Das Labyrinth

The opera premiered at the suburban Freihaus-Theater auf der Wieden in Vienna on 12 June 1798. As he did in Mozart's opera, Schikaneder himself played Papageno, while the role of the Queen of the Night was sung by Mozart's sister-in-law and prominent soprano Josepha Hofer-Mayer. Schikaneder was the librettist of Mozart's opera and he was considered to have been "one of the most original and most influential theatre persons of his time".Peter von Winter: Das Labyrinth. Booklet of the Salzburg Festival, 3 August 2012 Both artists were reprising their roles from The Magic Flute.

Alexandra Liedtke, the director of the Salzburg Festival production in 2012, interpreted the story and Schikaneder's libretto "as one [of] the great fairy tales of history ..., in which the emblematic and the playfulness are standing in the limelights".

The opera was then also performed at the Theater an der Wien and the Konzerthaus Berlin (1803), the Opern- und Schauspielhaus Frankfurt (1806), the Staatstheater Nürnberg (1807) and other venues. In 1978, there was a production that was rearranged to be without spoken dialogue, conducted by Wolfgang Sawallisch, directed by August Everding, and with stage design by Jürgen Rose in the Cuvilliés Theatre, Munich.{{cite web |url=https://mdz-nbn-resolving.de/details:bsb00070805 |website=1978 Production Score |title=Digitized Archive |publisher=Bayerische Staatsbibliothek}} In September 2002, it was performed at Chemnitz Opera with stage direction by Sabine Sterkin, costume and set design by Martin Rupprecht, and music direction by Fabrice Bollon.{{cite web |url=https://www.operabase.com/productions/das-labyrinth-17967/cast-crew/en |website=Das Labyrinth |title=Chemitz Theater 2002–3 |publisher=Opera Base}}

In August 2012, the opera was presented for the first time at the Salzburg Festival, in the courtyard of the residence of the Prince Archbishop of Salzburg, conducted by Ivor Bolton and directed by Alexandra Liedtke.Salzburger Festspiele: [https://www.salzburgerfestspiele.at/en/p/das-labyrinth-2012 "Peter von Winter: Das Labyrinth or The Battle with the Elements].Eva Halus: [http://salzburg.orf.at/news/stories/2544243/ "Das Labyrinth: Umjubelt, aber entbehrlich"], ORF, 4 August 2012.

In October 2013, the opera was performed in USA for the first time, by New York City's Amore Opera, the small opera company which emerged after Amato Opera closed.{{Cite news | url=https://www.nytimes.com/2013/10/24/arts/music/das-labyrinth-performed-by-amore-opera.html | title=Everyone Except Mozart |newspaper=The New York Times| date=23 October 2013 |last=Oestreich|first=James R.|author-link=James R. Oestreich}}

File:Peter Winter 1815.jpg

File:Emanuel Schikaneder detail.jpg

File:TheaterWien z07.JPG (1801) – Schikaneder as Papageno]]

After fighting against fire and water there are still two elements for Pamina and Tamino which are not defeated: the air and the earth. The Queen of the Night works with Tipheus to separate the engaged couple while Monostatos tries to force the love of Papagena.

The opera opens as Pamina and Tamino prepare for their wedding ceremony. Pamina's mother, the Queen of the Night, laments the marriage and disguises the three Ladies into Venus, Adonis, and their Page before telling them to distract the couple long enough for Tipheus to disrupt the wedding. Sarastro announces that the young couple must complete the trial of the labyrinth before their wedding can take place. Tamino promises to play his magic flute so that Pamina will not get lost, and the young lovers enter the trial. While in the labyrinth, however, Pamina's mother separates her from Tamino saying that she has promised Pamina in marriage to Tipheus.

Meanwhile, Papagena has wandered away and Papageno sets off to look for her. Along the way, he finds a small village with an older Papageno and Papagena, who are revealed to be his parents, with several young Papagenos and Papagenas who are introduced as his younger siblings. The Papagenos find and capture Monostatos, who is trying to trick Papagena into falling in love with him. The Papageno family is about to kill Monostatos when he promises Papageno a moorish girl in reward for setting him free. Monostatos is then pardoned and the scene shifts back to Pamina and Tamino trying to find each other.

This act opens with Papageno and Papagena celebrating their wedding. Unfortunately, this is when Monostatos chooses to make good on his bargain with Papageno which causes Papagena to run off with Monostatos in a fit of anger at Papageno's betrayal. Papageno sets off to find Papagena and rescue her from Monostatos and is instead co-opted into rescuing Pamina from her mother. He finds Pamina, but is not fast enough to prevent the Queen's three Ladies from stealing Tamina to the clouds.

With the help of three genii, Tamino is able to ascend to the clouds, play his flute, and coax Pamina back to earth. The Papagenos once again capture Monostatos, freeing Papagena in the process, while Tamino and Tipheus agree to a duel for Pamina's hand in marriage. Tamino wins the duel, and everyone celebrates his marriage to Pamina.

There is another sequel to the original Magic Flute, also named Der Zauberflöte zweyter Theil, a libretto fragment by Johann Wolfgang von Goethe, intended to be set to music by Paul Wranitzky.

{{Reflist}}

• Branscombe, Peter (1991) {{Lang|de|Die Zauberflöte}}, Cambridge Opera Handbooks series, Cambridge University Press.
• Brukner, Fritz (1934, ed.) {{Lang|de|Die Zauberflöte. Unbekannte Handschriften und seltene Drucke aus der Frühzeit von Mozarts Oper}}. Verlag Gilhofer & Ranschburg, Vienna.
• Buch, David (2004) "{{Lang|de|Die Zauberflöte}}, Masonic Opera, and Other Fairy Tales", in Acta Musicologica 76, 2004.
• {{cite journal|last=Cole|first=Malcolm S.|date=Winter 2005|title=Monastotos and his 'Sister': Racial Stereotype in Die Zauberflöte and Its Sequel|journal=The Opera Quarterly|volume=21|number=1|pages=2–26|doi=10.1093/oq/kbi001|ref=none}}
• Henderson, Donald G. (1983) "The "Magic Flute of Peter Winter", in Music & Letters 64 (3–4), pp. 193–205.
• Jahrmärker, Manuela and Waidelich, Till Gerrit (1992, ed.) {{Lang|de|Der Zauberfloete zweyter Theil unter dem Titel: Das Labyrinth oder der Kampf mit den Elementen}}. Hans Schneider, Tutzing.
• {{cite journal|last=Lee|first=Hayoung Heidi|date=Winter–Spring 2012|title=Papageno Redux: Repetition and the Rewriting of Character in Sequels to Die Zauberflöte|journal=The Opera Quarterly|volume=28|issue=1–2|pages=72–87|doi=10.1093/oq/kbs038|ref=none}}
• Waidelich, Till Gerrit (2012) "{{Lang|de|Papagenos Selbstvermarktung in Peter von Winters Labyrinth (Der Zauberflöte zweyter Theil) sowie unbekannte Dokumente zu dessen Entstehung, Überlieferung und Rezeption in Wien und Berlin 1803|italic=unset}}", in: Acta Mozartiana, 59 (2012), pp. 139–177.

• {{IMSLP|work=Das Labyrinth (Winter, Peter von)|cname=Das Labyrinth (Peter von Winter)}}
• [http://daten.digitale-sammlungen.de/~db/0004/bsb00042147/images/ Variations for Pianoforte] by Joseph Wölfl, Bavarian State Library, Munich.
• {{YouTube|playlist=PLSkogUBIIRSBbbrDKudUuKGQOr0dcYN1h|title=Das Labyrinth}}

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Category:Compositions by Peter Winter

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