Darkness (2002 film)

In the early 1960s, an unfinished occult ritual results in the disappearance of six young children in the Spanish countryside.

Forty years later, Mark Rua, his wife Maria, and their two children—teenage Regina, and young Paul—relocate from the United States to Mark's native Spain, settling in a large country home outside Barcelona. The family have partly relocated to be closer to Mark's father, Albert, an accomplished physician who resides in the city. Soon after the move, Mark begins to suffer from seizures due to the progression of his Huntington's disease, which also causes him to become increasingly mentally unstable.

The family's home is plagued with recurring electrical problems, resulting in power outages that further exacerbate tensions, especially between Regina, Mark, and Maria. Regina expresses worry about her father's declining medical condition, while Maria appears to be in denial about her husband's health. Meanwhile, Paul is plagued by supernatural incidents in the home, and develops a fear of the dark. Apparitions of six children watch an unknowing Regina, and on several occasions, Regina notices strange man observing the house from the road. While renovating a crawlspace under the stairs, Mark discovers a strange antique photograph of three women in sunglasses.

As Mark's symptoms worsen and he begins to mentally deteriorate and lash out, Regina begins investigating the history of the house with the help of Carlos, a young swimming teacher she has begun casually dating. The two track the home's history to Villalobos, the architect who designed the house, and whom Regina has seen watching it from the distance. They discover that the home was constructed for a supernatural ritual requiring the sacrifice of seven children (each sacrificed by "hands that love them") to coincide with an eclipse that only occurs every forty years. With the next eclipse quickly approaching, and now armed with the knowledge that the earlier occult ritual needs one more death to be completed, Regina fears Paul will be the next victim.

Regina and Carlos visit her grandfather Albert to disclose their discovery, only to find that Albert is in fact a member of the cult which has been performing these satanic rituals. Albert explains that in the ritual forty years ago, there actually were seven children, the seventh child being Regina's father. Albert was unable to sacrifice his son because at the last minute after realizing that he did not love him. Now, after forty years, he has brought Mark and his family to the house with the intention of completing the ritual during this eclipse and opening a portal to hell. Regina also discovers the target is not Paul but still Mark, who is to be sacrificed by "hands that love him." As Regina laments, Albert realizes her true love for her father. He suddenly frees her to return to the house, aware that she will be able to unknowingly carry out the ritual.

Regina races back to her home to find her father in the midst of another attack, choking on pills as the eclipse begins. Maria tries to perform a tracheotomy on him, but is unable to bring herself to make the cut. In a panic, Regina does it instead, but Mark bleeds out and dies when the supernatural forces within the house hide the pen tube needed to complete the procedure. Because Regina genuinely loved her father, the ritual is successfully completed. The darkness then takes the form of Regina and Paul, convincing Maria to turn off the lights. The darkness then kills Maria, and takes the form of Regina's friend Carlos, who picks them up in his car; shortly after they leave, the real Carlos arrives at the house, and is called inside by the darkness, manifesting as Regina's voice. Carlos' doppelgänger drives Regina and Paul into a dark tunnel, implying their doom.

• Anna Paquin as Regina "Reggie" Rua
• Lena Olin as Maria Rua
• Iain Glen as Mark Rua
• Giancarlo Giannini as Albert Rua
• Fele Martínez as Carlos
• Stephan Enquist as Paul Rua
• Fermin Reixach as Villalobos
• David Martí as Man Sleeping on Bus (uncredited)

In October 2000, it was announced Filmax had sold U.S. distribution rights of Balagueró's 1999 film The Nameless and the then-unmade Darkness to Miramax Films, with Miramax's Dimension Films division slated to co-produce the latter{{cite news|url=https://variety.com/2000/film/news/dimension-nabs-horror-duo-1117788418/ |title=Dimension nabs horror duo|website=Variety|archive-date=7 June 2024|archive-url=https://web.archive.org/web/20240607183209/https://variety.com/2000/film/news/dimension-nabs-horror-duo-1117788418/|url-status=live|date=29 October 2000|last1=Bing|first1=Jonathan|last2=Hopewell|first2=John}} and provide forty percent of the budget.{{sfn|Oliveira|2022|p=150}} At that time, it was noted that the film was scheduled to shoot in Barcelona in early 2001.

