34–39|publisher=Independent Print Ltd.|location=London}} He left school at 15 when he became an apprentice fitter at Swan Hunter shipyard.

In 1985, he took up photography and in June 1990, Harrison graduated alongside Simon Starling and Nick Waplington with an honours degree in photographic studies from Trent Polytechnic, Nottingham.

It was also at this time that Harrison served in The Light Infantry (7th Durham Battalion) and qualified as a sniper.{{cite book|author1=Dr. Catherine Moriarty.|title=Sites of memory: war memorials at the end of the 20th century.|date=1997|publisher=The Imperial War Museum|location=London|isbn=187-0423461}}{{cite journal|last1=Kerr|first1=Joe|title=War & Peace|journal=Blueprint|date=November 1998|issue=155|pages=40–42|publisher=Aspen Publishing|location=London|issn=0268-4926}}{{cite journal|author1=Val Williams|author-link=Val Williams|title=Salford Knights|journal=The Guardian Weekend|date=18 June 1994|pages=26–31|publisher=The Guardian News and Media|location=London}}{{cite journal|author1=Mark Little|title=Whatever Happened to Audra Patterson?|journal=Creative Camera|date=1992|issue=318|pages=44–45|issn=0011-0876}}

In 1991, Harrison was awarded a Northern Arts Production Award to make the work "Whatever Happened to Audra Patterson?"The series is reproduced [https://www.chrisharrison.no/audrapatterson here] within Harrison's site.{{cite book|last1=Harrison|first1=Chris|editor1-last=Williams|editor1-first=Val|title=Under the Hood|date=1994|publisher=Viewpoint Gallery|location=Salford|isbn=090-1952311|edition=1st}}{{cite journal|author1=Jack Lithgow|title=Whatever Happened to Audra Patterson?|journal=Iron Magazine|date=1992|issue=67|pages=38–41|publisher=Iron Press|location=Newcastle|issn=0140-7597}}{{cite book|author1=Stefano Benni|title=Fanny & Darko, Il mestiere di crescere.|date=1997|publisher=Edizione Gabriele Mazzotta|location=Milan|isbn=8820212234|pages=117–126|edition=1st|language=Italian, English}}

Taking as his starting point his own Valley View Junior school class photo from 1978, Harrison located all but one of his former classmates and photographed them. Audra Patterson, who had hidden behind another pupil in the class photo was never found, thus giving rise to the title. Consisting of twenty-nine large scale colour portraits, the work has "the formal appearance of portraiture but the conceptual stance of documentary", and has been described as countering the tradition of grainy black and white romanticism of the working class. This work has been seen as "using documentary photography as a tool of history" and in which "there is certainly an implicit political critique…one which operates to disperse the accumulated romantic baggage which surrounds North-Eastern photography." The work was shown at the Zone Photographic Gallery Newcastle in 1992{{cite book|editor1-last=Bright|editor1-first=Susan|editor2-last=Williams|editor2-first=Val|title=How We Are: Photographing Britain from the 1840s to the Present.|date=2007|publisher=Tate Publishing|location=London|isbn=9781854377142|pages=6, 173, 214|edition=1st}} and featured in the Independent Magazine.

In the spring of 1993, after Simon Grennan (Kartoon Kings) had seen "Whatever happened to Audra Patterson?" in the Independent magazine, Harrison was commissioned by the Viewpoint Gallery, Salford to make the work "Under the Hood".The series is reproduced [http://chrisharrison.no/#/personal/16 here] within Harrison's site. Working closely with a group of young men on the Pendleton Estate in Salford, Harrison used the conventions of Renaissance portraiture to show a different side of young men who were seen as dangerous and marginal. The autobiographical nature of Harrison's work is apparent. When talking about the young men he photographed Harrison stated "The only thing that separates me from them is luck…I photograph to find out about myself, to find out where I'm coming from"{{cite journal|author1=Val Williams|title=Stories of the Self|journal=Art Press|date=November 1994|issue=196|pages=34–39|location=Paris|language=French, English|issn=0245-5676}}

Described by Val Williams as "one of the few photo series to emerge from the new British colour documentary which neither satirised nor objectified a group in society, which saw itself as marginalised, bound into, and emerging from, a culture of poverty and lack of opportunity." "Under the Hood" was later shown at the 1998 Rencontres d'Arles photography festival, Arles, France. As part of the group show "Les Anglais vus par les Anglais" (trans. How the English see the English).

