Digamma#Pamphylian digamma

File:Ceramic fragment with WANAKTI inscription.jpg for iota).]]

The sound {{IPA|/w/}} existed in Mycenean Greek, as attested in Linear B and archaic Greek inscriptions using digamma. It is also confirmed by the Hittite name of Troy, Wilusa, corresponding to the Greek name *Wilion, classical {{lang|grc|Ἴλιον}} {{grc-transl|Ἴλιον}} (Ilium).

The {{IPAslink|w}} sound was lost at various times in various dialects, mostly before the classical period.

In Ionic, {{IPAslink|w}} had probably disappeared before Homer's epics were written down (7th century BC), but its former presence can be detected in many cases because its omission left the meter defective. For example, the word {{lang|grc|ἄναξ}} ("(tribal) king, lord, (military) leader"),{{LSJ|a)/nac|ἄναξ|ref}} found in the Iliad, would have originally been {{lang|grc|ϝάναξ}} {{IPA|/wánaks/}} (and is attested in this form in Mycenaean Greek{{cite book |author=Chadwick, John|title=The Decipherment of Linear B |publisher=Second edition (1990). Cambridge UP |year=1958 |isbn=0-521-39830-4|author-link=John Chadwick }}) and the word {{lang|grc|οἶνος}} ("wine"), are sometimes used in the meter where a word starting with a consonant would be expected. Further evidence coupled with cognate-analysis shows that {{lang|grc|οἶνος}} was earlier {{lang|grc|ϝοῖνος}} {{IPA|/woînos/}}{{LSJ|oi){{=}}nos1|οἶνος|ref}}:

:Ϝοῖνος Leg.Gort. [http://epigraphy.packhum.org/inscriptions/main?url=oi%3Fikey%3D200508 col X.39] {{Webarchive|url=https://web.archive.org/web/20120304090144/http://epigraphy.packhum.org/inscriptions/main?url=oi%3Fikey=200508 |date=2012-03-04 }} (compare Cretan Doric {{lang|grc-x-doric|ibêna}} and Latin {{lang|la|vīnum}}, which is the origin of English wine{{Cite web |title=wine {{!}} Etymology, origin and meaning of wine by etymonline |url=https://www.etymonline.com/word/wine |access-date=2023-06-03 |website=www.etymonline.com |language=en}}). There have been editions of the Homeric epics where the wau was re-added, particularly in the late 19th and early 20th centuries, but these have largely fallen out of favour.

Aeolian was the dialect that kept the sound {{IPAslink|w}} longest. In discussions by ancient Greek grammarians of the Hellenistic era, the letter is therefore often described as a characteristic Aeolian feature.

Loanwords that entered Greek before the loss of {{IPA|/w-/}} lost that sound when Greek did. For instance, Oscan {{lang|osc|Viteliu}} ('land of the male calves', compare {{langx|la|vitulus}} 'yearling, male calf') gave rise to the Greek word {{lang|grc|Ἰταλία}} {{grc-transl|Ἰταλία}}. The Adriatic tribe of the Veneti was called in {{lang|grc|Ἐνετοί}} {{grc-transl|Ἐνετοί}}. In loanwords that entered the Greek language after the drop of {{IPAslink|w}}, the phoneme was once again registered, compare for example the spelling of {{lang|grc|Οὐάτεις}} {{grc-transl|Οὐάτεις}} for vates.

{{See also|Pamphylian Greek|Tsan}}

File:Greek Sigma 01.svg

In some local (epichoric) alphabets, a variant glyph of the letter digamma existed that resembled modern Cyrillic И: ͷ. In one local alphabet, that of Pamphylia, this variant form existed side by side with standard digamma as two distinct letters. It has been surmised that in this dialect the sound {{IPAslink|w}} may have changed to labiodental {{IPAslink|v}} in some environments. The F-shaped letter may have stood for the new {{IPAslink|v}} sound, while the special И-shaped form signified those positions where the old {{IPAslink|w}} sound was preserved.Nick Nicholas: [http://www.opoudjis.net/unicode/epigraphical.pdf Proposal to add Greek epigraphical letters to the UCS] {{Webarchive|url=https://web.archive.org/web/20160807015713/http://www.opoudjis.net/unicode/epigraphical.pdf |date=2016-08-07 }}. Technical report, Unicode Consortium, 2005. Citing C. Brixhe, Le dialecte grec de Pamphylie. Documents et grammaire. Paris: Maisonneuve, 1976.