Casting for Darkness took place in both Barcelona and New York City.{{sfn|Oliveira|2022|p=151}} The casting of Lena Olin and Iain Glen was announced in April 2001,{{cite web|url=https://variety.com/2001/film/news/olin-finds-a-place-in-the-darkness-1117797736/|work=Variety|title=Olin finds a place in the ‘Darkness’|last1=Hopewell|first1=John|last2=Bing|first2=Jonathan|date=24 April 2001|url-status=live|archive-url=https://archive.today/20250118083621/https://variety.com/2001/film/news/olin-finds-a-place-in-the-darkness-1117797736/|archive-date=18 January 2025}} in addition to Anna Paquin.{{cite news|work=Tampa Bay Times|url=https://www.tampabay.com/archive/2001/04/26/horror-film-set-to-begin-filming-in-barcelona/|title=Horror film set to begin filming in Barcelona|date=26 April 2001|url-status=live|archive-url=https://archive.today/20250118084155/https://www.tampabay.com/archive/2001/04/26/horror-film-set-to-begin-filming-in-barcelona/|archive-date=18 January 2025}}

Principal photography of Darkness began on 26 April 2001 in and around Barcelona,{{cite web|url=https://www.screendaily.com/paquin-olin-emerge-in-belagueros-darkness/405535.article|work=Screen Daily|title=Paquin, Olin emerge in Belaguero's Darkness|last=Green|first=Jennifer|date=24 April 2001|url-status=live|archive-url=https://archive.today/20250118083201/https://www.screendaily.com/paquin-olin-emerge-in-belagueros-darkness/405535.article|archive-date=18 January 2025}} on a budget of $10.6{{sfn|Oliveira|2022|p=150}}–$11 million. Filming was scheduled to end in late June 2001.{{cite web|url=https://elpais.com/diario/2001/04/30/catalunya/988592850_850215.html|work=El País|title=El rodaje del filme 'Darkness' abarrota de coches la Via Laietana|lang=es|date=30 April 2001|archive-url=https://web.archive.org/web/20190518022838/https://elpais.com/diario/2001/04/30/catalunya/988592850_850215.html|archive-date=18 May 2019|url-status=live}}

Director Jaume Balagueró noted that The Amityville Horror (1979) and The Shining (1980) as key influences on Darkness.{{sfn|Davies|2016|p=100}}

Darkness had its world premiere at the Sitges Film Festival on 3 October 2002.{{cite web|url=https://variety.com/2002/film/markets-festivals/sitges-to-embrace-darkness-1117870013/|work=Variety|title=Sitges to embrace 'Darkness'|date=21 July 2002|author=Variety Staff|url-status=live|archive-url=https://archive.today/20250118095449/https://variety.com/2002/film/markets-festivals/sitges-to-embrace-darkness-1117870013/|archive-date=18 January 2025}} It was then given a wide release in Spain the following week, on 11 October 2002.{{cite web|url=https://variety.com/2002/film/box-office/darkness-spooks-spain-1117874370/|work=Variety|date=15 October 2002|title='Darkness' spooks Spain|last=Hopewell|first=John|archive-url=https://archive.today/20250118095714/https://variety.com/2002/film/box-office/darkness-spooks-spain-1117874370/|archive-date=18 January 2025|url-status=live}} The film was released in a number of European countries throughout 2003, but its United States release was shelved for nearly two years.{{cite web|url=https://chicagoreader.com/film-tv/darkness/|work=Chicago Reader|title=Darkness|date=24 December 2004|archive-url=https://archive.today/20250118080313/https://chicagoreader.com/film-tv/darkness/|archive-date=18 January 2025|author=Jones, J.R.}} On 24 November 2004, Dimension Films premiered a theatrical trailer for the film online,{{cite web|url=https://www.ign.com/articles/2004/11/24/darkness-trailer|title=Darkness Trailer|date=24 November 2004|last=Linder|first=Brian|url-status=live|work=IGN|archive-url=https://archive.today/20250118083921/https://www.ign.com/articles/2004/11/24/darkness-trailer|archive-date=18 January 2025}} before launching a television advertising campaign over the following several weeks.{{cite web|work=Film Threat|last=Savada|first=Elias|date=31 December 2004|url=https://filmthreat.com/reviews/darkness/|title=Darkness|url-status=live|archive-date=18 January 2025|archive-url=https://archive.today/20250118084526/https://filmthreat.com/reviews/darkness/}} Dimension Films released the film on 25 December 2004, in a heavily censored PG-13 version.{{cite web|url=https://boxofficemojo.com/movies/?id=darkness.htm|work=Box Office Mojo|title=Darkness (2004)|access-date=18 January 2025}} It was given an even later release in the United Kingdom, in March 2005.

