Dike Blair

Blair was born in 1952 in New Castle, Pennsylvania. He studied art at the Skowhegan School of Painting and Sculpture, Whitney Museum independent study program, and University of Colorado, Boulder, and earned an MFA from School of the Art Institute of Chicago in 1977. He was part of the late 1970s New York art scene, performing at CBGB (1976) and frequenting art bars like Magoo’s, The Mudd Club and Barnabus Rex. His early artwork consisted of abstract, formalist wall works made of acrylics and enamels poured and sprayed onto paper, Masonite and glass.Cohen, Ronny H. [https://www.artforum.com/print/198007/energism-an-attitude-37720 "Energism: An Attitude,"] Artforum, September 1980, p. p. 17–23. Retrieved November 17, 2020.Cohen, Ronny H. [https://www.artforum.com/print/reviews/198201/dike-blair-65940 "Dike Blair,"] Artforum, January 1982, p. 78–80. Retrieved November 17, 2020.

In the early 1980s, he began—somewhat ironically—painting small, illusionistic gouaches of sailboats, initially from observation or memory, akin to Sunday painting. He eventually integrated them into wall constructions, shown at Baskerville + Watson (1986) and Cash/Newhouse (1987).Sturtevant, Alfred. "Dike Blair," Arts, April 1986.Heller, Sally. "Dike Blair," 108 An East Village Review, January 1987, p. 2. This work evolved into more widely known installations, such as his 1991 show at Ealan Wingate, based around photographs he took at Disney's Epcot. The show featured mixed-media images installed in a darkened room scored to Muzak, and decorated and carpeted in mauve with plants and suburban benches; reviews described it, alternately, as suffused with loss and nostalgia, soothing, and surprisingly spiritual.Hagen, Charles. [https://www.nytimes.com/1991/10/25/arts/art-in-review-353191.html?searchResultPosition=3 "Dike Blair,"] The New York Times, October 25, 1991, p. C5. Retrieved November 17, 2020.The New Yorker. "Goings On About Town: Photography," October 28, 1991. p. 84.

File:Dike_Blair_Untitled_2016.jpg

Blair's work has been shown at the Whitney Museum, Secession (Vienna), Weatherspoon Art Museum, Museum of Contemporary Art Los Angeles, and Centre Pompidou;Griffin, Tim. [https://www.artforum.com/print/200401/tim-griffin-talks-with-the-curators-of-the-2004-whitney-biennial-6035 "Tim Griffin talks with the curators of the 2004 Whitney Biennial,"] Artforum, January 2004, p. 57–9. Retrieved November 18, 2020.Abramovich, Alex. "Termite Art and the Modern Museum," The New Yorker, February 28, 2019.Leguillon, Pierre. "Purple Horizon," Beaux Arts, July 2000, p. 40. it belongs to the collections of the Whitney, Brooklyn Museum, and Los Angeles County Museum of Art, among others.Whitney Museum of American Art. [https://whitney.org/artists/9204 "Dike Blair,"] Artists. Retrieved November 20, 2020.Brooklyn Museum. [https://www.brooklynmuseum.org/opencollection/objects/114232 Lotus and Robot, Dike Blair], Collection. Retrieved November 20, 2020. He received a Guggenheim Fellowship in 2009 and the Rome Prize from the American Academy in Rome in 2010.Artforum. [https://www.artforum.com/news/guggenheim-fellows-announced-22500 "Guggenheim Fellows Announced,"] News, April 10, 2009. Retrieved November 18, 2020.American Academy in Rome. [https://www.aarome.org/news/features/glimpse-series-dike-blair-contemplates-japan-while-rome "The “Glimpse” Series: Dike Blair Contemplates Japan While in Rome,"] News. March 1, 2011. Retrieved November 20, 2020. He lives in New York with his wife, costume designer Marie Abma.Stillman, Steele. "In the Studio: Dike Blair," Art in America, September 2009. Retrieved November 17, 2020.