Digamma/wau remained in use in the system of Greek numerals attributed to Miletus, where it stood for the number 6, reflecting its original place in the sequence of the alphabet. It was one of three letters that were kept in this way in addition to the 24 letters of the classical alphabet, the other two being koppa (ϙ) for 90, and sampi (ϡ) for 900. During their history in handwriting in late antiquity and the Byzantine era, all three of these symbols underwent several changes in shape, with digamma ultimately taking the form of "ϛ".

It has remained in use as a numeral in Greek to the present day, in contexts comparable to those where Latin numerals would be used in English, for instance in regnal numbers of monarchs or in enumerating chapters in a book, although in practice the letter sequence ΣΤ΄ is much more common.

File:NAMA Alphabet grec.jpg vessel, with a square-C digamma.]]

Digamma was derived from Phoenician waw, which was shaped roughly like a Y (x14px). Of the two Greek reflexes of waw, digamma retained the alphabetic position, but had its shape modified to x16px, while the upsilon retained the original shape but was placed in a new alphabetic position. Early Crete had an archaic form of digamma somewhat closer to the original Phoenician, x16px, or a variant with the stem bent sidewards (x16px). The shape x16px, during the archaic period, underwent a development parallel to that of epsilon (which changed from x16px to "E", with the arms becoming orthogonal and the lower end of the stem being shed off). For digamma, this led to the two main variants of classical "F" and square x16px.{{cite book |last=Jeffery |first=Lilian H. |title=The local scripts of archaic Greece |place=Oxford |publisher=Clarendon |year=1961 |pages=24f |oclc=312031 }}

The latter of these two shapes became dominant when used as a numeral, with "F" only very rarely employed in this function. However, in Athens, both of these were avoided in favour of a number of alternative numeral shapes (File:Greek Digamma numeric 01.svg, File:Greek Digamma numeric 02.svg, File:Greek Digamma numeric 03.svg, File:Greek Digamma numeric 04.svg, File:Greek Digamma numeric 05.svg, File:Greek Digamma numeric 06.svg).{{cite journal|last=Tod|first=Marcus N.|title=The alphabetic numeral system in Attica|journal=Annual of the British School at Athens|volume=45|year=1950|pages=126–139|doi=10.1017/s0068245400006730|s2cid=128438705 }}

File:P. Oxy. LXVI 4499.jpg, showing the number "{{overline|{{lang|grc|χιϛ}}}}" (616, the "Number of the Beast"), with a C-shaped digamma.]]

In cursive handwriting, the square-C form developed further into a rounded form resembling a "C" (found in papyrus manuscripts as x16px, on coins sometimes as x16px). It then developed a downward tail at the end (x16px, x16px) and finally adopted a shape like a Latin "s" (x16px){{cite book|last=Gardthausen|first=Victor Emil|author-link=Victor Gardthausen|title=Griechische Palaeographie, Vol. 2|place=Leipzig|publisher=B.G. Teubner|year=1879|page=367}} These cursive forms are also found in stone inscriptions in late antiquity.

File:Greek minuscule numerals Cod.Const.Pal.Vet.f96r.svg

In the ninth and tenth centuries, the cursive shape digamma was visually conflated with a ligature of sigma (in its historical "lunate" form) and tau (x14px + x14px = x16px, x16px).Gardthausen, Griechische Paleographie, p.238; {{cite book|first=Edward M.|last=Thompson|title=Handbook of Greek and Latin palaeography|url=https://archive.org/details/apl0171.0001.001.umich.edu|location=New York|publisher=D. Appleton|year=1893|page=[https://archive.org/details/apl0171.0001.001.umich.edu/page/104 104]}} The στ-ligature had become common in minuscule handwriting from the 9th century onwards. Both closed (x16px) and open (x16px) forms were subsequently used without distinction both for the ligature and for the numeral. The ligature took on the name of "stigma" or "sti", and the name stigma is today applied to it both in its textual and in the numeral function. The association between its two functions as a numeral and as a sign for "st" became so strong that in modern typographic practice in Greece, whenever the ϛʹ sign itself is not available, the letter sequences στʹ or ΣΤʹ are used instead for the number 6.