In North America, Buena Vista Home Entertainment released Darkness on DVD in two different editions in 2005: One consisting of the original cut then-unrated by the Motion Picture Association of America, and one in the PG-13 cut released in theaters.{{cite web|url=https://www.dvdtalk.com/reviews/review/15533|work=DVD Talk|title=Darkness|date=28 April 2005|last=Kelly|first=Daniel W.|url-status=live|archive-url=https://archive.today/20250118074540/https://www.dvdtalk.com/reviews/review/15533|archive-date=18 January 2025}}

Echo Bridge Entertainment issued the film on Blu-ray for the first time in July 2012, featuring the extended cut.{{cite web|url=https://www.blu-ray.com/movies/Darkness-Blu-ray/44824/|work=Blu-ray.com|title=Darkness Blu-ray R-rated Extended Cut|archive-date=18 January 2025|archive-url=https://archive.today/20250118074943/https://www.blu-ray.com/movies/Darkness-Blu-ray/44824/|url-status=live}} On 28 May 2024, Shout! Factory re-released the film on Blu-ray as a web store exclusive limited to 1,800 copies.{{cite web|url=https://www.blu-ray.com/movies/Darkness-Blu-ray/361758/|work=Blu-ray.com|last=Orndorf|first=Brian|date=9 June 2024|title=Darkness Blu-ray – Shout Factory Exclusive / Limited - 1,800 copies|url-status=live|archive-url=https://archive.today/20250118075153/https://www.blu-ray.com/movies/Darkness-Blu-ray/361758/|archive-date=18 January 2025}}

Despite receiving largely negative reviews and very little promotion, Darkness performed well at the box office.{{sfn|Oliveira|2022|p=150}}{{sfn|Mira|2019|p=72}} In Spain, it earned €4 million during its theatrical run.{{sfn|Oliveira|2022|p=150}} In the United States, where it was released on Christmas Day 2004 (a Saturday) in 1,718 theaters, it was the seventh-highest earner that weekend with $6.1 million (at $3,625 average per theater). The following week, it dropped to tenth-highest earner with $4.6 million. The film ultimately earned $22,163,442 in the United States, making for a total worldwide gross of $33,988,736.

Despite its commercial success, Darkness received largely unfavorable critical reviews.{{sfn|Lazaro-Reboll|2012|pages=252–253}} {{Rotten Tomatoes prose|5|2.5|56|consensus=Yet another predictable variation on the hoary old haunted-house movie, Darkness is an illogical, portentous mess.|access-date=January 19, 2025|ref=y}} {{Metacritic film prose|15|16|ref=yes|access-date=January 22, 2025}} It received an average rating of "F" on CinemaScore.{{cite web|url=http://www.pajiba.com/box_office_round-ups/the-8-films-all-time-to-receive-an-f-from-cinemascore.php|title=The 8 Films of All Time to Receive an F from CinemaScore|last=Rowles|first=Dustin|archive-url=https://archive.today/20150115122712/http://www.pajiba.com/box_office_round-ups/the-8-films-all-time-to-receive-an-f-from-cinemascore.php|archive-date=15 January 2015|url-status=live|work=Pajiba.com|date=2 December 2012}}{{Cite web |url=https://www.avclub.com/is-an-f-from-cinemascore-actually-a-good-thing-our-c-1842666687 |title=Is an "F" from CinemaScore Actually a Good Thing? Our Critics Weigh In |last1=Dowd |first1=A. A. |last2=Rife |first2=Katie |website=The A.V. Club |date=3 April 2020 |archive-url=https://archive.today/20210704122817/https://www.avclub.com/is-an-f-from-cinemascore-actually-a-good-thing-our-c-1842666687|archive-date=4 July 2021}}