In 1995, Photoworks commissioned Harrison to undertake the first in a series of Country Life commissions in the English town of Petworth. The resulting work, Noblesse ObligeThe series is reproduced [http://chrisharrison.no/#/personal/1 here] within Harrison's site. was put on permanent display in Leconfield Hall.

In 1995, Harrison began his long-term project, "Sites of Memory"The series is reproduced [http://chrisharrison.no/#/personal/19 here] within Harrison's site. consisting of panoramic colour photographs of World War I memorials. The images serve to interrogate the place of memory in the contemporary landscape,{{cite book|author1=Rainer Rother|title=Der Weltkrieg 1914–1918 Ereignis und Erinnerung|date=2004|publisher=Deutsches Historisches Museum|location=Berlin|isbn=3861021293|pages=350–353|edition=1st|language=German}} By using a large format panoramic camera and a slow shutter speed Harrison shows the viewer the memorials in isolation as opposed to how we normally see them, i.e. in passing. This emphasises the act of looking and "the result is to give objects we hardly ever examine an ironic splendour." "Sites of Memory" has continued to be exhibited extensively most notably, the Imperial War Museum, London, Deutsches Historisches Museum, Berlin.{{cite journal|author1=David Brett|title=War Memorials|journal=Source, Ireland's Photographic Review|date=Winter 1999|issue=21|pages=44–49|url=http://www.source.ie/archive/issue21/is21contents.php|publisher=Photo Works North}}{{cite book|author1=Peter Neill|title=For Evermore: Fading Evidence of the Great War|date=2000|publisher=Gallery of Photography|location=Dublin|isbn=0952674173|pages=9–10 28–31|edition=1st}} and in 2007 "Sites of Memory" was exhibited at the Tate Britain, London as part of an extensive survey of British Photography curated by Val Williams and Susan Bright, "How we are: Photographing Britain from the 1840s to the Present".{{cite journal|author1=Billy Bragg|author-link=Billy Bragg|title=The view from here|journal=The Observer|date=29 April 2007|url=https://www.theguardian.com/arts/gallery/2007/apr/26/photography?picture=329794527?picture=329794527|publisher=Guardian Media Group Ltd.}}

In 1997, Harrison was awarded a scholarship to attend the Royal College of Art and studied alongside Clare Strand, Anne Hardy, Bettina von Zwehl, Sophy Rickett, Gareth McConnell and Alison Jackson

In 2001, Harrison moved to Oslo, Norway with his family and is a lecturer at {{Interlanguage link multi|Bilder Nordic School of Photography|no}}.{{cite web|title=Faculty Profiles: Chris Harrison|url=http://www.bildernordic.no/project-view/chris-harrison/|website=Bilder Nordic School of Photography|accessdate=9 April 2015|location=Oslo, Norway|language=Norwegian}}{{cite web|title=Interview with Chris Harrison.|url=http://www.beyondwords.co.uk/t/ChrisHarrisonInterview|website=Beyond words|accessdate=12 April 2015}}

In 2012, Harrison published his first monograph,"I Belong Jarrow"The series is [http://chrisharrison.no/#/personal/27 reproduced] within Harrison's site. about his hometown, Jarrow, England. In this, Harrison considers an understanding of the north and its place in photographic culture through memory and personal history. "I Belong Jarrow" consists of large format urban landscapes mixed with "an anarchic mixture of jokes, observations, and personal histories, he takes us to the heart of his own Jarra, and leaves us there to make of it what we will."

Photographs from the series "I belong Jarrow" have been exhibited in England and Europe, including the MACRO Testaccio, Rome.{{cite book|author1=Marc Prüst|title=Motherland, Fotografia Festival Internazionale di Roma. X Edizione|date=2011|publisher=Quodlibet|location=Rome|isbn=9788874624102|pages=67–69|edition=1st|language=Italian}} and the Sunderland Museum and Winter Gardens, Sunderland, England.{{cite web|author1=Chris Harrison|title=I Belong Jarrow|url=http://www.thesocialnepn.co.uk/portfolio/chris-harrison-i-belong-jarrow/|website=The Social: Encountering Photography|publisher=North East Photography Network|accessdate=8 April 2015}}