In western typesetting during the modern era, the numeral symbol was routinely represented by the same character as the stigma ligature (ϛ). In normal text, this ligature together with numerous others continued to be used widely until the early nineteenth century, following the style of earlier minuscule handwriting, but ligatures then gradually dropped out of use. The stigma ligature was among those that survived longest, but it too became obsolete in print after the mid-19th century. Today it is used only to represent the numeric digamma, and never to represent the sequence στ in text.

Along with the other special numeric symbols koppa and sampi, numeric digamma/stigma normally has no distinction between uppercase and lowercase forms,{{cite book|first1=David|last1=Holton|first2=Peter|last2=Mackridge|first3=Irene|last3=Philippaki-Warburton|title=Greek: a comprehensive grammar of the modern language|place=London|publisher=Routledge|year=1997|page=105|isbn=0-415-10001-1}} (while other alphabetic letters can be used as numerals in both cases). Distinct uppercase versions were occasionally used in the 19th century. Several different shapes of uppercase stigma can be found, with the lower end either styled as a small curved S-like hook (x16px), or as a straight stem, the latter either with a serif (x16px) or without one (x16px). An alternative uppercase stylization in some twentieth-century fonts is x16px, visually a ligature of Roman-style uppercase C and T.

The characters used for numeric digamma/stigma are distinguished in modern print from the character used to represent the ancient alphabetic digamma, the letter for the [w] sound. This is rendered in print by a Latin "F", or sometimes a variant of it specially designed to fit in typographically with Greek (Ϝ). It has a modern lowercase form (ϝ) that typically differs from Latin "f" by having two parallel horizontal strokes like the uppercase character, with the vertical stem often being somewhat slanted to the right or curved, and usually descending below the baseline. This character is used in Greek epigraphy to transcribe the text of ancient inscriptions that contain "Ϝ", and in linguistics and historical grammar when describing reconstructed proto-forms of Greek words that contained the sound {{IPA|/w/}}.

File:Greek capital numerals 01.svg

File:Greek capital numerals 02.svg

File:Greek Stigma and Koppa font design.svg

Throughout much of its history, the shape of digamma/stigma has often been very similar to that of other symbols, with which it can easily be confused. In ancient papyri, the cursive C-shaped form of numeric digamma is often indistinguishable from the C-shaped ("lunate") form that was then the common form of sigma. The similarity is still found today, since both the modern stigma (ϛ) and modern final sigma (ς) look identical or almost identical in most fonts; both are historically continuations of their ancient C-shaped forms with the addition of the same downward flourish. If the two characters are distinguished in print, the top loop of stigma tends to be somewhat larger and to extend farther to the right than that of final sigma. The two characters are, however, always distinguishable from the context in modern usage, both in numeric notation and in text: the final form of sigma never occurs in numerals (the number 200 being always written with the medial sigma, σ), and in normal Greek text the sequence "στ" can never occur word-finally.

The medieval s-like shape of digamma (x16px) has the same shape as a contemporary abbreviation for {{lang|el|καὶ}} ("and").

Yet another case of glyph confusion exists in the printed uppercase forms, this time between stigma and the other numeral, koppa (90). In ancient and medieval handwriting, koppa developed from x16px through x16px, x16px, x16px to x16px. The uppercase forms x16px and x16px can represent either koppa or stigma. Frequent confusion between these two values in contemporary printing was already noted by some commentators in the eighteenth century.{{cite book|last=Adelung|first=Johann Christoph|title=Neues Lehrgebäude der Diplomatik, Vol.2|place=Erfurt|year=1761|page=137f}} The ambiguity continues in modern fonts, many of which continue to have glyph similar to x16px for either koppa or stigma.

The symbol has been called by a variety of different names, referring either to its alphabetic or its numeral function or both.

