Claddagh ring

{{short description|Traditional Irish ring}}

{{EngvarB|date=October 2013}}

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Image:Claddaghring.jpg

A Claddagh ring ({{langx|ga|fáinne an Chladaigh}}) is a traditional Irish ring with three primary features: a heart to represent love, a crown to represent loyalty, and two clasped hands which symbolise friendship.George Frederick Kunz (1911). [https://archive.org/details/ringsforfingerf00kunzgoog Rings for the Finger: From the Earliest Known Times, to the Present, with Full Descriptions of the Origin, Early Making, Materials, the Archaeology, History, for Affection, for Love, for Engagement, for Wedding, Commemorative, Mourning, Etc.] Philadelphia; London: J. B. Lippincott Co.William Jones (1877). [https://archive.org/details/fingerringlorehi00jonerich Finger Ring Lore: Historical, Legendary, Anecdotal]. London: Chatto and Windus. {{oclc|181875403}}. The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century.Shane Dawson (1994). "Galway Goldsmiths, Their Marks and Ware". Journal of the Galway Archaeological and Historical Society. {{JSTOR|25535635}}. 46:43–64. Claddagh rings have been used as engagement and wedding rings in medieval and Renaissance Europe. The oldest surviving examples of the Claddagh ring have been forged by Bartholomew Fallon.

Description

The Claddagh ring belongs to a group of European finger rings called fede rings.Scarisbrick and Henig, Finger Rings, Oxford: Ashmolean Museum, 2003{{cite journal |author=Delamer |first=Ida |year=1996 |title=The Claddagh Ring |journal=Irish Arts Review |volume=12 |pages=181–187 |jstor=20492901}} The name derives from the Italian phrase {{lang|it|mani in fede}} ("hands [joined] in faith" or "hands [joined] in loyalty"). This group dates to Ancient Rome, where the gesture of clasping hands meant pledging vows. Cut or cast in bezels, they were used as engagement and wedding rings in medieval and Renaissance Europe to signify "plighted troth".Aubrey, John, Miscellanies, London, 1696: "I have seen some Rings made for sweet-hearts, with a Heart enamelled held between two right hands."

In recent years, it has been embellished with interlace designs and combined with other Celtic and Irish symbols, corresponding with its popularity as an emblem of Irish identity.Stephen Walker (2013) The Modern History of Celtic Jewellery: 1840-1980, Walker Metalsmiths {{ISBN|9780615805290}}.

Origins

Galway has produced Claddagh rings continuously since at least 1700, but the name "Claddagh ring" was not used before the 1830s.[http://places.galwaylibrary.ie/history/chapter265.html A freely available but incomplete copy of Delamer's article, The Claddagh Ring (1996), without pictures].Pearsall, Judy [ed.]. (2004) "Claddagh Ring" in The Concise Oxford Dictionary, Oxford University Press. Although there are various myths and legends around the origin of the Claddagh ring, it is almost certain that it originated in or close to the small fishing village of Claddagh in Galway.

As an example of a maker, Bartholomew Fallon was a 17th-century Irish goldsmith, based in Galway, who made Claddagh rings until circa 1700. His name first appears in the will of one Dominick Martin, also a jeweller, dated 26 January 1676, in which Martin willed Fallon some of his tools. Fallon continued working as a goldsmith until 1700. His are among the oldest surviving examples of the Claddagh ring, in many cases bearing his signature.Adrian James Martyn. (2001) The Tribes of Galway, p. 60.

There are many legends about the origins of the ring, particularly concerning Richard Joyce, a silversmith from Galway circa 1700, who is said to have invented the Claddagh design.George Quinn. (1970) [http://places.galwaylibrary.ie/history/chapter267.html The Claddagh Ring], The Mantle, 13:9–13. Legend has it that Joyce was captured and enslaved by Algerian Corsairs around 1675 while on a passage to the West Indies; he was sold into slavery to a Moorish goldsmith who taught him the craft. King William III sent an ambassador to Algeria to demand the release of any and all British subjects who were enslaved in that country, which at the time would have included Richard Joyce. After fourteen years, Joyce was released and returned to Galway and brought along with him the ring he had fashioned while in captivity: what we've come to know as the Claddagh. He gave the ring to his sweetheart, married, and became a goldsmith with "considerable success".James Hardiman (1820), The History of the Town and County of the Town of Galway, {{cite web |url=http://claddagh.com/library/joyes.htm |title=Extracts from the History of the Town and County of the Town of Galway |access-date=2013-09-26 |url-status=dead |archive-url=https://web.archive.org/web/20131003022908/http://claddagh.com/library/joyes.htm |archive-date=3 October 2013 }} His initials are in one of the earliest surviving Claddagh rings,{{cite web|url=http://weldons.ie/rare-claddagh-ring-by-richard-joyce/|title=Richard Joyce Claddagh Ring|date=11 May 2011 |publisher=JW Weldon of Dublin}} but there are three other rings also made around that time bearing the mark of goldsmith Thomas Meade.