The Los Angeles Times{{'}}s Kevin Thomas awarded the film one out of four stars, deeming it "trite and flat," and "too mechanical to be persuasive or scary."{{cite news|work=Los Angeles Times|url=https://www.latimes.com/archives/la-xpm-2004-dec-27-et-darkness27-story.html|title=Notice to ‘Darkness’ family: Just move out|last=Thomas|first=Kevin|author-link=Kevin Thomas (film critic)|date=27 December 2004|archive-url=https://archive.today/20250118083353/https://www.latimes.com/archives/la-xpm-2004-dec-27-et-darkness27-story.html|archive-date=18 January 2025}} Ned Martel of The New York Times noted: "Darkness, which crept into theaters nationwide on Christmas Day, tries to spook holiday revelers with a guessing game about which member of a handsome American family, relocated to Spain, will kill another. But the real mystery is why such a mangled film was not junked altogether."{{cite web|url=https://www.nytimes.com/2004/12/27/movies/a-mansion-in-spain-where-mainly-evil-reigns.html|work=The New York Times|title=A Mansion in Spain Where Mainly Evil Reigns|author=Martel, Ned|date=27 December 2004|archive-url=https://archive.today/20250118084834/https://www.nytimes.com/2004/12/27/movies/a-mansion-in-spain-where-mainly-evil-reigns.html|archive-date=18 January 2025|url-status=live}} Owen Gleiberman of Entertainment Weekly said the film is "a horror movie so vague about the nightmare it’s spinning, it seems scared of its own shadows... Darkness was clearly tossed together like salad in the editing room, since it’s little more than the sum of its unshocking shock cuts."{{cite magazine|url=http://www.ew.com/article/2005/01/05/darkness|magazine=Entertainment Weekly|author-link=Owen Gleiberman|author=Gleiberman, Owen|date=5 January 2005|archive-url=https://web.archive.org/web/20181211010119/https://ew.com/article/2005/01/05/darkness-2/|archive-date=11 December 2018|url-status=dead|title=Darkness}} David Blaylock The Village Voice also gave the film a middling review, writing: "Moments hint at a metaphoric statement on child abuse, but the film proves mainly to be a commentary on poor electrical wiring."{{cite web|title=Darkness|work=The Village Voice|date=28 December 2004|url-status=dead|url=https://www.villagevoice.com/issues/0452/blaylock.php|archive-url=https://web.archive.org/web/20041229034711/https://www.villagevoice.com/issues/0452/blaylock.php|archive-date=29 December 2004|author=Blaylock, David}} Bilge Ebiri of The New York Sun similarly noted the film as containing elements of a "a disturbing family drama," adding that it is "at its best when exploring Dad's bouts with his inner demons - but it's quickly stifled by tired attempts to jolt the audience and more narrative dead-ends.{{cite news|last=Ebiri|first=Bilge|title=Breaking Ground|work=The New York Sun|url=https://www.nysun.com/arts/breaking-ground/6769/|date=24 December 2004|archive-url=https://archive.today/20190129015845/https://www.nysun.com/arts/breaking-ground/6769/|archive-date=29 January 2019|url-status=live}}

The Guardian{{'}}s Peter Bradshaw derided the film as a poor imitation of The Shining, and awarded it a one out of five star-rating.{{cite web|work=The Guardian|url=https://www.theguardian.com/film/News_Story/Critic_Review/Guardian_review/0,,1440148,00.html|last=Bradshaw|first=Peter|date=18 March 2005|title=Darkness review|url-status=live|archive-date=18 January 2025|archive-url=https://archive.today/20250118084340/https://www.theguardian.com/film/News_Story/Critic_Review/Guardian_review/0,,1440148,00.html}} Frank Scheck of The Hollywood Reporter praised the film's cinematography, but criticized its script: "Although director Balaguero displays a talent for spooky visuals and creating an atmosphere of quietly simmering tension, his screenplay (co-written by Fernando de Felipe) is a compendium of barely connected scenes that ultimately lapse into incoherence."{{cite journal|title=Review: 'Darkness'|last=Scheck|first=Frank|author-link=Frank Scheck|date=28 December 2004|work=The Hollywood Reporter|url=https://www.hollywoodreporter.com/thr/reviews/review_display.jsp?vnu_content_id=1000742344|url-status=dead|archive-url=https://web.archive.org/web/20051031115150/https://www.hollywoodreporter.com/thr/reviews/review_display.jsp?vnu_content_id=1000742344|archive-date=31 October 2005}} Marc Savlov of The Austin Chronicle called the film "Eurotrash for the new millennium," comparing it negatively against Lucio Fulci's The Beyond (1981) and Dario Argento's Inferno (1980), summarizing: "Despite the very occasional shock...  Darkness is a god-awful mess, the kind of monstrous misfire that makes your mind ache and your teeth grind."{{cite web|url=https://www.austinchronicle.com/events/film/2004-12-25/243868/|work=The Austin Chronicle|last=Savlov|first=Marc|date=31 December 2004|url-status=live|archive-url=https://archive.today/20250118090452/https://www.austinchronicle.com/events/film/2004-12-25/243868/|archive-date=18 January 2025|title= Darkness – Movie Review}} Jennifer Green of Screen Daily conceded that the film features "cleverly crafted" and "haunting" visuals, praising the work of cinematographer Xavi Gimenez and editor Luis de la Madrid, but felt the performances were lackluster "considering the caliber of the cast."{{cite web|work=Screen Daily|title= Darkness|last=Green|first=Jennifer|date=24 October 2002|url=https://www.screendaily.com/darkness/4010949.article|url-status=live|archive-date=18 January 2025|archive-url=https://archive.today/20250118102107/https://www.screendaily.com/darkness/4010949.article}}

