Constance Collier

Born Laura Constance Hardie in Windsor, Berkshire to Auguste Cheetham Hardie and Eliza Georgina Collier, Constance Collier made her stage debut at the age of three, when she played Fairy Peasblossom in A Midsummer Night's Dream. In 1893, at the age of 15, she joined the Gaiety Girls, the famous dance troupe based at the Gaiety Theatre in London.Great Stars of the American Stage by Daniel C. Blum Profile #47 c.1952(this 2nd edition c.1954) In 1905, Collier married English actor Julian Boyle (stage name Julian L'Estrange).{{Cite book|last=Gale|first=Maggie B.|url=https://doi.org/10.1093/odnb/9780198614128.013.67797|title=Collier, Constance [real name Laura Constance Hardie; married name Boyle] (1878–1955), actress|date=14 June 2018|publisher=Oxford University Press|series=Oxford Dictionary of National Biography|doi=10.1093/odnb/9780198614128.013.67797}}

She was known to be very tall with a big personality. On 27 December 1906, Sir Herbert Beerbohm Tree's extravagant revival of Antony and Cleopatra opened at His Majesty's Theatre, with Tree as Mark Antony and Collier as Cleopatra.{{cite web |author=IAN PAYNE says |url=http://collectorspost.com/Constance.htm |title=Constance Collier (1878–1955) – 6. Actors from the Golden Age of the Theatre |publisher=Collectorspost.com |accessdate=17 February 2014 |archive-url=https://web.archive.org/web/20100407154324/http://www.collectorspost.com/constance.htm |archive-date=7 April 2010 |url-status=dead }}

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| caption1 = Collier in Antony and Cleopatra (1906)

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| caption2 = Collier as Nancy in Oliver Twist at New Amsterdam Theatre (1912)

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Famed for his realistic productions, Tree and his designer, Percy Macquoid, dressed Collier in elaborate costumes. Later, Collier commented: "There is only a mention in the play of Cleopatra appearing as the goddess Isis. Tree elaborated this into a great tableau... Cleopatra, robed in silver, crowned in silver, carrying a golden scepter and the symbol of the sacred golden calf in her hand, went in procession through the streets of Alexandria, the ragged, screaming populace acclaiming the Queen, half in hate, half in superstitious fear and joy as she made her sacrilegious ascent to her high throne in the market-place."

At this point, Collier was an established actress. In January 1908, she starred with Beerbohm Tree at His Majesty's Theatre in J. Comyn's new play The Mystery of Edwin Drood, based on Charles Dickens's unfinished novel of the same name. Later that year, she made the first of several tours of the United States. During the second, made with Beerbohm Tree in 1916, she made four silent films, including an uncredited appearance in D. W. Griffith's Intolerance (she can be seen being carried through the entrance to the city in the Babylonian part of the film) and as Lady Macbeth in Tree's disastrous first film interpretation of Shakespeare's Macbeth.

In 1918, her husband died from influenza while they were in New York. Following his death she returned to England. No children were born from the marriage.

In the early 1920s, she established a close friendship with the actor Ivor Novello. They both appeared in the silent film "The Bohemian Girl" in 1922 with Gladys Cooper and Ellen Terry. They wrote together under the pen name "James Lestrange". Around the same time, Collier became seriously ill from diabetes and treatment proved expensive. She was sent to Switzerland for treatment in 1923 then taken to a doctor in Strasbourg. She was the first patient in Europe ever to be treated with the drug insulin following its recent discovery by Frederick Banting and others in Toronto.{{Cite web|url=https://insulin.library.utoronto.ca/islandora/object/insulin%3AC10107|title=Miss Collier's recovery|last=University of Toronto Libraries|date=1923|website=University of Toronto Libraries}}{{Cite web|url=https://insulin.library.utoronto.ca/islandora/object/insulin%3AC10106|title=Actress' amazing cure|last=University of Toronto Libraries|date=1923}} Fully recovered, she played the Duchesse de Surennes in Somerset Maugham's comedy Our Betters, and in the following year, collaborated with Ivor Novello on a play called The Rat. She also appeared in several plays with him, including the British version of the American play, The Firebrand by Edwin Justus Mayer. In 1924, Collier introduced Novello to the poet Siegfried Sassoon, with whom she had a six-month affair. While Sassoon destroyed his diary for this period, his unhappiness over their relationship became well-known, and according to his biographer Jean Moorcroft Wilson, it 'pitched him into [what he referred to as] an "unblinking hell"'.{{cite book |last1=Moorcroft Wilson |first1=Jean |title=Siegfried Sassoon : the journey from the trenches : a biography, 1918–1967 |date=2003 |publisher=Routledge |location=London |isbn=0-7156-2971-9 |page=152 |edition=1st}}

Collier's writing career is notable for her collaboration with Deems Taylor on the libretto of the opera Peter Ibbetson, which was premiered at the Metropolitan Opera in February 1931 and which received mixed reviews. In 1935, upon her arrival in Hollywood, Luise Rainer hired Collier to improve Rainer's theatre acting and English, and to learn the basics of film acting.