The Victorian antiquarian Sir William Jones described the Claddagh, and gives Chambers' Book of DaysRobert Chambers. (1863) Book of Days: A Miscellany of Popular Antiquities. as the source, in his book Finger-Ring Lore. Jones says: {{blockquote|The clasped hands [style ring]... are... still the fashion, and in constant use in [the]... community [of] Claddugh {{sic}} at [County] Galway.... [They] rarely [intermarry] with others than their own people.}}

An account written in 1906 by William Dillon, a Galway jeweller, claimed that the "Claddagh" ring was worn in the Aran Isles, Connemara and beyond.William Dillon. (1906) Journal of the Galway Archaeological and Historical Society, 5. Knowledge of the ring and its customs spread within Ireland and Britain during the Victorian period, and this is when its name became established. Galway jewellers began to market it beyond the local area in the 19th century.{{cite web|url=http://www.claddaghring.ie/content/8-historical-letters|title=Letters to Dillon's of Galway|publisher=Thomas Dillon's Claddagh Gold Museum}} Further recognition came in the 20th century.{{cite journal

|author= McCrum, Elizabeth

|title= Irish Victorian Jewellery

|jstor=20491715

|year=1985

|journal=Irish Arts Review

|volume=2

|issue=1

|pages=18–21}}

Usage and symbolism

The Claddagh's distinctive design features two hands clasping a heart and usually surmounted by a crown. These elements symbolize the qualities of love (the heart), friendship (the hands), and loyalty (the crown). A "Fenian" Claddagh ring, without a crown, is a slightly different take on the design but has not achieved the level of popularity of the crowned version. Claddagh rings are relatively popular among the Irish and those of Irish heritage, such as Irish Americans,Paddy Sammon. (2002) {{usurped|1=[https://web.archive.org/web/20061016112002/http://www.greenspeak.info/book/examples/claddagh.ring.php Greenspeak: Ireland in Her Own Words]}}, Town House Press, Dublin, Ireland. {{ISBN|1-86059-144-2}}. as cultural symbols and as friendship, engagement, and wedding rings.

While Claddagh rings are sometimes used as friendship rings, they are most commonly used as engagement and wedding rings. Mothers sometimes give these rings to their daughters when they come of age. Several mottos and wishes are associated with the ring, such as: "Let love and friendship reign."Jo O'Donoghue and Sean McMahon (2004) Brewer's Dictionary of Irish Phrase and Fable In Ireland, the United States, Canada, and other parts of the Irish diaspora, the Claddagh is sometimes handed down mother-to-eldest daughter or grandmother-to-granddaughter.Patricia McAdoo. (2005) Claddagh: The Tale of the Ring: A Galway Tale, Galway Online. {{ISBN|9780955165207}}.

class="wikitable floatright"

|+ Relationship status

! !! Left hand !! right hand

Heart pointing in

| Married || In a relationship

Heart pointing out

| Engaged || Single

According to Irish author Colin Murphy, a Claddagh ring is traditionally worn to convey the wearer's relationship status:Colin Murphy and Donal O'Dea. (2006) The Feckin' Book of Everything Irish, Barnes & Nobles, New York, NY, p. 126. {{ISBN|0-7607-8219-9}}

  1. On the right hand with the point of the heart toward the fingertips: the wearer is single and might be looking for love.
  2. On the right hand with the point of the heart toward the wrist: the wearer is in a relationship; someone "has captured their heart"
  3. On the left ring finger with the point of the heart toward the fingertips: the wearer is engaged.
  4. On the left ring finger with the point of the heart toward the wrist: the wearer is married.

In both Ireland and the Irish diaspora, other localized variations and oral traditions involve the hand and the finger on which the Claddagh is worn. Folklore about the ring is relatively recent, not ancient, with the lore about them almost wholly based in oral tradition; there is "very little native Irish writing about the ring", hence, the difficulty today in finding any scholarly or non-commercial source that explains the traditional ways of wearing the ring.Seán McMahon. (2005) Story of the Claddagh Ring, Mercier Press, Cork, Ireland.

Modern usage

The Claddagh ring can be seen on the fingers of political figures, Hollywood icons, and literary figures. American presidents John F. Kennedy, Ronald Reagan and Bill Clinton have worn the Claddagh ring. Kennedy and his wife received theirs on a trip to Galway in 1963. Reagan and Clinton both received the rings as a gift from Ireland. Royalty, such as Queen Victoria, King Edward VII, and Queen Alexandria, were seen wearing the Claddagh ring after 1849 when they traveled to Ireland. After visiting Ireland with his wife, Walt Disney was seen wearing the Claddagh ring. It is also apparent on the Partners Statue in Disney World. His ring was facing outward on the statue, although he was married.{{Cite web |title=Famous Claddagh Rings |url=https://www.thecladdagh.com |website=Claddagh Jewellers From Galway with Love.}}

The ring can be found on actors such as Maureen O'Hara and John Wayne, who received their rings during the movie "The Quiet Man". Peter O'Toole and Daniel Day-Lewis were frequently seen wearing the Claddagh ring, as well as Mia Farrow and Gabriel Byrne. Jim Morrison and Patricia Kennealy completed their Celtic wedding with Claddagh rings. Brothers Liam Gallagher and Noel Gallagher of English rock band Oasis (band) are of Irish heritage and have worn matching Claddagh rings over the years.{{Cite web |title=Noel & Liam Gallagher - GQ - February 1998

| date=February 1998 |url=https://oasisinterviews.blogspot.com/1998/02/noel-liam-gallagher-gq-february-1998.html?m=1}}

In the television show Buffy the Vampire Slayer, the Claddagh ring is seen when Angel presents the ring to Buffy as a birthday present.{{Cite journal |last=Potts |first=Donna |date=2003-01-01 |title=Convents, Claddagh Rings, and Even The Book of Kells: Representing the Irish in Buffy the Vampire Slayer |url=https://www.academia.edu/399241 |journal=SIMILE: Studies in Media & Information Literacy …}}

See also

{{Portal|Ireland}}

  • {{Annotated link |Ecclesiastical ring}}
  • {{Annotated link |Engagement ring}}
  • {{Annotated link |Luckenbooth brooch}}
  • {{Annotated link |Pre-engagement ring}}
  • {{Annotated link |Wedding ring}}

References

{{Reflist}}