Blair's two bodies of work serve as counterpoints and foils for one another in regard to composition, color, texture and theme.Carlson, Ben. "Working Practice: Dike Blair." Modern Painters, June 2007, p. 128. His realistic, deadpan paintings (primarily untitled, painted in gouache, and derived from his own snapshots) are more literal, yet illusionistic; the Postminimal, installation-like sculpture is abstract, but concrete and painterly. Together they investigate oppositions and liminal spaces—between nature and architecture, inside and outside, fullness and emptiness—and themes including pleasure and boredom, escapism and transcendence, and the intersection of designed environments, mass experience and desire.Griffin, Tim. "The Intangible Economy: Ricci Albenda, Stephen Hendee, Dike Blair," Artext, 70, August–October 2000, p. 66–71.White, Roger. [https://brooklynrail.org/2004/05/artseen/dike-blaire "Dike Blair,"] The Brooklyn Rail, May 2004, p. 14. Retrieved November 17, 2020.

File:Dike_Blair_to_want_to_2005.jpg

Blair's earlier gouaches focus on diaristic, largely American scenes (bedside set-ups, cocktails, cigarette butt-littered ashtrays, soda cans, VHS tapes) and anodyne transitory environments (motels, lounges, lobbies, Las Vegas, Disneyland) that Roberta Smith characterizes as background and details at "the edges of a sophisticated, travel-weary terrain."Rian, Jeff. "Ouverture, Dike Blair," Flash Art, November/December 1997, p. 104.Saltz, Jerry. "Pulp Friction," The Village Voice, January 17–23, 2007. Village Voice critic Jerry Saltz writes that the paintings combine "a draftsman's attention to fact, a botanist's eye for type, and a detective's feel for telling clues," resulting in a no-man's-land genre "between illustration, photography, and forensic science." He likens the paintings to work by Richard Prince and Vija Celmins, while others make comparisons to the light and illusionism of Vermeer and the solitude of Edward Hopper.Smolik, Noemi. [https://www.artforum.com/print/reviews/201704/dike-blair-67394 "Dike Blair,"] Artforum, April 2017. Retrieved November 17, 2020. In later paintings, Blair turned to landscape, close-cropped flower images, views through obscured windows, and in the 2000s, to close-ups of eyes and nocturnal parking lots and snow scenes.Knight, Christopher. [https://www.latimes.com/entertainment/arts/la-et-galleries16-2008may16-story.html "Dike Blair at Mary Goldman Gallery,"] Los Angeles Times, May 16, 2008. Retrieved November 17, 2020. Christopher Knight describes these later works largely devoid of people as "brimming over with unconquerable wanderlust."

In the mid-1990s, Blair began producing décor-like works inspired by contemporary corporate and domestic design and guided by Japanese flower arrangement rules.Harrison, Helen. [https://www.nytimes.com/1999/10/10/nyregion/art-reviews-stepping-beyond-the-traditional-in-still-lifes.html?searchResultPosition=9 "Stepping Beyond the Traditional in Still Lifes,"] The New York Times, October 10, 1999, p. LI14. Retrieved November 17, 2020.Balaschak, Chris. [https://www.frieze.com/article/dike-blair "Dike Blair,"] Frieze, November/December 2005, p. 141. Retrieved November 17, 2020. They compress installation-work elements of light, material, color and image into discrete, hybrid sculptures that evoke interiors, furniture, drawing, architecture, landscapes and the human body.Dailey, Meghan. [https://www.artforum.com/print/reviews/200201/dike-blair-48155 "Dike Blair,"] Artforum, January 2002, p. 141. Retrieved November 18, 2020.Prince, Richard. "Window On Their World: Dike Blair Interviewed by Richard Prince," ArtReview, 2005, p. 78–81. Blair carefully manipulates elements such as electrical cords unfurling like lines across color-fields of industrial carpet, Plexiglas and plywood, lightboxes, shipping crates and lamps, seeking a balance in which objects retain their specificity yet read together as singular works.Williams, Gregory. [https://www.artforum.com/picks/dike-blair-1824 "Critics' Picks: Dike Blair,"]{{Dead link|date=February 2024 |bot=InternetArchiveBot |fix-attempted=yes }} Artforum, November 2001. Retrieved November 17, 2020. Paralleling his gouaches, the earlier sculptures examine themes involving atmosphere, designed space and consumer culture, while his post-2006 works take up phenomenological issues relating to the body, such as ocular versus corporeal experience of images, objects and space.

