Das Erbe

{{Infobox film

| name = Das Erbe

| image =

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| caption =

| director = Carl Hartmann

| producer = Harold Mayer

| writer = Walter Lüddeke

| narrator =

| starring =

| music =

| cinematography =

| editing =

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| released = {{Film date|1935}}

| runtime = 12 minutes

| country = Nazi Germany

| language = German

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| gross =

}}

Das Erbe ("The Inheritance")Poore (1997), p. 110 was a Nazi propaganda movie released in 1935.Zimmermann (2005), p. 214 Produced by Harold MayerBarsam (1992), p. 126 under the aegis of the Nazi party's Office of Racial Policy and directed by Carl C. Hartmann, it aimed at legitimizing the Law for the Prevention of Hereditarily Diseased Offspring ("Gesetz zur Verhütung erbkranken Nachwuchses"), which allowed for sterilization. The movie is 12 minutes long,Delage (1989), p. 233 and was shown as part of several trailers in contemporary German movie theaters.

Plot and message

The plot was written by Walter Lüddeke.Augen-Blick 22.1995, p. 80 The basic message, that only the strong and healthy are victorious, is demonstrated by fighting stag beetles commented on by a "professor",Zimmermann (2005), p. 95 These clips are watched by the character Fräulein Volkmann, a blonde young woman, who is therewith introduced to the "struggle for existence". After watching the clips, Volkmann is astonished and says to the friendly, elderly professor: "So animals actually pursue a racial policy!"Zimmermann (2005), as cited at mediaculture-online.de In the second part, the movie discusses the sorrow of the disabled and posits a relation between choice of the right partner and hereditary diseases of the offspring. The message is carried by shock clips of asylum patients and presentation of the high care cost.

Peter Zimmermann of the House of Documentary Film in Stuttgart evaluates the movie as follows:

The short movie Das Erbe (1935), which leads over from the animals' struggle for survival and natural selection to a plea for forced sterilization of the mentally ill, marks exactly the point where Social Darwinist biologism turns into Fascist racial policy providing the reasoning for the necessity of euthanasia.Zimmermann (2003), quote: "Der Kurzfilm Das Erbe (1935), der vom Existenzkampf in der Tierwelt und der Auslese der Arten zum Plädoyer für die Zwangssterilisierung Geisteskranker überleitet, bezeichnet genau den Punkt, an dem ein sozialdarwinistischer Biologismus in eine faschistische Rassenpolitik umschlägt, die die Notwendigkeit der Euthanasie argumentatorisch vorbereitet."

In addition to Das Erbe, two silent movies were produced in 1935 to propagate euthanasia in the German population, Sünden der Väter and Abseits vom Wege ("Sins of the Fathers" and "Off track").Matzek (2002), p. 277 In the subsequent years, the media campaign was completed by another sound movie, "Opfer der Vergangenheit" ("Sacrifice of the Past", 1937) and three more silent movies, "Erbkrank" ("Inherited Malady", 1936), "Alles Leben ist Kampf" ("All Life is Struggle", 1937) and "Was du ererbst" ("What You Inherit", 1939). All these movies were produced by the Office of Racial Policy, shot in the Berlin area, and shown nationwide in movie theaters, factories and at Nazi party events, and together reached an audience of twenty million per year.Poore (1997), p. 111 Together with Erbkrank and Alles Leben ist Kampf, Das Erbe reflects the spirit of the Nuremberg Laws by subordinating the people to the authority of a superior "breeder's" cost-benefit analysis.Reichert (2006), p. 53

Notes

Sources

=References=

=Bibliography=

{{cite book|last=Barsam|first=Richard Meran|title=Nonfiction film. A critical history|publisher=Indiana University Press|year=1992|series=A Midland book|volume=706|isbn=0-253-20706-1}}
{{cite book|last=Delage|first=Christian|title=La vision nazie de l'histoire. Le cinéma documentaire du Troisième Reich|publisher=L'AGE D'HOMME|year=1989|series=Histoire et théorie du cinéma|isbn=2-8251-3348-5|language=French}}
{{cite book|last=Matzek|first=Tom|title=Das Mordschloss. Auf den Spuren von NS-Verbrechen in Schloss Hartheim|publisher=Kremayr & Scheriau|year=2002|isbn=3-218-00710-0|language=German}}
{{cite book|last=Poore|first=Carol|title=Disability in twentieth-century German culture Corporealities. Discourses of Disability|year=2007|isbn=978-0-472-11595-2}}
{{cite book|last=Reichert|first=Ramón|title=Kulturfilm im "Dritten Reich"|publisher=Synema|year=2006|isbn=3-901644-14-8|language=German}}
{{cite book|last=Zimmermann|first=Peter|chapter=Zwischen Sachlichkeit, Idylle und Propaganda. Der Kulturfilm im Dritten Reich|editor1-first=Peter|editor1-last=Zimmermann|editor2-first=Kay|editor2-last=Hoffmann|title=Triumph der Bilder. Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich|series=Close Up. Schriften aus dem Haus des Dokumentarfilms|volume=16|location=Konstanz|publisher=UVK Medien 2003|pages=59–73|language=German}}, **cited in https://web.archive.org/web/20100131063204/http://www.mediaculture-online.de/fileadmin/bibliothek/zimmermann_propaganda/zimmermann_propaganda.html, retrieved 2010-02-21
{{cite book|last=Zimmermann|first=Peter|title=Geschichte des dokumentarischen Films in Deutschland|publisher=P. Reclam jun.|year=2005|volume=3|isbn=3-15-010586-2|language=German}}
hardback, [https://books.google.com/books?id=It1kAAAAMAAJ&q=volkmann Google books preview]
pp. 505–529, 554–567 as cited by https://web.archive.org/web/20070927012529/http://www.mediaculture-online.de/fileadmin/bibliothek/zimmermann_propagandafilm/zimmermann_propagandafilm.html#sdfootnote22anc, retrieved: 2010-02-21
{{cite journal|year=1995|title=Das kalte Bild. Das Erbe (1935)|journal=Augen-Blick|publisher=Philipps-Universität Marburg. Institut für Neuere Deutsche Literatur|issue=22|language=German}}