In 2012, Harrison was awarded the 16th Bradford Fellowship at the National Media Museum, Bradford, England. The Fellowship enabled mid-career photographers to develop their professional practice. Previous recipients included Paul Graham, David Hurn, Donovan Wylie and Sarah Jones.{{cite web|title=Copper Horses by Chris Harrison|url=https://www.scienceandmediamuseum.org.uk/what-was-on/copper-horses-chris-harrison|website=National Science and Media Museum.|accessdate=1 May 2020}}{{cite journal|last1=Ruddle|first1=Patricia Ann|title=I Belong Jarrow|journal=The Royal Photographic Society Journal|date=Spring 2014|pages=5–10|location=London|issn=0959-6704}}{{cite journal|last1=Rhodes|first1=Helen|title=I Belong Jarrow|journal=Image|date=February 2013|issue=422|pages=35–39|location=London|issn=1361-2050}}{{cite web|title=I Belong Jarrow|url=https://vervephoto.wordpress.com/2013/03/04/chris-harrison/|website=Verve Photo: The New Breed of Documentary Photographers.|accessdate=12 April 2015|date=4 March 2013}} For the one year Fellowship Harrison photographed the boring machine his father had operated throughout his working life.{{cite web|title=Introducing Copper Horses by Chris Harrison|url=https://blog.scienceandmediamuseum.org.uk/copper-horses-chris-harrison/|accessdate=1 May 2020|date=2 November 2013}} "The result is a complex visual metaphor for his thoughts and feelings about his relationship with his father and the many people who work hard to make ends meet in British industry".{{cite web|last1=Liddy|first1=Brian|title=Hidden in plain sight: Backdrops and drapery in photography|url=https://blog.scienceandmediamuseum.org.uk/backdrops-and-drapery-in-photography/|website=National Science and Media Museum blog|publisher=National Science and Media Museum|accessdate=1 May 2020}}

The work, titled "Copper Horses"The series is reproduced [http://chrisharrison.no/#/personal/28 here] within Harrison's site. was exhibited at the National Media Museum in 2013. The title of the exhibition derives from the name given to a copper component for electrical substation produced by the workers in Jarrow.{{cite web|title=Copper Horses|url=http://www.professionalphotographer.co.uk/News-and-Reviews/2013/8/New-exhibition-by-Chris-Harrison-marks-the-end-of-16th-Bradford-Fellow|website=Professional Photographer|publisher=Archant Specialist Limited|accessdate=12 April 2015|location=Norwich|date=30 August 2013}}

For the exhibition Copper Horses, Harrison produced a set of images which show some of his father's Tools and possessions (a set of Dominoes a Micrometer, a photograph of him when he was 16 and a champion swimmer) and the dismantled parts of the machine (Vertical and Horizontal boring machine) he operated, from the age of 15 years until retirement.

• I Belong Jarrow. Amsterdam: Schilt Publishing, 2012. {{ISBN|978-9053307809}}. With an essay by Val Williams
• Sites of memory: war memorials at the end of the 20th century. London: The Imperial War Museum, 1997. {{ISBN|187-0423461}}. With an essay by Dr. Catherine Moriarty.
• Noblesse Oblige, The residents and interiors of the Somerset Hospital. Maidstone: Photoworks, 1996. {{ISBN|095-1742701}}. With an essay by Peter Jerrome.
• Under the Hood. Salford: Viewpoint Gallery, 1994. {{ISBN|090-1952311}}. With an essay by Val Williams.

• Art from Contemporary Conflict. London: The Imperial War Museum, 2015. {{ISBN|978-1-904897-743}}. Edited by Sara Bevan.
• Motherland, Fotografia Festival Internazionale di Roma. X Edizione, Rome: Quodlibet, 2011. {{ISBN|978-8874624102}} With an essay by Marc Prüst.
• How We Are: Photographing Britain from the 1840s to the Present. London: Tate Publishing, 2007. {{ISBN|978-1854377142}}. Edited by Val Williams and Susan Bright.
• Markus Brendmoe Paintings etc. Oslo, Galleri Brandstrup, 2007. {{ISBN|978-82-994352-2-2}}. With an essay by Kristin Ellefsen.
• Der Weltkrieg Ereignis und Erinnerung 1914–1918. Berlin: Deutsches Historisches Museum, 2004. {{ISBN|386-1021293}}. With an essay by Rainer Rother.
• For Evermore, Dublin: Gallery of Photography. 2000. {{ISBN|095-2674173}}. With an essay by Peter Neill.
• Un Nouveau Paysage Humain, Rencontres Internationales de la Photographie. Arles. Arles: Actes Sud, 1998. {{ISBN|274-2717803}}. With an essay by Gabriel Bauret.
• Fanny & Darko, Il mestiere di crescere. Milan, Edizione Gabriele Mazzotta, 1997. {{ISBN|882-0212234}}. With an essay by Stefano Benni.