Michael Gingold of Fangoria gave the film a rare favorable review, noting that "the dynamics among the various family members are plausibly played out, even if specific scenes between them don’t always ring true," and concluded "It’s once he’s gotten past the exposition that Balagueró really gets cooking, and the final 10-15 minutes are full of genuine shivers. The movie’s title isn’t just a random scary moniker; the plot ultimately proves to actually hinge on darkness, and Balagueró and Gimenez’s use of light and the lack thereof is expert throughout."{{cite web|work=Fangoria|title=Review: Darkness|last=Gingold|first=Michael|author-link=Michael Gingold|date=25 December 2019|orig-date=24 December 2004|url=https://www.fangoria.com/darkness-review/|url-status=live|archive-url=https://archive.today/20250118085436/https://www.fangoria.com/darkness-review/|archive-date=18 January 2025}}

Professor Ann Davies wrote that Darkness shares similarities with the Edgar Allan Poe story The Fall of the House of Usher (1893). The breakdown of family relationships (especially the father's ancestry) are reflected in the "increasing evidence of evil" within the house.{{sfn|Davies|2016|p=104}} Davies also sees the film's representation of a haunted house as "part of a wider Gothic mode" both in Spanish cinema and beyond, which "tap into memories and reflections of traumas that are unconfined by national boundaries."{{sfn|Davies|2016|p=107}}

Some writers and critics observed that the film shares elements with H. P. Lovecraft's The Case of Charles Dexter Ward (1927), particularly the story's antagonist, Yog-Sothoth.{{sfn|Lazaro-Reboll|2012|p=252}}

• List of Spanish films of 2002
• List of films featuring eclipses

{{Reflist}}

{{ref begin|30em}}

• {{cite book |last=Davies |first=Ann |year=2016 |chapter=The Gothic House: Problematising the National Space |chapter-url=https://books.google.com/books?id=VC1WDwAAQBAJ&pg=PA84 |title=Contemporary Spanish Gothic |location=Edinburgh, Scotland |publisher=Edinburgh University Press |pages=84–110 |doi=10.1515/9781474403009-006 |isbn=978-1-474-40300-9 |jstor=10.3366/j.ctt1g0513v}}
• {{cite book|last=Lazaro-Reboll|first=Antonio|title=Spanish Horror Film|year=2012|publisher=Edinburgh University Press|location=Edinburgh, Scotland|isbn=978-0-748-67062-8}}
• {{cite book|last=Mira|first=Alberto|year=2019|title=Historical Dictionary of Spanish Cinema|publisher=Rowman & Littlefield|location=Lanham, Maryland|isbn=978-1-538-12268-6|edition=Second}}
• {{cite book|last=Muir|first=John Kenneth|year=2023|title=Horror Films of 2000-2009|publisher=McFarland|location=Jefferson, North Carolina|isbn=978-1-476-64450-9}}
• {{cite book|editor1-last=Monush|editor1-first=Barry|editor2-last=Willis|editor2-first=John|title=Screen World: 2005 Film Annual|year=2006|publisher=Applause Books|location=New York City, New York|isbn=978-1-557-83667-0}}
• {{cite book|last=Oliveira|first=Rui M. Trindade|title=Supranational Horrors: Italian and Spanish Horror Cinema since 1968|year=2022|publisher=Lexington Books|location=Lanham, Maryland|isbn=978-1-793-65435-9}}

{{ref end}}

• [https://web.archive.org/web/20100208082955/http://miramax.com/darkness/ Official US site]
• {{IMDb title|0273517}}

{{Jaume Balagueró}}

{{DEFAULTSORT:Darkness}}

Category:2000s American films

Category:2000s Spanish films

Category:2000s English-language films

Category:2002 horror films

Category:2002 films

Category:American ghost films

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Category:American supernatural horror films

Category:Castelao Producciones films

Category:Demons in film

Category:Dimension Films films

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Category:English-language Spanish films

Category:Filmax films

Category:Films about child death

Category:Films about curses

Category:Films about diseases and disorders

Category:Films about dysfunctional families

Category:Films about human sacrifice

Category:Films about lookalikes

Category:Films about physicians

Category:Films about Satanism

Category:Films directed by Jaume Balagueró

Category:Films produced by Brian Yuzna

Category:Films set in Barcelona

Category:Films set in country houses

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Category:Films with screenplays by Jaume Balagueró

Category:Religious horror films

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Category:Spanish supernatural horror films