Con brio (Widmann)

{{Short description|Concert overture by Jörg Widmann}}

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{{Infobox musical composition

| name = Con brio

| type = Concert overture

| composer = Jörg Widmann

| image = Jörg Widmann (cropped).jpg

| alt =

| caption = The composer in 2006

| translation =

| native_name =

| native_name_lang =

| key =

| catalogue =

| opus =

| genre =

| period = Contemporary

| form =

| text =

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| composed = 2008

| performed =

| published = {{Timeline-event|date={{Start date|2008}}|location=Mainz}}

| publisher = Schott Music

| movements =

| scoring =

| first_recording = {{Start date|2008|09|25|df=y}}

| misc =

| duration = {{Duration|m=12}}

| premiere_date = {{Start date|2008|09|25|df=y}}

| premiere_location = Gasteig, Munich

| premiere_conductor = Mariss Jansons

| premiere_performers = Bavarian Radio Symphony Orchestra

}}

Con brio is a concert overture by Jörg Widmann influenced by Beethoven. It is a commission by the Bayerischer Rundfunk.

History

Mariss Jansons said that the new piece should be performed along with a pure Beethoven program.{{Cite web |last=Kaiser |first=Sybille |date=16 November 2015 |title=Ein Gespräch mit Jörg Widmann über sein Orchesterwerk "Con brio" |url=https://www.br-klassik.de/themen/klassik-entdecken/widmann-interview-con-brio-100.html |access-date=12 August 2018 |website=br-klassik.de |location=Munich |language=German}} The overture was composed in 2008. It was written in a "mad hurry".

Music

Widmann refers to musical characteristics of Beethoven’s 7th and 8th Symphonies.{{Cite news |last=Badelt |first=Udo |date=29 June 2016 |title=Beethoven und sein Klangschatten |language=German |work=Der Tagesspiegel |location=Berlin |url=https://www.tagesspiegel.de/kultur/andrs-schiff-zu-gast-bei-der-staatskapelle-beethoven-und-sein-klangschatten/13801056.html |access-date=12 August 2018}} There are no exact quotations from the symphonies, but he has chosen the same instrumentation.{{Cite news |last=Tommasini |first=Anthony |date=14 January 2011 |title=Beethoven's Varied Descendants |work=The New York Times |location=New York City |url=https://www.nytimes.com/2011/01/15/arts/music/15phil.html |access-date=18 August 2017}}{{Cite news |last=Allen |first=David |date=20 March 2020 |title=A Composer Finds the Old in the New |work=The New York Times |location=New York City |url=https://www.nytimes.com/2020/03/20/arts/music/jorg-widmann-carnei.html |access-date=20 March 2020}} According to Widmann, it is an exercise in fury and rhythmic insistence.{{Cite web |date=2008 |title=Con brio |url=https://en.schott-music.com/shop/con-brio-no235622.html |access-date=12 August 2018 |website=Schott Music |location=Mainz |ismn=979-0-001-18691-9}} Fragmented motifs are fired between orchestra groups.{{cite web | title=Helsinki Philharmonic Orchestra – Arcana.fm | website=Arcana.fm | date=9 August 2024 | url=https://arcana.fm/tag/helsinki-philharmonic-orchestra/ | access-date=10 August 2024}}

{{block indent|

\relative c' { \set Staff.midiInstrument = #"violin"

\tempo "Più mosso sub." 4 = 152

\key c \major

\time 4/4

\tuplet 3/2 { a8->-. a-. a-. }

\tuplet 3/2 { c8( a) a-. } r2

}

}}

:Motif I

{{block indent|

\relative c'' { \set Staff.midiInstrument = #"violin"

\tempo 4 = 152

\key c \major

\time 2/4

r4

\tuplet 3/2 { c8( d es) }

\tuplet 3/2 { e8( d cis) } b4--

}

}}

:Motif II

In a very small space, a sonata form is presented before the recurring material is arranged into a scherzo.{{Cite encyclopedia |title=Jörg Widmann |encyclopedia=KDG Online |publisher=Komponisten der Gegenwart |last=Besthorn |first=Florian Henri |date=2019}} The overture is run through with Beethovenian riffs, flourishes and humor and is like a deconstruction of Beethoven. The piece, full of extended techniques, has a cut-and-paste structure. The timpani are in the focus from the beginning of the overture.

The metronome markings are deliberately selected at a fast speed. The score contains six dense pages of written instructions.

Instrumentation

The concert overture is scored for a Beethoven sized orchestra, with 2 flutes (both doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings.

Performances

Con brio was premiered by the Bavarian Radio Symphony Orchestra conducted by Mariss Jansons on 25 September 2008 in Munich, Gasteig, Philharmonie.

Recordings

  • Con brio (with Beethoven: Symphony No. 7 & 8), Mariss Jansons, Bavarian Radio Symphony Orchestra (BR-Klassik 2015) {{OCLC|1017093816}}

Reception

Anthony Tommasini from The New York Times wrote: "effective as a warm-up". David Allen from The New York Times wrote: "One of the most performed orchestral works written this century".

References

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