• Whatever Happened to Audra Patterson? Zone Gallery, Newcastle, England. 1992.
• Under the Hood. Viewpoint Photography Gallery, Salford, England. 1994.
• Noblesse Oblige. Leaconfield Hall, Petworth, England. 1996.
• Sites of Memory: war memorials at the end of the 20th century. The Imperial War Museum London, England. 1997.
• I Belong Jarrow. PUG, Oslo, Norway. 2012.{{cite web|title=Chris Harrison, I Belong Jarrow.|url=https://www.lensculture.com/articles/chris-harrison-i-belong-jarrow|website=LensCulture|accessdate=12 April 2015}}
• Copper Horses. The National Media Museum, Bradford, England. 2013.
• Sites of Memory II. Wolverhampton Art Gallery, Wolverhampton, England. 2018.{{cite web |title=Wolverhampton Arts & Culture |url=http://www.wolverhamptonart.org.uk/whats-on/sites-of-memory-ii/ |website=Wolverhampton Art Gallery |accessdate=14 January 2019}}

• Fanny & Darko, The Art of Growing Up. curated by Carlo Roberti. Works by, Donna Ferrato, Lauren Greenfield, Philip Jones Griffiths, Chris Harrison, Jouko Lehtola, Sally Mann, Andrea Modica, Paolo Pellegrin. Maylight Festival. Palazzo del Podestà, Bologna, Italy. 1997.
• Les Anglais vus par les Anglais. curated by Gabriel Bauret. Works by, Anna Fox, Julian Germain, Chris Harrison, Anthony Haughey, Sarah Jones, Gordon MacDonald, Patrick McCoy, Daniel Meadows, Mark Power, Paul Reas, Paul Seawright, Hannah Starkey, Clare Strand, Nick Waplington, Donovan Wylie. Rencontres d'Arles, Arles, France. 1998.
• Face Value – Contemporary British Photo Portraits. curated by Brett Rogers. Works by, Toby Glanville, Chris Harrison, Gabriella Sancisi, Hannah Starkey, Clare Strand. British Council Gallery, Hong Kong, China. 1998.{{cite web|title=Face Value – Contemporary British Photo Portraits|url=http://visualarts.britishcouncil.org/exhibitions/exhibition/face-value-contemporary-british-photo-portraits-1998|website=British Council Collection|accessdate=18 April 2015}}
• For Evermore. curated by Peter Neill. Works by, J.S. Cartier, Peter Cattrell, David Keith, Chris Harrison. Gallery of Photography, Dublin, Ireland. 2000.
• Der Weltkrieg 1914 – 1918, Ereignis und Erinnerung. curated by Rainer Rother. Works by (Selection), Otto Dix, Chris Harrison, Johannes Matthaeus Koelz, Käthe Kollwitz, Paul Nash, William Orpen. Deutsches Historisches Museum, Berlin, Germany. 2004.
• How we are: Photographing Britain from the 1840s to the Present. curated by Susan Bright & Val Williams. Works by, (Selection) William Henry Fox Talbot, Julia Margaret Cameron, Roger Fenton, Robert Howlett, Alvin Langdon Coburn, Cecil Beaton, Bill Brandt, Bert Hardy, Madame Yevonde, David Bailey, David Hurn, Roger Mayne, Tony Ray Jones, Jane Bown, John Davies, Anna Fox, Paul Graham, Chris Killip, Daniel Meadows, Martin Parr, Paul Reas, Paul Seawright, Homer Sykes, Tom Wood, Jason Evans, Chris Harrison, Tom Hunter, Simon Norfolk, Sarah Pickering, Nigel Shafran, Jem Southam, Clare Strand. Tate Britain, London, England. 2007.
• Motherland. curated by Marco Delogu. Works by (Selection), Julian Germain, Chris Harrison, Rob Hornstra, Rinko Kawauchi, Katharine MacDaid, Rania Matar, Tod Papageorge, Anders Petersen, Nigel Shafran, Alec Soth, Guy Tillim, Paolo Ventura. Fotografia Festival Internazionale di Roma. X Edizione, MACRO Testaccio, Rome, Italy. 2011.
• You Are The Company in Which You Keep. curated by Amanda Ritson & Carol McKay. Works by (Selection), Craig Ames, Melanie Friend, Gilbert & George, Julian Germain, Paul Graham, Chris Harrison, Daniel Meadows, Martin Parr, Simon Roberts, Jo Spence, John Stezaker, Homer Sykes. Sunderland Museum and Winter Gardens, Sunderland, England. 2013.{{cite web|title=You Are The Company in Which You Keep|url=http://www.thesocialnepn.co.uk/portfolio/you-are-the-company-in-which-you-keep/|website=The Social: Encountering Photography.|accessdate=18 April 2015}}
• Catalyst: Contemporary Art and War curated by IWM North. Works by (Selection), Paul Seawright, Peter Kennard, Cat Picton Phillipps, Chris Harrison, Willie Doherty, Ori Gersht, Steve McQueen, Edmund Clark. The Imperial War Museum North, Manchester, England. 2013.{{cite book|last1=Bevan|first1=Sara|title=Art from Contemporary Conflict|date=2015|publisher=The Imperial War Museum|location=London|isbn=978-1-904897-743|pages=20|edition=1st|url=http://www.iwm.org.uk/sites/default/files/learning_resource/e-catalogue.pdf|accessdate=April 1, 2015}}{{Use dmy dates|date=June 2017}}

