Compressed air gramophone#Chronomégaphone

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File:Gaumont1902.jpg

Compressed air gramophones were gramophones which employed compressed air and a pneumatic amplifier to amplify the recorded sound.

One of the earliest versions was the {{visible anchor|Auxetophone}}, designed by the Anglo-Irish engineer Sir Charles Parsons.{{cite book | last = Reiss | first = Eric | title = The compleat talking machine: a collector's guide to antique phonographs | publisher = Sonoran Pub | location = Chandler, Ariz | year = 2007 | isbn = 978-1886606227 | page = 217 }}{{cite web|url=http://psuasa.org/more-defunct-technology-the-auxetophone/|archive-url=https://web.archive.org/web/20130130045802/http://psuasa.org/more-defunct-technology-the-auxetophone/|url-status=dead|archive-date=30 January 2013|title=More Defunct Technology: The Auxetophone|author=Pi|publisher=PSU ASA: The Penn State Chapter of the Acoustical Society of America|accessdate=2012-07-31|df=dmy-all}}{{cite web|url=http://www.montanaphonograph.com/gallery/Auxetophone.html|title=1906 Victor Auxetophone|publisher=Montana Phonograph Company|accessdate=2012-07-31}} It was capable of producing sufficient volume to broadcast public music performances from the top of the Blackpool Tower, and was said to be loud enough to cause people to vacate the front rows of seats in an auditorium.http://www.douglas-self.com/MUSEUM/COMMS/auxetophone/auxetoph.htm "The Auxetophone & Other Compressed-Air Gramophones" Retrieved 19 June 2012 The Auxetophone was sold in the United States as the Victor Auxetophone.{{cite web|url=http://www.montanaphonograph.com/gallery/Auxetophone.html|title=1906 Victor Auxetophone|publisher=Montana Phonograph Company|accessdate=2012-07-31}}

Pneumatic Amplifier

A {{visible anchor|pneumatic amplifier}} was realised by using a sensitive valve, which required little force to operate, to modulate the flow of a stream of compressed air. The basic principle of the valves used in these devices was to pass the stream of compressed air through two partially overlapping combs. The sound vibrations to be amplified were applied to one of the combs, causing it to move laterally in relation to the other comb, varying the degree of overlap and so altering the flow of compressed air in sympathy with the sound vibrations.

The {{visible anchor|Chronomégaphone}}, designed for large halls, was a compressed air gramophone which employed compressed air to amplify the recorded sound.Wierzbicki (2009), p. 74; "Representative Kinematograph Shows" (1907).[http://www.aqpl43.dsl.pipex.com/MUSEUM/COMMS/auxetophone/auxetoph.htm The Auxetophone and Other Compressed-Air Gramophones] {{Webarchive|url=https://web.archive.org/web/20100918210354/http://www.aqpl43.dsl.pipex.com/MUSEUM/COMMS/auxetophone/auxetoph.htm |date=18 September 2010 }} explains pneumatic amplification and includes several detailed photographs of Gaumont's Elgéphone, which was apparently a slightly later and more elaborate version of the Chronomégaphone. It was used by Gaumont for the presentation of some of their early sound films.{{cite web|url=http://www.theasc.com/ac_magazine/July2011/DVDPlayback/page2.php|title=Gaumont Treasures, Vol. 2 (1908-1916)|publisher=American Society of Cinematographers|author=Jon D. Witmer|accessdate=2012-07-31}}

Other compressed-air gramophones included the Elgéphone.{{cite web|url=http://filmlexikon.uni-kiel.de/index.php?action=lexikon&tag=det&id=5834|title=Lexikon der Filmbegriffe: Auxetophon|publisher=Christian-Albrechts-Universität zu Kiel|date=2 March 2012|accessdate=2012-07-31}} (in German)

References

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