Wau (variously rendered as vau, waw or similarly in English) is the original name of the alphabetic letter for {{IPAslink|w}} in ancient Greek.{{cite book|first=Roger D.|last=Woodard|chapter=Phoinikeia grammata: an alphabet for the Greek language|title=A companion to the ancient Greek language|editor-first=Egbert J.|editor-last=Bakker|place=Oxford|publisher=Blackwell|year=2010|page=30f |isbn=978-1-4051-5326-3}} It is often cited in its reconstructed acrophonic spelling "{{lang|el|ϝαῦ}}". This form itself is not historically attested in Greek inscriptions, but the existence of the name can be inferred from descriptions by contemporary Latin grammarians, who render it as vau.Cf. Grammatici Latini (ed. Keil), 7.148. In later Greek, where both the letter and the sound it represented had become inaccessible, the name is rendered as {{lang|el|βαῦ}} or {{lang|el|οὐαῦ}}. In the 19th century, vau in English was a common name for the symbol ϛ in its numerical function, used by authors who distinguished it both from the alphabetic "digamma" and from ϛ as a στ ligature.{{cite book|title=Buttmann's larger Greek grammar: a Greek grammar for use of high schools and universities|first=Philipp|last=Buttmann|year=1839|place=New York|page=22}}

The name digamma was used in ancient Greek and is the most common name for the letter in its alphabetic function today. It literally means "double gamma" and is descriptive of the original letter's shape, which looked like a Γ (gamma) placed on top of another.

The name episēmon was used for the numeral symbol during the Byzantine era and is still sometimes used today, either as a name specifically for digamma/stigma, or as a generic term for the whole group of extra-alphabetic numeral signs (digamma, koppa and sampi). The Greek word "{{lang|grc|ἐπίσημον}}", from {{lang|grc|ἐπί-}} (epi-, "on") and {{lang|grc|σήμα}} (sēma, "sign"), literally means "a distinguishing mark", "a badge", but is also the neuter form of the related adjective "{{lang|grc|ἐπίσημος}}" ("distinguished", "remarkable"). This word was connected to the number "six" through early Christian mystical numerology. According to an account of the teachings of the heretic Marcus given by the church father Irenaeus, the number six was regarded as a symbol of Christ, and was hence called "{{lang|grc|ὁ ἐπίσημος ἀριθμός}}" ("the outstanding number"); likewise, the name {{lang|grc|Ἰησοῦς}} (Jesus), having six letters, was "{{lang|grc|τὸ ἐπίσημον ὄνομα}}" ("the outstanding name"), and so on. The sixth-century treatise About the Mystery of the Letters, which also links the six to Christ, calls the number sign to Episēmon throughout.{{cite book|last=Bandt|first=Cordula|title=Der Traktat "Vom Mysterium der Buchstaben." Kritischer Text mit Einführung, Übersetzung und Kommentar|place=Berlin|publisher=de Gruyter|year=2007}} The same name is still found in a fifteenth-century arithmetical manual by the Greek mathematician Nikolaos Rabdas.{{cite journal|last=Einarson|first=Benedict|title=Notes on the development of the Greek alphabet|journal=Classical Philology|volume=62|year=1967|pages=1–24; especially p.13 and 22|doi=10.1086/365183|s2cid=161310875}} It is also found in a number of western European accounts of the Greek alphabet written in Latin during the early Middle Ages. One of them is the work De loquela per gestum digitorum, a didactic text about arithmetics attributed to the Venerable Bede, where the three Greek numerals for 6, 90 and 900 are called "episimon", "cophe" and "enneacosis" respectively.{{cite book|last=Beda [Venerabilis]|title=Opera omnia, vol. 1|editor-last=Migne|editor-first=J.P.|place=Paris|chapter=De loquela per gestum digitorum|page=697}} From Beda, the term was adopted by the seventeenth century humanist Joseph Justus Scaliger.Scaliger, Joseph Justus. Animadversiones in Chronologicis Eusebii pp. 110–116. However, misinterpreting Beda's reference, Scaliger applied the term episēmon not as a name proper for digamma/6 alone, but as a cover term for all three numeral letters. From Scaliger, the term found its way into modern academic usage in this new meaning, of referring to complementary numeral symbols standing outside the alphabetic sequence proper, in Greek and other similar scripts.{{cite encyclopedia|encyclopedia=Dictionary of Christian Biography and Literature to the End of the Sixth Century|last=Wace|first=Henry|year=1880|title=Marcosians}}

