Daniel Ho

{{Use mdy dates|date=September 2020}}

{{for|the law professor|Daniel E. Ho}}

{{Infobox musical artist

| name = Daniel Ho

| image = Daniel Ho 2015.jpg

| image_size =

| landscape =

| caption = Daniel Ho performing in 2015

| birth_name =

| birth_date = {{Birth date and age|1968|03|05}}

| birth_place = Kaimuki, Hawaiʻi

| genre = Hawaiian

| occupation = Musician, singer-songwriter, record producer, composer, arranger, audio engineer, clinician

| instrument = Guitar, ukulele

| years_active =

| label =

| associated_acts = Kilauea, Tia Carrere, George Kahumoku, Jr., Tak Matsumoto, Pepe Romero

| website = {{URL|www.danielho.com}}

}}

Daniel Ho (born March 5, 1968) is an American musician, composer and producer specializing in innovative approaches to slack-key guitar, ukulele, and Hawaiian music. He has recorded 18 solo albums, some of which have won or were nominated for Grammy Awards, and has produced over 50 albums.

Biography

File:Daniel Ho and George Kahumoku Jr.jpg at the Slack Key Guitar Festival at Expo 2000 in Hannover, Germany]]

Of Chinese heritage, Ho was born in Kaimuki on Oahu, and currently lives in Los Angeles. He attended the Grove School of Music in Los Angeles, where he studied composition before returning home to attend the University of Hawaii at Manoa.{{cite web|url=http://www.booklineshawaii.com/music/profiles/danielho.html |title=Daniel Ho ~ Bio |accessdate=January 7, 2008 |url-status=dead |archiveurl=https://web.archive.org/web/20081006223406/http://www.booklineshawaii.com/music/profiles/danielho.html |archivedate=October 6, 2008 }} After graduation, Daniel returned to Los Angeles, auditioned for and became a permanent member of smooth jazz group named Kilauea.{{Cite web |last=Heckman |first=Don |date=1993-05-14 |title=Changes Still Flow for Kilauea : But the instrumental jazz ensemble remains devoted to entertaining, not alienating its audiences, says its leader, Daniel Ho. |url=https://www.latimes.com/archives/la-xpm-1993-05-14-va-35118-story.html |access-date=2023-06-14 |website=Los Angeles Times |language=en-US}}

In the late 1990s, Ho started his own record company, Daniel Ho Creations (DHC), and recorded one of his first Hawaiian music albums with slack-key guitarist George Kahumoku, Jr.{{cite web |url=http://mixonline.com/recording/projects/audio_daniel_ho/index.html |title=Daniel Ho – Hawaiian Music Moves into a New Home |date=March 1, 2007 |accessdate=January 7, 2008 |url-status=dead |archiveurl=https://web.archive.org/web/20070905100857/http://mixonline.com/recording/projects/audio_daniel_ho/index.html |archivedate=September 5, 2007 }} He has since recorded 18 solo albums, produced over 50 albums, served as a guest lecturer at Stanford University, performed as a soloist with the Honolulu Symphony, and received four Grammy Awards for Best Hawaiian Music Album as a producer. In 2009, he won his first Grammy Award for Best Hawaiian music album as an artist rather than as the producer of a compilation album, teaming up with Tia Carrere for the album {{'}}Ikena. The DHC label has also received three Grammy nominations for Hawaiiana, He Nani, and Spirit of Hawaiian Slack Key Guitar, three Na Hoku Hanohano Awards and several nominations, including the 2009 release Aloha Pumehana by Darlene Ahuna.{{cite web |url=http://www.starbulletin.com/news/20100416_Guerrero_Hookena_lead_Hoku_nominations.html |title=Guerrero, Hookena lead Hoku nominations |year=2010}}

In 2008 Ho appeared in and recorded several tracks for the film Forgetting Sarah Marshall, under the pseudonym the Coconutz. He sang on three tracks that are remakes of 20th century pop hits, translated into Hawaiian, "Nothing Compares 2 U", "Everybody Hurts", and "These Boots Are Made for Walkin'".

In 2014 Ho was featured on the March/April cover of Making Music.{{cite web|last1=Yurco|first1=Cherie|title=Daniel Ho: Hawaiian Musician Keeps the Passion in His Productions {{!}} Making Music Magazine|url=http://makingmusicmag.com/daniel-ho-hawaiian-musician/|website=Making Music Magazine|accessdate=November 4, 2016|date=March 6, 2014}}

References

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