Deej Fabyc

{{Short description|UK-Australian performance artist (born 1960)}}

{{Use dmy dates|date=June 2020}}

{{Use Australian English|date=June 2020}}

{{Infobox artist

| name = Deej Fabyc

| image =

| imagesize =

| caption =

| birth_name =

| other_names =

| birth_date = {{Birth-date|1961}}

| birth_place = London, England

| death_date =

| death_place =

| education =

| field = performance art, installation art, video

| training = Southern Cross University University of New South Wales

| movement =

| works =

| patrons =

| awards =

| spouse =

| partner =

| website = {{URL|fabyc.co.uk}}

}}

Deej Fabyc (born 1961) is a British-born, Australian performance video and installation artist.{{cite web |title=Fabyc, Deej (1961-) |url=https://trove.nla.gov.au/people/1516842 |website=Trove |access-date=4 September 2023}}{{cite web |title=Deej Fabyc |url=https://www.daao.org.au/bio/deej-fabyc/events/ |website=Design and Art Australia Online |access-date=4 September 2023}}

Fabyc is a former member of art collectives including Jillposters in Melbourne,{{cite web |title=JILL POSTERS 1 |url=https://www.printsandprintmaking.gov.au/artists/2514/ |website=Prints and Printmaking |access-date=4 September 2023 |language=en}} FBI+ in London,{{cite web |title=Fabyc Best Imara – Interrogating Constructed Reality |url=https://fbi.works/ |website=FBI |access-date=4 September 2023}} and Elastic Residence in London.{{cite web |title=Home |url=http://elastic.org.uk/ |website=Elastic Residence |access-date=4 September 2023}} They were a member of the Bitumen River Gallery in Canberra, Australia.{{cite book |last1=Wawrzyńczak |first1=Anni Doyle |title=How Local Art Made Australia's National Capital |date=2020 |publisher=Australian National University Press |url=https://books.google.com/books?id=gZ_6DwAAQBAJ|pages=157, 182 |isbn=9781760463410 |access-date=4 September 2023}}

Their work has been shown at Artspace, Sydney,{{cite journal |last1=Gibson |first1=Jeff |title=Deej Fabyc |journal=Art & Text |date=January 1996 |issue=53 |pages=69–70 |url=https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505776593&site=eds-live&scope=site |access-date=4 September 2023}} the El Museo del Barrio, the National Gallery of Victoria, the Reina Sofia Museum, and the Whitechapel Gallery.Their work deals with three primary themes: gender, space and "forensic biography." It has been described, by the art writer Robert Preece, as being "demanding, aggressively thought-provoking, and sometimes shocking in its raw content."{{cite journal |last1=Dickenson |first1=Bob |title=KISSS: Kinship International Strategy on Surveillance and Suppression Castlefield, Manchester |journal=Art Monthly |date=November 2008 |issue=321 |url=https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505354469&site=eds-live&scope=site |access-date=4 September 2023}}

During the past 30 years, they have held roles in education, curating, and project management, and are currently the CEO of Live Art Ireland.{{cite web |title=Governance |url=https://www.live-art.ie/people/ |website=Live Art Ireland |access-date=4 September 2023}}

Early life and education

Fabyc was born in London and raised as a young child in England and Ireland. They attended secondary school in Australia. Fabyc went on to receive a BFA from Southern Cross University, and then earned an MFA degree at the University of New South Wales in the art and design program.{{cite web |title=Deej Fabyc |url=https://www.londonmet.ac.uk/profiles/staff/deej-fabyc/ |website=London Metropolitan University |access-date=4 September 2023}}{{cite web |title=Deej Fabyc Info |url=https://www.fabyc.co.uk/index.php/info/ |website=Deej Fabyc |access-date=4 September 2023}}

Collections and public art

Their public art work Gateway to Mag Mell, is in the Home of the Arts (HOTA) Sculpture Park in Queensland, Australia.{{cite web |title=Outdoor Art |url=https://hota.com.au/visit-and-explore/explore-and-play/sculpture-walk |website=HOTA |access-date=4 September 2023 |language=en}}{{cite web |last1=Preece |first1=Robert |title=Gender, Space, and Forensic Biography: A Conversation with Deej Fabyc |url=https://sculpturemagazine.art/gender-space-and-forensic-biography-a-conversation-with-deej-fabyc/ |website=Sculpture |access-date=4 September 2023 |date=1 January 2007}}

Their work is held in the permanent collection of the National Gallery of Australia (NGA) in Canberra.

Key Works

Sucking at the Sublime (1994), a 3-day performance installation created in a domestic space, commissioned by Nick Waterlow.{{Cite book |title=What is performance art? Australian perspectives |date=2018 |publisher=Power Publications |isbn=978-0-909952-93-8 |editor-last=Geczy |editor-first=Adam |location=Sydney |editor-last2=Kelly |editor-first2=Mimi}}

The White Room (1995-1998) a performance installation first shown in Sydney, then presented at the Experimental Art Foundation in Adelaide in 1997.{{Cite book |last=Gawronski |first=Alex |title=Strawberry Girl: Deej Fabyc Some Projects 1995-2001 |date=2001 |publisher=evolove |year=2001 |isbn=064641657X |pages=np}}

References