In one remark in the context of a biblical commentary, the 4th century scholar Ammonius of Alexandria is reported to have mentioned that the numeral symbol for 6 was called gabex by his contemporaries.{{cite dictionary|url=https://books.google.com/books?id=NaxJAAAAcAAJ&q=%CE%B3%CE%B1%CE%B2%CE%AD%CE%BE&pg=PA479|title=γαβέξ|encyclopedia=Thesauros tes hellenikes glosses|first1=Henri|last1=Estienne|first2=Charles Benoit|last2=Hase|year=n.d.|place=Paris|volume=2|page=479}}Migne, Patrologia Graeca 85, col. 1512 B. The same reference in Ammonius has alternatively been read as gam(m)ex by some modern authors.{{cite journal|last=Jannaris|first=A. N.|title=The Digamma, Koppa, and Sampi as numerals in Greek|journal=The Classical Quarterly|volume=1|year=1907|pages=37–40|doi=10.1017/S0009838800004936|s2cid=171007977 |url=https://zenodo.org/record/2188121|access-date=2019-09-09|archive-date=2020-10-03|archive-url=https://web.archive.org/web/20201003051931/https://zenodo.org/record/2188121|url-status=live}}{{cite book|title=Novum Testamentum graece|volume=1|first=Constantin|last=von Tischendorf|page=679|year=1859|place=Leipzig}} Ammonius as well as later theologians{{cite journal|first=Sebastian|last=Bartina|title=Ignotum episemon gabex|journal=Verbum Domini|volume=36|year=1958|pages=16–37}} discuss the symbol in the context of explaining the apparent contradiction and variant readings between the gospels in assigning the death of Jesus either to the "third hour" or "sixth hour", arguing that the one numeral symbol could easily have been substituted for the other through a scribal error.

{{See also|Stigma (letter)}}

The name "stigma" ({{lang|grc|στίγμα}}) was originally a common Greek noun meaning "a mark, dot, puncture" or generally "a sign", from the verb στίζω ("to puncture").Henry George Liddell, Robert Scott. A Greek-English Lexicon. Oxford: Clarendon Press, 1940. s.v. "στίγμα" It had an earlier writing-related special meaning, being the name for a dot as a punctuation mark, used for instance to mark shortness of a syllable in the notation of rhythm.{{cite book|title=Latin Verse and European Song|url=https://archive.org/details/latinverseeurope00bear|url-access=registration|page=[https://archive.org/details/latinverseeurope00bear/page/91 91]|first=William|last=Beare|author-link=William Beare (Latinist)|place=London|publisher=Methuen|year=1957}} It was then co-opted as a name specifically for the στ ligature, evidently because of the acrophonic value of its initial st- as well as the analogy with the name of sigma. Other names coined according to the same analogical principle are stiSamuel Brown Wylie, An introduction to the knowledge of Greek grammar (1838), p. 10. or stau.{{cite book |first=K. |last=Barry |title=The Greek Qabalah: Alphabetic Mysticism and Numerology in the Ancient World |year=1999 |location=York Beach, Me. |publisher=Samuel Weis |page=17 |isbn=1-57863-110-6 }}Thomas Shaw Brandreth, A dissertation on the metre of Homer (1844), p.135.

• {{unichar|0376}}
• {{unichar|0377}}
• {{unichar|03DA}}
• {{unichar|03DB}}
• {{unichar|03DC}}
• {{unichar|03DD}}
• {{unichar|2C8A}}
• {{unichar|2C8B}}
• {{unichar|1D7CA}}
• {{unichar|1D7CB}}

{{Reflist|30em}}

• Peter T. Daniels – William Bright (edd.), The World's Writing Systems, New York, Oxford University Press, 1996. {{ISBN|0-19-507993-0}}
• Jean Humbert, Histoire de la langue grecque, Paris, 1972.
• Michel Lejeune, Phonétique historique du mycénien et du grec ancien, Klincksieck, Paris, 1967. {{ISBN|2-252-03496-3}}
• "In Search of The Trojan War", pp. 142–143,187 by Michael Wood, 1985, published by BBC.

• Perseus Project: lexicon search for words [https://www.perseus.tufts.edu/hopper/resolveform?type=start&lookup=v&lang=greek starting with] or [https://www.perseus.tufts.edu/hopper/resolveform?type=substring&lookup=v&lang=greek containing] digamma

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Category:Greek letters