David Rendall
Personal life and education
Although he sang in a skiffle group while in secondary school, Rendall originally had no intention to sing opera professionally. He was "discovered" while working at the BBC, sorting records for Desert Island Discs. A producer for the show heard him singing "Questa o quella" from Rigoletto while working, and suggested he study professionally."[https://news.google.com/newspapers?id=F74yAAAAIBAJ&sjid=GO4FAAAAIBAJ&pg=1569,272697 David Rendall, tenor: from skiffle to La Scala]" Ottawa Citizen, 11 July 1978, at 45.
Rendall entered the Royal Academy of Music in 1970, and the Salzburg Mozarteum in 1973. He won a Young Musician of the Year Award from the Greater London Arts Association in 1973 and received a Gulbenkian Fellowship in 1975. In May 1978 he sang the tenor part of Anton Bruckner's Te Deum under the baton of Herbert von Karajan during a performance at Musikverein Hall of Vienna with Vienna Philharmonic.
Performing career
At Covent Garden, Rendall sang the roles of the Italian singer in Der Rosenkavalier, Almaviva in The Barber of Seville, Des Grieux in Manon, Matteo in Arabella, Rodrigo in La donna del lago, Flamand in Capriccio, and the Duke in Rigoletto. After making his Metropolitan Opera debut in 1980 as Ernesto in Don Pasquale,{{Cite web|url=http://archives.metoperafamily.org/archives/frame.htm|title=Metropolitan Opera Association|website=Archives.metoperafamily.org|accessdate=19 August 2020}} he returned as Don Ottavio in Don Giovanni,"Today: Leading Events The Week's Concert" The New York Times, 16 March 1980, at D41. subsequently performing Lensky in Eugene Onegin,Lloyd Schwartz, "[https://news.google.com/newspapers?id=N3EhAAAAIBAJ&sjid=MIgFAAAAIBAJ&pg=3958,3710353 Stars are born]", Boston Phoenix, 30 April 1985. Matteo in Arabella,John Rockwell, [https://www.nytimes.com/1984/02/22/arts/opera-arabella-in-season-s-debut-at-the-met.html Opera: "Arabella" in Season's Debut at the Met], The New York Times, 22 February 1984. Ferrando in Cosi fan Tutte{{cite web|url=http://archives.metoperafamily.org/archives/frame.htm|title=Metropolitan Opera Association|website=Archives.metoperafamily.org|accessdate=10 January 2017}} and the title role of Idomeneo.Donal Henahan "[https://www.nytimes.com/1986/01/18/arts/opera-the-met-s-first-idomeneo-this-season.html Opera: The Met's First "Idomeneo" This Season]", The New York Times, 18 January 1986.
He also performed with the English National Opera from 1976 to 1992, with the New York City Opera, San Francisco Opera, and many other opera companies in the United States, Great Britain, Ireland, France, Italy, Georgia, Japan, Denmark, and Germany.[http://www.intermusica.co.uk/files/uploaded/30a429f7-33f0-4354-81b9-494be4245a01.pdf]{{dead link|date=September 2017 |bot=InternetArchiveBot |fix-attempted=yes }}
Rendall was involved in a peculiar onstage incident in 1998 when he accidentally stabbed baritone Kimm Julian in the death scene of I Pagliacci during a rehearsal with the Florentine Opera. The switchblade-style knife that the Milwaukee opera company used failed to collapse, and the baritone received a {{convert|3|in|mm|adj=mid|-deep}} cut into his abdomen.Tom Strini & James H. Burnett III, "[https://archive.today/20130124123936/http://news.google.com/newspapers?id=3rsaAAAAIBAJ&sjid=5zoEAAAAIBAJ&pg=5821,823816 Baritone stabbed at rehearsal is out of hospital, and opera]" Milwaukee Journal Sentinel 6 November 1998, at B1."[http://www.irishtimes.com/newspaper/world/1998/1107/98110700084.html Unkindest cut for opera singer]", Irish Times 7 November 1998.Sue Fox, Interview: "[https://web.archive.org/web/20110604220106/http://www.timesonline.co.uk/tol/life_and_style/article543868.ece?print=yes&randnum=1151003209000 David Rendall]" Sunday Times (London) 24 July 2005."Drama of the opera takes a real life turn" Birmingham Post 7 November 1998. Julian recovered and police cleared Rendall of any wrongdoing.Cary Spivak & Dan Bice, "[https://archive.today/20120718180205/http://news.google.com/newspapers?id=bnMaAAAAIBAJ&sjid=IS8EAAAAIBAJ&pg=6816,1302529 Opera stabbing wasn't first flash of trouble for either player]" Milwaukee Journal Sentinel 11 November 1998, at 2A. He suffered injuries from a collapsing stage set during an April 2005 performance on stage in Copenhagen, and his career was subsequently curtailed.{{cite news | author=Anita Singh | title=Injured opera star sues over set collapse | url=https://www.telegraph.co.uk/culture/culturenews/7929081/Injured-opera-star-sues-over-set-collapse.html | work=The Telegraph| date=2010-08-06 | accessdate=2014-10-25}} Rendall returned to performance in June 2013.{{cite press release|url=http://www.inverneprice.com/artist.php?id=rendalldavid&aview=news&nid=3882 |title=David Rendall's London return announced |publisher=Inverne Price Music Consultancy |date=23 February 2013 |accessdate=25 October 2014 |url-status=dead |archiveurl=https://web.archive.org/web/20141025085745/http://www.inverneprice.com/artist.php?id=rendalldavid&aview=news&nid=3882 |archivedate=25 October 2014}}
Rendall is married to the British lyric mezzo-soprano Diana Montague. Their son is the baritone Huw Montague Rendall.
Recordings
Rendall's recordings include Berlioz, Requiem in 1979 conducted by Michael Gielen, Maria Stuarda with Charles Mackerras and the English National Opera in 1982 and La rondine with Lorin Maazel and the London Symphony Orchestra in 1985.
See also
- Mozart: Così fan tutte (Alain Lombard recording)
- The Metropolitan Opera Centennial Gala, Deutsche Grammophon DVD, 00440-073-4538, 2009
References
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Category:English operatic tenors
Category:Alumni of the Royal Academy of Music
Category:Mozarteum University Salzburg alumni
Category:20th-century English male opera singers