Blair's exhibitions at Feature (2001, 2004) and Mary Goldman (2005) inclined toward increasingly spare, refined presentation. They paired gouache paintings of lyrical water-streaked windows and flowers with electrical cord and geometric carpet lengths, glowing boxes and low-slung Minimalist objects, creating spaces that reviews describe as calming, mysterious and melancholic domestic tableaux (e.g. Some Of and And When, 2001; to want to, 2005). The Brooklyn Rail compared the effect of these exhibitions to the ambient music of artists such as Brian Eno, "tastefully calibrating" momentary experience, while remaining ambivalent about the consequences for subjectivity of living in a thoroughly designed world.

File:Dike_Blair_Untitled_2018.jpg

In the later 2000s, Blair placed greater emphasis on perceptual issues, introducing close-up paintings of women's eyes and painted shipping crates that simultaneously evoke functional objects, picture planes, space dividers, walls and figures.Gibson, David. [https://www.frieze.com/article/dike-blair-1 "Dike Blair,"] Frieze, September 2013, p. 172–3. Retrieved November 17, 2020. For the survey, "Dike Blair: Now and Again" (Weatherspoon Art Museum, 2009), he produced a subtly staged and lit experience involving two sculpture courts—mirror layouts to one another invoking the space in its entirety—that flanked a series of galleries housing his gouaches; Artforum described the show as an intimate and uncanny meditation on experiencing versus seeing, real versus illusionistic space. In exhibitions at Gagosian (2010], Feature (2013), Linn Lühn (2014) and Jürgen Becker Gallery (2017), Blair continued to expand the range of allusions and effects, painting crate-sculpture sides like pebbled-glass windows (Those and These, 2010), benday-dot print patterns sometimes suggesting peepholes (Dance, Dance, Dance, 2011), and minimal intimations of skies and landscapes (OHCE, 2014), which he adorned with paintings of eyes, interiors and other subjects.Fry, Naomi. [https://www.frieze.com/article/dike-blair-0 "Dike Blair,"] Frieze, November–December 2010. Retrieved November 17, 2020.Linn Lühn. [https://www.linnluehn.com/exhibitions/2014/dike-blair/index.html Dike Blair]. Exhibitions. Retrieved December 5, 2020.

In 2017, Blair suspended his work on sculpture and took up oil painting.Rian, Jeff. [https://purple.fr/magazine/the-brain-issue-33/dike-blair-by-olivier-zahm/ "Dike Blair,"] Purple, Issue #33, 2020. Retrieved December 1, 2020.The Modern Institute. [https://www.themoderninstitute.com/artists/dike-blair Dike Blair]. Retrieved December 5, 2020. The subjects of those paintings are consistent which his gouaches—sometimes the same image—but the oils have a different physicality, including very slight impasto and intaglio. Around the same time, he began producing drawings, something that had not previously been part of his practice.Blair, Dike. [https://www.worldcat.org/oclc/1150819117 Dike Blair: Drawings''], New York: Karma, 2019. Retrieved December 1, 2020.

