Digital Tape Recording System

{{Short description|Digital audio media format}}

{{Infobox storage medium

| name = Digital Tape Recording System

| logo =

| image =

| caption =

| type = Magnetic cassette tape

| encoding = Lossless real-time

| capacity =

| read = Rotating head

| write = Rotating head, helical scan

| standard =

| owner = TASCAM

| use = Professional digital audio

| extended from = Hi8

| extended to =

| released = {{Start date and age|1993}}

}}

Digital Tape Recording System (DTRS) is a signal recording and playback medium developed by TASCAM, a division of the TEAC Corporation, that was stored on Hi8 video cassettes. It allowed up to 108 minutes of continuous digital multitrack recording on a single tape.[http://www.silentway.com/definitive-guide-tascam-da-88-dtrs-format-recorders] {{Webarchive|url=https://web.archive.org/web/20200603210311/http://www.silentway.com/definitive-guide-tascam-da-88-dtrs-format-recorders |date=2020-06-03 }} The Definitive Guide to The Tascam DA-88 and DTRS-Format Recorders. Retrieved on 2012-05-10.

Overview

The first device to use the format was the DA-88. This modular, digital multitrack device uses tape as the recording medium and could record up to eight tracks simultaneously. It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for DA-98HR, suitable for recording high-resolution audio).[http://www.silentway.com/definitive-dtrs-guide-chapter-1-equipment-overview] The Definitive Guide to The Tascam DA-88 and DTRS-Format Recorders, Chapter 1: Equipment Overview. Retrieved on 2012-12-01.

In 1995, the TASCAM DA-88 won the Emmy award for technical excellence. The affordability and digital format of the DA-88 led to sales of more than 60,000 units by 1999. At that time, it was the biggest product in the history of TASCAM.Because of its reliability and durability, the DA-88 and its subsequent fellow units continue to be used by aficionados.

See also

References

{{reflist|refs=

{{cite book | first=Megan | last=Perry | year=2004 | page=131 | title=Wired: musicians' home studios: tools & techniques of the musical mavericks | publisher=Hal Leonard Corporation | isbn=0-87930-794-3 | url=https://books.google.com/books?id=qR_GKWABvkoC&pg=PA131 | access-date=2011-04-12 }}

{{cite book | first=Jodi | last=Summers | year=2004 | title=Making and marketing music: the musician's guide to financing, distributing, and promoting albums | edition=2nd | publisher=Allworth Communications, Inc | isbn=1-58115-387-2 | url=https://books.google.com/books?id=ZHjEM2TnuhAC&pg=PA129 | access-date=2011-04-12 }}

{{cite book | first=Randy | last=Alberts | year=2003 | title=TASCAM: 30 years of recording evolution | series=Recording and Audio Technology Series | publisher=Hal Leonard Corporation | isbn=0-634-01156-1 | url=https://books.google.com/books?id=xbA-0fAi20cC&pg=PA63 | access-date=2011-04-12 }}

{{cite news | first=Paul | last=Verna | date=September 11, 1999 | work=Billboard | title=Tascam Marks 25 Years of Audio Innovation | url=https://books.google.com/books?id=oggEAAAAMBAJ&pg=PT85 | access-date=2011-04-12 }}

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