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| caption1 = Collier with C. Aubrey Smith in Little Lord Fauntleroy (1936)

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| caption2 = Collier in Alfred Hitchcock's Rope (1948)

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In the late 1920s Collier relocated to Hollywood where she became a voice coach and teacher in diction. This was during the tumultuous changeover from silent films to sound and many silent actors with no theatre training were scrambling for lessons.

Her most famous pupil was arguably Colleen Moore, which was documented in an interview by film historian Kevin Brownlow for the series Hollywood (1980) about the silent film era. Collier nevertheless maintained ties to Broadway and appeared in several plays in the 1930s.

In 1932 Collier starred as Carlotta Vance in the original production of George S. Kaufman and Edna Ferber's comedy Dinner at Eight. The role was played in the 1933 film version by Marie Dressler.

She appeared in the films Stage Door (1937), Mitchell Leisen's Kitty (1945, a comedic performance as Lady Susan, the drunken aunt of Ray Milland), Perils of Pauline with Betty Hutton, Alfred Hitchcock's Rope (1948) and Otto Preminger's Whirlpool (1949).

During the making of the film version of Stage Door, she became great friends with Katharine Hepburn, a friendship that lasted the rest of Collier's life.

Collier was presented with the American Shakespeare Festival Theatre Award for distinguished service in training and guiding actors in Shakespearean roles. Collier was a drama coach for many famous actors, including Audrey Hepburn, Vivien Leigh and Marilyn Monroe.{{Citation|publisher = Morrow|isbn = 0688162886|location = New York|title = The last days of Marilyn Monroe|author = Wolfe, Donald H.|date = 1998|id = 0688162886|page=108|ol = 374690M}} She coached Katharine Hepburn during Hepburn's world tour performing Shakespeare in the 1950s. Upon Collier's death in 1955, Hepburn "inherited" Collier's secretary Phyllis Wilbourn, who remained with Hepburn as her secretary for 40 years.

Collier has a star on the Hollywood Walk of Fame.

Collier died of a heart attack in Manhattan on 25 April 1955 at the age of 77.{{Cite news|title=Constance Collier, Ex-Actress, Dies|author=Associated Press|date=26 April 1955|work=Binghamton Press|pages=25|quote=New York – (AP) — Constance Collier, former actress who had played many roles in the theatre world both on and off the stage, died yesterday after a heart attack at the age of 77.|id={{ProQuest|2044951881}}}}

Silent

Sound

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Met Opera archives with quotes from various music critics on the premier of Peter Ibettson

• Harlequinade: The Story of My Life, John Lane The Bodley Head (1929)

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• {{IMDb name|id=0171887}}
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• [https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&keywords=constance+collier Constance Collier] photo gallery at NYP Library
• [http://www.npg.org.uk/collections/search/portrait-list.php?search=sp&OConly=true&sText=constance%20collier Constance Collier] picture gallery as a young woman at National Portrait Gallery, England
• [https://www.flickr.com/photos/44841559@N03/7995192325/in/set-72157624553117657 Collier in 1898 aged 20 on Philip Morris cigarette package]
• [https://web.archive.org/web/20160424152806/http://shakespeare.emory.edu/actordisplay.cfm?actorid=34 Julian L'Estrange] husband of Constance Collier (Wayback Machine)
• [http://digitalcollections.lib.washington.edu/cdm/search/collection/sayre/searchterm/constance%20collier/field/all/mode/all/conn/and/cosuppress/ Constance Collier portrait gallery] University of Washington Sayre Collection
• [http://picasaweb.google.com/117089293238261970588/LondonManchesterLondonAirRace#5433596725863511634 Collier goes for a ride in a pioneer airplane; during 1914 London-to-Manchester-to-London Air Race]...the plane is a Maurice Farman Longhorn

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Category:1878 births

Category:1955 deaths

Category:19th-century English actresses

Category:20th-century English actresses

Category:English acting coaches

Category:English film actresses

Category:English opera librettists

Category:English silent film actresses

Category:English stage actresses

Category:English tax resisters

Category:English emigrants to the United States

Category:Actresses from Windsor, Berkshire

Category:Women opera librettists