Blair's professional activities include writing and teaching. He has contributed articles and reviews to Artforum,Artforum. [https://www.artforum.com/contributor/dike-blair Dike Blair], Contributor. Retrieved November 20, 2020. ARTnews,Blair, Dike. "Michael Goldberg," ARTnews, March 1991, p. 142–3. Art Press,Blair, Dike. "Flip-Flopping Fictions and the Interface of Some Spaces," Art Press, #21, 2000, p. 144–8. Bomb,Blair, Dike. [https://bombmagazine.org/articles/cameron-martin/ "Cameron Martin,"] Bomb, Fall 2007, p. 14. Retrieved November 20, 2020. Harpers,Blair, Dike and Michael Drake. [https://harpers.org/archive/2000/03/typing-test/ "Typing test,"] Harper's, March 2000, p. 32–5. Retrieved November 20, 2020. and Parkett,Blair, Dike. "A Reflection or Two (on Richard Prince)," Parkett, #72, 2004, p. 96–107. and served as contributing and associate editor for the Parisian magazine Purple, writing about design, music, technology, film, art and architecture.Blair, Dike. [https://purple.fr/magazine/ss-2008-issue-9/dan-colen/ "Dan Colen,"] Purple, Spring/Summer 2008, p. 352–3. Retrieved November 20, 2020.Blair, Dike. [https://purple.fr/magazine/fw-2014-issue-22/anti-column-by-dike-blair/ "Anti-Column,"] Purple, Fall/Winter 2014, p. 352–3. Retrieved November 20, 2020. He has also written the books Again: Selected Interviews and Essays (2007) and Punk (1978, with Isabelle Anscomber).Blair, Dike. [https://www.worldcat.org/oclc/144218122 Again : Selected Interviews and Essays], Chicago: Whitewalls, 2007. Retrieved November 20, 2020.Blair, Dike and Isabelle Anscomber. [https://www.worldcat.org/oclc/4004075 Punk], New York: Urizen Books, Inc., 1978. Retrieved November 20, 2020. Blair taught in the painting department at Rhode Island School of Design from 1997 to 2017, as well as at Art Institute of Boston, New York University, and University of Las Vegas.John Simon Guggenheim Memorial Foundation. [https://www.gf.org/fellows/all-fellows/dike-blair/ Dike Blair], Fellows. Retrieved November 17, 2020.

Blair has received a John S. Guggenheim Fellowship (2009), the American Academy in Rome Prize (2010), and fellowships from the Louis Comfort Tiffany Foundation (1995) and Mid-Atlantic Arts Foundation/National Endowment for the Arts (1988).Louis Comfort Tiffany Foundation. [http://louiscomforttiffanyfoundation.org/previouswinners_1995.html "1995,"] Previous Winners. Retrieved November 20, 2020. His work belongs to the public collections of the Whitney Museum, Brooklyn Museum, Los Angeles County Museum of Art, Dallas Museum of Art,Armstrong, Annie. [https://www.artnews.com/art-news/news/dallas-art-museum-adds-eight-works-to-collection-with-dallas-art-fair-acquisition-fund-12341/ "Dallas Art Museum Adds Eight Works to Collection with Dallas Art Fair Acquisition Fund,"] ARTnews, April 11, 2019. Retrieved November 20, 2020. Musee Des Beaux Arts La Chaux De Fonds (Switzerland), MUMOK (Vienna),MUMOK (Museum of Modern Art Stiftung Ludwig Wien). [https://www.mumok.at/de/dike-blair Dike Blair, Shine], Collection. Retrieved November 20, 2020. Museum of Contemporary Art Los Angeles,Museum of Contemporary Art Los Angeles. [https://www.moca.org/artist/dike-blair Dike Blair], Collection. Retrieved November 20, 2020. Portland Art Museum,Portland Art Museum. [http://www.portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=58818;type=101 Untitled (three panels), Dike Blair], Collections. Retrieved November 20, 2020. and Weatherspoon Art Museum, among others.Weatherspoon Art Museum. [https://weatherspoonartmuseum.org/artist-maker/info/2270 Dike Blair], Artist. Retrieved November 20, 2020.

{{reflist}}

• [https://blair.thing.net/index.html Dike Blair] official website
• [https://www.gf.org/fellows/all-fellows/dike-blair/ Dike Blair] Guggenheim Fellowship page
• [https://karmakarma.org/artists/dike-blair/ Dike Blair artist page], Karma
• [https://gagosian.com/artists/dike-blair/ Dike Blair artist page], Gagosian
• [https://www.galeriebecker.de/kuenstler/dike-blair Dike Blair artist page], Jürgen Becker Gallery
• [http://www.artinamericamagazine.com/features/dike-blair-with-steel-stillman/ "DIKE BLAIR WITH STEEL STILLMAN"], Art in America 9/18/09

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Category:20th-century American painters

Category:American male painters

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Category:21st-century American sculptors

Category:American conceptual artists

Category:Painters from New York City

Category:American male sculptors

Category:Rhode Island School of Design faculty

Category:School of the Art Institute of Chicago alumni

Category:1952 births

Category:Living people

Category:20th-century American male artists

Category:Skowhegan School of Painting and Sculpture alumni