• The Victoria & Albert Museum, London, UK.{{cite web|title=The Collections|url=https://collections.vam.ac.uk/item/O1348659/little-tony-photograph-harrison-chris/|website=The Victoria & Albert Museum|accessdate=13 February 2018}}
• The National Media Museum Photography Collection, Bradford, UK.{{cite web|title=The Bradford Fellowship|url=http://www.nationalmediamuseum.org.uk/PlanAVisit/exhibitions/CopperHorses/BradfordFellowship.aspx|website=The National Media Museum|accessdate=12 April 2015}}
• The Imperial War Museum, London, UK.{{cite web|title=The Imperial War Museum, Collections|url=http://www.iwm.org.uk/collections/search?query=chris%20harrison|website=The Imperial War Museum.|accessdate=12 April 2015}}
• The British Council, UK.{{cite web|title=British Council Visual Art Collection|url=http://visualarts.britishcouncil.org/collection/search-9/search/artist:chris-harrison|website=The British Council|accessdate=12 April 2015}}
• Wolverhampton Art Gallery, Wolverhampton, UK.

{{Reflist}}

{{cite web|title=The Victoria and Albert Museum|url=https://collections.vam.ac.uk/item/O1348659/little-tony-photograph-harrison-chris/|website=The Collections|accessdate=13 February 2018}}

• [http://www.chrisharrison.no/ Official website]
• [https://www.youtube.com/watch?v=gN6V_viksy8&list=PLBACGBbr1vZXtn_x_pYM1El86XispvOLn&index=1/ Video interview with Harrison on Copper Horses. p.1]
• [https://www.youtube.com/watch?v=WyGr3vJ2x4o&index=2&list=PLBACGBbr1vZXtn_x_pYM1El86XispvOLn/ Video interview with Harrison on Copper Horses. p.2]
• [https://www.youtube.com/watch?v=5uzFMOXFtKU&list=PLBACGBbr1vZXtn_x_pYM1El86XispvOLn&index=3/ Video interview with Harrison on Copper Horses. p.3]
• [http://mediaspacelondon.tumblr.com/post/83707610811/why-i-like-this-by-chris-harrison-clap-your-hands/ Essay by Harrison.]
• [http://schiltpublishing.tumblr.com/post/74183874513/ Essay by Harrison.]

{{Authority control}}

{{DEFAULTSORT:Harrison, Chris}}

Category:Living people

Category:Alumni of the Royal College of Art

Category:People from Jarrow

Category:Photography academics

Category:Photographers from County Durham

Category:1967 births

Category:Social documentary photographers

Category:British documentary photographers

Category:Alumni of Nottingham Trent University